history essay techniques

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19 Standards of Historical Writing

In this chapter, you will learn the basic expectations for writing an undergrad history research paper. At this point in your college career, you’ve likely had a great deal of instruction about writing and you may be wondering why this chapter is here. There are at least three reasons:

• For some of you, those lessons about writing came before you were ready to appreciate or implement them. If you know your writing skills are weak, you should not only pay close attention to this chapter, but also submit early drafts of your work to the History Tutoring Center (at UTA) or another writing coach. Only practice and multiple drafts will improve those skills.
• Those of you who were paying attention in composition courses know the basics, but may lack a good understanding of the format and approach of scholarly writing in history. Other disciplines permit more generalities and relaxed associations than history, which is oriented toward specific contexts and (often, but not always) linear narratives. Moreover, because historians work in a subject often read by non-academics, they place a greater emphasis on clearing up jargon and avoiding convoluted sentence structure. In other words, the standards of historical writing are high and the guidelines that follow will help you reach them.
• Every writer, no matter how confident or experienced, faces writing blocks. Going back to the fundamental structures and explanations may help you get past the blank screen by supplying prompts to help you get started.

As you read the following guide, keep in mind that it represents only our perspective on the basic standards. In all writing, even history research papers, there is room for stylistic variation and elements of a personal style. But one of the standards of historical writing is that only those who fully understand the rules can break them successfully. If you regularly violate the rule against passive voice verb construction or the need for full subject-predicate sentences, you cannot claim the use of sentence fragments or passive voice verbs is “just your style.” Those who normally observe those grammatical rules, in contrast, might on occasion violate them for effect. The best approach is first to demonstrate to your instructor that you can follow rules of grammar and essay structure before you experiment or stray too far from the advice below.

Introductions

Introductions are nearly impossible to get right the first time. Thus, one of the best strategies for writing an introduction to your history essay is to keep it “bare bones” in the first draft, initially working only toward a version that covers the basic requirements. After you’ve written the full paper (and realized what you’re really trying to say, which usually differs from your initial outline), you can come back to the intro and re-draft it accordingly. However, don’t use the likelihood of re-writing your first draft to avoid writing one. Introductions provide templates not only for your readers, but also for you, the writer. A decent “bare bones” introduction can minimize writer’s block as a well-written thesis statement provides a road map for each section of the paper.

So what are the basic requirements? In an introduction, you must:

• Pose a worthwhile question or problem that engages your reader
• Establish that your sources are appropriate for answering the question, and thus that you are a trustworthy guide without unfair biases
• Convince your reader that they will be able to follow your explanation by laying out a clear thesis statement.

Engaging readers in an introduction

When you initiated your research, you asked questions as a part of the process of narrowing your topic (see the “Choosing and Narrowing a Topic” chapter for more info). If all went according to plan, the information you found as you evaluated your primary sources allowed you to narrow your question further, as well as arrive at a plausible answer, or explanation for the problem you posed. (If it didn’t, you’ll need to repeat the process, and either vary your questions or expand your sources. Consult your instructor, who can help identify what contribution your research into a set of primary sources can achieve.) The key task for your introduction is to frame your narrowed research question—or, in the words of some composition instructors, the previously assumed truth that your inquiries have destabilized—in a way that captures the attention of your readers. Common approaches to engaging readers include:

• Telling a short story (or vignette) from your research that illustrates the tension between what readers might have assumed before reading your paper and what you have found to be plausible instead.
• Stating directly what others believe to be true about your topic—perhaps using a quote from a scholar of the subject—and then pointing immediately to an aspect of your research that puts that earlier explanation into doubt.
• Revealing your most unexpected finding, before moving to explain the source that leads you to make the claim, then turning to the ways in which this finding expands our understanding of your topic.

What you do NOT want to do is begin with a far-reaching transhistorical claim about human nature or an open-ended rhetorical question about the nature of history. Grand and thus unprovable claims about “what history tells us” do not inspire confidence in readers. Moreover, such broadly focused beginnings require too much “drilling down” to get to your specific area of inquiry, words that risk losing readers’ interest. Last, beginning with generic ideas is not common to the discipline. Typical essay structures in history do not start broadly and steadily narrow over the course of the essay, like a giant inverted triangle. If thinking in terms of a geometric shape helps you to conceptualize what a good introduction does, think of your introduction as the top tip of a diamond instead. In analytical essays based on research, many history scholars begin with the specific circumstances that need explaining, then broaden out into the larger implications of their findings, before returning to the specifics in their conclusions—following the shape of a diamond.

Clear Thesis Statements

Under the standards of good scholarly writing in the United States—and thus those that should guide your paper—your introduction contains the main argument you will make in your essay. Elsewhere—most commonly in European texts—scholars sometimes build to their argument and reveal it fully only in the conclusion. Do not follow this custom in your essay. Include a well-written thesis statement somewhere in your introduction; it can be the first sentence of your essay, toward the end of the first paragraph, or even a page or so in, should you begin by setting the stage with a vignette. Wherever you place it, make sure your thesis statement meets the following standards:

A good thesis statement :

• Could be debated by informed scholars : Your claim should not be so obvious as to be logically impossible to argue against. Avoid the history equivalent of “the sky was blue.”
• Can be proven with the evidence at hand : In the allotted number of pages, you will need to introduce and explain at least three ways in which you can support your claim, each built on its own pieces of evidence. Making an argument about the role of weather on the outcome of the Civil War might be intriguing, given that such a claim questions conventional explanations for the Union’s victory. But a great deal of weather occurred in four years and Civil War scholars have established many other arguments you would need to counter, making such an argument impossible to establish in the length of even a long research paper. But narrowing the claim—to a specific battle or from a single viewpoint—could make such an argument tenable. Often in student history papers, the thesis incorporates the main primary source into the argument. For example, “As his journal and published correspondence between 1861 and 1864 reveal, Colonel Mustard believed that a few timely shifts in Tennessee’s weather could have altered the outcome of the war.”
• Is specific without being insignificant : Along with avoiding the obvious, stay away from the arcane. “Between 1861 and 1864, January proved to be the worst month for weather in Central Tennessee.” Though this statement about the past is debatable and possible to support with evidence about horrible weather in January and milder-by-comparison weather in other months, it lacks import because it’s not connected to knowledge that concerns historians. Thesis statements should either explicitly or implicitly speak to current historical knowledge—which they can do by refining, reinforcing, nuancing, or expanding what (an)other scholar(s) wrote about a critical event or person.
• P rovide s a “roadmap” to readers : Rather than just state your main argument, considering outlining the key aspects of it, each of which will form a main section of the body of the paper. When you echo these points in transitions between sections, readers will realize they’ve completed one aspect of your argument and are beginning a new part of it. To demonstrate this practice by continuing the fictional Colonel Mustard example above: “As his journal and published correspondence between 1861 and 1864 reveals, Colonel Mustard believed that Tennessee’s weather was critical to the outcome of the Civil War. He linked both winter storms and spring floods in Tennessee to the outcome of key battles and highlighted the weather’s role in tardy supply transport in the critical year of 1863.” Such a thesis cues the reader that evidence and explanations about 1) winter storms; 2) spring floods; and 3) weather-slowed supply transport that will form the main elements of the essay.

Thesis Statement Practice

More Thesis Statement Practice

The Body of the Paper

What makes a good paragraph.

While an engaging introduction and solid conclusion are important, the key to drafting a good essay is to write good paragraphs. That probably seems obvious, but too many students treat paragraphs as just a collection of a few sentences without considering the logic and rules that make a good paragraph. In essence, in a research paper such as the type required in a history course, for each paragraph you should follow the same rules as the paper itself. That is, a good paragraph has a topic sentence, evidence that builds to make a point, and a conclusion that ties the point to the larger argument of the paper. On one hand, given that it has so much work to do, paragraphs are three sentences , at a minimum . On the other hand, because paragraphs should be focused to making a single point, they are seldom more than six to seven sentences . Though rules about number of sentences are not hard and fast, keeping the guidelines in mind can help you construct tightly focused paragraphs in which your evidence is fully explained.

Topic sentences

The first sentence of every paragraph in a research paper (or very occasionally the second) should state a claim that you will defend in the paragraph . Every sentence in the paragraph should contribute to that topic. If you read back over your paragraph and find that you have included several different ideas, the paragraph lacks focus. Go back, figure out the job that this paragraph needs to do—showing why an individual is important, establishing that many accept an argument that you plan on countering, explaining why a particular primary source can help answer your research question, etc. Then rework your topic sentence until it correctly frames the point you need to make. Next, cut out (and likely move) the sentences that don’t contribute to that outcome. The sentences you removed may well help you construct the next paragraph, as they could be important ideas, just not ones that fit with the topic of the current paragraph. Every sentence needs to be located in a paragraph with a topic sentence that alerts the reader about what’s to come.

Transitions/Bridges/Conclusion sentences in paragraphs

All good writers help their readers by including transition sentences or phrases in their paragraphs, often either at the paragraph’s end or as an initial phrase in the topic sentence. A transition sentence can either connect two sections of the paper or provide a bridge from one paragraph to the next. These sentences clarify how the evidence discussed in the paragraph ties into the thesis of the paper and help readers follow the argument. Such a sentence is characterized by a clause that summarizes the info above, and points toward the agenda of the next paragraph. For example, if the current section of your paper focused on the negative aspects of your subject’s early career, but your thesis maintains he was a late-developing military genius, a transition between part one (on the negative early career) and part two (discussing your first piece of evidence revealing genius) might note that “These initial disastrous strategies were not a good predictor of General Smith’s mature years, however, as his 1841 experience reveals.” Such a sentence underscores for the reader what has just been argued (General Smith had a rough start) and sets up what’s to come (1841 was a critical turning point).

Explaining Evidence

Just as transitional sentences re-state points already made for clarity’s sake, “stitching” phrases or sentences that set-up and/or follow quotations from sources provide a certain amount of repetition. Re-stating significant points of analysis using different terms is one way you explain your evidence. Another way is by never allowing a quote from a source to stand on its own, as though its meaning was self-evident. It isn’t and indeed, what you, the writer, believes to be obvious seldom is. When in doubt, explain more.

For more about when to use a quotation and how to set it up see “How to quote” in the next section on Notes and Quotation.”

Conclusio ns

There exists one basic rule for conclusions: Summarize the paper you have written . Do not introduce new ideas, launch briefly into a second essay based on a different thesis, or claim a larger implication based on research not yet completed. This final paragraph is NOT a chance to comment on “what history tells us” or other lessons for humankind. Your conclusion should rest, more or less, on your thesis, albeit using different language from the introduction and evolved, or enriched, by examples discussed throughout the paper. Keep your conclusion relevant and short, and you’ll be fine.

For a checklist of things you need before you write or a rubric to evaluate your writing click here

How History is Made: A Student’s Guide to Reading, Writing, and Thinking in the Discipline Copyright © 2022 by Stephanie Cole; Kimberly Breuer; Scott W. Palmer; and Brandon Blakeslee is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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How to Write a History Essay

Last Updated: December 27, 2022 Fact Checked

This article was co-authored by Emily Listmann, MA . Emily Listmann is a Private Tutor and Life Coach in Santa Cruz, California. In 2018, she founded Mindful & Well, a natural healing and wellness coaching service. She has worked as a Social Studies Teacher, Curriculum Coordinator, and an SAT Prep Teacher. She received her MA in Education from the Stanford Graduate School of Education in 2014. Emily also received her Wellness Coach Certificate from Cornell University and completed the Mindfulness Training by Mindful Schools. There are 8 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 246,185 times.

Writing a history essay requires you to include a lot of details and historical information within a given number of words or required pages. It's important to provide all the needed information, but also to present it in a cohesive, intelligent way. Know how to write a history essay that demonstrates your writing skills and your understanding of the material.

Preparing to Write Your Essay

• The key words will often need to be defined at the start of your essay, and will serve as its boundaries. [2] X Research source
• For example, if the question was "To what extent was the First World War a Total War?", the key terms are "First World War", and "Total War".
• Do this before you begin conducting your research to ensure that your reading is closely focussed to the question and you don't waste time.

• Explain: provide an explanation of why something happened or didn't happen.
• Interpret: analyse information within a larger framework to contextualise it.
• Evaluate: present and support a value-judgement.
• Argue: take a clear position on a debate and justify it. [3] X Research source

• Your thesis statement should clearly address the essay prompt and provide supporting arguments. These supporting arguments will become body paragraphs in your essay, where you’ll elaborate and provide concrete evidence. [4] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source
• Your argument may change or become more nuanced as your write your essay, but having a clear thesis statement which you can refer back to is very helpful.
• For example, your summary could be something like "The First World War was a 'total war' because civilian populations were mobilized both in the battlefield and on the home front".

• Pick out some key quotes that make your argument precisely and persuasively. [5] X Research source
• When writing your plan, you should already be thinking about how your essay will flow, and how each point will connect together.

Doing Your Research

• Primary source material refers to any texts, films, pictures, or any other kind of evidence that was produced in the historical period, or by someone who participated in the events of the period, that you are writing about.
• Secondary material is the work by historians or other writers analysing events in the past. The body of historical work on a period or event is known as the historiography.
• It is not unusual to write a literature review or historiographical essay which does not directly draw on primary material.
• Typically a research essay would need significant primary material.

• Start with the core texts in your reading list or course bibliography. Your teacher will have carefully selected these so you should start there.
• Look in footnotes and bibliographies. When you are reading be sure to pay attention to the footnotes and bibliographies which can guide you to further sources a give you a clear picture of the important texts.
• Use the library. If you have access to a library at your school or college, be sure to make the most of it. Search online catalogues and speak to librarians.
• Access online journal databases. If you are in college it is likely that you will have access to academic journals online. These are an excellent and easy to navigate resources.
• Use online sources with discretion. Try using free scholarly databases, like Google Scholar, which offer quality academic sources, but avoid using the non-trustworthy websites that come up when you simply search your topic online.
• Avoid using crowd-sourced sites like Wikipedia as sources. However, you can look at the sources cited on a Wikipedia page and use them instead, if they seem credible.

• Who is the author? Is it written by an academic with a position at a University? Search for the author online.
• Who is the publisher? Is the book published by an established academic press? Look in the cover to check the publisher, if it is published by a University Press that is a good sign.
• If it's an article, where is published? If you are using an article check that it has been published in an academic journal. [8] X Research source
• If the article is online, what is the URL? Government sources with .gov addresses are good sources, as are .edu sites.

• Ask yourself why the author is making this argument. Evaluate the text by placing it into a broader intellectual context. Is it part of a certain tradition in historiography? Is it a response to a particular idea?
• Consider where there are weaknesses and limitations to the argument. Always keep a critical mindset and try to identify areas where you think the argument is overly stretched or the evidence doesn't match the author's claims. [9] X Research source

• Label all your notes with the page numbers and precise bibliographic information on the source.
• If you have a quote but can't remember where you found it, imagine trying to skip back through everything you have read to find that one line.
• If you use something and don't reference it fully you risk plagiarism. [10] X Research source

Writing the Introduction

• For example you could start by saying "In the First World War new technologies and the mass mobilization of populations meant that the war was not fought solely by standing armies".
• This first sentences introduces the topic of your essay in a broad way which you can start focus to in on more.

• This will lead to an outline of the structure of your essay and your argument.
• Here you will explain the particular approach you have taken to the essay.
• For example, if you are using case studies you should explain this and give a brief overview of which case studies you will be using and why.

Writing the Essay

• Try to include a sentence that concludes each paragraph and links it to the next paragraph.
• When you are organising your essay think of each paragraph as addressing one element of the essay question.
• Keeping a close focus like this will also help you avoid drifting away from the topic of the essay and will encourage you to write in precise and concise prose.
• Don't forget to write in the past tense when referring to something that has already happened.

• Don't drop a quote from a primary source into your prose without introducing it and discussing it, and try to avoid long quotations. Use only the quotes that best illustrate your point.
• If you are referring to a secondary source, you can usually summarise in your own words rather than quoting directly.
• Be sure to fully cite anything you refer to, including if you do not quote it directly.

• Think about the first and last sentence in every paragraph and how they connect to the previous and next paragraph.
• Try to avoid beginning paragraphs with simple phrases that make your essay appear more like a list. For example, limit your use of words like: "Additionally", "Moreover", "Furthermore".
• Give an indication of where your essay is going and how you are building on what you have already said. [15] X Research source

• Briefly outline the implications of your argument and it's significance in relation to the historiography, but avoid grand sweeping statements. [16] X Research source
• A conclusion also provides the opportunity to point to areas beyond the scope of your essay where the research could be developed in the future.

Proofreading and Evaluating Your Essay

• Try to cut down any overly long sentences or run-on sentences. Instead, try to write clear and accurate prose and avoid unnecessary words.
• Concentrate on developing a clear, simple and highly readable prose style first before you think about developing your writing further. [17] X Research source
• Reading your essay out load can help you get a clearer picture of awkward phrasing and overly long sentences. [18] X Research source

• When you read through your essay look at each paragraph and ask yourself, "what point this paragraph is making".
• You might have produced a nice piece of narrative writing, but if you are not directly answering the question it is not going to help your grade.

• A bibliography will typically have primary sources first, followed by secondary sources. [19] X Research source
• Double and triple check that you have included all the necessary references in the text. If you forgot to include a reference you risk being reported for plagiarism.

Sample Essay

Community Q&A

You Might Also Like

• ↑ http://www.historytoday.com/robert-pearce/how-write-good-history-essay
• ↑ https://www.hamilton.edu/academics/centers/writing/writing-resources/writing-a-good-history-paper
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/thesis_statement_tips.html
• ↑ http://history.rutgers.edu/component/content/article?id=106:writing-historical-essays-a-guide-for-undergraduates
• ↑ https://guides.lib.uw.edu/c.php?g=344285&p=2580599
• ↑ http://www.hamilton.edu/documents/writing-center/WritingGoodHistoryPaper.pdf
• ↑ http://www.bowdoin.edu/writing-guides/
• ↑ https://www.wgtn.ac.nz/hppi/publications/Writing-History-Essays.pdf

About This Article

To write a history essay, read the essay question carefully and use source materials to research the topic, taking thorough notes as you go. Next, formulate a thesis statement that summarizes your key argument in 1-2 concise sentences and create a structured outline to help you stay on topic. Open with a strong introduction that introduces your thesis, present your argument, and back it up with sourced material. Then, end with a succinct conclusion that restates and summarizes your position! For more tips on creating a thesis statement, read on! Did this summary help you? Yes No

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Writing a history essay

An essay is a piece of sustained writing in response to a question, topic or issue. Essays are commonly used for assessing and evaluating student progress in history. History essays test a range of skills including historical understanding, interpretation and analysis, planning, research and writing.

To write an effective essay, students should examine the question, understand its focus and requirements, acquire information and evidence through research, then construct a clear and well-organised response. Writing a good history essay should be rigorous and challenging, even for stronger students. As with other skills, essay writing develops and improves over time. Each essay you complete helps you become more competent and confident in exercising these skills.

Study the question

This is an obvious tip but one sadly neglected by some students. The first step to writing a good essay, whatever the subject or topic, is to give plenty of thought to the question.

An essay question will set some kind of task or challenge. It might ask you to explain the causes and/or effects of a particular event or situation. It might ask if you agree or disagree with a statement. It might ask you to describe and analyse the causes and/or effects of a particular action or event. Or it might ask you to evaluate the relative significance of a person, group or event.

You should begin by reading the essay question several times. Underline, highlight or annotate keywords or terms in the text of the question. Think about what it requires you to do. Who or what does it want you to concentrate on? Does it state or imply a particular timeframe? What problem or issue does it want you to address?

Begin with a plan

Every essay should begin with a written plan. Start constructing a plan as soon as you have received your essay question and given it some thought.

Prepare for research by brainstorming and jotting down your thoughts and ideas. What are your initial responses or thoughts about the question? What topics, events, people or issues are connected with the question? Do any additional questions or issues flow from the question? What topics or events do you need to learn more about? What historians or sources might be useful?

If you encounter a mental ‘brick wall’ or are uncertain about how to approach the question, don’t hesitate to discuss it with someone else. Consult your teacher, a capable classmate or someone you trust. Bear in mind too that once you start researching, your plan may change as you locate new information.

Start researching

After studying the question and developing an initial plan, start to gather information and evidence.

Most will start by reading an overview of the topic or issue, usually in some reliable secondary sources. This will refresh or build your existing understanding of the topic and provide a basis for further questions or investigation.

Your research should take shape from here, guided by the essay question and your own planning. Identify terms or concepts you do not know and find out what they mean. As you locate information, ask yourself if it is relevant or useful for addressing the question. Be creative with your research, looking in a variety of places.

If you have difficulty locating information, seek advice from your teacher or someone you trust.

Develop a contention

All good history essays have a clear and strong contention. A contention is the main idea or argument of your essay. It serves both as an answer to the question and the focal point of your writing.

Ideally, you should be able to express your contention as a single sentence. For example, the following contention might form the basis of an essay question on the rise of the Nazis:

Q. Why did the Nazi Party win 37 per cent of the vote in July 1932? A. The Nazi Party’s electoral success of 1932 was a result of economic suffering caused by the Great Depression, public dissatisfaction with the Weimar Republic’s democratic political system and mainstream parties, and Nazi propaganda that promised a return to traditional social, political and economic values.

An essay using this contention would then go on to explain and justify these statements in greater detail. It will also support the contention with argument and evidence.

At some point in your research, you should begin thinking about a contention for your essay. Remember, you should be able to express it briefly as if addressing the essay question in a single sentence, or summing up in a debate.

Try to frame your contention so that is strong, authoritative and convincing. It should sound like the voice of someone well informed about the subject and confident about their answer.

Plan an essay structure

Once most of your research is complete and you have a strong contention, start jotting down a possible essay structure. This need not be complicated, a few lines or dot points is ample.

Every essay must have an introduction, a body of several paragraphs and a conclusion. Your paragraphs should be well organised and follow a logical sequence.

You can organise paragraphs in two ways: chronologically (covering events or topics in the order they occurred) or thematically (covering events or topics based on their relevance or significance). Every paragraph should be clearly signposted in the topic sentence.

Once you have finalised a plan for your essay, commence your draft.

Write a compelling introduction

Many consider the introduction to be the most important part of an essay. It is important for several reasons. It is the reader’s first experience of your essay. It is where you first address the question and express your contention. It is also where you lay out or ‘signpost’ the direction your essay will take.

Aim for an introduction that is clear, confident and punchy. Get straight to the point – do not waste time with a rambling or storytelling introduction.

Start by providing a little context, then address the question, articulate your contention and indicate what direction your essay will take.

Write fully formed paragraphs

Many history students fall into the trap of writing short paragraphs, sometimes containing as little as one or two sentences. A good history essay contains paragraphs that are themselves ‘mini-essays’, usually between 100-200 words each.

A paragraph should focus on one topic or issue only – but it should contain a thorough exploration of that topic or issue.

A good paragraph will begin with an effective opening sentence, sometimes called a topic sentence or signposting sentence. This sentence introduces the paragraph topic and briefly explains its significance to the question and your contention. Good paragraphs also contain thorough explanations, some analysis and evidence, and perhaps a quotation or two.

Finish with an effective conclusion

The conclusion is the final paragraph of your essay. A good conclusion should do two things. First, it should reiterate or restate the contention of your essay. Second, it should close off your essay, ideally with a polished ending that is not abrupt or awkward.

One effective way to do this is with a brief summary of ‘what happened next’. For example, an essay discussing Hitler’s rise to power in 1933 might close with a couple of sentences about how he consolidated and strengthened his power in 1934-35.

Your conclusion need not be as long or as developed as your body paragraphs. You should avoid introducing new information or evidence in the conclusion.

Reference and cite your sources

A history essay is only likely to succeed if it is appropriately referenced. Your essay should support its information, ideas and arguments with citations or references to reliable sources.

Referencing not only acknowledges the work of others, but it also gives authority to your writing and provides the teacher or assessor with an insight into your research. More information on referencing a piece of history writing can be found here .

Proofread, edit and seek feedback

Every essay should be proofread, edited and, if necessary, re-drafted before being submitted for assessment. Essays should ideally be completed well before their due date then put aside for a day or two before proofreading.

When proofreading, look first for spelling and grammatical errors, typographical mistakes, incorrect dates or other errors of fact.

Think then about how you can improve the clarity, tone and structure of your essay. Does your essay follow a logical structure or sequence? Is the signposting in your essay clear and effective? Are some sentences too long or ‘rambling’? Do you repeat yourself? Do paragraphs need to be expanded, fine-tuned or strengthened with more evidence?

Read your essay aloud, either to yourself or another person. Seek feedback and advice from a good writer or someone you trust (they need not have expertise in history, only in effective writing).

Some general tips on writing

• Always write in the third person . Never refer to yourself personally, using phrases like “I think…” or “It is my contention…”. Good history essays should adopt the perspective of an informed and objective third party. They should sound rational and factual – not like an individual expressing their opinion.
• Always write in the past tense . An obvious tip for a history essay is to write in the past tense. Always be careful about your use of tense. Watch out for mixed tenses when proofreading your work. One exception to the rule about past tense is when writing about the work of modern historians (for example, “Kershaw writes…” sounds better than “Kershaw wrote…” or “Kershaw has written…”).
• Avoid generalisations . Generalisation is a problem in all essays but it is particularly common in history essays. Generalisation occurs when you form general conclusions from one or more specific examples. In history, this most commonly occurs when students study the experiences of a particular group, then assume their experiences applied to a much larger group – for example, “All the peasants were outraged”, “Women rallied to oppose conscription” or “Germans supported the Nazi Party”. Both history and human society, however, are never this clear cut or simple. Always try to avoid generalisation and be on the lookout for generalised statements when proofreading.
• Write short, sharp and punchy . Good writers vary their sentence length but as a rule of thumb, most of your sentences should be short and punchy. The longer a sentence becomes, the greater the risk of it becoming long-winded or confusing. Long sentences can easily become disjointed, confused or rambling. Try not to overuse long sentences and pay close attention to sentence length when proofreading.
• Write in an active voice . In history writing, the active voice is preferable to the passive voice. In the active voice, the subject completes the action (e.g. “Hitler [the subject] initiated the Beer Hall putsch [the action] to seize control of the Bavarian government”). In the passive voice, the action is completed by the subject (“The Beer Hall putsch [the action] was initiated by Hitler [the subject] to seize control of the Bavarian government”). The active voice also helps prevent sentences from becoming long, wordy and unclear.

You may also find our page on writing for history useful.

Citation information Title : ‘Writing a history essay’ Authors : Jennifer Llewellyn, Steve Thompson Publisher : Alpha History URL : https://alphahistory.com/writing-a-history-essay/ Date published : April 13, 2020 Date updated : December 20, 2022 Date accessed : Today’s date Copyright : The content on this page may not be republished without our express permission. For more information on usage, please refer to our Terms of Use.

Steps for Writing a History Paper

Writing a history paper is a process.  Successful papers are not completed in a single moment of genius or inspiration, but are developed over a series of steps.  When you first read a paper prompt, you might feel overwhelmed or intimidated.  If you think of writing as a process and break it down into smaller steps, you will find that paper-writing is manageable, less daunting, and even enjoyable.  Writing a history paper is your opportunity to do the real work of historians, to roll up your sleeves and dig deep into the past.

What is a History paper?

History papers are driven by arguments.  In a history class, even if you are not writing a paper based on outside research, you are still writing a paper that requires some form of argument.  For example, suppose your professor has asked you to write a paper discussing the differences between colonial New England and colonial Virginia.  It might seem like this paper is straightforward and does not require an argument, that it is simply a matter of finding the “right answer.”  However, even here you need to construct a paper guided by a larger argument.  You might argue that the main differences between colonial New England and Virginia were grounded in contrasting visions of colonization.  Or you might argue that the differences resulted from accidents of geography or from extant alliances between regional Indian groups.  Or you might make an argument that draws on all of these factors.  Regardless, when you make these types of assertions, you are making an argument that requires historical evidence.  Any history paper you write will be driven by an argument demanding evidence from sources.

History writing assignments can vary widely–and you should always follow your professor’s specific instructions–but the following steps are designed to help no matter what kind of history paper you are writing.  Remember that the staff of the History Writing Center is here to assist you at any stage of the writing process.

• Sometimes professors distribute prompts with several sub-questions surrounding the main question they want you to write about.  The sub-questions are designed to help you think about the topic.  They offer ideas you might consider, but they are not, usually, the key question or questions you need to answer in your paper.  Make sure you distinguish the key questions from the sub-questions.  Otherwise, your paper may sound like a laundry list of short-answer essays rather than a cohesive argument. A helpful way to hone in on the key question is to look for action verbs, such as “analyze” or “investigate” or “formulate.”  Find such words in the paper prompt and circle them.  Then, carefully consider what you are being asked to do.  Write out the key question at the top of your draft and return to it often, using it to guide you in the writing process.  Also, be sure that you are responding to every part of the prompt.  Prompts will often have several questions you need to address in your paper.  If you do not cover all aspects, then you are not responding fully to the assignment.  For more information, visit our section, “Understanding Paper Prompts.”
• Before you even start researching or drafting, take a few minutes to consider what you already know about the topic.  Make a list of ideas or draw a cluster diagram, using circles and arrows to connect ideas–whatever method works for you.  At this point in the process, it is helpful to write down all of your ideas without stopping to judge or analyze each one in depth.  You want to think big and bring in everything you know or suspect about the topic.  After you have finished, read over what you have created.  Look for patterns or trends or questions that keep coming up.  Based on what you have brainstormed, what do you still need to learn about the topic?  Do you have a tentative argument or response to the paper prompt?  Use this information to guide you as you start your research and develop a thesis.
• Depending on the paper prompt, you may be required to do outside research or you may be using only the readings you have done in class.  Either way, start by rereading the relevant materials from class.  Find the parts from the textbook, from the primary source readings, and from your notes that relate to the prompt. If you need to do outside research, the UCLA library system offers plenty of resources.  You can begin by plugging key words into the online library catalog.  This process will likely involve some trial and error.  You will want to use search terms that are specific enough to address your topic without being so narrow that you get no results.  If your keywords are too general, you may receive thousands of results and feel overwhelmed.  To help you narrow your search, go back to the key questions in the essay prompt that you wrote down in Step 1.  Think about which terms would help you respond to the prompt.  Also, look at the language your professor used in the prompt.  You might be able to use some of those same words as search terms. Notice that the library website has different databases you can search depending on what type of material you need (such as scholarly articles, newspapers, books) and what subject and time period you are researching (such as eighteenth-century England or ancient Rome).  Searching the database most relevant to your topic will yield the best results.  Visit the library’s History Research Guide for tips on the research process and on using library resources.  You can also schedule an appointment with a librarian to talk specifically about your research project.  Or, make an appointment with staff at the History Writing Center for research help.  Visit our section about using electronic resources as well.
• By this point, you know what the prompt is asking, you have brainstormed possible responses, and you have done some research.  Now you need to step back, look at the material you have, and develop your argument.  Based on the reading and research you have done, how might you answer the question(s) in the prompt?  What arguments do your sources allow you to make?  Draft a thesis statement in which you clearly and succinctly make an argument that addresses the prompt. If you find writing a thesis daunting, remember that whatever you draft now is not set in stone.  Your thesis will change.  As you do more research, reread your sources, and write your paper, you will learn more about the topic and your argument.  For now, produce a “working thesis,” meaning, a thesis that represents your thinking up to this point.  Remember it will almost certainly change as you move through the writing process.  For more information, visit our section about thesis statements.  Once you have a thesis, you may find that you need to do more research targeted to your specific argument.  Revisit some of the tips from Step 3.
• Now that you have a working thesis, look back over your sources and identify which ones are most critical to you–the ones you will be grappling with most directly in order to make your argument.  Then, annotate them.  Annotating sources means writing a paragraph that summarizes the main idea of the source as well as shows how you will use the source in your paper.  Think about what the source does for you.  Does it provide evidence in support of your argument?  Does it offer a counterpoint that you can then refute, based on your research?  Does it provide critical historical background that you need in order to make a point?  For more information about annotating sources, visit our section on annotated bibliographies. While it might seem like this step creates more work for you by having to do more writing, it in fact serves two critical purposes: it helps you refine your working thesis by distilling exactly what your sources are saying, and it helps smooth your writing process.  Having dissected your sources and articulated your ideas about them, you can more easily draw upon them when constructing your paper.  Even if you do not have to do outside research and are limited to working with the readings you have done in class, annotating sources is still very useful.  Write down exactly how a particular section in the textbook or in a primary source reader will contribute to your paper.
• An outline is helpful in giving you a sense of the overall structure of your paper and how best to organize your ideas.  You need to decide how to arrange your argument in a way that will make the most sense to your reader.  Perhaps you decide that your argument is most clear when presented chronologically, or perhaps you find that it works best with a thematic approach.  There is no one right way to organize a history paper; it depends entirely on the prompt, on your sources, and on what you think would be most clear to someone reading it. An effective outline includes the following components: the research question from the prompt (that you wrote down in Step 1), your working thesis, the main idea of each body paragraph, and the evidence (from both primary and secondary sources) you will use to support each body paragraph.  Be as detailed as you can when putting together your outline.

If you have trouble getting started or are feeling overwhelmed, try free writing.  Free writing is a low-stakes writing exercise to help you get past the blank page.  Set a timer for five or ten minutes and write down everything you know about your paper: your argument, your sources, counterarguments, everything.  Do not edit or judge what you are writing as you write; just keep writing until the timer goes off.  You may be surprised to find out how much you knew about your topic.  Of course, this writing will not be polished, so do not be tempted to leave it as it is.  Remember that this draft is your first one, and you will be revising it.

A particularly helpful exercise for global-level revision is to make a reverse outline, which will help you look at your paper as a whole and strengthen the way you have organized and substantiated your argument.  Print out your draft and number each of the paragraphs.  Then, on a separate piece of paper, write down each paragraph number and, next to it, summarize in a phrase or a sentence the main idea of that paragraph.  As you produce this list, notice if any paragraphs attempt to make more than one point: mark those for revision.  Once you have compiled the list, read it over carefully.  Study the order in which you have sequenced your ideas.  Notice if there are ideas that seem out of order or repetitive.  Look for any gaps in your logic.  Does the argument flow and make sense?

When revising at the local level, check that you are using strong topic sentences and transitions, that you have adequately integrated and analyzed quotations, and that your paper is free from grammar and spelling errors that might distract the reader or even impede your ability to communicate your point.  One helpful exercise for revising on the local level is to read your paper out loud.  Hearing your paper will help you catch grammatical errors and awkward sentences.

Here is a checklist of questions to ask yourself while revising on both the global and local levels:

– Does my thesis clearly state my argument and its significance?

– Does the main argument in each body paragraph support my thesis?

– Do I have enough evidence within each body paragraph to make my point?

– Have I properly introduced, analyzed, and cited every quotation I use?

– Do my topic sentences effectively introduce the main point of each paragraph?

– Do I have transitions between paragraphs?

– Is my paper free of grammar and spelling errors?

• Congratulate yourself. You have written a history paper!

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10 Tips for Writing a Perfect History Essay

No doubt, essays are one of the most popular forms of college assignments. History teachers will probably assign you many of them. And for a good reason – this type of work shows your comprehension of the subject, ability to research, analytical skills, and writing itself, of course. When preparing a history essay, one must consider all the requirements, find relevant data and come up with a logical and well-organized paper.

Your main task is to reveal the topic, demonstrating your expertise. Yes, there’s a lot of work ahead, but thanks to the tips collected below, you will easily navigate all the stages of essay writing!

However, before we begin, here’s one extra recommendation. If you struggle to finish your paper before the deadline, don’t worry! More and more learners outsource their homework to experienced authors to have their essays completed at the highest level. Basically, all you have to do is google “ write my essay ,” and a great professional will be found in no time. This is certainly the best way to manage it all when the study load is simply overwhelming.

Make Sure You Understand The Topic Right

In fact, by assigning you an essay, teachers expect you to answer the question posed. At the same time, the work must be well-argued and well-evidenced. To do this, you need to understand the given topic correctly. If it contains controversial phrases and inaccurate expressions, discuss this with the teacher. In addition, they will appreciate your efforts and desire to write a brilliant essay.

It is also important to realize the key mission. It can be one of the following:

• Explain why historical events took place;
• Interpret and analyze a topic;
• Support or disagree with a specific idea;
• Justify a certain position.

It’s a great idea to focus on keywords – they’ll be defined at the essay’s beginning. And they will help you narrow your search. Otherwise, you run the risk of spending too much time on extra research that will not relate to your topic.

Do a Profound Research

History is certainly a field where every thought requires confirmation by a fact. And for this, you will rely on sources of two types. The first is information from people who participated in the events of that historical period. It can also be photos, texts, and videos created at that time. This will serve as strong evidence.

The second group is references to the works of scientists studying those events. You can also find inspiration in documentaries and fiction books. Why? They will help you feel the spirit of the era and give some great insights.

Organize Your Sources

At first, you may be intimidated by the amount of information that you will have to read. Or vice versa – its lack. However, all history students (especially the ones from the best universities ) have proven ways to find the data they require.

• The first is positions in your reading list and bibliography course. The teachers recommended these sources for a reason, right?;
• The second is the library – try to get the most out of it. Talk to librarians, they may be able to point you to excellent materials;
• Next, come online journal databases. As a college student, you surely have access to them;
• Look through free platforms like Google Scholar. There are some high-quality academic materials. As for Wikipedia, it’s not a reliable source, but websites cited on it can help you advance your research.

Analyze The Information You’ve Gathered

Even with a lot of materials collected, you can spoil the work if you don’t analyze them properly. This can be compared to a trip to historical places . What is the point of visiting them if you didn’t come up with your conclusions? Analytical skills are some of the most vital to a researcher.

Struggling to understand whether the data is scholarly? Pay attention to these characteristics:

• Does the author have a position at the university?
• Is the book (article, review) published by the academic press?;
• What is the ending of the site that published the information? The endings “.gov” and “.edu” are best suited.

As you explore the data, be sure to take notes—let it be page numbers, specific resources, citations, or references.

Formulate Key Argument

When studying the topic, you will most likely formulate a thesis statement. With a clear idea in mind (maybe one or two sentences of it), you can move on to building a plan and a draft.

The main requirement for a thesis is that it addresses the essay’s topic and is followed by supporting arguments. By the way, you will include them in the body parts along with evidence.

Of course, the arguments may change as the essay is written (you will probably find deeper ideas during the research stage). But the main thing you will start from is a clearly defined thesis statement.

Come Up With a Plan

A plan is a skeleton of your essay. In fact, the more detailed outline you create, the easier it will be for you later. You will also be able to see how consistent your arguments are. Divide the work into three sections: introduction, main part, and conclusion.

Move On To the Introduction

The introduction is of key importance for the work, as it sets the overall tone of the story and intrigues the reader. First, you need to announce the topic and give a broader perspective on the problem. Your task is to make sure that the reader will be interested enough to move on to the next parts of the essay.

Also, indicate how you will answer the main question – give an overview of your arguments and the evidence you use to support them.

When Working On Body, Have a Clear Structure In Mind

This part of the essay requires special attention – it usually consists of three paragraphs:

• Argument, evidence;
• Argument, evidence.

In addition to being logical and consistent, the text must be readable and easy to perceive. For this, use transition words – they make the essay flow and link your thoughts together.

Summarize Your Key Points

A brilliant ending perfectly sums up your points of view, arguments, and evidence. Here, you are referring to the outline. Make sure that the conclusion contains the answer to the main question of the essay.

Proofread The Essay

When the last word is written, the work is still not ready. It certainly has errors and typos that are waiting to be corrected. The best advice is to rest a little after finishing the essay because you need to somewhat forget it. Then, use tools like Hemingway and Grammarly to clean up overly complex expressions, grammar errors, and long sentences.

Read the text aloud. Is it easy to read? Is the main idea clear? Great, it means proofreading went well!

To Wrap It Up

Perhaps the main mistake which students make when completing a history essay is describing events instead of analyzing them. Be sure to ask yourself the question: what is the point of this specific paragraph? How does it help support the thesis?

Another key point is references and a bibliography. There are several citation styles, so study them so as not to spoil the end of the work. Yes, it’s rather boring, but it will show the teacher your effort and diligence.

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Historical Methods

Through this choice of papers students are encouraged to reflect on the variety of approaches used by modern historians, or on the ways in which history has been written in the past, to read historical classics written in a range of ancient and modern languages, or to acquire the numerical skills needed for certain types of historical investigation. 

Students can choose any one option of:

Approaches to History

This paper introduces students to ways of looking at the past that will probably be novel to them. The course explores both the strengths and the weaknesses of looking at the past from the perspective of other intellectual disciplines, with their varied methodologies and their different types of evidence (Anthropology; Archaeology; Art History; Economics and Sociology). The paper also offers a chance to examine the particular perspective on History offered by an awareness of the role of gender and gender difference, an approach that has been developed powerfully in recent decades. Classes and tutorials are supported by a comprehensive lecture-course which runs in the Michaelmas Term. Students are encouraged to attend lectures on all the different disciplines, since these include a number of overlapping themes and interests; in contrast tutorials normally concentrate on only two or three of the disciplines. The study of each Approach is organized around a series of broad sub-topics which are described more fully below and are supported by short bibliographies. However none of the reading is prescribed and a course-tutor could perfectly well approach each subject with a different set of examples, chosen from any period.

Prescribed topics

The paper is concerned with the ways in which the writing of history has been influenced by other disciplines, methods and techniques. Candidates will be required to show knowledge of at least two different ‘approaches’ out of the six set out below. The sub-headings give guidance to areas in which questions will be set:

Anthropology and History

This Approach introduces students to the work of cultural and social anthropologists, and to the way it has influenced the thinking of historians in recent decades. As with the other Approaches, the aim is to offer students new broader perspectives on the ways in which the past can be studied and to think more carefully about the concepts they use. The four broad subthemes and supporting bibliographies allow students to read some of the classic works of anthropology and thereby appreciate the diversity of ways in which anthropologists have approached the study of humans in the present. Students can consider the extent to which functionalism and field studies at a micro level have influenced historical work, or the possibilities for historians of the cultural anthropology exemplified by the work of Clifford Geertz. Students will also be encouraged to take note of the extent to which there is a two-way interaction between anthropology and history and to consider the implications of the intense self-criticism of anthropology as an agent of colonialism.

Family and kinship

This topic offers students the chance to analyse how anthropological work has sharpened historians’ understanding of the central role of family and kinship structures in societies and of the diversity of forms which these structures may take. As a central topic of much anthropological work it exemplifies the way anthropological approaches have been contested and have developed over the last half century – from the stress on scientific categorization in the mid-twentieth century to the more recent emphasis of Pierre Bourdieu on fluidity and improvisation.

Authority and Power

This topic introduces students to another central interest of anthropologists – to the way authority is constructed and maintained in small face-to-face societies and to the role of rituals in legitimizing power or authority. Areas of particular study might include the strengths and limitations of the functionalist approach to feuds and rebellions, or the way in which historians have learnt from anthropologists’ attempts to analyse how rituals work.

Religion, Magic and Popular Culture

This topic examines an area where the debt of many historians to the work of anthropologists has been extensive and has opened up a number of lively debates. The work of Evans-Pritchard or Clifford Geertz and its influence on historians such as Keith Thomas or Robert Darnton offers a classic example. At a general level the topic encourages students to examine why religion and magic make sense to their participants and to consider the limitations of concepts such as popular culture.

The construction of history

This topic explores the way anthropologists have looked at and thought about the past, be it myths, genealogies, oral histories, or the work of professional historians, as an attempt by participants within a society to explain who they are and to legitimize, contest or make sense of the world as it is. Students are encouraged to consider the applicability of such interpretations to historical testimonies and records from the past or indeed to the work of professional historians and anthropologists in the present.

Archaeology and History

The aim of this Approach is to introduce history students, very familiar with working with the evidence of words and texts, to a different type of evidence for the human past: mute material remains. The course underlines the very considerable strengths of material objects as evidence, but also their limitations, and how they are subject to varying interpretations. It also offers a chance to show how an archaeological approach has altered historians’ perceptions of the past. The course, while arranged thematically, introduces students to aspects of archaeological methodology (such as how to find and interpret traces of buried landscapes). It is not centred around theoretical debates within ‘Archaeology’ itself, though students may engage with these if they wish. The introductory explanations and attached bibliographies give some idea of how each theme might be studied though each can equally be approached with a different set of examples, chosen from any period. It is also possible to centre a topic on a specific site or group of material (e.g. for ‘Burials’ the Spitalfields crypt, or the Sutton Hoo barrows).

This topic will introduce students to many of the different types of surviving evidence for ancient and capes (crop-marks revealed through air photography; pottery-scatters through field-survey; modern topographical features; etc.). It will show how we can read in the landscape changing patterns of economic exploitation, settlement and ideology. Production and exchange This topic explores the evidence for the manufacture and exchange of goods examining both production sites and the distribution patterns of archaeologically identifiable products.

Burial: belief and social status

In this topic students are invited to consider the extent to which the dead, and what is buried with them, can provide evidence of belief and social differentiation.

The built environment: form and function

By looking at both whole townscapes and individual buildings, this topic encourages the student to explore the builders’ intentions and the way that people have used the built environment.

Art and History

The goal of this Approach is to broaden the historian’s sensitivity to an infinite variety of visual evidence. In most history writing, disproportionate attention is paid to written sources: this course is designed to foster a more balanced approach. However, using visual evidence is far from simple. ‘Art’ in this context is very broadly defined, to include not merely the western canon of ‘high art’, but the entire gamut of material cultural production, and its consumption. The short bibliography can be supplemented with case-studies from different periods and places. Indeed, students should be encouraged to engage in detail with particular images – including any to be found in Oxford’s museums and galleries. While for brevity and convenience it is largely focused on western art traditions, this is not intended as any constraint on the scope of the course. The course is structured around four broad – and overlapping – themes.

Creation and consumption

The first theme relates to the social context of art: how, precisely, are the variety and changes in artistic production (styles of painting, forms of architecture, etc.) related to contemporary social developments? Consideration needs to be given not only to structures of patronage, but also to broader issues of markets and consumption.

Art and politics

The second theme includes, but extends beyond, the use of visual imagery as a form of propaganda. Images have been deployed for subversive, no less than authoritarian, purposes. Analysis often reveals a creative tension in the interpretation of an image, whose ‘true’ meaning is contested.

The power of images: ways of seeing

The third theme explores varieties of visual response. Intense emotional identification with a picture, or a violent desire to destroy a statue, are repeatedly documented phenomena. To study these responses in context is to shed new light on historical societies.

The idea of the history of art: displaying, writing and collecting

The last theme is the particularly western way in which ‘the history of art’ has been conceived. This notion has been profoundly influential (through collecting, the construction of museums, art writing and art history), and rewards study. The post-medieval European idea of ‘fine art’ is a highly particular category: to recognize it as such is to become more fully aware of the richness of a far more inclusive realm of visual culture beyond the ‘fine’ arts, both in European and non-European traditions.

Economics and History

The aim of this Approach is to introduce students to the ways in which economic models and statistical sources can be used to understand history. It encourages students to tackle the central issue of how economic development has changed the character and quality of human life and, to this end, to look at the ways in which political, social, and cultural institutions have determined long-run economic and demographic outcomes, and simultaneously been determined by them. The course takes a global perspective, with particular attention to the analysis of cross-country and cross-time differences in capital and labour market institutions and technological change, and the effects of those differences on economic and human development. In the course of these four lectures, students will be introduced to economic approaches to collecting and using quantitative historical data to identify causal links between historical factors and economic outcomes.

The Great Divergence, Living Standards and Institutions

How do economists measure economic activity and living standards?  And how do economists think about institutions and their effect on the economy? The ‘Great Divergence’ between Western Europe and Asia provides a particular focus for thinking about these general questions.

How do economists think about how humans interact with the natural environment? The ‘Malthusian model’ of population and living standards is a central theory. The recurring problem of famine raises the issues of the relative importance of nature’s constraints (scarcity, climate shocks) and human agency and institutions (markets, policies).

How do economists approach slavery? What is the significance of slavery for the broader economy? How viable is a slave-based economy? Slavery in antiquity provides one possible focus, as do the importance of slavery to the British economy, and the North American experience more generally.

How do economists define money, understand the determinants of inflation, and evaluate its consequences? Historical financial crises (e.g. Europe’s Price Revolution, the South Sea Bubble, bank runs in Depression-era America or the German hyperinflation of 1923) provide a focus for questions around the rationality or otherwise of economic behaviour, collective and individual.

History of Women, Gender and Sexuality

This Approach introduces students to the historiography of gender, women’s history and the history of sexualities and to explore the contributions these approaches have to other historical agendas. The contributions of women’s history are explored, underlining the importance of recovering the experiences of women in the past, the methodological challenges of doings so, and interrogating key concepts like patriarchy. The work of historians using gender as a category of historical analysis uncovers the degree to which masculinity and femininity are contested social categories, and the ways in which gender norms shape social, political, economic and cultural structures and processes, allowing students to look at the means by which gender and sex hierarchies are maintained and contested. Examining the history of sexuality and the body introduces students to work exploring the cultural, social and scientific categories of sexuality and gender as historically and geographically specific and malleable, and to studies highlighting the differences between laws, norms and experience.

Women, Gender, Sexuality and Work This topic looks at the ways in which men and women’s work has been differentiated, at the relationship between the social and sexual division of labour, the ways gender and race have intersected in shaping labour regimes and the definitions of ‘skilled’ and ‘unskilled’ work. Students are introduced to work examining the determinants and processes of change in male and female roles in the household and workplace.

Women, Gender, Sexuality and Politics This topic examines the way the language and practice of politics, colonialism, nationalism and citizenship have been gendered. It introduces students to work contesting narrow understandings of political participation to uncover the way women have exercised political power both formally and informally, and challenged their political exclusion. The intersections of race and gender in the establishment and evolution of political structures are explored.

Women, Gender, Sexuality and the Body

This topic introduces students to scholarship exploring the history of sexuality, looking at the ways in which the sexual identities of men and women are culturally variable, and at changing understandings of the sexed body. Students are introduced to scholarship exploring the relationship between queer theory and history, and to work examining the intersections between norms and practice.

Women, Gender, Sexuality, and Religion

This topic explores the ways in which gender norms have been constructed and subverted by religious discourses. The variety of forms of religious expression available to men and women is discussed. The complex relationships between intellectual and religious change and the positions of women and men are assessed.

Women, Gender, Sexuality, and Empire This topic explores in more detail the way that ideas about gender have shaped the political, social, economic and cultural structures of empire, and the ways that policing gender and reproduction have been important tools of empire and domination. It highlights the intersections of ideas about gender and race in imperialism and colonialism.

Sociology and History

The aim of this Approach is to introduce students to the discipline of sociology, to explore ways in which sociological method has influenced historians, and to look at ways in which sociology and history over the years have diverged or converged. Students are introduced to the discipline of sociology as the study of man as a social animal, shaped by social institutions but at the same time able to construct or reconstruct them. How much scope different sociologists give to the individual and human agency is discussed. The course is organized around four broad themes.

Sociological techniques

The approach of sociology to sources, concepts, the comparative method and ‘grand theory’ is compared to that of historians, and examples from the hybrid of historical sociology are examined. The traffic is not all one way and the appeal to some sociologists of the narrative and biographical approach is also illustrated.

Social stratification

This topic introduces students to the sociological theories of social stratification, especially those of Marx on class and Weber on social status, and examines how they have set the agenda for much social history. It also explores how such concepts have lost some of their explanatory force and how historians have refined them in new and exciting ways.

Power and authority

This topic examines ways in which sociologists have conceptualized the state and political institutions and at how they have analysed political obedience in terms of power (coercion) and authority (the recognition of legitimacy). It explores different notions of power developed by theorists such as Foucault, and ideas of bureaucracy, social discipline, revolt and revolution. Ways in which historians have used or developed these ideas are discussed.

Sociology and religion

This topic examines ways in which religion has been treated by sociologists. It looks in particular at the concept of the secularization of modern society, both as a debate among sociologists of religion and as a research question for historians who have refined and challenged the theory in the light of empirical evidence.

Histories of Race

This Approach enables students to look at both the historiography of histories of race and ethnicity and at the contribution this large body of scholarship has made to other historical agendas and methodologies. Work on the histories of race and racialised people are evaluated while each topic explores the potential of treating race as a category of analysis in historical work more broadly. This strand allows students to explore how knowledge about race has been historically produced, how racialised political, economic, and social structures have been historically sustained, and how racialised systems have been contested, resisted, and subverted. The methodological challenges faced by scholars writing histories of racialised, colonialised, and marginalised peoples are explored and the contribution of other disciplines – including gender studies, anthropology, and the history of science and medicine – are also assessed. Examples span classical antiquity to the twentieth century.

Race as a category of historical analysis

What do historians mean when they employ the term “race”? This topic assesses important discussions surrounding the use of race as an analytical category, including debates on the applicability of race to premodern periods. The topic also introduces scholarship on the relationship between race and other categories of historical analysis, including gender, class, and religion.

Race, labour, and law

This topic looks at the ways in which race and racial theories have arisen from – and in turn helped to sustain and legitimate – a variety of labour regimes and legal and penal systems in the past. Particular attention will be paid to scholarship on slavery in the Atlantic world but readings will be drawn from across different parts of the world and across time periods.

Racial theories in the past  

This topic surveys the ways in which people and societies have conceptualised race and racial difference since classical antiquity, and the forms of classification and ordering that have ensued. This topic will ask how and why certain racial theories have been intellectually, politically, socially, and culturally influential in the past.

Recovering voices

This topic introduces key strategies for uncovering and writing about the histories of people who have been silenced in traditional historical records. As well as evaluating influential methodological interventions, including the work of postcolonialism, this topic will draw attention to some of the newest and most innovative attempts to write histories of historically marginalised people.

Challenging race

This topic centres histories of resistance, antiracism, and racial solidarity movements. In so doing, this topic asks to what extent attention to race can produce histories that challenge our conventional chronological and geographic frameworks. 

Historiography

Tacitus to weber.

Historians commonly approach the study of historical writing in two quite distinct ways: either by study of the techniques which we hold to be immediately relevant today, or by looking at the “history of history”, as for example by focussing on classic texts in Western historical writing. This paper takes the second road. Its principal agenda are as follows:

• The close reading of texts which really will bear close reading — reading being still the most fundamental of all historical “methods”.
• Consideration of central problems which affect all historical writing: the scope and proper subject matter of history; historical objectivity; the interrelation between the author’s past and present; the relation of literature to history; the question of whether there is a “Whiggish” progression in historical writing, so that modern writing is necessarily better than that of earlier periods; and (not least) why we should bother with history at all.
• The outlines of how the Western historical tradition has evolved in fact.

Those writers considered are Tacitus, Augustine, Machiavelli, Gibbon, Ranke, Macaulay, Weber

Foreign Texts (Texts in a Foreign Language)

HERODOTUS, V. 26 - VI. 131 to be read in Greek, ed. C. Hude (Oxford Classical Texts, 3rd edn., 1927)

The central part of Herodotus’ Histories studied in this paper analyses the causes and course of the Ionian Revolt and the first Persian invasion of Greece, which ended in defeat at the hands of the Athenians and Plataeans on the plain of Marathon in 490 BC. Included in Herodotus’ account of these events, however, is also his account of the circumstances in which Kleisthenes got the constitutional reforms which created democracy passed at Athens, a long speech on tyranny at Corinth, and much discussion of internal politics at Sparta and of Spartan foreign policy during the reign of King Kleomenes (c.520-c.490).

Herodotus’ text is our major source for all these events, and our understanding of them depends upon an understanding of Herodotus’ sources and his historical methods. By close study of the way in which Herodotus tells his story, making comparison where possible with evidence contemporary with the events described and with other later accounts, it is possible to understand both what Greeks of the middle of the fifth century had come to regard as the foundations of their current political arrangements, and also to assess the reliability of the traditions which Herodotus exploits. Problems concerning the nature of Athenian and Spartan politics in these years, as well as of the state of relations between Persia and Greece, for which there is also some Persian evidence, are the central historical concerns. But understanding Herodotus is important not only for our comprehension of the events of the period but for our understanding of the development of western historiography at whose head Herodotus stands.

Candidates are required to comment on gobbets set in Greek but are not required to translate Greek in the examination paper.

Einhard and Asser

EINHARD, Vita Karoli Magnis Imperatoris

ASSER, De Rebus Gestis Aelfredi

The paper offers students the chance to engage with two of the most famous Latin texts of the early middle ages: Einhard’s biography of Charlemagne and Asser’s of Alfred.

These texts bring the student face to face with the nature of early medieval kingship and, more specifically, with two momentous transformations in European and British history. From whatever angle we look at the Carolingian and Alfredian ages, the Emperor Charlemagne and King Alfred emerge as great instigators in the process by which military greed and opportunism were wrought into new political, religious and literary cultures.

Einhard’s Vita Karoli (written within a decade or two of Charlemagne's death in 814) and Asser’s De Rebus Gestis Aelfredi (written in the 890s during Alfred’s lifetime) are the preeminent texts by which these transformations were captured. Both authors were alive to the achievements of their subjects and to the attitudes and aspirations of their times. Moreover as learned scholars and powerful figures in their own right they also had their own agendas. Despite the brevity of Einhard’s Vita (a mere 40 pages in Penguin) every phrase bristles with undertones and allusions; the extent of Einhard’s debt to classical writers and the significance of what he does and does not say have continued to generate enormous scholarly attention and debate.

By closely focusing on these works and their interpretation students can gain experience and practice of how to approach primary sources at the start of their Oxford careers, thereby acquiring a skill which will prove invaluable for their work on subsequent papers. Passages from the texts are set in Latin for detailed comment but the modest length of the texts means that students with basic Latin should have little difficulty coping with them. Students studying this paper may attend the Latin reading classes offered for graduate students (subject to the agreement of the tutor concerned).

Helpful translations are readily available (the Penguin Classics: Einhard and Notker the Stammerer, Two Lives of Charlemagne, trans., L. Thorpe and Alfred the Great: Asser’s Life of King Alfred and other Contemporary Sources, trans., S. Keynes & M. Lapidge).

Tocqueville

ALEXIS DE TOCQUEVILLE, L’Ancien Régime et la Révolution

Tocqueville’s L’Ancien Régime et la Révolution, first published in 1856, is one of the most famous accounts of the origins of the French Revolution ever written. Noted for its wide-ranging and subtle analysis of the government, society and culture of eighteenth-century France, it has always been an essential point of departure for any student working on the Revolution, admired not so much as a piece of historical research but as a brilliant study of political economy. Moreover, the text is more than just a study of the causes of the French Revolution. Written in the aftermath of the coup d’état of Napoleon III in 1851, it was intended as an oeuvre à thèse, which would explain to contemporary mid-nineteenthcentury Frenchmen their failure to establish a permanent liberal democracy.

Traditionally L’Ancien Régime et la Révolution is taught by a wide cross-section of college tutors. Students will be introduced to the complexity of Tocqueville’s argument, in particular his conception of the centralised French absolute state, his views on the genesis and significance of class conflict, and his understanding of the role of the Enlightenment in causing the French Revolution. Beyond this, there are various way in which the text may be placed in a wider context. Students may examine the historiography of the causes of the French Revolution in order to compare and contrast Tocqueville’s analysis with earlier and subsequent explanations. They may seek a deeper understanding of the more recent historiography of eighteenth-century France to see how Tocqueville’s vision has been refined or challenged. Finally they may re-examine the text in the light of Tocqueville’s own intellectual development and political career.

The course is intended to give students the opportunity to develop their reading ability in the French language, and in the first term at least they should expect to spend much of the time getting to know the text in the original. It also enables students to get to grips with an extremely rich and influential work of history that will give them a graphic insight into the problems of historical method and the historian’s craft. 

Meinecke and Kehr

FRIEDRICH MEINECKE, Die Deutsche Katastrophe: Betrachtungen und Erinnerungen (Wiesbaden, 1949) pp. 5-104.

ECKART KEHR, Der Primat der Innenpolitik: Gesammelte Aufsätze zur preussisch-deutschen Sozialgeschichte im 19. und 20. Jahrhundert (Berlin 1970) pp. 87-129, 149-83.

This paper is intended to introduce German-reading undergraduates to two of the most influential twentieth-century historians of modern Germany: Eckart Kehr and Friedrich Meinecke.

Each made a distinctive contribution to the development of modern German historiography: Meinecke was perhaps the most influential of all the later historicists and Kehr was an inspiration to the so-called critical school of social history, whose emphasis on the primacy of socio-economic factors in politics has informed an immense literature since he was ‘rediscovered’ by Hans-Ulrich Wehler in the 1960s.

The set passages of the two authors not only give students a flavour of their methodology, but also introduce some of the key historical debates which relate to the period 1870-1945. In general, the paper provides an introduction to the continuing debate on the ‘peculiarity’ of modern German history and allows students to become familiar with the so-called Sonderweg (‘special path’) theory. 

Machiavelli

MACHIAVELLI, Discorsi sopra la prima deca di Tito Livio, Bk I

Machiavelli’s reputation as an advocate of ruthless and unscrupulous politics does serious injustice to the richness, generosity and subtlety of his political thought. The Discourses on Livy (written c. 1513- 1519) reveal these latter qualities well. They provide an indispensable corrective to the familiar picture found in his better-known treatise The Prince. In the Discourses Machiavelli uses historical examples from ancient and modern times to illustrate the ways in which rulers and people habitually behave in the political life of republics and kingdoms. He asserts his belief that history can be used by citizens and statesmen to build up the kind of ‘case-lore’ already utilized in the practice of medicine and of law.

The text is a powerful and attractive example of Renaissance historical writing and at the same time an introduction to the Florentine genre of critical political analysis. Classical stories are set to work by Machiavelli to teach his fellow-Florentines how to rescue their city from the disasters which beset it in his day and how to capture for themselves by emulation something of the glory of Republican Rome.

A capacity to read straightforward material in present-day Italian will be enough to enable candidates to cope with the language in which this text is written. Any modern Italian edition will suffice: those published by Rizzoli, Feltrinelli and Einaudi have good introductions and notes. Machiavelli’s The Prince should certainly also be read; the best recent edition in English is that by Quentin Skinner and Russell Price in the series Cambridge Texts in the History of Political Thought (1988). 

Vicens Vives

Vicens Vives JAIME VICENS VIVES, Aproximación a la historia de España Vicens Vives’s Aproximación a la historia de España, first published in 1952, is one of the most important reflections on the history of Spain never written. Relatively short, this text is not a synthesis but more of an innovative recapitulation of the main historiographical problems of Spain’s past from ancient times to the outbreak of the Civil War (1936). Written in a time of dictatorship, instead of pursuing the metahistorical debate on the uniqueness of Spain that had held the centre stage until then, Vicens Vives’s book marked a turning point calling for the adoption of more rigorous and modern methods then dominant in the rest of Europe, above all in France.

Aproximación a la historia de España is taught through seven tutorials and four classes (or lectures, depending on the number of takers). Students will be introduced to the figure and the work of Jaime Vicens Vives (1910–1960), as well asto the complexity of his rethinking of Spanish history over the longue durée. Beyond this, there are various ways in which the Aproximación may be placed in a broader context. Students may consider the constraints on historical writing in Francoist Spain, of which Vicens Vives was an opponent despite the fact that he never abandoned the country. They will be invited to explore the main characteristics of the so-called ‘new history’ (nueva historia) that Vicens Vives inaugurated in close dialogue with the Annales school, as well as considering his wider contacts with other historians both in Spain and abroad, including Sir John Elliott. Finally, they will be asked to reflect on the legacy of Vicens Vives in regard to the historiography of Spain in the second half of the twentieth-century, as well as on the new directions that it has taken more recently.

This course is intended to give students the opportunity to develop their reading ability in the Spanish language through an accessible academic text, while acquainting them with a number of key issues in the study of the history of Spain. It will also enable students to engage with an influential work of history that will give them an insight into general problems of historical method.

Students will be asked to read the work in its entirety on the basis of the 2nd edition, or one of its many reprints: J. Vicens Vives, Aproximación a la historia de España (1960). An annotated English translation of the work is also available: J. Vicens Vives, Approaches to the history of Spain, translated and edited by J.C. Ullman, 2nd edition corrected and revised (1970).

TROTSKY 1905 pp. 1-9, 17-245 (available for purchase as a photocopy from the History Faculty Library)

A study of Trotsky’s 1905 aims to examine Trotsky’s ideas as expressed in his history and to place them within the context of Russian Marxism in general.

Issues raised by the study of the period include: the development of the Russian Social Democratic movement, the worker’s movement, the development of Russian liberalism and the part it played in the events of 1905, the nature of the Russian Imperial Government and the effect of the Russo-Japanese war on Russian society and politics, the Russian agrarian question.

There are a number of recent monographs on these subjects and the study of this period provides the opportunity to discuss many of the problems associated with the last years of the Russian autocracy. 

Quantification

Quantification in history.

The purpose of this course is to introduce historians to the statistical exploration of historical problems. It imparts statistical skills which enable students to read and understand quantitative economic and social history research, and also to undertake elementary quantitative work on their own. The aims of the course are to:

• To provide an introduction to elementary topics in parametric and non-parametric statistics, culminating in basic regressions. No prior knowledge of statistics is assumed and A-level mathematics is not required.
• To examine computer-based historical datasets throughout the course. Additionally, students explore and evaluate the uses and limitations of quantification in history through writing two short applied essays on a secondary source of their choice that they are studying in another history class.
• To introduce students to history and computing, providing basic training in one of the most widely used statistical package in economic and social history.

Candidates will be required to show understanding of the following:

• the application and limitation of quantitative methods to historical problems
• levels of measurement and the appropriate classification and arrangement of historical data (tables, charts, graphs, histograms, etc.)
• summarizing historical facts: univariate descriptive statistics (frequency distributions, means, medians and modes, measures of dispersion, concepts of normality) 
• exploring historical relationships: bivariate descriptive statistics (correlation, measures of association including correlation coefficients, linear regression) 
• drawing inferences from historical data (sampling, distributions and confidence intervals; hypothesis testing; significance and probability, parametric and non-parametric measures of association and sample statistics; multivariate analysis)
• use of computer-based statistical packages (data entry and verification, classification and transformations, statistical manipulation, interpretation and presentation)
• Understanding basic ANOVA, and running their own basic regressions. 

Please note that the options listed above are illustrative and may be subject to change.

Teaching: Faculty lectures or classes, as well as college classes or tutorials, held over one or two terms.

Assessment: This paper is assessed with a 3-hour written examination.

Department of History

Farewells to arms war in modern european history, 1815-2015 (hi178), tips on essay writing, first steps.

Read and analyse the essay title. Be as careful and thorough as possible, and answer a set of basic questions: What is the subject matter? What period shall I consider? Which geographic area? Etc… The punctuation, the use of singular/plural, may also be important.

Then, write down your preliminary thoughts and ideas and try to identify the historical problem raised by the question. You will indeed soon realize that history is just as much about questions as it is about answers…

Your tool box

The quality of an essay largely depends on the approach adopted by its author. Much, therefore, hinges on your understanding of the question. As a result, you should pay particular attention to your reading and interpretation of the essay title. An interesting and cogent argument only stems from a sophisticated understanding of the topic under consideration.

As Marc Bloch might have put it, the historian’s craft depends on his/her ability to choose and use the right tools to make sense of the experience of past societies. It is indeed very important for you to create what I would call “a conceptual tool box”, a set of core concepts and definitions you would then be able to draw on to understand and delineate the essay question, to formulate a historical problem, and to construct your own interpretation.

When dealing with issues in British or European history and politics for instance, you need to have in mind a clear and concise definition of notions such as republicanism, conservatism, liberalism, socialism, authoritarianism, sovereignty, polity, citizenry, etc.

Lectures and seminars will give you the opportunity to get acquainted with the most important notions, concepts, and categories of analysis you need. It is however essential for you to build up a personal repository of concepts through your own academic and extra-curricular reading and reflections.

At the end of your course, you will obviously be expected to demonstrate a very good command of the areas and topics covered by the different modules. Yet, you are not only expected to know, but also to prove you know how to think historically, critically about those issues. This is where it gets tricky, challenging and… really good fun! Don’t panic though. You have a couple of years ahead of you and your tutors are here to guide and help you.

How to organize your argument and structure your essay.

The introduction should consist – at least – of the following three points: • First: introduce and present the subject matter in broad terms • Secondly – and most importantly –: identify and clarify the historical problem raised by the essay title. This of course differs from the mere presentation of the topic and goes to the crux of the matter. • Thirdly: signpost your argument

Think about the essay as a walk…

As you are taking your reader on a walk, you first need to invite her/him, to let her/him know where you are both going to (introduce the subject matter). To capture her/his attention, her/his historical imagination, you need to make clear why the walk is worth her/his time and energy (raise the historical problem). Then show her/him the path you have decided to follow… (signpost your argument) Once you have done that, take the reader’s hand and lead the way…

The body of the essay should present and detail your reasoning in a clear and systematic fashion. 1- Make sure that your overall analysis and each of your individual points is buttressed by historical evidence. 2- Make sure your essay follows a logical order; that the succession of points, sections, and paragraphs derives from an intellectual logic. In other words, your essay should not be a mere catalogue of ideas but should present them in a reasoned and coherent way.

It is important to bear in mind that you are working to satisfy a particular type of readership. Your job is indeed to convince your tutor/examiner of the validity and solidity of your argument. And this is why you ought to pay particular attention to the structure of the essay.

Last but not least… do not only think about yourself as the author of the essay, but also as its editor. It is indeed extremely important for you to pause and think critically about your own argument. Once you have built your essay’s plan or structure, take a serious look at it, be your own critic and amend your work accordingly. Repeat the exercise when the writing is done. It is a very good way to refine and improve your argument.

Each seminar session is structured around an essay question, so we will effectively be practicing the methodology of the essay every week.

Essay Writing Template

I designed an essay writing template (download here ) to help you plan your essay and write the introduction. We will talk about the way to use it but you are free to adapt it.

What this handout is about

This handout was written with several goals in mind: to explain what historians do and how they approach the writing process, to encourage you to think about your history instructor’s expectations, and to offer some strategies to help you write effectively in history courses.

Introduction: What is history?

Easy, right? History is everything that happened in the past: dates, facts, timelines, and the names of kings, queens, generals, and villains. For many students, the word “history” conjures up images of thick textbooks, long lectures, and even longer nights spent memorizing morsels of historical knowledge.

For your instructors in the history department, however, history is a fascinating puzzle with both personal and cultural significance. The past informs our lives, ideas, and expectations. Before shrugging off this abstract notion, ask yourself another “easy” question: Why are you here at UNC-CH?

Maybe you’re at UNC because it was the best school that accepted you, or because UNC has great sports teams. In the big picture, however, you are here because of history, i.e., because of past events and developments. You are here (on the planet) because two people’s lives collided—in the past. You may be here (in North Carolina) because you or some ancestor crossed an ocean several weeks, years, decades or centuries ago. You are here (in Chapel Hill) because, two hundred years ago, some people pooled their ideas, energy, and money to dig a well, collect some books, and hire some professors. You are here (at an institution of higher education) because long ago, some German scholars laid the groundwork for what we call the “modern university.”

In other words, your presence on this campus is the result of many, many historical developments. Although we are all unique, we share parts of our identities with past peoples and cultures. The problems we face today may have puzzled—or even been created by—past people and cultures. This same past has eliminated many hurdles for us (think of the polio vaccine) and may even offer possible solutions for contemporary concerns (consider the recent revival of herbal medicines).

Finally, history is ever-changing. Question: what did Christopher Columbus do? Well, if you’re like many people, you’re thinking, “He discovered the New World.” Well, sort of. It took a while before the Spaniards realized he’d landed on an island off the coast of this New World. It took even longer for historians to figure out that the Vikings crossed the Atlantic long before Columbus. And now we know that this world wasn’t really “new”—there were civilizations here that far predated organized cultures in Europe.

So, historians study the past to figure out what happened and how specific events and cultural developments affected individuals and societies. Historians also revise earlier explanations of the past, adding new information. The more we know about the past, the better we can understand how societies have evolved to their present state, why people face certain problems, and how successfully others have addressed those problems.

As you can see, the questions of history include the immediate and personal (how did I get here?), the broad and cultural (why do universities function as they do?) and the purely factual (what exactly did Columbus find?). The answers historians offer are all more or less educated guesses about the past, based on interpretations of whatever information trickles down through the ages.

History instructors’ expectations of you

You can assume two things about your Carolina history instructors. First, they are themselves scholars of history. Second, they expect you to engage in the practice of history. In other words, they frequently want you to use information to make an educated guess about some bygone event, era, or phenomenon.

You probably know how to guess about the past. High school history exams and various nameless standardized tests often encourage students to guess. For example:

1. The hula hoop was invented in

d) none of the above

In academia, however, guessing is not enough. As they evaluate assignments, history instructors look for evidence that students:

• know about the past, and can
• think about the past.

Historians know about the past because they look at what relics have trickled down through the ages. These relics of past civilizations are called primary sources. For some periods and cultures (20th century America, for example), there are tons of primary sources—political documents, newspapers, teenagers’ diaries, high school year books, tax returns, tape-recorded phone conversations, etc. For other periods and cultures, however, historians have very few clues to work with; that’s one reason we know so little about the Aztecs.

Gathering these clues, however, is only part of historians’ work. They also consult other historians’ ideas. These ideas are presented in secondary sources, which include textbooks, monographs, and scholarly articles. Once they’ve studied both primary and secondary sources, historians think. Ideally, after thinking for a while, they come up with a story to link together all these bits of information—an interpretation (read: educated guess) which answers a question about some past event or phenomenon.

Sounds pretty straightforward, right? Except when two historians using different sources come up with contradictory answers to the same question. Even worse, what if two historians ask the same question and use the same sources but come up with different answers? This happens pretty regularly and can lead to heated debates, complete with name-calling. Even today, for example, historians still can’t agree on the extent of apocalyptic panic surrounding the year 1000.

To avoid unnecessary disagreements and survive legitimate debates, good historians explain why their question is important, exactly what sources they found, and how they analyzed those sources to reach a particular interpretation. In other words, they prove that both their approach and answers are valid and significant. This is why historical texts have so many footnotes. It’s also why history instructors put so much emphasis on how you write your paper. In order to evaluate the quality of your answer to a historical question, they need to know not only the “facts,” but also:

• why your question is significant
• where you got your facts
• how you engaged and organized those facts to make your point

To sum up: most UNC history instructors will expect you to both know information and interpret it to answer a question about the past. Your hard-won ability to name all the governors of Idaho in chronological order will mean little unless you can show why and how that chronology is significant.

Typical writing assignments

(For general tips, see our handout on understanding assignments .)

A typical Carolina history course includes several kinds of writing assignments:

• Research papers —As the name suggests, these assignments require you to engage in full-fledged historical research. You will read sources (primary and/or secondary), think about them, and interpret them to answer some question about the past. Note: Contrary to popular fears, research papers are not the most common kind of paper assigned in college-level history courses.
• Response papers —Much more common in survey courses, these assignments ask you to reflect on a given reading, film, or theme of the course and discuss/evaluate some aspect of it. Don’t be disillusioned, however; these are rarely intended to be free-flowing, last minute scrawls on the back of a napkin. Be prepared to address a question and support why you think that way about it.
• Exam essays —Essay exam questions are close cousins of response papers. Assuming you’ve kept up with the course, you should have all the “facts” to answer the question, and need only (!?!) to organize them into a thoughtful interpretation of the past. For tips on this, see our handout on essay exams .
• Book reviews —These will vary depending on the requirements of the course. All book reviews in history should explain the basic argument of the book and assess the argument’s strengths and weaknesses. Your assessment can include an evaluation of the author’s use of evidence, methodology, organization, style, etc. Was the argument convincing? If so, then explain why, and if not, explain why. Some instructors will also expect you to place the book within its historiographical context, examining the relationship between this work and others in the field. For more information, see our handout on book reviews .
• Historiographical essays —These assignments are common in upper-level and graduate history classes. Historiographical essays focus on how scholars have interpreted certain events, not on the events themselves. Basically, these assignments are “histories of history” and require that students be able to explain the different schools of thought on a subject.

Here’s an example of a thesis statement for a historiographical essay:

The historiography of the American Revolution can be primarily seen as a shift between various Whig and Progressive interpretations. While Whig historians are concerned with political ideology and the actions of powerful people, Progressive interpretations generally examine the social causes of the Revolution.

To begin a historiographical essay, you will first read multiple works on the same topic, such as the American Revolution. As you would for a book review, you will then analyze the authors’ arguments, being sure to avoid simple summaries. You can organize your essay chronologically (in the order that the books on the topic were published) or methodologically (grouping historians with similar interpretations together).

Some questions to consider as you write a historiographical essay are: How has the historiography on this subject evolved over time? What are the different schools of thought on the topic, and how do they impact the interpretations of this subject? Why have different scholars come to different conclusions about this topic? You may find some of the information in our handout on literature reviews helpful.

The specifics of your particular assignment will obviously vary. However, if you’re not sure how to attack a writing assignment in your history course (and why else would you be reading this?), try our 8½ Step Plan.

8½ step plan

1. Recall the link between history and writing In case you missed this, history is basically an educated guess about the past.

When you write, you will most likely have to show that you know something about the past and can craft that knowledge into a thoughtful interpretation answering a specific question.

2. Read with an eye towards writing

You will have to read before you write. If the reading has been assigned, guess why your instructor chose it. Whatever you read, ask yourself:

• How does this text relate to the themes of the lecture/discussion section/course?
• What does this text say? What does it not say?
• How do I react to this text? What are my questions? How could I explain it to someone else (summarize it, diagram the main points, critique the logic)?

For more on this, see also our handout on reading to write .

3. Dissect the question

Since you now (having completed step 1) anticipate having to make—and support—an educated guess, pick the question apart. Identify:

A. Opportunities to show what you know. These are requests for information and are usually pretty easy to find. Look for verbs like these:

B. Opportunities to show what you think. These are requests for interpretation. If you’re lucky, they will be just as obvious. Look for key words like these:

Requests for interpretation may not always be worded as questions.

Each of following statements asks for an educated guess:

• Compare the effects of the French Revolution and white bread on French society.
• Analyze what freedom meant to Cleopatra.
• Discuss the extent to which television changed childhood in America.

Warning: Even something as straightforward as “Did peanut butter kill Elvis?” is usually a plea for both knowledge and interpretation. A simple “yes” or “no” is probably not enough; the best answers will include some information about Elvis and peanut butter, offer supporting evidence for both possible positions, and then interpret this information to justify the response.

3½. Dissect any other guidelines just as carefully

Your assignment prompt and/or any writing guidelines your instructor has provided contain valuable hints about what you must or could include in your essay.

Consider the following questions:

• In all papers for this course, be sure to make at least one reference to lecture notes.
• Evaluate two of the four social classes in early modern Timbuktu.

History instructors often begin an assignment with a general “blurb” about the subject, which many students skip in order to get to the “real” question. These introductory statements, however, can offer clues about the expected content and organization of your essay. Example:

The modern world has witnessed a series of changes in the realm of breadmaking. The baker’s code of earlier societies seemed no longer relevant to a culture obsessed with fiber content and caloric values. The meaning of these developments has been hotly contested by social historians such as Al White and A. Loaf. Drawing on lecture notes, class readings, and your interpretation of the film, The Yeast We Can Do , explain which European culture played the greatest role in the post-war breadmaking revolution.

Although it’s possible this instructor is merely revealing his/her own nutritional obsessions, a savvy student could glean important information from the first two sentences of this assignment. A strong answer would not only pick a culture and prove its importance to the development of breadmaking, but also:

• summarize the relationship between this culture and the series of changes in breadmaking
• briefly explain the irrelevance of the baker’s code
• relate the answer to both the arguments of White and Loaf and the modern world’s obsessions

For more on this, see our handout on understanding assignments .

4. Jot down what you know and what you think This is important because it helps you develop an argument about the question.

Make two lists, one of facts and one of thoughts.

FACTS: What do you know about breadmaking, based on your sources? You should be able to trace each item in this list to a specific source (lecture, the textbook, a primary source reading, etc).

THOUGHTS: What’s the relationship between these facts? What’s your reaction to them? What conclusions might a reasonable person draw? If this is more difficult (which it should be), try:

• Freewriting. Just write about your subject for 5-10 minutes, making no attempt to use complete sentences, prove your ideas, or otherwise sound intelligent.
• Jotting down your facts in no particular order on a blank piece of paper, then using highlighters or colored pencils to arrange them in sets, connect related themes, link related ideas, or show a chain of developments.
• Scissors. Write down whatever facts and ideas you can think of. Cut up the list and then play with the scraps. Group related ideas or opposing arguments or main points and supporting details.

5. Make an argument This is where many people panic, but don’t worry, you only need an argument, not necessarily an earth-shattering argument. In our example, there is no need to prove that Western civilization would have died out without bread. If you’ve been given a question, ask yourself, “How can I link elements of my two lists to address the question?” If you get stuck, try:

• Looking back at steps 3 and 3½
• More freewriting
• Talking with someone
• Letting all the information “gel” in your mind. Give your subconscious mind a chance to work. Get a snack, take a walk, etc.

If no question has been assigned, give yourself plenty of time to work on step 4. Alternately, convince yourself to spend thirty minutes on a 6-sided strategy Donald Daiker calls “cubing.” (If thirty minutes seems like a long time, remember most instructors really, really, really want to see some kind of argument.) Spend no more than five minutes writing on each of the following (just thinking doesn’t count; you have to get it down on paper):

• Describe your subject. It’s breadmaking. Everyone eats bread. Bread can be different textures and colors and sizes…
• Compare it. Breadmaking is like making steel because you combine raw ingredients…It’s totally different than…
• Associate it. My grandfather made bread twice a week. Breadmaking makes me think of butter, cheese, milk, cows, the Alps. Loaf talks about Germans, and some of them live in the Alps.
• Analyze it. White thinks that French bread is the best; Loaf doesn’t. There are different kinds of bread, different steps in the breadmaking process, different ways to make bread…
• Apply it. You could teach a course on breadmaking. You could explain Franco-German hostilities based on their bread preferences…
• Argue for or against it. Breadmaking is important because every culture has some kind of bread. People focus so much on food fads like smoothies, the “other white meat,” and Jell-O, but bread has kept more people alive over time…

Now, do any of these ideas seem significant? Do they tie in to some theme of your reading or course? Do you have enough information in your earlier “facts” and “thoughts” lists to PROVE any of these statements? If you’re still stumped, gather up all your lists and go talk with your instructor. The lists will prove to them you’ve actually tried to come up with an argument on your own and give the two of you something concrete to talk about. For more on this, see our handout on making an argument , handout on constructing thesis statements , and handout on asking for feedback on your writing .

6. Organize

Let’s say you’ve batted around some ideas and come up with the following argument:

Although White’s argument about the role of food fads suggests that French culture drove the modern breadmaking revolution, careful consideration of Loaf’s thesis proves that German emigres irreversibly changed traditional attitudes towards bread.

The next step is to figure out a logical way to explain and prove your argument. Remember that the best thesis statements both take a position and give readers a map to guide them through the paper. Look at the parts of your thesis and devote a section of your essay to each part. Here’s one (but not the only) way to organize an essay based on the above argument:

• P1: Introduction: Why is breadmaking a relevant subject? Who are White and Loaf? Give thesis statement.
• P2: What is/was the breadmaking revolution? What traditional attitudes did it change?
• P3: How does White’s argument about food fads lead one to believe the French have dominated this revolution?
• P4: Why is White wrong?
• P5: What is Loaf’s thesis and how do you see it asserting the role of German emigres?
• P6: Why does Loaf’s thesis make sense?
• P7: Conclusion: Sum up why Loaf’s argument is stronger, explain how society has been changed the breadmaking revolution as he understands it, and tie these ideas back to your original argument.

7. Fill in the content

Fill in each section—also called a paragraph—using your lists from step 5. In addition to filling in what you know and what you think, remember to explain each section’s role in proving your argument and how each paragraph relates to those before and after it. For more help with this, see our handout on introductions , handout on conclusions , handout on transitions , and handout on paragraph development .

Ideally, this would really be steps 8, 9, and 10 (maybe even 11 and 12 for a big or important paper), but you’d never have gotten this far if you suspected there were that many steps. To maintain the illusion, let’s just call them 8a, 8b, and 8c.

8a. Check the organization This is really double-checking STEP 6. Do the parts of your paper make sense—and prove your point—in this order?

8b. Check content First, read your draft and ask yourself how each section relates to your thesis or overall argument. Have you explained this relationship? If not, would it be easier to rework the body of your paper to fit your argument or to revise your thesis to fit the existing content?

Next, reread your draft, and identify each sentence (based on its actual content): Is it “knowing” or “thinking” or both? Write one or both of those words in the margin. After doing this for each sentence in the whole paper, go back and tally up how many times you scribbled “I know” and “I think.” This next part is important:

THE “KNOWS” and “THINKS” SHOULD BALANCE EACH OTHER OUT (more or less).

This should usually be true both within specific paragraphs and in the paper as a whole. It’s fine to have 4 “knows” and 6 “thinks,” but if things are way out of balance, reread the assignment very carefully to be sure you didn’t miss something. Even if they ask for your opinion, most history instructors expect you to back it up by interpreting historical evidence or examples.

8c. Proofread for style and grammar This is also important. Even though you’re not writing for an English course, style and grammar are very important because they help you communicate ideas. For additional tips, see our handout on style and handout on proofreading .

While every assignment and course will have its unique quirks and requirements, you’re now armed with a set of basic guidelines to help you understand what your instructors expect and work through writing assignments in history. For more information, refer to the following resources or make an appointment to work with a tutor at the Writing Center.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Collingwood, R. G. 1989. The Written World: Reading and Writing in Social Contexts . New York: Harper Collins.

Daiker, Donald, Andrew Kerek, and Max Morenberg. 1994. The Writer’s Options: Combining to Composing , 5th ed. New York: Harper & Row.

Marius, Richard, and Melvin E. Page. 2010. A Short Guide to Writing About History , 7th ed. New York: Longman.

Smith, Hadley M. 2012. Writing in the Disciplines: A Reader for Writers , edited by Mary Lynch Kennedy and William J. Kennedy, 7th ed. New York: Pearson.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Essay Writing

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History is not just about writing lots of essays! It is also about discussion, debate and evidence. However, there will be, as with many other subjects at A-Level, some essays to write - but it is not as tough as it looks. Essay writing is a skill that you will get better at over time, but you might find the guide below useful to help you along.

How to Write a History Essay

• Are you new to the 6th form?
• Are you already in the 6th form but worried about your essay writing skills?
• Are you moving on to study history at university?

Then this could be just what you need! This guide will not help you to get outstanding grades - that is up to you, but it will prepare you with the skills that you need to produce that masterpiece!

Key Features: The Must Haves

A-Level/Undergraduate essays should contain the following features; although it depends on the type of essay you are writing as to how far you go; for example, a personal study or dissertation will require a great deal of historiography and referencing, whereas class essays may require less. If you are unsure as to how much your teacher will expect, it is best to ask! 

A well considered argument - This is VERY important to get right. It means that you will need to make sure that you clearly state your line of argument and do it convincingly. At the same time, you will also need to give full coverage to other factors/opinions/arguments that are at play - even if it is to rubbish them!

Reference to the question

An introduction

A middle -  the substantive part of the essay, where you present the evidence and arguments

A conclusion

Footnotes and bibliography

Before You Start...

The key to success in any history essay is preparation. This not only includes focussed and wide reading around the topic, but also your preparation of your thoughts and arguments. Richard Harris, experienced history teacher and now lecturer in education at Southampton University provides a very good starting point for essay writing. His plan is designed to get you thinking and planning your structure before you write. You can find a copy of this planning sheet at the end of the guide. 

1) Considered Argument

The key to providing a considered argument is to read widely! What is the historiography (views of different historians) surrounding the topic? What evidence is there to support different lines of argument? Your job is firstly to present these lines of argument.

Secondly, you should critically evaluate these views and evidence as you explain them. Is there evidence to counteract? By providing a considered argument - what we don't mean is that you sit on the fence! Every essay MUST have an argument, but by considered, we simply mean that you should be prepared to consider other arguments/factors, other than your own view, even if it is to critically evaluate them and dismiss their importance! But you must be convincing and be prepared to examine them fully.

At A level, the mark-schemes tend to be stepped into 5 different levels; you cannot progress beyond level 2/3 if you do not provide a well considered argument! The examiner wants to see what your opinion is, but they also want to know that you have not just "plucked" this opinion from nowhere - they want to see that you have considered the topic fully, taken account of all of the views and arguments before making your judgement. Therefore, you should stick to your line of argument throughout, but you should clearly evaluate other points of view, showing your reader how and why they are less valuable arguments than your own. 

2) Reference to the question

Where possible you should show how the evidence you are presenting links back to the question. You should refer back to the question wherever a link or piece of evidence provides some clues to help formulate an answer. This should help you to avoid going off track. Always think as you are writing "does this paragraph help to present the evidence to support my line of argument or help me to answer the question?" 

3) The Introduction

The introduction should set the scene. It should be short and snappy, no more than a few lines, but they are very important as you need to hook your reader in. There should be some very brief background detail to the question. You should also include some brief historiography - what is the main debate among historians about this issue? Who is saying what? You should also at this point wish to state what YOUR argument is going to be.

You should then refer back to the question by stating how you are going to measure/argue your case; a good way to do this is by referring back to the question itself. It should help you to get the question straight in your own mind too and give you some direction. For example, if you have a question asking you how significant an event was, you need to explain what is meant by significance and how you will measure this.

E.g. 'How significant was the Reichstag Fire in the Nazi revolution?'

When this question is analysed, bit by bit it helps us to explain to our reader what the essay intends to cover. 

4) The Middle

This is the substantive part of the essay. This is the bit where you have to present the evidence and arguments. It should predominantly contain your analysis/argument but you must also look at the counter-arguments and the views of historians.

• Present evidence in a balanced way: You should present your argument/response to the question clearly and effectively, using the views of historians and other evidence to back up the points you make. On the other side, you should also consider the arguments against your own and critically evaluate them in order to show why they are less important/plausible than your own.
• Present your evidence in a logical order : Try to avoid jumping around. Make a plan before you write that organizes your evidence logically. This could either be in themes or in chronological order.
• Include analysis: You must make sure that you don't just fall into the trap of presenting evidence without analysis. This reads more like a list! When presenting a piece of evidence or the view of a historian, don't forget to critically analyse. Is the evidence reliable? Is the view of the historian reliable or are they writing from a specific viewpoint? Are there different interpretations? What do you think? Is it a valid point?
• Refer often to the title: Don't forget to link your points back to the question where possible. It will help your essay and your reader stay focused on the answer to the question!

How to Structure Paragraphs:

It is important to structure your points within the scaffolding of the paragraph well. A good way to do this is to PEE all over your paragraphs!!!

Of course, don't take this literally and ruin your essay - what we mean is to use the PEE formula:

E - Example

E - Explanation.

This is a good habit to get into and a good way to provide structure. Simply make your point, give an example or piece of evidence to back it up, then explain it. What is the context? How or why is it significant/insignificant? How does it fit into the topic? How does it help to answer the question? 

Test yourself:

See if you can spot the PEE on this paragraph which forms part of an answer to the question "Was Edward IV a new monarch?"

"Edward's power did not increase at the expense of the nobility; a key criteria for new monarch status. Edward continued the tradition of letting powerful magnates rule the peripheral regions of the country, such as the North and Wales. This resulted in the creation of a number of large power bases including the Herberts in Wales, Gloucester in the North, the Percys in the eastern marshes and the Woodvilles in London. This was largely due to the small number of noble creations in his reign - he only made nine promotions to high nobility. On the one hand this shows that he was in form control as he had sufficient power and stability without having to make lots of noble creations to gain support, yet on the other hand he was creating a volatile situation as rivalries built up between powerful factions and Edward was cresting a potentially explosive situation which only he could control." 

5) Conclusion

This is the end of the essay. This is the bit where you are expected to answer the question! Here you should sum up in a couple of sentences what your argument is, and why it is the most plausible explanation, being careful to remind the reader of supportive evidence. Finally, you should put the essay in context. Explain the wider context to the question. It might be that there are longer-term or under the surface issues that need further exploration, or it may be that there is a bigger picture in play. By putting your answer in context, we don't mean just adding some extra facts about the period at the end - your setting in context should display your broader understanding of the period. A good example of this is when a student was writing about the Golden Age of Spain:

"In conclusion, the extent to whether this period can be deemed as a "Golden Age" ultimately rests on the context of the time. Although it is true to say that Spain was making advances in several areas, in terms of power, unity, wealth, economy, culture, empire and discovery. The extent of religious and racial persecution however, could be deemed as less golden in terms of morality, even if both policies were successful in terms of strengthening Spain's power base. In the wider context of the time, Spain's achievements seem less golden than they may at first appear. We have to remember that this period saw the Renaissance. The Renaissance affected practically every area of life at the time, and was a new dawn of discovery and thinking -  Leonardo Da Vinci, William Harvey, Martin Luther, Copernicus and Galileo were but a few of the characters that shaped the time;  therefore, if Spain had a golden age, so too did many other countries." 

• Re-state your argument using the key words from the title
• Be confident in your argument
• Hint at a broader context
• What other issues would you explore, given more time? 

6) Footnotes and Bibliography

At A-Level and undergraduate level, you will be expected to footnote your essays. Because you are not expected to do this at GCSE, this may be a new skill for you, but it is very easy! 

What are footnotes?

When you quote evidence or the views of a historian from a book or periodical, you are expected to let your reader know where you got this evidence from, so that if they wished (very few would) they could go and check your evidence. You can do this by including citations or footnotes.       

How to Footnote

The process of footnoting is slightly different on different computer programs and may differ again if you are using a MAC, but the process is the same, even if you are handwriting.

Footnotes should be numbered and should either appear at the bottom of the page on which they are cited or in a list at the end of the essay. They should include the following information:

1.) Author's name (surname first)

2.) Date and place of publication (found on the first page of the book usually)

3.) Title of book (in italics)

4.) Page reference. 

How to footnote on the computer

If you have Microsoft Office, the simplest way to insert a footnote is by going to the references section on the tool-bar and then following the instructions above. If you are using an earlier version of Office, you should click on insert and then select footnote from the list.

Below is an example to illustrate what a footnote should look like:

"Leo, the holy pope in Rome, passed away; and in this year there was a great pestilence among cattle than man could remember for many years..." [1]   

Footnote extras

• If the book is a collection of articles or a reproduction of primary source material, it will not have an author, but an editor instead. If the main name on the book is an editor, you need to write the letters (ed.) next to the name.
• If your next footnote in the sequence is from the same book, but a different page, you do not need to write out all of the information again, you can simply write the word "Ibid" which means same source and then cite the page number. However, you should only do this once in any given sequence. If you have 3 quotes in a row from the same book, the third time, you should write out the information again. 

What is a bibliography?

A bibliography is the list of books that you have used to help you write your essay. This may include books that you have quoted from or used as part of your reading.

You should always include a bibliography at the end of your essay which lists the books that you have used. You can use the same format as you would for footnotes. Below is a sample to show you how it should look.

1.) Campbell, J (ed) Cambridge 1982 - The Anglo-Saxons

2.) Swanton, M (ed) J.M Dent 1997 - The Anglo-Saxon Chronicle                                                  

The Harvard Footnote System

Another option to make sure you have referenced correctly is to use the simpler Harvard system. This may be a preferred method for the writing of normal class essays, although for a personal study, the use of traditional footnoting is still recommended. Harvard referencing uses the author and the date of the work in the main body of the text, and then has a reference list at the end of the essay which contains the references cited in alphabetical order by author. The reference list contains the full details of the book or journal cited. Because you only refer to a shortened form of works in the main essay (author, date) your essay doesn't get filled with too much reference material. The use of the author/date shorthand does make it easy to locate works in the reference list.

An example from the main body of a text:

Within the last ten years, teachers who have attended INSET courses have reported that the courses have helped to increase their competence and confidence in using IT (see, for example, Higham and Morris, 1993; ESRC 1990), yet despite the fact that the passing years have presented opportunities for more teachers to increase their skills in IT, weaknesses identified by McCoy (1992) seem to be still evident (Gillmon, 1998; Goldstein 1997). This suggests that we need to look for explanations other than attendance at INSET courses for the reasons for the apparently poor state of teachers' competence and confidence in IT.

In this text the author is citing entire works by other researchers to support her argument. Notice the use of brackets and the author/s and dates of all works.

Another example from the main body of a text:

One resource provided in the secondary speech genre is the "posited author" (Bakhtin, 1981, p. 312).

Here the quotation is a direct one so a page number has been added. Quotations of no more than two sentences can be incorporated into the main text and marked off with quotation marks, but if you quote a longer passage it must be placed in a separate paragraph and indented from the left and right margins of the main text.

_______________ 

[1] Swanton, Michael (ed), J.M Dent 1997, The Anglo-Saxon Chronicle, pg. 185

Attached files:

• Essay Planning Sheet 54.5 KB Word document
• How to write a synoptic essay
• A-level 'how to' guides

• Source Criticism

How to analyse historical sources

When using sources for evidence, you need to be able to demonstrate your knowledge of them by identifying their historical background.

To do this, you need to analyse your sources.

What is 'source analysis'?

Analysis is the ability to demonstrate an understanding of the elements that contributed to the creation of a historical source.

It answers the question: 'Why does this source exist in its current form?'

There are six analysis skills that you need to master:

How do you analyse a source?

In order to demonstrate a knowledge of the six analysis skills, you need to do two things:

• Carefully read the source to find information that is explicit and implicit
• Conduct background research  about the creator  of the source

After completing these two steps, you can begin to show your understanding about the six features of historical sources.

Based upon what you found in your reading and background research, answer the following questions for each of the six analysis skills.

Watch a video explanation on the History Skills YouTube channel:

Watch on YouTube

How do you write an analysis paragraph?

Once you have been able to answer all of the question above, you are ready to demonstrate your complete source analysis.

An analysis paragraph should demonstrate your awareness of all six analysis skills in a short paragraph.

This letter was written by John Smith to record the events of the battle for his family at home . It is from the perspective of an Australian soldier who had just experienced the Gallipoli landing on the 25th April, 1915 , and specifically mentions “running like hell” for survival.

What do you do with your analysis?

Your source analysis becomes a vital step in your ability to evaluate your sources in your assessment pieces .

This is most important in written essays , source investigations and short response exams .

You will use different parts of your analysis to help justify a source's usefulness and reliability .

Test your learning

No personal information is collected as part of this quiz. Only the selected responses to the questions are recorded.

Additional resources

What do you need help with, download ready-to-use digital learning resources.

Copyright © History Skills 2014-2024.

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A Level History Essay Structure – A Guide

• Post author By admin
• Post date December 1, 2022
• No Comments on A Level History Essay Structure – A Guide

Getting an A Level History essay structure right is by no means an easy task. In this post we will look at how we can build a structure from which our essay can develop.

Here you can see the most simplified essay structure for tackling A level History essays. All students should be familiar with this structure. We have broken the essay down into an introduction and conclusion as well as 3 separate parts of content. Running through the entire essay at the side is our line of argument. Whilst this may seem fairly simple, many students still fail to adequately follow this structure, when writing essay answers under exam conditions.

The reasons this structure works well is that it enables you to cover 3 different factors of content. These can be aligned 2-1 or 1-2 on either side of the argument. Your essay is now balanced (covering both sides of the argument), whilst at the same time being decisive in terms of your line of argument and judgement. It is also consistent with the amount you can write in the exam time given for (20-25) mark essay questions.

Expanded A level History Essay Structure

Let’s look at an expanded essay structure. Again, we have our introduction and conclusion as well as 3 separate parts of content. Now we can see that we have added whether or not each of our parts of content agrees or disagrees with the question premise. In order to have a balanced essay we can see on this example that; Content 1 agrees, Content 2 disagrees, and Content 3 can go either way. This overall A Level History essay structure ensures a balanced essay that also reaches judgement.

Furthermore, we have now broken down each individual part of Content/Factor. This can be seen as a mini essay in its own right. The Content/Factor is introduced and linked to the question as well as being concluded and linked to the question. Then we write 2 to 3 separate points within the body of the Content/Factor. We have 2 points that agree with the overall argument of this section of content. This strongly backs up our argument.

Then we can also potentially (this doesn’t have to be done always, but when done right creates a more nuanced analysis) add a third point that balances that particular section of content. However, it doesn’t detract from the overall argument of this factor/content. E.g. In the short term ‘point 3’ occurred but of much greater significance was ‘point 1’ and ‘point 2.’

How To Improve Further at A Level History

Pass A Level History – is our sister site, which shows you step by step, how to most effectively answer any A Level History extract, source or essay question. Please click the following link to visit the site and get access to your free preview lesson. www.passalevelhistory.co.uk

Previous and Next Blog Posts

Previous – A Level History Questions – Do and Avoid Guide – passhistoryexams.co.uk/a-level-history-questions-do-and-avoid-guide/

Next – A Level History Coursework Edexcel Guide – passhistoryexams.co.uk/a-level-history-coursework-edexcel/

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History Essay Examples

Top History Essay Examples To Get Inspired By

Published on: May 4, 2023

Last updated on: Jan 31, 2024

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History essays are a crucial component of many academic programs, helping students to develop their critical thinking, research, and writing skills. 

However, writing a great history essay is not always easy, especially when you are struggling to find the right approach. This is where history essay examples come in handy. 

By reading and examining samples of successful history essays, you can gain inspiration, learn new ways to approach your topic. Moreover, you can develop a better understanding of what makes a great history essay.

In this blog, you will find a range of history essay examples that showcase the best practices in history essay writing. 

Read on to find useful examples.

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Sample History Essays

Explore our collection of excellent history paper examples about various topics. Download the pdf examples for free and read to get inspiration for your own essay.

History Essay Samples for Middle School

The Impact of Ancient Civilizations on Modern Society

The Rise and Fall of the Roman Empire

The Causes and Consequences of the American Revolution

History Writing Samples for High School Students

The Impact of the Industrial Revolution on Society

Grade 10 History Essay Example: World War 1 Causes and Effects

Grade 12 History Essay Example: The Impact of Technology on World War II

Ancient History Essay Examples

The Societal and Political Structures of the Maya Civilization

The Role of Phoenicians in the Development of Ancient Mediterranean World

The Contributions of the Indus Civilization

Medieval History Essay Examples

The Crusades Motivations and Consequences

The Beginning of Islamic Golden Age

The Black Death

Modern History Essay Examples

The Suez Crisis and the End of British Dominance

The Rise of China as an Economic Powerhouse

World History Essay Examples

The Role of the Silk Road in Shaping Global Trade and Culture

The Rise and Fall of the Ottoman Empire

The Legacy of Ancient Greek Philosophy and Thought

Paper Due? Why Suffer? That's our Job!

American History Essay Examples

The Civil Rights Movement and its Impact on American Society

The American Civil War and its Aftermath

The Role of Women in American Society Throughout History

African History Essay Examples

The Impact of Colonialism on African Societies

The Rise and Fall of the Mali Empire

European History Essay Examples

The Protestant Reformation and the Rise of Protestantism in Europe

The French Revolution and its Impact on European Politics and Society

The Cold War and the Division of Europe

Argumentative History Essay Examples

Was the US Civil War Primarily About Slavery or States

The Effects of British Colonization on Colonies

Art History Essay Examples 

The Influence of Greek and Roman Art on Neoclassicism

The Depiction of Women in Art Throughout History

The Role of Art in the Propaganda of Fascist Regimes

How to Use History Essay Examples

History essay examples are a valuable tool for students looking for inspiration and guidance on how to approach their own essays. 

By analyzing successful essays, you can learn effective writing techniques that can be expected in a high-quality history essay. 

Here are some tips that will help you take full advantage of the samples above.

Tips for Effectively Using History Essay Examples

• Analyze the Structure:

Pay close attention to how the essay is organized, including the introduction, body paragraphs, and conclusion. Look for how the author transitions between paragraphs and the use of evidence to support their argument.

• Study the Thesis Statement:

The thesis statement is the backbone of any successful history essay. Analyze how the author crafted their thesis statement, and consider how you can apply this to your own writing.

• Take Note of the Evidence: 

Effective history essays rely on using strong evidence to support their arguments. Take note of the sources and types of evidence used in the essay. Consider how you can apply similar evidence to support your own arguments.

• Pay Attention to the Formatting and Other Academic Formalities:

The sample essays also demonstrate how you can incorporate academic formalities and standards while keeping the essay engaging. See how these essays fulfill academic standards and try to follow them in your own writing.

• Practice Writing:

While analyzing history essay examples can be helpful, it is important to also practice writing your own essays. Use the examples as inspiration, but try to craft your own unique approach to your topic. 

History essays are an essential aspect of learning and understanding the past. By using history essay examples, students can gain inspiration on how to develop their history essays effectively. 

Furthermore, following the tips outlined in this blog, students can effectively analyze these essay samples and learn from them. 

However, writing a history essay can still be challenging. 

Looking for an online essay writing service that specializes in history essays? Look no further!

Our history essay writing service is your go-to source for well-researched and expertly crafted papers.

And for an extra edge in your academic journey, explore our AI essay writing tool . Make history with your grades by choosing our online essay writing service and harnessing the potential of our AI essay writing tool.

Get started today!

Cathy A. (Law, Marketing)

For more than five years now, Cathy has been one of our most hardworking authors on the platform. With a Masters degree in mass communication, she knows the ins and outs of professional writing. Clients often leave her glowing reviews for being an amazing writer who takes her work very seriously.

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How to structure paragraphs using the PEEL method

Sophia Gardner

Sep 1, 2023

You may have heard of the acronym PEEL for essays, but what exactly does it mean? And how can it help you? We’re here to explain it all, plus give you some tips on how to nail your next essay.

There’s certainly an art to writing essays. If you haven’t written one for a while, or if you would like to hone your academic writing skills, the PEEL paragraph method is an easy way to get your point across in a clear and concise way, that is easily digestible to the reader. 

So, what exactly is PEEL ? 

The PEEL paragraph method is a technique used in writing to help structure paragraphs in a way that presents a single clear and focused argument, which links back to the essay topic or thesis statement. 

It’s good practice to dedicate each paragraph to  one  aspect of your argument, and the PEEL structure simplifies this for you.

It allows you to create a paragraph that is easy and accessible for others to understand. Remember, when you’re writing something, it’s not just you who is reading it - you need to consider the reader and how they are going to be digesting this new information. 

What does PEEL stand for? 

P = Point: start your paragraph with a clear topic sentence that establishes what your paragraph is going to be about. Your point should support your essay argument or thesis statement.

E = Evidence/Example: here you should use a piece of evidence or an example that helps to reaffirm your initial point and develop the argument. 

E = Explain: next you need to explain exactly how your evidence/example supports your point, giving further information to ensure that your reader understands its relevance.

L = Link: to finish the paragraph off, you need to link the point you’ve just made back to your essay question, topic, or thesis.

Download a free PEEL paragraph planner below. 👇

Studiosity English specialist Ellen, says says students often underestimate the importance of a well-structured paragraph. 

PEEL in practice

Here’s an example of what you might include in a PEEL structured paragraph: 

Topic: Should infants be given iPads?  Thesis/argument: Infants should not be given iPads.

Point : Infants should not be given iPads, because studies show children under two can face developmental delays if they are exposed to too much screen time. 

Evidence/Example: A recent paediatric study showed that infants who are exposed to too much screen time may experience delays in speech development.

Explanation: The reason infants are facing these delays is because screen time is replacing other key developmental activities.

Link: The evidence suggests that infants who have a lot of screen time experience negative consequences in their speech development, and therefore they should not be exposed to iPads at such a young age.

Once you’ve written your PEEL paragraph, do a checklist to ensure you have covered off all four elements of the PEEL structure. Your point should be a clear introduction to the argument you are making in this paragraph; your example or evidence should be strong and relevant (ask yourself, have you chosen the best example?); your explanation should be demonstrate why your evidence is important and how it conveys meaning; and your link should summarise the point you’ve just made and link back to the broader essay argument or topic. 

Keep your paragraphs clear, focused, and not too long. If you find your paragraphs are getting lengthy, take a look at how you could split them into multiple paragraphs, and ensure you’re creating a new paragraph for each new idea you introduce to the essay. 

Finally, it’s important to always proofread your paragraph. Read it once, twice, and then read it again. Check your paragraph for spelling, grammar, language and sentence flow. A good way to do this is to read it aloud to yourself, and if it sounds clunky or unclear, consider rewriting it. 

That’s it! We hope this helps explain the PEEL method and how it can help you with your next essay. 😊

You might also like:  Proofreading vs editing: what's the difference? How to get easy marks in an exam 5 study hacks that actually work

Topics: English , Writing , Grammar

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Essay Papers Writing Online

A comprehensive guide to essay writing.

Essay writing is a crucial skill that students need to master in order to succeed academically. Whether you’re a high school student working on a history paper or a college student tackling a critical analysis essay, having a solid understanding of the essay writing process is essential.

In this comprehensive guide, we’ll explore the essential tips and tricks that will help you improve your essay writing skills. From generating ideas and organizing your thoughts to crafting a strong thesis statement and polishing your final draft, we’ve got you covered.

Not only that, but we’ll also provide you with useful templates that you can use as a framework for your essays. These templates will help you structure your writing, stay focused on your main argument, and ensure that your essay flows smoothly from one point to the next.

The Ultimate Essay Writing Guides

Essay writing can be a challenging task for many students, but with the right guidance and tips, you can improve your writing skills and produce high-quality essays. In this ultimate guide, we will provide you with valuable advice, tricks, and templates to help you excel in your essay writing endeavors.

1. Understand the Prompt: Before you start writing your essay, make sure you fully understand the prompt or question. Analyze the requirements and key points that need to be addressed in your essay.

2. Create an Outline: Organize your ideas and thoughts by creating a detailed outline for your essay. This will help you structure your arguments and ensure a logical flow of information.

3. Research Thoroughly: Conduct extensive research on your topic to gather relevant information and evidence to support your arguments. Use credible sources and cite them properly in your essay.

4. Write Clearly and Concisely: Avoid using jargon or complex language in your essay. Write in a clear and concise manner to convey your ideas effectively to the reader.

5. Proofread and Edit: Before submitting your essay, make sure to proofread and edit it carefully. Check for grammatical errors, spelling mistakes, and ensure that your essay flows cohesively.

By following these ultimate essay writing guides, you can enhance your writing skills and produce outstanding essays that will impress your instructors and peers. Practice regularly and seek feedback to continuously improve your writing abilities.

Tips for Crafting an A+ Essay

1. Understand the Assignment: Before you start writing, make sure you fully understand the assignment guidelines and requirements. If you have any doubts, clarify them with your instructor.

2. Conduct Thorough Research: Gather relevant sources and information to support your arguments. Make sure to cite your sources properly and use credible sources.

3. Create a Strong Thesis Statement: Your thesis statement should clearly outline the main point of your essay and guide your readers on what to expect.

4. Organize Your Ideas: Create an outline to organize your thoughts and ensure a logical flow of ideas in your essay.

5. Write Clearly and Concisely: Use clear, concise language and avoid unnecessary jargon or complex sentences. Be direct and to the point.

6. Revise and Edit: Always proofread your essay for grammar and spelling errors. Revise your work to ensure coherence and clarity.

7. Seek Feedback: Ask a peer or instructor to review your essay and provide constructive feedback for improvement.

8. Use Proper Formatting: Follow the formatting guidelines provided by your instructor, such as font size, margins, and citation style.

9. Stay Focused: Keep your essay focused on the main topic and avoid going off on tangents. Stick to your thesis statement.

10. Practice, Practice, Practice: The more you practice writing essays, the better you will get at it. Keep practicing and refining your writing skills.

Tricks to Improve Your Writing Skills

Improving your writing skills can be a challenging but rewarding process. Here are some tricks to help you become a better writer:

1. Read widely: Reading a variety of genres and styles can help you develop your own voice and writing style.

2. Practice regularly: The more you write, the better you will become. Set aside time each day to practice writing.

3. Get feedback: Share your writing with others and ask for constructive criticism. Feedback can help you identify areas for improvement.

4. Study grammar and punctuation: Good writing requires a solid understanding of grammar and punctuation rules. Take the time to study and practice these essential skills.

5. Edit and revise: Writing is a process, and editing is an important part of that process. Take the time to edit and revise your work to improve clarity and coherence.

6. Experiment with different writing techniques: Try experimenting with different writing techniques, such as using metaphors, similes, or descriptive language, to enhance your writing.

7. Stay inspired: Find inspiration in the world around you. Whether it’s nature, art, or literature, draw inspiration from your surroundings to fuel your writing.

By following these tricks and practicing regularly, you can improve your writing skills and become a more confident and effective writer.

Step-by-Step Essay Writing Templates

When it comes to writing an essay, having a clear and structured template can be incredibly helpful. Here are some step-by-step essay writing templates that you can use to guide you through the process:

• Introduction: Start your essay with a hook to grab the reader’s attention. Provide some background information on the topic and end with a thesis statement that outlines the main argument of your essay.
• Body Paragraphs: Each body paragraph should focus on a single point that supports your thesis. Start with a topic sentence that introduces the main idea of the paragraph, provide evidence to support your point, and then analyze the evidence to show how it relates back to your thesis.
• Conclusion: Summarize the main points of your essay and restate your thesis in a new way. Avoid introducing new information in the conclusion and instead focus on tying together all the points you have made throughout the essay.

Expert Advice for Writing Top-Notch Essays

When it comes to writing a top-notch essay, it’s essential to follow expert advice to ensure your work stands out. Here are some key tips to help you elevate your writing:

1. Start with a strong thesis statement that clearly outlines your main argument.

2. Conduct thorough research to support your points with credible sources.

3. Organize your thoughts logically and ensure your essay flows smoothly from one point to the next.

4. Use a variety of sentence structures and vocabulary to keep your writing engaging.

5. Proofread and edit your essay carefully to eliminate errors and refine your arguments.

By following these expert tips, you can take your essay writing skills to the next level and produce work that is both informative and compelling.

Resources to Enhance Your Essay Writing Process

When it comes to improving your essay writing skills, there are a variety of resources available to help you enhance your process. Here are some valuable resources that can aid you in becoming a more effective and efficient writer:

• Writing Guides: There are countless writing guides and books that offer tips, tricks, and strategies for improving your writing skills. Whether you’re looking to enhance your grammar, structure, or argumentation, these guides can provide valuable insights.
• Online Writing Communities: Joining online writing communities can be a great way to connect with other writers, receive feedback on your work, and engage in writing challenges and prompts. Websites like Writing.com and Wattpad are popular platforms for writers to share their work and receive critiques.
• Writing Workshops and Courses: Participating in writing workshops and courses can help you hone your craft and develop your writing skills. Whether you prefer in-person workshops or online courses, there are many options available to suit your needs and schedule.
• Writing Apps and Tools: Utilizing writing apps and tools can streamline your writing process and help you stay organized. Tools like Grammarly can assist with grammar and spelling checks, while apps like Scrivener can help you organize your research and ideas.
• Libraries and Writing Centers: Visiting your local library or university writing center can provide access to valuable resources, such as writing guides, research materials, and writing tutors who can offer personalized feedback and support.

By taking advantage of these resources, you can enhance your essay writing process and become a more skilled and confident writer.

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