i am a watch essay

Essay on Watch

Students are often asked to write an essay on Watch in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

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100 Words Essay on Watch

The importance of watches.

Watches are essential tools for managing time. They help us stay organized, meet deadlines, and plan our day. Without watches, we would lose track of time and miss important events.

Types of Watches

There are various types of watches. Analog watches have hands that move around a dial. Digital watches display time in numbers. Smartwatches can even connect to our phones!

Watches as Fashion Accessories

Watches are also stylish accessories. They can be made of different materials like gold, silver, or leather. People wear watches to express their personal style.

Watches and Technology

Today, watches are more than timekeepers. They can monitor our health, connect to the internet, and even make calls!

250 Words Essay on Watch

Introduction.

A watch, a simple device worn around the wrist, has evolved significantly over the centuries. From an instrument of timekeeping to a symbol of status and style, the watch has been an integral part of human civilization.

The Historical Perspective

The history of watches dates back to the 16th century when they were worn as pendants. The invention of the mainspring in the 15th century paved the way for the development of portable timekeeping devices. This transition from public clocks to personal watches marked a significant shift in the perception of time, leading to a more organized society.

Symbol of Technological Advancement

The watch has been a testament to technological advancements. From mechanical watches to quartz watches, and now smartwatches, each evolution represents a leap in technology. Today’s smartwatches are not just timekeepers, but also fitness trackers, communication devices, and even personal assistants.

Reflection of Personal Style

A watch is more than just a functional object; it is a reflection of personal style and status. The choice of a watch can speak volumes about an individual’s personality, taste, and socioeconomic status. Luxury watches, in particular, are often seen as symbols of success and achievement.

In conclusion, the watch, while primarily a tool for timekeeping, holds a much broader significance. It is a symbol of human innovation, a reflection of personal identity, and a marker of societal progression. As technology continues to evolve, the watch will undoubtedly continue to transform, adapting to the changing needs and tastes of society.

500 Words Essay on Watch

The timeless significance of watches, a symbol of craftsmanship and engineering.

Watches are a testament to human ingenuity and precision. The intricate network of gears, springs, and wheels that power a mechanical watch represent centuries of horological evolution. The craftsmanship involved in creating a single watch is immense, often requiring hundreds of hours of meticulous work. This attention to detail and dedication to precision have made watches a symbol of engineering excellence.

Watches as a Fashion Statement

Watches also serve as an expression of personal style. The wide array of designs, materials, and brands available means that there is a watch to suit every individual’s taste and lifestyle. From the minimalist elegance of a classic dress watch to the rugged functionality of a diving watch, the choice of timepiece can say a lot about a person’s character and aesthetic preferences.

The Functional Aspect

Watches as heirlooms, the future of watches.

The advent of smartwatches has added a new dimension to the world of horology. These devices, capable of tracking health metrics and providing smartphone-like functionalities, represent a fusion of traditional watchmaking and modern technology. However, despite their growing popularity, they have not replaced traditional watches. Instead, they have expanded the horological landscape, offering consumers a broader range of options to suit their needs.

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I Am Falling Apart

At 48, I realized my professional dream of publishing a novel. Around that time, I also got a staph infection, became diabetic, and started losing my vision. Will I see the end of my story?

I knew what to expect. Both of my parents had experienced retinal detachments, so I was terrified but prepared. The warning signs sounded vague: “Be wary of sudden bright flashes or arcs of light,” doctors told me. In reality, it was more like hot white blaster fire ricocheting off the hull of an Imperial light cruiser. “Be wary of any new ‘floaters,’ ” they said. When the floaters came, they were like black, stringy Dementors descending unexpectedly over my field of vision.

I’ve always seen the world through this perspective—everything filtered through what I watched, heard, read, and loved. But consuming pop culture like the world was ending when it actually was wasn’t so much fun. By December 2020, we had binged, read, spun enough. My wife and I decided to focus on our health, going on nightly mile-long walks around our Forest Hills neighborhood, in Queens. One evening, the symptoms started in my left eye. We rushed to a retina specialist for outpatient laser eye surgery. Pew-pew-pew, and the hole was patched. Phew. More lasers in subsequent visits (both eyes, to be safe). My own up-close-and-personal Pink Floyd light-show experience, with encore performances.

Our newfound fixation on health was timely. A staph infection puckered my left calf like Freddy Krueger’s. Meanwhile, gummy bears were apparently killing me—prediabetes had matured into full-blown Wilford Brimley–style “diabeetus.” I was hitting middle age hard. I was no Wolverine; my healing ability was vastly inferior. While my body was failing, my mind was racing. The realization that “life moves pretty fast” made me channel my inner John Hughes, as I attacked my decades-gestating manuscript like I was frantically writing a Ferris Bueller sequel.

And so, at 48 years old, I was finally able to see my pandemic project, my debut novel, published to great acclaim. No one was happier than my mother. Her da xinganbao (“big precious”) was finally a published author. I have always taken after her family: thick black hair, broad nose, the love of the written word. I was inspired by my grandfather, a famous Chinese reporter who sacrificed everything to immigrate to the U. S. for journalistic integrity. He then spent much of his life caring for his fragile wife, my grandmother, who suffered from anxiety and a weak heart. So much of them was yi chuan, inherited by us. The noble talents, but also the poor eyesight, diabetes, and mental-health issues.

My mother had spent much of her time looking after the men in her life: shuttling my grandfather to appointments, working 12-hour days while her husband pursued his doctorate, raising her sons to do good. But now, like mine, her priorities were shifting: The pandemic presented an opportunity. My mother informed me that she had started writing, too. Or rather, she had resumed writing, tapping back into the collegiate aspirations she abandoned when she began her life here in the States.

And so, at 73 years old, Grace I-Yin Jeng was finally able to see her pandemic project, her first essays, accepted for publication in a Chinese journal.

Both of us were always inspired by my grandfather’s professional legacy, even more so after he passed. His final message years prior was one simple eternal character, ai (“love”), writ large in marker across the unfolded panels of a Chinese newspaper, left on the table of his hospital bed. As I wrote about such big ideas expressed through small moments, I wondered what my mother was writing about. Her childhood in Taiwan and the Philippines? Her early struggles in New York City as an entrepreneur? (She owned three shoe stores.) Having two teenagers and then a third miracle baby in her 40s, or helping thousands as a Social Security caseworker? Her response: “Thoughts on the season changing to autumn—and about you becoming a writer.” She still can’t help but focus on the men in her life.

What no one saw coming: my vision growing exponentially worse. In August 2023, as I was starting the final edits on my book, the lasers stopped working on my left eye. I would have to go under the knife. The vitrectomy would replace my eyeball juice with fresh-squeezed artificial replacement fluid, and a self-dissolving gas bubble would be injected to push my retina into place. A painless procedure (thanks, propofol and Valium!), but the following seven days of constant facedown positioning would be absolute torture. I was inverted and sore, and sleeping with my CPAP machine (like Hannibal Lecter in his face mask) was inhumane. Worse yet, in December 2023, I learned that my right eye required the same process. I immediately burst into tears.

Most people will get cataracts (the slow, natural decay of the lenses in their eyes) as they enter their 70s and 80s. But as a result of these surgeries, my eyes are undergoing vast changes until they stabilize. I am fast developing cataracts and losing my sight. (And no, my other senses aren’t heightened. Turns out I’m not Daredevil, either.) Each checkup fills me with dread. If the vitrectomy surgeries don’t hold, I may need further procedures to save my vision. If it’s only the cataracts I have to contend with, then hopefully within the year, my eyeballs will be “ripe” enough for this next round of routine surgery to replace my zombified lenses. Nothing makes you feel so old as looking forward to receiving the same treatment as octogenarians.

On the other hand, my mom is in great health, hopping on airplanes and cruise ships. On her last visit to Taipei, she got a blue whale tattoo. In honor of my dad, the marine biologist? “No deeper meaning,” she insists. “It’s cute and I like the ocean.” My mother, pleading with her sons to take her to see Bon Jovi. My mother, smoking weed for the first time. She’s been in her renaissance. But plans don’t always work out; her Cabo trip was curtailed when my father grew uncharacteristically pale and refused the buffet. He’s been dealing with his own health crisis ever since: leukemia. While we are slowly being attacked by our own bodies, she keeps us afloat, as per usual—sorting the pills for my dad, sending frozen dumplings to me. All done with grace, by Grace.

.css-f6drgc:before{margin:-0.99rem auto 0 -1.33rem;left:50%;width:2.1875rem;border:0.3125rem solid #FF3A30;height:2.1875rem;content:'';display:block;position:absolute;border-radius:100%;} .css-1r4wn2w{margin:0rem;font-size:1.625rem;line-height:1.2;font-family:Lausanne,Lausanne-fallback,Lausanne-roboto,Lausanne-local,Arial,sans-serif;}@media(max-width: 48rem){.css-1r4wn2w{font-size:1.75rem;line-height:1.2;}}@media(min-width: 64rem){.css-1r4wn2w{font-size:2.375rem;line-height:1.2;}}.css-1r4wn2w em,.css-1r4wn2w i{font-style:italic;font-family:inherit;}.css-1r4wn2w b,.css-1r4wn2w strong{font-family:inherit;font-weight:bold;}.css-1r4wn2w:before{content:'＂';display:block;padding:0.3125rem 0.875rem 0 0;font-size:3.5rem;line-height:0.8;font-style:italic;-webkit-transform:translateY(-1.5rem) rotate(180deg);-moz-transform:translateY(-1.5rem) rotate(180deg);-ms-transform:translateY(-1.5rem) rotate(180deg);transform:translateY(-1.5rem) rotate(180deg);font-family:Lausanne,Lausanne-fallback,Lausanne-styleitalic-roboto,Lausanne-styleitalic-local,Arial,sans-serif;} Nothing makes you feel so old as looking forward to receiving the same treatment as octogenarians.

Her “big baby,” tall and strong. But now I can no longer lift anything heavier than a half-full banker’s box for fear of putting pressure on these fragile eyes. What I fear, what I am most wary of now, is time—our mortal flesh fades fast, in spite of all we have left to do, say, and see.

Recently, my mother started letting her bob go gray. My temples, too, grow more into the same signature silver of that pliant genius Reed Richards. But I feel further from fantastic, as my limbs become increasingly stiff and achy every day. My eyes, too, miss out on so much wonder before them.

My mother has read my novel and is my biggest champion. Soon I will get to read her new work—in translation, sized up to a 24-point font. But there are still so many stories she hasn’t yet written. I am afraid to ask about them, to hear them spoken in this life or the next. But isn’t everything that’s inherited and passed down simply about ai —love—in the end? At my book events, I can make out her shape, beaming proudly from the front row, that familiar magnetic red phone case flapping wildly as she tries to record a video. What I experience now, however, is all blurry, hazy like a dream. I’m hoping once my vision is renewed, I’ll get to see this all again with her, for the first time and not the last.

@media(max-width: 73.75rem){.css-1ktbcds:before{margin-right:0.4375rem;color:#FF3A30;content:'_';display:inline-block;}}@media(min-width: 64rem){.css-1ktbcds:before{margin-right:0.5625rem;color:#FF3A30;content:'_';display:inline-block;}} Dispatches From The New Middle Age

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'I'm speaking': Kamala Harris stares down hecklers at Michigan rally

Vice President Kamala Harris told a group of what were believed to be pro-Palestinian hecklers, "I'm speaking," and flashed a steely-eyed glare at them Wednesday night in what was her first visit to Michigan as the Democratic nominee for president.

Harris is the first Black woman and South Asian American woman to win a major party's nomination for president.

. @KamalaHarris to protesters at her Detroit rally: "You know what, if you want Donald Trump to win, then say that. Otherwise, I'm speaking." pic.twitter.com/iUYhOJnAQr — CSPAN (@cspan) August 8, 2024

While it was not immediately known what the small group of protesters were chanting, a Free Press journalist covering the event said she believed it included the word "genocide" and was in reference to the ongoing Israeli counteroffensive in Gaza against Hamas, which has been underway since last October.

President Joe Biden's administration has been criticized, especially among Michigan's large Arab-American and Muslim communities, for not demanding Israel, a key ally, stop its counteroffensive in Gaza, often referring to it as "genocide." Harris, who became the Democrats nominee following Biden's taking himself out of the reelection race late last month, has said she has "serious concerns" about Israel's stance and urged adoption of a ceasefire deal .

Harris and her vice presidential nominee, Minnesota Gov. Tim Walz, also met briefly before the speech with leaders of the Uncommitted National Movement, which has been demanding an arms embargo on Israel and a ceasefire in Gaza. That group helped push voters to vote "uncommitted" in Michigan's Democratic presidential primary in February in protest of the fighting rather than for Biden's reelection. More than 100,000 people voted uncommitted in the primary .

The Uncommitted National Movement put out a release saying two of its founders, Layla Elabed and Abbas Alawieh, both of Dearborn, met briefly with Harris and Walz to present their concerns. It said Harris "shared her sympathies and expressed an openness" to further discussions.

During her speech, Harris was speaking about Project 2025, a conservative blueprint to remake the federal bureaucracy which Democrats say is closely tied to former President Donald Trump's reelection bid, when, on the live feed of the event , she suddenly stopped, apparently in reaction to some disruption.

Smiling, she said, "I'm here because we believe in democracy. Everyone's voice matters, but I am speaking now."

She was greeted with cheers from the supportive crowd packed in a hangar at Detroit Metro Airport and started to talk about the threat she and other Democrats argue Trump poses if reelected this year when she stopped again due to the disruption.

This time, the former U.S senator and California attorney general − who also worked as a prosecutor − wasn't smiling.

On the live feed, she can be seen looking directly at the protesters and lifting her hands.

"You know what," she said., "If you want Donald Trump to win, then say that. Otherwise, I'm speaking." She then delivered a withering stare at the protesters and did not relent for some time, even as the audience around her burst into applause and began to chant, "We're not going back," a reference to the refusal of abortion rights supporters to allow reproductive rights to be rolled back by government following the U.S. Supreme Court's reversal of the 1973 Roe vs. Wade decision in 2022 .

The protesters were escorted out of the venue after that.

While Republican detractors of Harris have at times made light of her willingness to laugh and appear easy in public settings, Harris has also been more than willing to lean into a more serious side, such as when she delivered a forceful line of questioning to Supreme Court Justice Brett Kavanaugh during his Senate confirmation hearings in 2018.

Contact Todd Spangler: [email protected]. Follow him on Twitter@tsspangler. Staff writers John Wisely and Nancy Kaffer contributed to this story.

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Home Essay Samples Information Science and Technology

Essay Samples on Watch

History of the swiss watchmaking.

In widespread culture, the European nation is synonymous with clock making and watchmaking. The tradition of Swiss clock creating craft dates back to the sixteenth century, and Whereas, the second warfare saw watchmakers in different countries limiting production and supporting the wareffort, Swiss neutrality gave...

The Invention Of The Pocket Watch During The Renaissance Period

“The Renaissance was a period in European history, covering the span between the 14th and 17th centuries and marking the transition from the Middle Ages to modernity. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was...

• Renaissance

The Impacts Of Quartz Crystals On The Watchmaking

Introduction Time is an essential component of our day-to-day lives and watches are perhaps the first instrument that allowed us to keep the track time, with the flip of our wrists. Before the invention of mechanical watches in the 14th century, time was kept track...

• Engineering

Watch Quality Identification Method and Customer Rights

With the advancement of technology, the quality of watches has changed a lot from the past to the present. In theory, a few seconds of error will occur in a few hundred years. What are the methods for quality identification of watches? Nowadays, there are...

• Customer Service

The Chopard Watch and Its Simple Beauty

Chopard, the famous Swiss watch and jewellery brand, was founded in 1860 by Louis-Ulysse Chopard in the Jura region of Switzerland, and is known for its pocket watches and precision watches. Chopard's watchmaking process is superb and enjoys an outstanding reputation in the gold pocket...

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The Main Features and Innovations of the Apple Smart Watches

Here it is. It's the new Apple Watch Series 5. It's-- you know what, it's great. I've used a lot of different smartwatches in my life, and this one is the best. If you have an iPhone and you can afford the $399 starting price,...

Best topics on Watch

1. History Of The Swiss Watchmaking

2. The Invention Of The Pocket Watch During The Renaissance Period

3. The Impacts Of Quartz Crystals On The Watchmaking

4. Watch Quality Identification Method and Customer Rights

5. The Chopard Watch and Its Simple Beauty

6. The Main Features and Innovations of the Apple Smart Watches

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An Instructive Little Tale—[Written about 1870.]

My beautiful new watch had run eighteen months without losing or gaining, and without breaking any part of its machinery or stopping. I had come to believe it infallible in its judgments about the time of day, and to consider its constitution and its anatomy imperishable. But at last, one night, I let it run down. I grieved about it as if it were a recognized messenger and forerunner of calamity. But by and by I cheered up, set the watch by guess, and commanded my bodings and superstitions to depart. Next day I stepped into the chief jeweler’s to set it by the exact time, and the head of the establishment took it out of my hand and proceeded to set it for me. Then he said, “She is four minutes slow-regulator wants pushing up.” I tried to stop him—tried to make him understand that the watch kept perfect time. But no; all this human cabbage could see was that the watch was four minutes slow, and the regulator must be pushed up a little; and so, while I danced around him in anguish, and implored him to let the watch alone, he calmly and cruelly did the shameful deed. My watch began to gain. It gained faster and faster day by day. Within the week it sickened to a raging fever, and its pulse went up to a hundred and fifty in the shade. At the end of two months it had left all the timepieces of the town far in the rear, and was a fraction over thirteen days ahead of the almanac. It was away into November enjoying the snow, while the October leaves were still turning. It hurried up house rent, bills payable, and such things, in such a ruinous way that I could not abide it. I took it to the watchmaker to be regulated. He asked me if I had ever had it repaired. I said no, it had never needed any repairing. He looked a look of vicious happiness and eagerly pried the watch open, and then put a small dice-box into his eye and peered into its machinery. He said it wanted cleaning and oiling, besides regulating—come in a week. After being cleaned and oiled, and regulated, my watch slowed down to that degree that it ticked like a tolling bell. I began to be left by trains, I failed all appointments, I got to missing my dinner; my watch strung out three days’ grace to four and let me go to protest; I gradually drifted back into yesterday, then day before, then into last week, and by and by the comprehension came upon me that all solitary and alone I was lingering along in week before last, and the world was out of sight. I seemed to detect in myself a sort of sneaking fellow-feeling for the mummy in the museum, and a desire to swap news with him. I went to a watchmaker again. He took the watch all to pieces while I waited, and then said the barrel was “swelled.” He said he could reduce it in three days. After this the watch averaged well, but nothing more. For half a day it would go like the very mischief, and keep up such a barking and wheezing and whooping and sneezing and snorting, that I could not hear myself think for the disturbance; and as long as it held out there was not a watch in the land that stood any chance against it. But the rest of the day it would keep on slowing down and fooling along until all the clocks it had left behind caught up again. So at last, at the end of twenty-four hours, it would trot up to the judges’ stand all right and just in time. It would show a fair and square average, and no man could say it had done more or less than its duty. But a correct average is only a mild virtue in a watch, and I took this instrument to another watchmaker. He said the king-bolt was broken. I said I was glad it was nothing more serious. To tell the plain truth, I had no idea what the king-bolt was, but I did not choose to appear ignorant to a stranger. He repaired the king-bolt, but what the watch gained in one way it lost in another. It would run awhile and then stop awhile, and then run awhile again, and so on, using its own discretion about the intervals. And every time it went off it kicked back like a musket. I padded my breast for a few days, but finally took the watch to another watchmaker. He picked it all to pieces, and turned the ruin over and over under his glass; and then he said there appeared to be something the matter with the hair-trigger. He fixed it, and gave it a fresh start. It did well now, except that always at ten minutes to ten the hands would shut together like a pair of scissors, and from that time forth they would travel together. The oldest man in the world could not make head or tail of the time of day by such a watch, and so I went again to have the thing repaired. This person said that the crystal had got bent, and that the mainspring was not straight. He also remarked that part of the works needed half-soling. He made these things all right, and then my timepiece performed unexceptionably, save that now and then, after working along quietly for nearly eight hours, everything inside would let go all of a sudden and begin to buzz like a bee, and the hands would straightway begin to spin round and round so fast that their individuality was lost completely, and they simply seemed a delicate spider’s web over the face of the watch. She would reel off the next twenty-four hours in six or seven minutes, and then stop with a bang. I went with a heavy heart to one more watchmaker, and looked on while he took her to pieces. Then I prepared to cross-question him rigidly, for this thing was getting serious. The watch had cost two hundred dollars originally, and I seemed to have paid out two or three thousand for repairs. While I waited and looked on I presently recognized in this watchmaker an old acquaintance—a steamboat engineer of other days, and not a good engineer, either. He examined all the parts carefully, just as the other watchmakers had done, and then delivered his verdict with the same confidence of manner.

“She makes too much steam-you want to hang the monkey-wrench on the safety-valve!”

I brained him on the spot, and had him buried at my own expense.

My uncle William (now deceased, alas!) used to say that a good horse was, a good horse until it had run away once, and that a good watch was a good watch until the repairers got a chance at it. And he used to wonder what became of all the unsuccessful tinkers, and gunsmiths, and shoemakers, and engineers, and blacksmiths; but nobody could ever tell him.

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Am I Racist?

A man investigates diversity, equity, and inclusion practices, exposing absurdities through undercover social experiments. A man investigates diversity, equity, and inclusion practices, exposing absurdities through undercover social experiments. A man investigates diversity, equity, and inclusion practices, exposing absurdities through undercover social experiments.

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Autobiography of a Watch – Short Essay

Who I am? I am a watch. What do I want? I want to tell you my story and I think that you will enjoy reading it. So let me start from the beginning.

My main purpose is to tell time. I have a lot of relatives all around the world. Some of them are called a pocket watch, and some of them are like me a wristwatch.

I and my relatives have a great history, dating from the 14 th  century. People studied timekeeping and they created a science called horology. But enough about that. I will tell you more about me personally.

I was born twenty years ago in India. My place of birth was a large company called HMT watches. My name is Roman. I am a wristwatch and only men can carry me.

My belt was black. The display was round and rounded in gold. My owner was a businessman. He wore me on his right hand every day. My owner took care of me. If my belt were scratched, he would replace it with the new one. He cleaned me every day. I always looked like a new one. I always showed the exact time. I did not want to disappoint my owner.

My owner died suddenly five years ago. I was very sad. His family took me off his wrist. Nobody ever wore me again.

Now I am in a small dusty box that is on the shelf. I am counting the hours and minutes. I am no longer the shining watch as I was before. My owner’s family does not want to carry me on their wrists. They say that I am obsolete and keep me as a memory of him. But memories fade, do they? I miss my life from before. I feel that my heart will soon stop kicking. I hope that I will join my owner that loved me so much.

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'If you want Donald Trump to win, then say that': Harris fires back at Gaza protesters at rally

Vice President Kamala Harris , the Democratic nominee for president, fired back at pro-Palestinian protesters of Israel's war in Gaza as they interrupted her speech during a Wednesday night campaign rally in Detroit.

"You know what? If you want Donald Trump to win, then say that. Otherwise, I'm speaking," Harris said with a long stare, drawing loud cheers from supporters in the crowd before chants of, "Not going back!"

The exchange was a reminder of the lingering divisions among Democrats over the war in the Middle East that pose challenges for Harris in her race against former President Donald Trump, the Republican nominee.

As Harris spoke, a group of protesters interrupted the vice president about halfway through her remarks: "Kamala, Kamala, you can’t hide! We won’t vote for genocide,” they shouted.

More: Harris, Walz bring historic campaign to Michigan, rallying at Detroit Metro Airport

Harris initially responded: “I’m here because I believe in democracy. I believe everyone’s voice matters. But I’m speaking now. I am speaking now." But the interruptions continued as Harris tried to discuss the ramifications of a second Trump presidency.

More than 15,000 people attended the Harris rally held at a Detroit airport hangar with Air Force Two in the background − the type of campaign setting Trump has made a staple during his three runs for president.

More: 'I will not be silent': VP Kamala Harris defends Israel but laments 'suffering' in Gaza

It was the largest rally yet for the still-young Harris campaign as she conducts a multi-state blitz with her new running-mate, Minnesota Gov. Tim Walz , this week.

Throughout the year, protesters have regularly followed President Joe Biden at his public events but the demonstrations have been less of a reoccurrence for Harris, who launched her campaign after Biden dropped out of the race July 21.

Pro-Gaza group seeks meeting with Harris to push demands

Dearborn, Michigan outside of Detroit is home to a large Arab American and Muslim population that has criticized the Biden administration's support for Israel's war against Hamas following the militant group's Oct. 7, 2023 attack on Israel.

In Michigan's Democratic primary in February, a majority of primary voters in Dearborn, 57%, chose "uncommitted" over Biden in a protest over his position on Israel's war in Gaza.

Two members of the Pro-Palestinian group "Uncommitted" − co-founders Layla Elabed and Abbas Alawieh − said they spoke briefly with Harris and Walz as they took photos and shook hands with supporters before the rally started. They asked for a formal meeting with Harris to discuss their demands, which include a U.S. arms embargo in Israel and a permanent Gaza cease-fire, and said Harris "expressed an openness to a meeting."

“Since October 7, the Vice President has prioritized engaging with Arab, Muslim, and Palestinian community members and others regarding the war in Gaza," Harris campaign spokeswoman Lauren Hitt said in a statement. "In this brief engagement, she reaffirmed that her campaign will continue to engage with those communities."

Hitt reiterated Harris' long-held position on the war in Gaza. "The Vice President has been clear: she will always work to ensure Israel is able to defend itself against Iran and Iran-backed terrorist groups."

She added that Harris is "focused on securing the ceasefire and hostage deal currently on the table. As she has said, it is time for this war to end in a way where: Israel is secure, hostages are released, the suffering of Palestinian civilians ends, and the Palestinian people can realize their right to dignity, freedom, and self-determination.”

More: VP Harris presses Israel on civilian deaths in Gaza. What does international law say?

Michigan, with 15 electoral votes up for grabs, is a critical battleground state that Biden carried in 2020 en route to his election victory over Trump.

Although Harris, like Biden, has remained steadfast in her backing of Israel, she helped take the lead in the administration's criticism of Israel for the number of Palestinian casualties in Gaza. "Too many innocent Palestinians have been killed," Harris said last December . “Frankly, the scale of civilian suffering and the images and videos coming from Gaza are devastating."

Harris last month told reporters , "We cannot allow ourselves to become numb to the suffering, and I will not be silent."

Reach Joey Garrison on X, formerly Twitter, @joeygarrison.

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Saturday, January 4, 2020

B1.2-reading-test 01.

• explain what first attracted her to Bond films
• tell readers about the Bond DVDs she owns
• give a balanced view of a Bond film she has seen
• describe how Daniel Craig got the part of James Bond
• whether Quantum of Solace is her favourite Bond film
• what other films Daniel Craig has made
• which other actors have played James Bond
• whether she thinks Daniel Craig is the best James Bond
• He performs some of the action scenes.
• He wears some stylish clothes.
• He is given a lot of lines to say.
• He looks strong and fit enough to fight the criminals.
• It seems a bit too long.
• It's sometimes hard to understand what's happening.
• It has too much silly technology in it.
• It has jokes that aren't very funny.
• It's full of excitement, with Bond jumping across rooftops, so don't be disappointed by the slow start.
• The director wanted to move away from the last Bond film and include a bit less action.
• I'm not sure the title tells you much ... but be prepared to watch a rather different kind of Bond movie.
• Daniel Craig performed well as James Bond, but the main female star was disappointing.

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How It Feels to Be Colored Me, by Zora Neale Hurston

"I remember the very day that I became colored"

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• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Zora Neal Hurston was a widely-acclaimed Black author of the early 1900s.

"A genius of the South, novelist, folklorist, anthropologist"—those are the words that Alice Walker had inscribed on the tombstone of Zora Neale Hurston. In this personal essay (first published in The World Tomorrow , May 1928), the acclaimed author of Their Eyes Were Watching God explores her own sense of identity through a series of memorable examples and striking metaphors . As Sharon L. Jones has observed, "Hurston's essay challenges the reader to consider race and ethnicity as fluid, evolving, and dynamic rather than static and unchanging"

- Critical Companion to Zora Neale Hurston , 2009

How It Feels to Be Colored Me

by Zora Neale Hurston

1 I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother's side was not an Indian chief.

2 I remember the very day that I became colored. Up to my thirteenth year I lived in the little Negro town of Eatonville, Florida. It is exclusively a colored town. The only white people I knew passed through the town going to or coming from Orlando. The native whites rode dusty horses, the Northern tourists chugged down the sandy village road in automobiles. The town knew the Southerners and never stopped cane chewing when they passed. But the Northerners were something else again. They were peered at cautiously from behind curtains by the timid. The more venturesome would come out on the porch to watch them go past and got just as much pleasure out of the tourists as the tourists got out of the village.

3 The front porch might seem a daring place for the rest of the town, but it was a gallery seat for me. My favorite place was atop the gatepost. Proscenium box for a born first-nighter. Not only did I enjoy the show, but I didn't mind the actors knowing that I liked it. I usually spoke to them in passing. I'd wave at them and when they returned my salute, I would say something like this: "Howdy-do-well-I-thank-you-where-you-goin'?" Usually, automobile or the horse paused at this, and after a queer exchange of compliments, I would probably "go a piece of the way" with them, as we say in farthest Florida. If one of my family happened to come to the front in time to see me, of course, negotiations would be rudely broken off. But even so, it is clear that I was the first "welcome-to-our-state" Floridian, and I hope the Miami Chamber of Commerce will please take notice.

4 During this period, white people differed from colored to me only in that they rode through town and never lived there. They liked to hear me "speak pieces" and sing and wanted to see me dance the parse-me-la, and gave me generously of their small silver for doing these things, which seemed strange to me for I wanted to do them so much that I needed bribing to stop, only they didn't know it. The colored people gave no dimes. They deplored any joyful tendencies in me, but I was their Zora nevertheless. I belonged to them, to the nearby hotels, to the county—everybody's Zora.

5 But changes came in the family when I was thirteen, and I was sent to school in Jacksonville. I left Eatonville, the town of the oleanders, a Zora. When I disembarked from the riverboat at Jacksonville, she was no more. It seemed that I had suffered a sea change. I was not Zora of Orange County anymore, I was now a little colored girl. I found it out in certain ways. In my heart as well as in the mirror, I became a fast brown—warranted not to rub nor run.

6 But I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes. I do not mind at all. I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all but about it. Even in the helter-skelter skirmish that is my life, I have seen that the world is to the strong regardless of a little pigmentation more of less. No, I do not weep at the world—I am too busy sharpening my oyster knife.

7 Someone is always at my elbow reminding me that I am the granddaughter of slaves. It fails to register depression with me. Slavery is sixty years in the past. The operation was successful and the patient is doing well, thank you. The terrible struggle that made me an American out of a potential slave said "On the line!" The Reconstruction said "Get set!" and the generation before said "Go!" I am off to a flying start and I must not halt in the stretch to look behind and weep. Slavery is the price I paid for civilization, and the choice was not with me. It is a bully adventure and worth all that I have paid through my ancestors for it. No one on earth ever had a greater chance for glory. The world to be won and nothing to be lost. It is thrilling to think—to know that for any act of mine, I shall get twice as much praise or twice as much blame. It is quite exciting to hold the center of the national stage, with the spectators not knowing whether to laugh or to weep.

8 The position of my white neighbor is much more difficult. No brown specter pulls up a chair beside me when I sit down to eat. No dark ghost thrusts its leg against mine in bed. The game of keeping what one has is never so exciting as the game of getting.

9 I do not always feel colored. Even now I often achieve the unconscious Zora of Eatonville before the Hegira. I feel most colored when I am thrown against a sharp white background.

10 For instance at Barnard. "Beside the waters of the Hudson" I feel my race. Among the thousand white persons, I am a dark rock surged upon, and overswept, but through it all, I remain myself. When covered by the waters, I am; and the ebb but reveals me again.

11 Sometimes it is the other way around. A white person is set down in our midst, but the contrast is just as sharp for me. For instance, when I sit in the drafty basement that is The New World Cabaret with a white person, my color comes. We enter chatting about any little nothing that we have in common and are seated by the jazz waiters. In the abrupt way that jazz orchestras have, this one plunges into a number. It loses no time in circumlocutions , but gets right down to business. It constricts the thorax and splits the heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond. I follow those heathen—follow them exultingly. I dance wildly inside myself; I yell within, I whoop; I shake my assegai above my head, I hurl it true to the mark yeeeeooww! I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue. My pulse is throbbing like a war drum. I want to slaughter something—give pain, give death to what, I do not know. But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep back slowly to the veneer we call civilization with the last tone and find the white friend sitting motionless in his seat, smoking calmly.

12 "Good music they have here," he remarks, drumming the table with his fingertips.

13 Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored.

14 At certain times I have no race, I am me. When I set my hat at a certain angle and saunter down Seventh Avenue, Harlem City, feeling as snooty as the lions in front of the Forty-Second Street Library, for instance. So far as my feelings are concerned, Peggy Hopkins Joyce on the Boule Mich with her gorgeous raiment, stately carriage, knees knocking together in a most aristocratic manner, has nothing on me. The cosmic Zora emerges. I belong to no race nor time. I am the eternal feminine with its string of beads.

15 I have no separate feeling about being an American citizen and colored. I am merely a fragment of the Great Soul that surges within the boundaries. My country, right or wrong.

16 Sometimes, I feel discriminated against, but it does not make me angry. It merely astonishes me. How can any deny themselves the pleasure of my company? It's beyond me.

17 But in the main, I feel like a brown bag of miscellany propped against a wall. Against a wall in company with other bags, white, red and yellow. Pour out the contents, and there is discovered a jumble of small things priceless and worthless. A first-water diamond, an empty spool, bits of broken glass, lengths of string, a key to a door long since crumbled away, a rusty knife-blade, old shoes saved for a road that never was and never will be, a nail bent under the weight of things too heavy for any nail, a dried flower or two still a little fragrant. In your hand is the brown bag. On the ground before you is the jumble it held—so much like the jumble in the bags, could they be emptied, that all might be dumped in a single heap and the bags refilled without altering the content of any greatly. A bit of colored glass more or less would not matter. Perhaps that is how the Great Stuffer of Bags filled them in the first place—who knows?

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Essay Writing Tips: 10 Steps to Writing a Great Essay (And Have Fun Doing It!)

by Joe Bunting | 118 comments

Do you dread essay writing? Are you looking for some essay tips that will help you write an amazing essay—and have fun doing it?

Lots of students, young and old, dread essay writing. It's a daunting assignment, one that takes research, time, and concentration.

It's also an assignment that you can break up into simple steps that make writing an essay manageable and, yes, even enjoyable.

These ten essay tips completely changed my writing process—and I hope that they can do the same for you.

Essay Writing Can Be Fun

Honestly, throughout most of high school and college, I was a mediocre essay writer.

Every once in a while, I would write a really good essay, but mostly I skated by with B's and A-minuses.

I know personally how boring writing an essay can be, and also, how hard it can be to write a good one.

However, toward the end of my time as a student, I made a breakthrough. I figured out how to not only write a great essay, I learned how to have fun while doing it . 

And since then, I've become a professional writer and have written more than a dozen books. I'm not saying that these essay writing tips are going to magically turn you into a writer, but at least they can help you enjoy the process more.

I'm excited to share these ten essay writing tips with you today! But first, we need to talk about why writing an essay is so hard.

Why Writing an Essay Is So Hard

When it comes to essay writing, a lot of students find a reason to put it off. And when they tackle it, they find it difficult to string sentences together that sound like a decent stance on the assigned subject.

Here are a few reasons why essay writing is hard:

• You'd rather be scrolling through Facebook
• You're trying to write something your teacher or professor will like
• You're trying to get an A instead of writing something that's actually good
• You want to do the least amount of work possible

The biggest reason writing an essay is so hard is because we mostly focus on those external  rewards like getting a passing grade, winning our teacher's approval, or just avoiding accusations of plagiarism.

The problem is that when you focus on external approval it not only makes writing much less fun, it also makes it significantly harder.

Because when you focus on external approval, you shut down your subconscious, and the subconscious is the source of your creativity.

The subconscious is the source of your creativity.

What this means practically is that when you're trying to write that perfect, A-plus-worthy sentence, you're turning off most of your best resources and writing skills.

So stop. Stop trying to write a good essay (or even a “good-enough” essay). Instead, write an interesting  essay, write an essay you think is fascinating. And when you're finished, go back and edit it until it's “good” according to your teacher's standards.

Yes, you need to follow the guidelines in your assignment. If your teacher tells you to write a five-paragraph essay, then write a five-paragraph essay! If your teacher asks for a specific type of essay, like an analysis, argument, or research essay, then make sure you write that type of essay!

However, within those guidelines, find room to express something that is uniquely you .

I can't guarantee you'll get a higher grade (although, you almost certainly will), but I can absolutely promise you'll have a lot more fun writing.

The Step-by-Step Process to Writing a Great Essay: Your 10 Essay Writing Tips

Ready to get writing? You can read my ten best tips for having fun while writing an essay that earns you the top grade, or check out this presentation designed by our friends at Canva Presentations .

1. Remember your essay is just a story.

Every story is about conflict and change, and the truth is that essays are about conflict and change, too! The difference is that in an essay, the conflict is between different ideas , and the change is in the way we should perceive those ideas.

That means that the best essays are about surprise: “You probably think it's one way, but in reality, you should think of it this other way.” See tip #3 for more on this.

How do you know what story you're telling? The prompt should tell you.

Any list of essay prompts includes various topics and tasks associated with them. Within those topics are characters (historical, fictional, or topical) faced with difficult choices. Your job is to work with those choices, usually by analyzing them, arguing about them, researching them, or describing them in detail.

2. Before you start writing, ask yourself, “How can I have the most fun writing this?”

It's normal to feel unmotivated when writing an academic essay. I'm a writer, and honestly, I feel unmotivated to write all the time. But I have a super-ninja, judo-mind trick I like to use to help motivate myself.

Here's the secret trick: One of the interesting things about your subconscious is that it will answer any question you ask yourself. So whenever you feel unmotivated to write your essay, ask yourself the following question:

“How much fun can I have writing this?”

Your subconscious will immediately start thinking of strategies to make the writing process more fun.

The best time to have your fun is the first draft. Since you're just brainstorming within the topic, and exploring the possible ways of approaching it, the first draft is the perfect place to get creative and even a little scandalous. Here are some wild suggestions to make your next essay a load of fun:

• Research the most surprising or outrageous fact about the topic and use it as your hook.
• Use a thesaurus to research the topic's key words. Get crazy with your vocabulary as you write, working in each key word synonym as much as possible.
• Play devil's advocate and take the opposing or immoral side of the issue. See where the discussion takes you as you write.

3. As you research, ask yourself, “What surprises me about this subject?”

The temptation, when you're writing an essay, is to write what you think your teacher or professor wants to read.

Don't do this .

Instead, ask yourself, “What do I find interesting about this subject? What surprises me?”

If you can't think of anything that surprises you, anything you find interesting, then you're not searching well enough, because history, science, and literature are all brimming   over with surprises. When you look at how great ideas actually happen, the story is always, “We used  to think the world was this way. We found out we were completely wrong, and that the world is actually quite different from what we thought.”

These pieces of surprising information often make for the best topic sentences as well. Use them to outline your essay and build your body paragraphs off of each unique fact or idea. These will function as excellent hooks for your reader as you transition from one topic to the next.

(By the way, what sources should you use for research? Check out tip #10 below.)

4. Overwhelmed? Write five original sentences.

The standard three-point essay is really made up of just five original sentences surrounded by supporting paragraphs that back up those five sentences. If you're feeling overwhelmed, just write five sentences covering your most basic main points.

Here's what they might look like for this article:

• Introductory Paragraph:  While most students consider writing an essay a boring task, with the right mindset, it can actually be an enjoyable experience.
• Body #1: Most students think writing an essay is tedious because they focus on external rewards.
• Body #2: Students should instead focus on internal fulfillment when writing an essay.
• Body #3: Not only will focusing on internal fulfillment allow students to have more fun, it will also result in better essays.
• Conclusion: Writing an essay doesn't have to be simply a way to earn a good grade. Instead, it can be a means of finding fulfillment.

After you write your five sentences, it's easy to fill in the paragraphs for each one.

Now, you give it a shot!

5. Be “source heavy.”

In college, I discovered a trick that helped me go from a B-average student to an A-student, but before I explain how it works, let me warn you. This technique is powerful , but it might not work for all teachers or professors. Use with caution.

As I was writing a paper for a literature class, I realized that the articles and books I was reading said what I was trying to say much better than I ever could. So what did I do? I quoted them liberally throughout my paper. When I wasn't quoting, I re-phrased what they said in my own words, giving proper credit, of course. I found that not only did this formula create a well-written essay, it took about half the time to write.

It's good to keep in mind that using anyone else's words, even when morphed into your own phrasing, requires citation. While the definition of plagiarism is shifting with the rise of online collaboration and cooperative learning environments, always  err on the side of excessive citation to be safe.

When I used this technique, my professors sometimes mentioned that my papers were very “source” heavy. However, at the same time, they always gave me A's.

To keep yourself safe, I recommend using a 60/40 approach with your body paragraphs: Make sure 60% of the words are your own analysis and argumentation, while 40% can be quoted (or text you paraphrase) from your sources.

Like the five sentence trick, this technique makes the writing process simpler. Instead of putting the main focus on writing well, it instead forces you to research  well, which some students find easier.

6. Write the body first, the introduction second, and the conclusion last.

Introductions are often the hardest part to write because you're trying to summarize your entire essay before you've even written it yet. Instead, try writing your introduction last, giving yourself the body of the paper to figure out the main point of your essay.

This is especially important with an essay topic you are not personally interested in. I definitely recommend this in classes you either don't excel in or care much for. Take plenty of time to draft and revise your body paragraphs before  attempting to craft a meaningful introductory paragraph.

Otherwise your opening may sound awkward, wooden, and bland.

7. Most essays answer the question, “What?” Good essays answer the “Why?” The best essays answer the “How?”

If you get stuck trying to make your argument, or you're struggling to reach the required word count, try focusing on the question, “How?”

For example:

• How did J.D. Salinger convey the theme of inauthenticity in  The Catcher In the Rye ?
• How did Napoleon restore stability in France after the French Revolution?
• How does the research prove girls really do rule and boys really do drool?

If you focus on how, you'll always have enough to write about.

8. Don't be afraid to jump around.

Essay writing can be a dance. You don't have to stay in one place and write from beginning to end.

For the same reasons listed in point #6, give yourself the freedom to write as if you're circling around your topic rather than making a single, straightforward argument. Then, when you edit and proofread, you can make sure everything lines up correctly.

In fact, now is the perfect time to mention that proofreading your essay isn't just about spelling and commas.

It's about making sure your analysis or argument flows smoothly from one idea to another. (Okay, technically this comprises editing, but most students writing a high school or college essay don't take the time to complete every step of the writing process. Let's be honest.)

So as you clean up your mechanics and sentence structure, make sure your ideas flow smoothly, logically, and naturally from one to the next as you finish proofreading.

9. Here are some words and phrases you don't want to use.

• You  (You'll notice I use a lot of you's, which is great for a blog post. However, in an academic essay, it's better to omit the second-person.)
• To Be verbs (is, are, was, were, am)

Don't have time to edit? Here's a lightning-quick editing technique .

A note about “I”: Some teachers say you shouldn't use “I” statements in your writing, but the truth is that professional, academic papers often use phrases like “I believe” and “in my opinion,” especially in their introductions.

10. It's okay to use Wikipedia, if…

Wikipedia is one of the top five websites in the world for a reason: it can be a great tool for research. However, most teachers and professors don't consider Wikipedia a valid source for use in essays.

Don't totally discount it, though! Here are two ways you can use Wikipedia in your essay writing:

• Background research. If you don't know enough about your topic, Wikipedia can be a great resource to quickly learn everything you need to know to get started.
• Find sources . Check the reference section of Wikipedia's articles on your topic. While you may not be able to cite Wikipedia itself, you can often find those original sources and cite them . You can locate the links to primary and secondary sources at the bottom of any Wikipedia page under the headings “Further Reading” and “References.”

You Can Enjoy Essay Writing

The thing I regret most about high school and college is that I treated it like something I had  to do rather than something I wanted  to do.

The truth is, education is an opportunity many people in the world don't have access to.

It's a gift, not just something that makes your life more difficult. I don't want you to make the mistake of just “getting by” through school, waiting desperately for summer breaks and, eventually, graduation.

How would your life be better if you actively enjoyed writing an essay? What would school look like if you wanted to suck it dry of all the gifts it has to give you?

All I'm saying is, don't miss out!

Looking for More Essay Writing Tips?

Looking for more essay tips to strengthen your essay writing? Try some of these resources:

• 7 Tips on Writing an Effective Essay
• Tips for Writing Your Thesis Statement

How about you? Do you have any tips for writing an essay?  Let us know in the  comments .

Need more grammar help?  My favorite tool that helps find grammar problems and even generates reports to help improve my writing is ProWritingAid . Works with Word, Scrivener, Google Docs, and web browsers. Also, be sure to use my coupon code to get 20 percent off: WritePractice20

Coupon Code:WritePractice20 »

Ready to try out these ten essay tips to make your essay assignment fun? Spend fifteen minutes using tip #4 and write five original sentences that could be turned into an essay.

When you're finished, share your five sentences in the comments section. And don't forget to give feedback to your fellow writers!

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Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

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5 takeaways by a longtime NABJ member from Trump’s appearance before Black journalists

Eric Deggans

Former President Donald Trump walks offstage after speaking at the National Association of Black Journalists convention in Chicago on Wednesday. Charles Rex Arbogast/AP hide caption

CHICAGO — At first, it felt like watching a slow-motion car crash.

I wasn’t actually in the room when Donald Trump brought his toxic rhetoric to the National Association of Black Journalists national convention Wednesday. But I was nearly there, sitting in a taxicab headed from the airport to the conference at the Hilton Chicago downtown, watching a livestream video as the former president insulted a roomful of Black journalists after ABC’s Rachel Scott opened with a tough question.

Scott asked about several instances where Trump said racist things, from falsely insisting Barack Obama wasn’t born in America to calling Black journalists losers and racist. Trump’s response was a torrent of barely connected ideas, including a complaint that NABJ brought him to Chicago under “false pretenses” because they didn’t work out details to get Vice President Kamala Harris to make a similar, in-person appearance at the convention.

“I have been the best president for the Black population since Abraham Lincoln,” Trump said, drawing scoffs from the crowd. “That is my answer.”

In a flash, it felt like all the predictions critics made of inviting Trump to address Black journalists came true. He was offering his usual torrent of accusations, assertions and insults — some outrageous, most inflated — creating word salad that moderators struggled to fact-check in the moment, raising fears that he owned the organization at its own conference.

As a 34-year member of NABJ, I had my own qualms. Not about inviting Trump — the group has invited the major party candidates for president to its national conferences for many years, to platform questions on issues involving people of color. But, among other things, I objected to seeing an anchor from the right-leaning cable channel Fox News among the three people questioning Trump. (Though I have volunteered for decades as chair of the NABJ’s Media Monitoring Committee, I had nothing to do with organizing Trump’s appearance.)

Trump's planned address to Black journalists convention sparks backlash

And I worried about the optics of a Black journalists group offering a prime panel spot to a politician who had attacked Black journalists, while the Black and Asian woman also running for president would not appear.

But, after some reflection and talking with other members at the conference, I think the actual impact of Trump’s appearance is more nuanced. Here’s my five takeaways from what happened.

Trump’s appearance pushed NABJ to face tension between its status as a journalism organization and an advocate for fair treatment of Black journalists and, by extension, Black people.

This is an idea I heard from a friend and fellow journalist/NABJ member, and it rings true. As journalists, we jump at the chance to ask direct questions of a former president who has often stoked racial fears, from birtherism attacks against Obama and Harris to false claims about undocumented immigrants.

But our website also notes that NABJ “advocates on behalf of Black journalists and media professionals,” honoring those who provide “balanced coverage of the Black community and society at large.” I’ve always felt that if the media industry can give Black journalists a fair shot, we can help provide more accurate, less prejudiced coverage of everything — particularly issues involving marginalized groups.

That’s why some NABJ members chafed at platforming Trump, with his long history of racist statements, at a conference aimed at reducing the prejudice Black journalists face every day. But I think part of reaching NABJ’s goals involves Black journalists learning how to confront racist ideas; trying to get Trump to explain himself in front of a group of Black media professionals seems pretty in line with that mission.

NABJ President Ken Lemon asserted during the conference’s opening ceremonies later that day that the group is, at its core, a journalism organization. On this day, at least, it’s obvious the journalism side took precedence.

Former President Donald Trump shakes hands with ABC's Rachel Scott, one of the journalists who moderated the event at NABJ in Chicago on Wednesday. Charles Rex Arbogast/AP hide caption

If the goal was to get Trump to reveal his terrible takes on race to the world — mission accomplished.

Lots of media outlets focused on his awful comments on how Harris “suddenly” became Black in his eyes. Trump tried the classic maneuver of turning an opponent’s advantage against them, acting as if the embrace of Harris as a history-making Black and Asian woman in politics was the result of some cynical marketing spin.

“I did not know she was Black until a couple of years ago when she happened to turn Black,” he said. “And now she wants to be known as Black. Is she Indian, or is she Black?”

True enough, the questioners struggled to pin Trump down on exactly why he talks about race the way he does. Or how he can believe such ideas aren’t racist.

Trump attacks Kamala Harris’ racial identity at Black journalism convention

Still, what Trump did say mostly made him look old-fashioned and prejudiced. Will it appeal to his base? Perhaps, but the moment didn’t feel like a strong, confident leader puncturing racial hypocrisy.

It seemed more like the wandering statements of someone who just doesn’t understand America’s modern melting pot of ethnicities.

Sometimes, with Trump, there is value in having an interviewer on hand who he trusts.

Much as I disliked seeing an anchor from a news organization that has won the NABJ’s Thumbs Down Award twice on the panel, Fox News’ Harris Faulkner did get Trump to open up a bit with less-pointed but telling questions.

In particular, when Trump said he thought the vice presidential candidates had “virtually no impact” on election results, he seemed to put into perspective his relationship with JD Vance while belittling the guy he is supposed to spend months alongside in a tight campaign.

There are other journalists from less partisan news outlets who likely could have achieved the same moment. But there is value in having one journalist in the mix who doesn’t immediately raise Trump’s defenses and might provoke more telling responses.

Former President Donald Trump appears on a panel at NABJ on Wednesday in Chicago. From left, ABC's Rachel Scott, Semafor's Kadia Goba and FOX News' Harris Faulkner moderated the event. Charles Rex Arbogast/AP hide caption

Trump is a chaos agent who divides people and divides NABJ

In the end, I was less concerned about how NABJ looked to the world in the wake of Trump’s visit than how it deals with itself.

As news of the panel spread, many journalists spoke out passionately against having him at the conference, reasoning that any appearance would likely benefit him more than the group, platforming his terrible rhetoric about racial issues. Well-known figures like Roland Martin and April Ryan — who Trump criticized when he was president — spoke out; Washington Post columnist Karen Attiah quit her post as convention co-chair amid the controversy.

There are also tough questions about why the group couldn’t work out an arrangement to have Harris appear at the convention virtually, given that she was flying to Houston for the funeral of friend and sorority sister Rep. Sheila Jackson Lee.

Considering the intense emotions at hand over the coming election and widespread skepticism about coverage decisions by journalists, there’s lots of criticism and bruising assumptions about what happened here.

This is the kind of division that can hobble NABJ in the future as people cancel memberships, decline to volunteer, hold back donations and continue to criticize the group’s direction. I expect the group’s membership meeting, scheduled for Saturday morning, will draw lots of pointed feedback from those who still question the wisdom of welcoming the former president here.

As someone who can attribute almost every major job I’ve gotten to connections made at an NABJ convention, this heightened squabbling is what I fear most — a distraction at a time when job losses and cutbacks in media have made times even more challenging for journalists of color.

In a way, NABJ played Trump’s game — and may have had some success

Another friend noted that Trump — who commands loyalty from GOP voters — has always valued dominating the news cycle, regardless of whether the stories are complimentary. His NABJ appearance ensured everything from the network evening news programs to The Daily Show focused on his comments here rather than Harris’ increasingly energized campaign.

As I saw criticism build over Trump’s visit, I wondered if NABJ wasn’t like a scrappy dog who finally caught a passing car — after years of GOP candidates declining invitations, finally one of the most divisive Republicans in modern politics was accepted. And the consequences of hosting him — particularly when Harris would not appear at the convention — loomed large.

But in the end, NABJ also landed at the top of the news cycle at a time when — as announced by the group during its opening ceremony — the convention drew the largest number of attendees in its history, over 4,000.

Yes, many supporters felt, as I did initially, that the appearance was a train wreck. But NABJ also showed the world three Black female journalists questioning Trump on some of his most provocative statements on race, with telling answers.

In a world where any publicity can be good publicity, that just might be enough.

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Bills HC Sean McDermott reveals who will call defensive plays in preseason opener

Kyle silagyi | 3 hours ago.

• Buffalo Bills | News, Scores, Schedules & Standings

Buffalo Bills head coach Sean McDermott has provided a bit of insight into where his head is at regarding who will call his team’s defensive plays this season, revealing during a Thursday press conference that new defensive coordinator Bobby Babich will serve as Buffalo’s defensive play-caller in the club's preseason opener against the Chicago Bears this weekend.

“Bobby will call the plays this weekend, and then we’ll take it from there,” the sideline boss concisely said.

Related: QB Josh Allen, Bills' starters will play in preseason opener vs. Bears

While Babich having control of this unit in an early preseason bout is not necessarily indicative of McDermott’s final decision, momentum has been swaying in this direction throughout camp. The Bills promoted Babich, a long-time position coach who has been with the organization since McDermott’s arrival in 2017, to defensive coordinator in January to prevent him from being poached by one of several lurking teams; McDermott served in the post last season following the departure of tenured defensive coordinator Leslie Frazier, who, too, had been with the organization since McDermott’s hiring.

McDermott revealed in late May that he had not yet made a decision on whether he or Babich would call defensive plays come the regular season, and the two have split play-calling duties throughout training camp . That said, it’s always looked as though McDermott would prefer to hand the responsibility over to Babich—he just wants the first-year coordinator to have reps in the role before fully committing. 

Babich will get these reps in Saturday’s preseason clash. If all goes well and the coordinator performs as expected, McDermott may make a final decision before the preseason’s culmination; Babich perhaps tipped his hand a bit regarding whether or not he expects to call plays this season during a press conference earlier this week, telling reporters that he’ll watch games from the coaches’ booth this fall. 

—   Enjoy free coverage of the Bills from  Buffalo Bills on SI   —

More Buffalo Bills News:

• Bills QB Josh Allen admits Stefon Diggs’ absence will be felt, is ‘happy’ with WR corps
• Josh Allen gives four-word answer on potentially playing Bills preseason games
• Bills QB Josh Allen has ‘gotten into a groove’ with this veteran WR
• Bills QB Josh Allen explains reason behind stylish training camp mustache
• Bills release first depth chart of 2024 NFL season

KYLE SILAGYI

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Italian Boxer Quits Bout, Sparking Furor Over Gender at Olympics

The Italian, Angela Carini, stopped fighting only 46 seconds into her matchup against Imane Khelif of Algeria, who had been barred from a women’s event last year.

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By Tariq Panja and Jeré Longman

Reporting from Paris

An Italian boxer abandoned her bout at the Paris Olympics after only 46 seconds on Thursday, refusing to continue after taking a heavy punch from an Algerian opponent who had been disqualified from last year’s world championships over questions about her eligibility to compete in women’s sports.

The Italian boxer, Angela Carini, withdrew after her Algerian opponent, Imane Khelif, landed a powerful blow that struck Carini square in the face. Carini paused for a moment, then turned her back to Khelif and walked to her corner. Her coaches quickly signaled that she would not continue, and the referee stopped the fight.

Khelif, 25, was permitted to compete at the Olympics even though she had been barred last year after boxing officials said she did not meet eligibility requirements to compete in a women’s event. Another athlete also barred from last year’s world championships under similar circumstances, Lin Yu-ting, has also been cleared to fight in Paris.

The International Boxing Association, which ran those championships and ordered the disqualifications, offered little insight into the reasons for the boxers’ removal, saying in a statement that the disqualifications came after “the athletes did not undergo a testosterone examination but were subject to a separate and recognized test .”

The association said that test, the specifics of which it said were confidential, “conclusively indicated that both athletes did not meet the required necessary eligibility criteria and were found to have competitive advantages over other female competitors.”

Those rules, which the boxing association adopted for the 2016 Rio Games, are the same ones the International Olympic Committee is operating under as the authority running the boxing tournament at the Paris Games. But the rules, the I.O.C. confirmed, do not include language about testosterone or restrictions on gender eligibility beyond a single line saying “gender tests may be conducted.”

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Essay on Who Am I for Students and Children

500+ words essay on who am i.

In this world, many people surround us. Though we all apparently look similar, yet we all are unique in our own ways. The uniqueness gives us an identity. I am a teenage girl. I am like most teenage girls but I am also different from others. Those differences make me who I am.

I am a girl in mid-teenage. From childhood, I always loved to interact with people. I like to know people and make friends. I am a social person and go out with my friends and family. Also, I like to visit new places. Nature attracts me. Therefore, whenever I get the vacation I always insist on my friends and family for a getaway in nature’s lap.

Travelling gives me immense pleasure. I always capture beautiful moments and places in my camera. Whenever I am sad, I revisit my photo album to look at the beautiful places and moments. The thought of those happy moments and beautiful places makes me happy.

I am serious and disciplined about my studies and read many books other than my textbooks. Reading autobiographies and detective storybooks are what I like. I am involved in extra curriculum activities. I am learning music and love to sing.

Also, I listen to all genres of music but Hindustani classical , semi-classical, Bollywood songs are my favorite. Melodious songs are close to my heart. I always participate in musical and cultural events organized in my school. I also take part in the inter-school competition and have been a winner at an inter-school competition a couple of times. Those are cherishable and proud moments of my life.

Every person is a mix of good and bad qualities. I am not an early riser by nature. I understand that waking up early is very important to become productive. Still, during my holidays I take the liberty of waking up late.

I am an ambitious person and a dreamer. My dream is to become a teacher. I think a teacher is a big motivator and guide. I would like to motivate people and guide them to do good for society.

Get the huge list of more than 500 Essay Topics and Ideas

Me in several roles

While growing up I have realized that I am an individual but I play several roles throughout the day. As per these roles, my behavior and attitude keep altering. This variation adds various shades in my personality.

In my home firstly, I am a daughter. I try to listen and follow what my parents teach me. When I do well in studies, they become proud. Yet when I do not obey them, they scold me. I get lots of love, care and attention from my parents.  I also care, love, and respect them. My parents are my first identity in this world.

Secondly, I am a sister. I have an elder brother. He takes care of me and guides to follow the path to success. My brother is also my friend. We spend quality time together playing, laughing at jokes together, and watching our favorite cartoon shows. The love, care, the fight makes a beautiful bond between us.

Thirdly, I am a student. Our teachers always try to guide us to realize our path of life. They want us to be sincere in studies and build a successful career . They also instill in us the values of a good human being. I try to be a sincere and obedient student and always do my homework and do well in studies. I also respect my teachers and am an obedient student. My teachers are patient and they always guide me to overcome my mistakes.

Fourthly, the role that we all love is that of a friend. I have many friends. I love moving out and spending time with my friends. We help each other in times of need. We live happy moments together. Friendship is very beautiful. I love to make my friends feel special, and never miss wishing them on their birthdays.

Conclusion             

Life is full of experiences. Every moment we meet different people and face different situations. In this course of life, we not only get to know different people, but we also get to know ourselves in different ways.

As we grow, our likes dislike interest changes. Our perception and outlook toward life also change with time and experience. Thus, the search to the answer to the question of who I am is a lifelong process.

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Originally published in the December 1958 issue of The Freeman , this essay is written in the first-person from the perspective of a pencil, explaining its complexity and defending Adam Smith 's concept of an invisible hand acting in free markets.

• 1 Complicated Machinery
• 2 No One Knows

​ I am a lead pencil—the ordinary wooden pencil familiar to all boys and girls and adults who can read and write. [1]

Writing is both my vocation and my avocation; that's all I do.

You may wonder why I should write a genealogy. Well, to begin with, my story is interesting. And, next, I am a mystery—more so than a tree or a sunset or even a flash of lightning. But, sadly, I am taken for granted by those who use me, as if I were a mere incident and without background. This supercilious attitude relegates me to the level of the commonplace. This is a species of the grievous error in which mankind cannot too long persist without peril. For, as a wise man observed, "We are perishing for want of wonder, not for want of wonders." [2]

I, Pencil, simple though I appear to be, merit your wonder and awe, a claim I shall attempt to prove. In fact, if you can understand me—no, that's too much to ask of anyone—if you can become aware of the miraculousness ​ which I symbolize, you can help save the freedom mankind is so unhappily losing. I have a profound lesson to teach. And I can teach this lesson better than can an automobile or an airplane or a mechanical dishwasher because—well, because I am seemingly so simple.

Simple? Yet, not a single person on the face of this earth knows how to make me . This sounds fantastic, doesn't it? Especially when it is realized that there are about one and one-half billion of my kind produced in the U. S. A. each year.

Pick me up and look me over. What do you see? Not much meets the eye—there’s some wood, lacquer, the printed labeling, graphite lead, a bit of metal, and an eraser.

Just as you cannot trace your family tree back very far, so is it impossible for me to name and explain all my antecedents. But I would like to suggest enough of them to impress upon you the richness and complexity of my background.

My family tree begins with what in fact is a tree, a cedar of straight grain that grows in Northern California and Oregon . Now contemplate all the saws and trucks and rope and the countless other gear used in harvesting and carting the cedar logs to the railroad siding. Think of all the persons and the numberless skills that went into their fabrication: the mining of ore, the making of steel and its refinement into saws, axes, motors; the growing of hemp and bringing it through all the stages to heavy and strong rope; the logging camps with their beds and mess halls, the cookery and the raising of all the ​ foods. Why, untold thousands of persons had a hand in every cup of coffee the loggers drink!

The logs are shipped to a mill in San Leandro , California. Can you imagine the individuals who make flat cars and rails and railroad engines and who construct and install the communication systems incidental thereto? These legions are among my antecedents.

Consider the millwork in San Leandro. The cedar logs are cut into small, pencil-length slats less than one-fourth of an inch in thickness. These are kiln dried and then tinted for the same reason women put rouge on their faces. People prefer that I look pretty, not a pallid white. The slats are waxed and kiln dried again. How many skills went into the making of the tint and the kilns, into supplying the heat, the light and power, the belts, motors, and all the other things a mill requires? Sweepers in the mill among my ancestors? Yes, and included are the men who poured the concrete for the dam of a Pacific Gas & Electric Company hydroplant which supplies the mill's power!

Don’t overlook the ancestors present and distant who have a hand in transporting sixty carloads of slats across the nation from California to Wilkes-Barre!

Complicated Machinery

​ Once in the pencil factory—$4,000,000 in machinery and building, all capital accumulated by thrifty and saving parents of mine—each slat is given eight grooves by a complex machine, after which another machine lays leads ​ in every other slat, applies glue, and places another slat atop—a lead sandwich, so to speak. Seven brothers and I are mechanically carved from this "wood-clinched" sandwich.

My "lead" itself—it contains no lead at all—is complex. The graphite is mined in Ceylon . Consider these miners and those who make their many tools and the makers of the paper sacks in which the graphite is shipped and those who make the string that ties the sacks and those who put them aboard ships and those who make the ships. Even the lighthouse keepers along the way assisted in my birth—and the harbor pilots.

The graphite is mixed with clay from Mississippi in which ammonium hydroxide is used in the refining process. Then wetting agents are added such as sulfonated tallow —animal fats chemically reacted with sulfuric acid . After passing through numerous machines, the mixture finally appears as endless extrusions—as from a sausage grinder—cut to size, dried, and baked for several hours at 1,850 degrees Fahrenheit. To increase their strength and smoothness the leads are then treated with a hot mixture which includes candelilla wax from Mexico , paraffin wax , and hydrogenated natural fats.

My cedar receives six coats of lacquer. Do you know all of the ingredients of lacquer? Who would think that the growers of castor beans and the refiners of castor oil are a part of it? They are. Why, even the processes by which the lacquer is made a beautiful yellow involves the skills of more persons than one can enumerate!

Observe the labeling. That's a film formed by applying ​ heat to carbon black mixed with resins. How do you make resins and what, pray, is carbon black?

My bit of metal—the ferrule —is brass . Think of all the persons who mine zinc and copper and those who have the skills to make shiny sheet brass from these products of nature. Those black rings on my ferrule are black nickel . What is black nickel and how is it applied? The complete story of why the center of my ferrule has no black nickel on it would take pages to explain.

Then there's my crowning glory, inelegantly referred to in the trade as "the plug," the part man uses to erase the errors he makes with me. An ingredient called "factice" is what does the erasing. It is a rubber-like product made by reacting rape seed oil from the Dutch East Indies with sulfur chloride . Rubber, contrary to the common notion, is only for binding purposes. Then, too, there are numerous vulcanizing and accelerating agents. The pumice comes from Italy ; and the pigment which gives "the plug" its color is cadium sulfide .

Does anyone wish to challenge my earlier assertion that no single person on the face of this earth knows how to make me?

No One Knows

​ Actually, millions of human beings have had a hand in my creation, no one of whom even knows more than a very few of the others. Now, you may say that I go too far in relating the picker of a coffee berry in far off Brazil and food growers elsewhere to my creation; that this is ​ an extreme position. I shall stand by my claim. There isn't a single person in all these millions, including the president of the pencil company, who contributes more than a tiny, infinitesimal bit of know-how. From the standpoint of know-how the only difference between the miner of graphite in Ceylon and the logger in Oregon is in the type of know-how. Neither the miner nor the logger can be dispensed with, any more than can the chemist at the factory or the worker in the oil field—paraffin being a by-product of petroleum.

Here is an astounding fact: Neither the worker in the oil field nor the chemist nor the digger of graphite or clay nor any who mans or makes the ships or trains or trucks nor the one who runs the machine that does the knurling on my bit of metal nor the president of the company performs his singular task because he wants me. Each one wants me less, perhaps, than does a child in the first grade. Indeed, there are some among this vast multitude who never saw a pencil nor would they know how to use one. Their motivation is other than me. Perhaps it is something like this: Each of these millions sees that he can thus exchange his tiny know-how for the goods and services he needs or wants. I may or may not be among these items.

There is a fact still more astounding: The absence of a master mind, of anyone dictating or forcibly directing these countless actions which bring me into being. No trace of such a person can be found. Instead, we find the Invisible Hand at work. This is the mystery to which I earlier referred.

It has been said that "only God can make a tree." Why do we agree with this? Isn't it because we realize that we ourselves could not make one? Indeed, can we even describe a tree? We cannot, except in superficial terms. We can say, for instance, that a certain molecular configuration manifests itself as a tree. But what mind is there among men that could even record, let alone direct, the constant changes in molecules that transpire in the life span of a tree? Such a feat is utterly unthinkable!

I, Pencil, am a complex combination of miracles: a tree, zinc, copper, graphite, and so on. But to these miracles which manifest themselves in Nature an even more extraordinary miracle has been added: the configuration of creative human energies—millions of tiny know-hows configurating naturally and spontaneously in response to human necessity and desire and in the absence of any human master-minding! Since only God can make a tree, I insist that only God could make me. Man can no more direct these millions of know-hows to bring me into being than he can put molecules together to create a tree.

The above is what I meant when writing, "If you can become aware of the miraculousness which I symbolize, ​ you can help save the freedom mankind is so unhappily losing." For, if one is aware that these know-hows will naturally, yes, automatically, arrange themselves into creative and productive patterns in response to human necessity and demand—that is, in the absence of governmental or any other coercive master-minding—then one will possess an absolutely essential ingredient for freedom: a faith in free men . Freedom is impossible without this faith.

Once government has had a monopoly of a creative activity such, for instance, as the delivery of the mails, most individuals will believe that the mails could not be efficiently delivered by men acting freely. And here is the reason: Each one acknowledges that he himself doesn't know how to do all the things incident to mail delivery. He also recognizes that no other individual could do it. These assumptions are correct. No individual possesses enough know-how to perform a nation's mail delivery any more than any individual possesses enough know-how to make a pencil. Now, in the absence of a faith in free men—in the unawareness that millions of tiny know-hows would naturally and miraculously form and cooperate to satisfy this necessity—the individual cannot help but reach the erroneous conclusion that mail can be delivered only by governmental "master-minding."

If I, Pencil, were the only item that could offer testimony on what men can accomplish when free to try, then those with little faith would have a fair case. However, there is testimony galore; it's all about us and on every hand. Mail delivery is exceedingly simple when ​ compared, for instance, to the making of an automobile or a calculating machine or a grain combine or a milling machine or to tens of thousands of other things. Delivery? Why, in this area where men have been left free to try, they deliver the human voice around the world in less than one second; they deliver an event visually and in motion to any person's home when it is happening; they deliver 150 passengers from Seattle to Baltimore in less than four hours; they deliver gas from Texas to one's range or furnace in New York at unbelievably low rates and without subsidy; they deliver each four pounds of oil from the Persian Gulf to our Eastern Seaboard —half-way around the world—for less money than the government charges for delivering a one-ounce letter across the street!

The lesson I have to teach is this: Leave all creative energies uninhibited . Merely organize society to act in harmony with this lesson. Let society's legal apparatus remove all obstacles the best it can. Permit these creative know-hows freely to flow. Have faith that free men will respond to the Invisible Hand. This faith will be confirmed. I, Pencil, seemingly simple though I am, offer the miracle of my creation as testimony that this is a practical faith, as practical as the sun, the rain, a cedar tree, the good earth.

• ↑ My official name is "Mongol 482." My many ingredients are assembled, fabricated, and finished by Eberhard Faber Pencil Company, Wilkes-Barre , Pennsylvania .
• ↑ G. K. Chesterton .

This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement ) before 1964, and copyright was not renewed.

• For Class A renewals records ( books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database .
• For other renewal records of publications between 1922–1950 see the University of Pennsylvania copyright records scans .
• For all records since 1978, search the U.S. Copyright Office records.

Works published in 1958 would have had to renew their copyright in either 1985 or 1986, i.e. at least 27 years after they were first published/registered but not later than 31 December in the 28th year. As this work's copyright was not renewed, it entered the public domain on 1 January 1987.

The longest-living author of this work died in 1983, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 40 years or less . This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works .

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One to watch! Essay by Jessica Bourne, aged 14

I'm a big fan of films featuring the spy James Bond. I've got most of them on DVD. We've recently bought Quantum of Solace, in which Daniel Craig plays the part of Bond. I don't know why the film's got that name - but it's a great movie, anyway. All the actors who've played James Bond have been great, but Daniel Craig, who's made lots of other films, plays the part better than any of them. Even though he doesn't talk very much, I think he's the most perfect actor for the role. He even does a few of the more dangerous things in the film himself, instead of getting someone else to do them. I did wonder sometimes whether he'd be clever enough to defeat the bad people - but I'm not going to tell you the ending! The actress who stars with Craig gives a fantastic performance, too - I loved all the glamorous clothes she wore! The director probably had a hard job making this Bond film as full of action as earlier ones. But the excitement starts right at the beginning here, with a car chase along a mountain road, and plenty of other thrilling scenes, too - Bond leaping off tall buildings and so on. Unfortunately, I found the story difficult to follow in places, and it also seemed to be over very quickly - it lasted under two hours. I also felt there weren't as many jokes as in the old Bond films. And where was all the ridiculous Bond equipment - the underwater car or exploding watch that everyone laughed at? This is a more serious, darker Bond film, but I still really enjoyed it.

1. What is Jessica trying to do in her essay?

explain what first attracted her to Bond films

tell readers about the Bond DVDs she owns

give a balanced view of a Bond film she has seen

describe how Daniel Craig got the part of James Bond

2. What can a reader find out from Jessica's essay?

whether Quantum of Solace is her favourite Bond film

what other films Daniel Craig has made

which other actors have played James Bond

whether she thinks Daniel Craig is the best James Bond

3. What does Jessica tell us about Craig in the new Bond film?

He performs some of the action scenes.

He wears some stylish clothes.

He is given a lot of lines to say.

He looks strong and fit enough to fight the criminals

4. What is one problem with the film, according to Jessica?

It seems a bit too long.

It's sometimes hard to understand what's happening

It has too much silly technology in it.

It has jokes that aren't very funny.

5. Which of these might appear in a magazine review of the new Bond film?

It's full of excitement, with Bond jumping across rooftops, so don't be disappointed by the slow start

he director wanted to move away from the last Bond film and include a bit less action.

I'm not sure the title tells you much, but be prepared to watch a rather different kind of Bond movie

Daniel Craig performed well as James Bond, but the main female star was disappointing

I've practised skateboarding for 18 months now, and I was the youngest person in a street skateboarding competition last year. I spend my free time at my town's new skatepark - I rarely stay at home and watch TV. Before the new skatepark was built this year, the nearest skatepark was in a town 10 km away. Some of my older friends went there, but my mum wouldn't let me go because I wasn't old enough. The only place to skate was on the pavements, but then I fell and injured my arm. I wasn't popular with pedestrians, either, so I stopped! Nowadays, though, I can use the new skatepark in the evenings - it's got huge lights, so you can use it even at night.

We've got a skatepark at our school now, too. It keeps us fit! The school skatepark is dangerous for smaller children like my little brother, though, as the teenage students also use their rollerskates or ride their BMX bikes there. I guess they prefer it because the skatepark in town is pretty busy. I've always found schoolwork easy, but skateboarding is hard! My favourite trick is jumping over boxes. Doing things like that really makes you concentrate, which is a challenge, but it's something I really enjoy. My older sister works as a skateboard instructor, so one day I'd like to be like her. It's unusual for girls to skate around here, so although I love it, it's a bit lonely. I'd like more girls to join in!

In this text Rachel Martin

explains what equipment is needed for skateboarding.

describes the places for skateboarding in her area

persuades young people to enter skateboarding competitions.

compares skateboarding with other sports.

Why was it hard for Rachel to go skateboarding last year?

There wasn't a skatepark near enough to her house

None of her friends were able to go with her.

She was worried she would hurt herself.

She wasn't allowed to go out in the evenings

What does Rachel say about the skatepark at her school?

It allows younger children to practise their skating.

It takes too many people away from other sports.

It is used for several different activities.

It is more crowded than the skatepark in town.

What does Rachel like about skateboarding?

getting the chance to be good at something

having to think carefully

learning new skills from her sister

doing an activity with girls of her own age

Which of the following might Rachel write in her diary?

Did another competition today - I won, although I was the youngest. But then I have got two years' experience.

Didn't feel like practising tonight, so stayed in and watched TV instead. That's the fourth time this week!

Was skating on the pavement today when I fell and hurt my ankle. I've done that three times now.

Couldn't use school skatepark today - there were too many bikers. My little brother wanted to play there but it wasn't safe for him.

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