sample hl essay questions

IB English HLE Explained

Free introductory guide to IB English Higher Level Essay (HLE) by IB44 and IB45 graduates Lareina Shen and Saesha Grover.

In this guide, LitLearn students (and 2022 IB grads!)  Lareina Shen and Saesha Grover share their wisdom on how to conquer the IB English Higher Level Essay (HLE).

Lareina achieved an IB44, and Saesha achieved an IB45 as well as the coveted IB7 in IB English Literature HL, so you are in safe hands.

Meet your instructor Jackson Huang, Founder of LitLearn. His mission is to make IB English as pain-free as possible with fun, practical lessons. Jackson scored an IB45 and was accepted to Harvard, Amherst, Williams Colleges, and full scholarships to University of Melbourne & Queensland.

What is IB English HLE?

The HL Essay (HLE) is a 1200-1500 word essay about a text studied in the IB English course. For Lang Lit, the work you choose to analyze can be literary or non-literary, but for IB English Literature the text must be literary.

The HLE will make up  25% of your final IB English HL grade , and it is graded externally. You must choose your own line of inquiry   (i.e. a question that you will answer in your HLE–more on this later).

How do I choose my text for HLE?

Do NOT choose the “easiest” text. Life is always better when you do things you're interested in, and that advice applies to the HLE, too. Choose the literary / non-literary work that interests  you the most, so that you can (semi?)-enjoy the HLE planning and writing process.

You could start by thinking of a theme that you find particularly interesting and determining which text studied in class demonstrates this theme well.

How do I choose my line of inquiry for HLE?

The line of inquiry is the core question that you will answer in your essay. A quick example might be:

"To what extent is masculinity undermined by the characterisation of Little Thomas?"

Now, it's your job to forge your destiny and come up with your own line of inquiry. But it's not a complete free-for all! There are rules. The main rule is that your line of inquiry must fall under one of the 7 main concepts of IB English (see below for a quick summary).

This summary is vague, so let's go in-depth on a couple of these concepts to really show you what you should be doing in the HLE.

Identity is what makes you, YOU. Here are some questions the concern your own personal identity:

• What is your favourite colour? And why is it your favourite?
• What makes you different from others? Why do you think these qualities came to be?
• How would someone describe you in three words?

Now apply this same logic to characters within your text.

• How would you describe this character in three words?
• How do their actions within a text influence your view of their identity?
• How has the author crafted this character to make you view the character in a certain way?

Let's take a look at a concrete example of how we might choose evidence and quotes for a HLE on cultural identity. This example is based on a Vietnamese work in translation “Ru” by author Kim Thúy. For context, “Ru” is an autobiographical fictional account which explores Kim Thúy's move from Vietnam to Canada as an immigrant and her consequent struggles. The structure of her novel is largely lyrical and poetic.

Let's look at a section from her novel that may help us come up with an essay idea based on the concept of Identity. When she returns to Vietnam, she attends a restaurant, however this becomes a major awakening for her in terms of how she views her own personal identity. Kim narrates within her novel:

The first time I carried a briefcase, the first time I went to a restaurant school for young adults in Hanoi, wearing heels and a straight skirt, the waiter for my table didn't understand why I was speaking Vietnamese with him. Page 77, Rú

This is a perfect quote for the Identity concept. Can you see why? Let's think through it together…

Why would the waiter be confused if Kim, a “briefcase”-carrying individual in “heels” and a “straight skirt”, was speaking Vietnamese with him?

What does being “Vietnamese” look like to the waiter? Why does Kim not conform to his expectation? Was it perhaps due to what she was wearing?

Now, if we look at the section which follows this in the novel, we are able to see the impact this had on the character of Kim's sense of identity.

the young waiter reminded me that I couldn't have everything, that I no longer had the right to declare I was Vietnamese because I no longer had their fragility, their uncertainty, their fears. And he was right to remind me. Page 77, Rú

Here, we can clearly see that this character is now questioning her Vietnamese cultural identity. This is just one example that demonstrates the concept of Identity.

Culture seems to be this confusing thing.  Does it have to do with religion? Race? Beliefs? What does it mean? Does the monster from Frankenstein fit into a certain culture?

The easiest way to put it is this:  Culture is the way someone lives. It is their “way of life.” Think of it as an umbrella term. “Culture” can include so many different things; the list just goes on, for example religion, values, customs, beliefs, cuisine, etc.

Now think, how would I form an essay from this concept?

• When you read a text in class, you will notice that authors let you form an opinion on the culture of certain characters or groups within a text, but how is this done?
• How does the author represent the culture of a certain community?
• What types of patterns in daily routines are discussed?

It seems odd writing an essay about “creativity” because… like… how can anyone definitively say what ‘counts' as being creative–or not? When I say the word creativity , I think of new inventions, or maybe those weird and wacky art installations living inside those ‘modern art' museums. But hey, what's creative to me might not be creative to you!

When formulating a HLE on the concept of creativity we have two main pointers for you. Look for:

• Interesting + Unique techniques or literary devices used within a text by the author. You can learn more in the  Learn Analysis section of LitLearn.
• Recurring stylistic choices by the author

Now, for this concept, let's look at how we might select supportive evidence and quotations for a HLE on creativity within the narrative style of author Mary Shelley in “Frankenstein”. The narrative style uses  epistolary narration . This is a narrative technique in which a story is told through letters. This was something that I found both interesting and recurring within Frankenstein, which I believe worked to create a personal touch within the novel.

Additionally, Mary Shelley allows different characters to narrate Frankenstein during different volumes. Let's investigate this! I have written out different character profiles of the narrators below:

These 3 characters, each relate a part of the novel Frankenstein. This is an example of a creative authorial choice that allows us, as readers to explore different points of view within the text. This is just one example of a creative aspect of a text which you can analyze for your HLE.

Representation

Representation is all about how something is  portrayed, conveyed, shown, described, illustrated, depicted . There are many different things that can be ‘represented' within a text, and it doesn't have to be tangible.

For instance, you can look at how a belief, idea or attitude is depicted within a text through different characters or devices.

Again, let's explore a concrete example to make things clear: this time the graphic novel “Persepolis”. We'll consider an HLE on how a text  represents the  impact of political turmoil on society .

Chapter 10 of “Persepolis” highlights societal changes occurring due to the Iranian Revolution. The panels below list the authorial choices relevant to the negative representation of political change in a society. When looking at the techniques highlighted in the slides below, think about how you feel when you look at the panels below. Can you sense a more positive or negative feeling?

Cool, but what do we do to turn all this into an actual HL essay? Here is a sample response. The introduction might begin like this:

In the captivating graphic novel “Persepolis,” the author Marjane Satrapi explores the social and political impacts of the Iranian revolution. In particular, Satrapi conveys a disapproving viewpoint on political turmoil within the text. Throughout the graphic novel, Satrapi carefully represents how social isolation, hypocrisy and confusion is experienced by a young girl living in Tehran, as a result of political turmoil.  Example HLE Introduction

Then, in a body paragraph, on one of the key ideas mentioned above, we could analyze the different literary techniques. For example, Panel 1 is a great representation of the experience of confusion in the midst of political turmoil:

Marji is the younger girl pictured in the panels above. While her parents appear quite concerned by the news on the TV, she appears to not be in full comprehension of the cause for their distress. This is demonstrated by the visual imagery and dialogue, in panel 7, for instance, if you observe the facial expressions by each of the characters. Example of analysis in body paragraph

This is just a short example from one particular text. To help you unpack any text, try look for the following when analyzing chapter to chapter:

• What is the main idea of the chapter?
• Why did the author write it? What purpose does it serve?
• What do you believe is the overarching importance of the passage?

Brainstorming Tips

If you're having trouble picking your text and line of inquiry, then use this simple 20-minute process to brainstorm potential questions for your HLE:

• For each text / non-literary work, go through each concept in the table below.
• Write down a question for each of the two prompts for each category.
• Repeat for all of your texts.
• Pick the question-text combination that has the greatest potential for strong analysis.

How do I ensure my HLE question has a good scope?

Choosing a question with good scope is extremely   important, and it's one of the biggest challenges in the HLE. Here's why:

• If your scope is too broad , you may have too much to write about in order to answer the question, and therefore you won't be able to write deep analysis (which is super important–more on this later…)
• If your scope is too narrow , you may not have enough to write about and end up overanalyzing unnecessary and obscure details. Also something to avoid!

So, to help you get the balance just right , here are three examples of HLE questions, specifically for the concept of  Identity which we mentioned in the table above (by the way, the example is a made-up novel for illustration purposes).

• Too broad: “How does Irene Majov in her novel  Deadly Men effectively make her narrator a powerful mouthpiece?”
• Too narrow: “How does Irene Majov in her novel  Deadly Men effectively make her narrator a powerful mouthpiece for the concerns of Asian-Americans toward discrimination in the workforce in the 21st century?”
• Just right: “How does Irene Majov in her novel  Deadly Men effectively make her narrator a powerful mouthpiece for the concerns of Asian-Americans in the 21st century?”

How to get a 7 on IB English HLE

There are many things that contribute to a 7 in your HLE and your IB English grade overall. But if we had to boil it down to one secret, one essential fact… then it'd have to be this: Get really good at analysis .

Analysis is the key to a 7 in IB English. It doesn't matter if it's Paper 1, Paper 2, HLE, IO… You must learn how to analyze quotes at a deep level, and structure your analysis in a way that flows and delights your teachers and examiners.

Start with the basics

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Our free and Pro resources have helped IB English students skyrocket their grade in weeks, days and even overnight...   Learn Analysis for IB English , the simplest guide to a 7 in IB English.

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Finding Quotes

Also, you'll need to find good quotes for your text. Some good sources where you can find relevant quotes include  Goodreads , SparkNotes ,  LitCharts , and Cliffnotes . Of course, you could just find quotes yourself directly–this will ensure your quotes are unique.

Understanding the IB English HLE rubric

An essential step to getting a high mark on the HL Essay is understanding the rubric! It is SO important that you know what IB English examiners are looking for when grading your essay, as this helps you to shape the content of your essay to match (or even exceed) their expectations.

The IB English HL Essay is graded out of 20 marks . There are 4 criteria, each worth 5 marks.

Use the checklist below to make sure you're not making simple mistakes! Note that this is not the official marking criteria, and I strongly recommend that you reading the official rubric provided by your teacher.

Criterion A: Knowledge, understanding, and interpretation

• Accurate summary of text in introduction
• Focused and informative thesis statement
• Effective and relevant quotes
• Relevant and effective summary and ending statement in conclusion

Criterion B: Analysis and evaluation

• Relevant analysis of a variety of stylistic features 
• Relevant analysis of tone and/or atmosphere
• Relevant analysis of broader authorial choices i.e. characterization, point of view, syntax, irony, etc.

Criterion C: Focus, organization, and development

• Introduction, body paragraphs, conclusion
• Organized body paragraphs – topic sentence, evidence, concluding statement/link to question
• Appropriate progression of ideas and arguments in which evidence (i.e. quotes) are effectively implemented

Criterion D: Language

• Use expansions (e.g. “do not”) instead of contractions (e.g. “don't”)
• Use of a variety of connecting phrases e.g. “furthermore”, “nonetheless”, “however”, etc.
• Complete sentence structures and subject-verb agreement
• Correct usage of punctuation
• Appropriate register – no slang
• Historic present tense : the use of present tense when recounting past events. For example, we want to write “In  The Hunger Games , Peeta and Katniss work   together to win as a district” instead of using the word “worked”.
• Avoid flowery/dictionary language just to sound smart; it is distracting and difficult to read. As long as you concisely communicate your message using appropriate language, you will score a high mark under this criterion.

Here's everything we discussed:

• IB English HLE is tough work! Start early.
• Brainstorm using the table of concepts to come up with a strong HLE question. Don't give up on this!
• Analysis is the key to a 7 in IB English HLE (and in fact all IB English assessment). Check out LitLearn's course  Learn Analysis for IB English   for immediate help on the exact steps to improve in IB English analysis.

Good luck, and may the odds be ever in your favor 💪

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Higher Level Essay

Crash course on HLE basics.

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IB English, the HL Essay: All You Need to Know

Written By Our IB++Tutor Birgitte J.

What You Need to Know

• The HL Essay is a 1200-1500 word formal essay and it is based on a literary work studied as part of the course. You cannot use the same work for the IO or the Paper 2 [1] for this essay.
• In the IB Language and Literature course [2] , the essay can also be based on a non-literary or collection of non literary text(s).
• You develop a line of inquiry , a question that lends itself to an argument focused on how a theme or message is conveyed through literary features.
• The essay is completed in your own time and you should get some feedback from your teacher during the development of the essay.
• You do not have to incorporate secondary sources beyond the text you are working with.

The paper is externally assessed, meaning the final grade given is from the IB Examiner, not from your teacher. However, your teacher will give a predicted grade that is sent to the IB [3] .

How to Approach the Essay

The essay requires you to construct a focused, analytical argument, examining the work from a broad literary or linguistic perspective. It also requires you to adhere to the formal framework of an academic essay, using citations and references.

Connection to the Learner Portfolio

The HL essay is based on the exploration you have engaged with in the Learner Portfolio [4] . In the lead-up to the drafting of the essay, you must decide which text to focus on for further investigation, and which topic to write about. In choosing the topic, you can consult the course’s seven central concepts. You can choose any text with the exception of the texts used for the Internal Assessment (the IO) or the Paper 2.

How to choose a text

Don’t wait until the last minute and talk with your teacher about the text you want to use and the focus you are considering. Write your ideas out to make sure your line of inquiry is focused and appropriate for an analytical argument of a paper of this length.

In the case of a collection of short stories, poems, song lyrics or any short literary text, you may choose to use just one literary text from the work. However, It may be necessary to use more than one literary text from the work chosen.

The Language and Literature course only *

In the case of short non-literary texts, it may be necessary to use more than one from the same text type by the same author, for example the same creative advertising agency, cartoonist, photographer or social media user. At least one of these texts must have been studied in class. (If using a text in translation it must be a professional and published translation).

Determining the Topic and the 7 Course Concepts

It’s helpful but not mandatory to start with the seven central concepts of the course in generating or determining a topic for the essay. The questions below are meant as starting points for the focus of the essay, not as complete lines of inquiry which should be more specific to the chosen text (see examples of lines of inquiry below).

Questions may include; How is identity represented in the text? How are the characters in the text representative of a group? How does the text reflect the identity of the writer?

Questions may include; How is an aspect of the text representative of a culture or a particular place? How is a group of people or an institution conveyed? How is the text representative of a cultural perspective?

3-Creativity

Questions may include; How is the text representative of an individual or collective creativity, or lack of creativity? How is the text a reflection of the creativity of the writer?

4-Communication

How is communication or lack of communication conveyed in the text? How does the text itself communicate with the reader? How are aspects of communication illustrated through literary features?

5-Transformation

How is change or development illustrated in the text? How are characters transformed through action, communication or events in the text? What is the relationship between transformation and the goals, values and beliefs conveyed in the text?

6-Perspective

How is a perspective or different perspectives represented in the text? How is a shift in perspective portrayed? How is the writer’s perspective revealed through the text?

7-Representation

How does the text represent a particular theme or message? How are attitudes conveyed? In what way is reality or the world within the text represented?

IB English Language and Literature Guide examples of lines of inquiry

• Identity —how does Ralph Ellison, in his novel Invisible Man, succeed in making his narrator a convincing spokesperson for the concerns of African-Americans in the 20th century?
• Culture —how does Robert Capa represent post-Second World War France to qualify/exemplify the brutalities of the French population on former Nazi collaborators in La Femme Tondue? (Language A: language and literature only)
• Creativity —how do Mario Testino’s portraits manage to convey the personalities of those portrayed in original ways? (Language A: language and literature only)
• Communication– which view of love does Matt Groening convey in Love is Hell? (Language A: language and literature only)
• Transformation– in what ways does The Alan Parsons Project’s Tales of Mystery and Imagination offer a transformative re-reading of Edgar Allan Poe’s tales?
• Perspective– how does Mary Shelley’s protagonist in Frankenstein use the motif of dangerous knowledge to show the perspective of fear and anxiety of excesses in scientific enterprise in early 19th century Europe?
• Representation– through what means does Juan Rulfo successfully convey the representation of realistic and non-realistic characters and situations in Pedro Páramo?​

A Final Note on the Learner Portfolio and the HL Essay

The Learner Portfolio is not assessed but schools are required to keep it on file. It is intended to be a platform for reflecting on the texts studied, facilitating development of independent thinking. The reflections may include responses to cultural perspectives and values, inter-relationships and identities as it relates to topics and themes in the texts studied. The reflections may serve as a springboard for the line of inquiry in the HL essay. For example, you may keep a record of themes present, reflections on how particular passages within the texts reflect those themes, or how themes and passages convey one of the 7 central concepts.

[1] Paper 2 is cancelled for the 2022 cohort. No announcement has been made for the 2023 at the time this article was written.

[2] There are 3 IB English courses. The two most common are IB English A: Literature SL/HL, a course focused on literature (Poetry, drama, short stories and novels) and the IB English Language and Literature SL/HL course, focused on literature AND a variety of non-literary (non-fiction) text types.

[3] The examiner’s grade is independent from your teacher’s predicted grade.

[4] An individual collection of student work compiled during the course in which you explore and reflect on the texts throughout the course.

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Sample Essay Questions For IB English Literature Paper 1

Mastering the art of literary analysis for paper 1.

IB English Literature Paper 1 is a critical component of the IB assessment, testing your ability to analyze unseen texts. Practicing with sample essay questions can significantly enhance your readiness and confidence. Here are some sample questions and tips to help you excel in IB English Literature Paper 1.

Understanding Paper 1: Guided Literary Analysis

Structure of paper 1.

• Standard Level (SL) : Analyze one unseen literary text in 1 hour and 15 minutes.
• Higher Level (HL) : Analyze two unseen literary texts in 2 hours and 15 minutes.

Types of Texts

• Prose Extracts : Could be from novels, short stories, or essays.
• Poetry : Poems from various periods and styles.
• Drama Extracts : Excerpts from plays.

Sample Essay Questions

Prose extracts.

• Question : How does the author develop the protagonist’s character in the extract? Discuss with reference to specific literary techniques.
• Tips : Focus on aspects like dialogue, narrative style, descriptions, and actions. Highlight how these elements contribute to the overall portrayal of the character.
• Question : Explore the theme of isolation in the provided extract. How does the author convey this theme through literary devices?
• Tips : Identify key passages that illustrate isolation. Discuss symbolism, setting, tone, and character interactions that highlight the theme.
• Question : Analyze the narrative perspective in the extract. How does the point of view influence the reader’s understanding of the story?
• Tips : Consider the narrator’s reliability, perspective, and how it shapes the reader’s interpretation. Discuss how the narrative voice adds depth to the story.
• Question : Discuss the use of imagery and symbolism in the poem. How do these elements contribute to the poem’s overall meaning?
• Tips : Identify vivid images and symbols. Analyze their significance and how they enhance the themes and emotions of the poem.
• Question : How does the poem’s structure and form contribute to its meaning? Discuss with reference to specific formal elements.
• Tips : Focus on aspects like rhyme scheme, meter, stanza arrangement, and line breaks. Explain how these elements support the poem’s themes and tone.
• Question : Analyze the tone and mood of the poem. How does the poet create these effects, and what is their impact on the reader?
• Tips : Identify the tone (e.g., melancholic, joyful, reflective) and mood. Discuss diction, imagery, and sound devices that establish the poem’s emotional atmosphere.

Drama Extracts

Dialogue and character interaction :, question : how does the playwright use dialogue and character interaction to develop the plot and reveal character traits in the extract.

Tips : Focus on key dialogues and interactions. Analyze how they advance the plot and provide insights into characters’ motivations and relationships.

Setting and Stage Directions :

Question : Discuss the importance of setting and stage directions in the extract. How do they contribute to the development of the play’s themes and atmosphere?

Tips : Examine detailed descriptions of the setting and stage directions. Analyze how they enhance the audience’s understanding of the themes and tone.

Conflict and Tension :

Question : Explore the use of conflict and tension in the extract. How does the playwright build these elements to engage the audience?

Tips : Identify moments of conflict and tension. Discuss how dialogue, pacing, and character actions contribute to the dramatic effect.

Tips for Writing Paper 1 Essays

Preparation.

• Practice Regularly : Analyze a variety of unseen texts regularly to become comfortable with different styles and genres.
• Familiarize Yourself with Literary Devices : Ensure you have a strong grasp of literary terms and concepts, as these will be crucial for your analysis.
• Time Management : Practice writing essays within the given time limits to develop your ability to organize and articulate your thoughts quickly.

During the Exam

• Read the Text Carefully : Take time to read the text thoroughly. Annotate key passages, noting important literary devices and themes.
• Plan Your Essay : Spend a few minutes planning your essay. Outline your main points and the evidence you will use to support them.
• Structure Your Essay : Use a clear and logical structure. Typically, an essay should have an introduction, body paragraphs, and a conclusion.
• Support with Evidence : Use specific examples and quotations from the text to support your analysis. Explain how these examples illustrate your points.
• Stay Focused : Keep your analysis focused on the question. Avoid tangents and ensure every paragraph contributes to your overall argument.
• Proofread : If time permits, quickly review your essay for any grammatical or spelling errors and ensure your argument is clear and coherent.

Mastering IB English Literature Paper 1

Excelling in IB English Literature Paper 1 requires practice, a deep understanding of literary techniques, and the ability to analyze unseen texts effectively. Use these sample essay questions and tips to enhance your preparation and confidence for the exam.

Ready to ace your IB English Literature Paper 1 exam? Join RevisionDojo today and access personalized study tools, curriculum-specific question banks, and resources enhanced by Jojo AI. Let us help you master literary analysis and achieve your academic goals with confidence.

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IB English A Language and Literature: HL Essay Assessment Considerations

Please note:  The purpose of this information is to elaborate on the nature of the IB assessment task, define and explain the assessment criteria and their implications, share observed challenges in students’ submitted assessment work, and offer strategies and approaches for assessment preparation. 

This post is not meant to replace a reading of the IB Language A Subject Guides or the Teacher Support Materials available on MYIB.  Those resources should always be a first stop for teachers when checking the requirements of each assessment task and how the task should be facilitated. 

HL Essay Overview

Nature of the task.

• Students are asked to develop a line of inquiry of their choice in connection with a work or body of work studied in the course.
• In this context, teachers serve as advisors.  The HL essay is an opportunity for students “to develop as independent, critical and creative readers, thinkers and writers” [1] which suggests there should be some degree of autonomy in choosing a work or body of work and determining the line of inquiry.
• The final essay is a focused argument critically examining a broad literary or linguistic perspective in one of the works or bodies of work studied in the course.  The focus of the critical examination should be appropriate for the discipline; while there may be some overlap with other disciplines (e.g., art or film), teachers will need to use their professional judgement to evaluate appropriate boundaries for the line of inquiry [2] .
• The essay should be developed “over an extended period of time” [3] .  Adequate time should be given for students to refine their ideas, plan their arguments, draft, and revise their essays.  Teachers are expected to play an active role guiding and facilitating this process.
• The essay is formal and should adhere to the conventions of an academic essay in its structure and use of citations.  
• In the marking of the assessment task, there is equal quantitative value placed on the ideas presented in the essay (10 marks) and the essay’s organization and use of language (10 marks).  Maximum: 20 marks. [4]
• The final essay produced for submission needs to be 1200-1500 words in length.  Examiners will not read more than 1500 words. [5]

Explanation of the task

• It is important that students develop a line of inquiry that is focused, analytical, and (when relevant) literary before they begin researching and writing.  Students do not need to name literary or textual features in their question; however, the question should lend itself to an analytical investigation of the work that is appropriate for the discipline.
• The seven course concepts (identity, culture, creativity, communication, transformation, perspective, and representation) may serve as a starting point when developing a line of inquiry. [6]
• The discussion, ideas, and inspiration for the HL Essay will ideally come from the student’s Learner Portfolio.  Students may expand on an idea, activity, or smaller-scale assessment explored in class as inspiration for selecting a topic and developing a line of inquiry.  Students may also explore their own, self-generated lines of inquiry.
• Each student’s line of inquiry should develop from their own work or ideas about the work.  Ideally, the learner portfolio will document this evolution (in some form).

Selection of work

• Students base their essays on one work or body of work studied in the course. Students may choose any work or body of work, except for the works/body of work used for the Individual Oral or the works chosen for the Paper 2 exam. 
• Students should consult with their teachers when selecting a text, work, or body of work to ensure the material is rich enough to support a focused, analytical argument of this length.
• Documentaries and full features films are full, non-literary “works” and are acceptable material on which to base a line of inquiry for the HL Essay.
• Literary bodies of work include collections of short stories, poetry, essays, graphic narratives, etc.
• Non-literary bodies of work may include an advertising campaign, a journalist’s published articles or editorials, a photojournalist’s series of photographs, related public service announcements or campaigns, research and relevant publications by an organization (such as Human Rights Watch), a series of texts or shows by an interviewer, commentator or satirist, a podcast series, an editorial cartoonist’s publications, etc. [7]  
• The texts in the body of work must share authorship.  This means the texts are written or produced by a single author or are written and produced by collaborators that share a single authorship (such as an advertising agency, corporation, non-profit organization, television show, writer and graphic illustrator, etc.) [8]
• Students may base their essay on one text in a body of work (e.g., one short story in a collection), however students need to be careful to sustain a “broad literary [or linguistic] investigation” as opposed to a close reading or commentary.  They are expected to make explicit connections in the essay between the text and the author’s body of work. [9]  
• In most cases, it will be appropriate for a student to reference at least 2-3 texts in an author’s body of work. 
• Students may explore and use any texts from an author studied in class, even if the specific texts were not part of the course study.  This might be appropriate if the student’s specific literary investigation cannot be supported with the specific texts studied but could be supported with other texts by the author. [10]

Determining the topic (and line of inquiry)

• The essay needs to be focused on a broad literary or linguistic investigation that addresses a concept developed in the work or body of work. 
• Students who struggle to identify a suitable concept can use one of the seven course concepts as a starting place to develop their line of inquiry (e.g., What does the work communicate about…? In what ways does the work transform our perspective on…?  To what extent does the work represent…? )
• Students should be encouraged to explore a concept that is significant to them and their reading of the work. 
• Teachers can advise and coach students through the process of selecting a topic and developing a line of inquiry, but teachers are not supposed to assign topics (or works) to students. [11]

What is the HL Essay Assessing?

Criterion a:  knowledge, understanding, and interpretation (5 marks), defined terms.

• Students need a clear, cohesive thesis statement in the introduction of the essay that states the conclusions the student has drawn in response to the line of inquiry.  The “conclusions” are the student’s central argument for the essay. 
• Students need to understand the difference between demonstrating understanding of a work and offering interpretations of the work’s meanings.  An essay must offer interpretations of the work’s implications to score at least a “satisfactory” mark in Criterion A.
• Good to excellent knowledge and understanding comes from knowing the works very well which usually requires multiple readings .  Clear references, explanations, and detailed analysis in support of asserted interpretations are a more effective demonstration of knowledge and understanding than summary.  
• When analyzing texts from a “body of work”, students are expected to make claims and connections to the body of work.  If the focus of the essay is on an individual text (such as a short story or poem), it is important that the analysis be treated as a “broad literary [or linguistic] investigation”.  Teachers will need to evaluate the extent to which this is possible for each individual text.  It may be helpful for teachers and students to consult articles in scholarly journals to see examples of how a broad literary investigation can be approached with a shorter, individual text.

Activities and protocols that develop skills related to knowledge, understanding, and interpretation.

Formulating Interpretive Statements

This activity scaffolds the process of developing an “interpretive statement” in response to a text or work.  This is achieved through a sentence completion exercise […]

Continue Reading

Concept Formation

In this activity, students use small examples to establish what a concept is (and is not).  This inductive strategy works to give depth, ownership, and […]

Critical Lenses

Critical lenses help students engage with different perspectives with which to approach the reading and interpretation of a work.  Each lens contains questions that provoke […]

Journal Writing

Journal writing helps students develop important thinking skills.  There are the traditional approaches used in the younger years, like imagining a minor character’s point of […]

Criterion B:  Analysis and evaluation (5 marks)

• This criterion asks students to critically analyze, evaluate, and compare how meaning is constructed and communicated in a work or body of work.
• The discussion, analysis, and evaluation of literary or linguistic features must work to develop the line in inquiry and central argument for the essay.  This is a common shortcoming in student essays.
• The interrelationships of authorial choices and their effects may be complex, which requires thoughtful organization in the planning stage of the essay. 
• Assertions that make judgements about a writer’s competency or simply state a preference for an author or style are not literary evaluations.
• An insightful literary analysis usually includes an appreciation of form-specific features.

Activities and protocols that develop skills related to analysis and evaluation

Why might this detail matter?

This activity gets students to think about the significance of minor details in a work.  These details can be used as evidence to form the […]

Ladder of Abstraction

This activity allows students to process the ways in which details from a work might represent larger abstract ideas. Process Divide students in groups of […]

Appoint a Devil’s Advocate

This protocol invites divergent thinking in a group and works to facilitate a culture where different ideas are viewed as collaborative rather than combative.  Preparation […]

This activity helps students visually see and appreciate the ways in which parts make up a whole.  One of the challenges many students have is […]

Criterion C:  Focus, organization, and development (5 marks)

• The line of inquiry (which includes the topic) should be clearly stated either as the title or in the introductory paragraph of the essay. 
• The thesis (or argument) for the essay should be clearly communicated in the introductory paragraph. 
• Effective organization helps students maintain focus, achieve cohesion, and develop claims.  This means considering the most effective way to present the argument and its supporting evidence and analysis (chronologically, most persuasive evidence first, by sub-topic, cause and effect relationships, first impressions vs. later reflections, claims and counter claims, etc.).
• Each paragraph should be a point of development that supports the conclusions drawn from the line of inquiry (i.e., the essay’s central argument).  The nature of the argument and the substance of the analysis should determine the number of paragraphs, their length, and their order.  Forcing an argument into a formulaic essay structure can be limiting.
• Purposeful transitions create cohesion and logically take the reader through the essay’s evidence-based claims.
• Essays organized by authorial choices tend to be limiting because they struggle to appreciate the interdependency of features’ effects.
• One citation method should be sustained throughout the essay.

Activities and protocols that develop skills related to organization and development

Generate, Sort, Connect, Elaborate: Concept Mapping IDEAS in a Work

This activity asks students to individually identify ideas and issues developed in a work and collaboratively connect and develop one another’s ideas.  This ultimately helps […]

Making a Précis

This activity guides students on how to distill a text into 100-200-word précis or summary.  This is a helpful skill for preparing a passage response […]

This protocol helps students consider which ideas, issues, and feelings are playing a significant role in shaping their personal response to a work. Process Give […]

Sort Card Activity

This activity helps students organize information and identify conceptual trends.  This activity models a process that students can use when planning their own essays and […]

Significant Quotes

Who said it?  What is the context? and Why is this quote significant? may seem like an archaic exercise in today’s educational landscape, but the […]

Criterion D:  Language (5 marks)

• A wider vocabulary and knowledge of sentence structures gives students more language tools to express abstract and complex thoughts. 
• Correct use of terminology may be considered in awarding marks in this criterion; however, jargon is not the sole focus. 
• When students use vocabulary and sentence structures that are comfortably in their repertoire, they usually express their thinking more clearly.  When students stretch to use words or sentences structures with which they are not familiar, they risk miscommunication.
• An essay does not need to be flawless to earn top marks in this criterion, however the expectation for language to be clear, varied, and accurate is higher in this component.  This is because students have an opportunity to revise their essays.
• Voice is welcomed in all IB assessment tasks: formal writing does not need to be turgid.

Activities and protocols that develop skills related to use of language

Interpretive Statement Wall

This protocol helps students develop revision skills by asking clarifying and critical questions about each other’s interpretive statements or thesis statements.  This helps students develop […]

Evaluating Thesis Statements

This activity helps students understand the role language plays in communicating specific and complex ideas in a thesis statement.  The approach invites active collaboration, and […]

Discussion Posts and Personalized Learning

This formative assessment gives students an opportunity to personalize their learning while engaging in collaborative discussion with their peers around their chosen text(s) or work. […]

This protocol helps students generate ideas in response to a work. Process Give students a writing task, asking them to identify one thing they think […]

[1] Language A: Language and Literature Guide, First assessment 2021 , IBO: 2019. pp. 42.

[2] To gain an understanding or confidence in evaluating analysis that is “appropriate for the discipline”, teachers may want to invest some time perusing scholarly articles written on works they teach or are familiar with using a database such as JSTOR or Ebscohost.  These titles and articles an also be shared with students as guides and exemplars.

[4] Ibid, pp. 45.

[5] Ibid, p. 42.

[6] Ibid, p. 43.

[7] A list of text types can be found on p. 22 of the Language A: Language and Literature Guide.  As mentioned in the guide, the list is not exhaustive.

[8] “Selection of work”. Language A: Language and Literature Guide, First assessment 2021 , IBO: 2019, p. 43.

[11] Language A: Language and Literature Guide, First assessment 2021 , IBO: 2019. p. 44.

[12] Definition:  a short statement of the main points.

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• Feb 19, 2023

Creating the English HL Essay: Turning Analysis into a Thesis Masterpiece

Updated: Jul 8, 2023

The English HL essay is undoubtedly the flagship assessment of Higher-Level English. At its core, the HL essay depends on the same analytical skills as any other piece of English assessment. However, the HL essay sets itself apart by requiring a more specific and conceptual line of inquiry, and overall greater depth of analysis. With these requirements, the HL essay is often the single most daunting assessment in the HL English calendar. So, to help you on your HL essay journey, this blog will detail some useful tips and considerations to get you heading on the right track.

1) The Line of Inquiry

The line of inquiry is the central question around which the entire HL essay rests. A good line of inquiry will set you up for a terrific analysis, while a bad line of inquiry will leave your essay stuck and directionless. But what actually makes a good line of inquiry?

The trick is to allow the line of inquiry to focus your analysis. Take this hypothetical line of inquiry: “ How and why does J.R.R. Tolkien use the race of Men as a philosophical discussion of agency and its relationship with mortality in books within the Lord of the Rings? ”.

Starting with the imperatives “how” and “why”, this line of inquiry immediately constrains your analysis to keep you focused on technique (the how) and purpose (the why). This protects you from straying off track; so long as you keep talking about the hows and the whys, you guarantee yourself those marks that are for focus and relevancy.

This line of inquiry further keeps on task by explicitly stating the feature of your text that speaks to some real literary concept. In this case, we can see that the student using this line of inquiry is arguing that the race of Men is a tool that Tolkien has used to talk about agency and morality. Agency and morality are the literary concepts, the race of Men is the feature. By connecting them in the line of inquiry, you make it significantly easier to keep making that connection all the way throughout the entire HL essay. Not only this, but by connecting in-text features with a concept, it becomes significantly easier to produce the kinds of insightful arguments that push you into the top band of Criterion A.

The line of inquiry makes or breaks your HL essay (no pressure). That said, the HL essay is an ongoing journey. It is both common and perfectly okay to change or even completely scrap a line of inquiry partway through the drafting process.

2) The Analysis Itself

The analysis in the HL essay itself takes a very similar shape to analyses elsewhere in English assessments: technique, implications, authorial purpose, text type, audience positioning, evaluation, link to paragraph thesis, and so on. These avenues of analysis are the backbone of English in general and so it should come as no surprise that they are the backbone of the HL essay as well.

Where the HL essay can diverge from the other assessments is the points that you are arguing within the body paragraphs. Body paragraphs in the paper 1, for example, often cover how individual categories (say, visual techniques) contribute to the overall meaning of the text. The HL essay body paragraphs are considerably more related to the concept that you are arguing.

Taking the Lord of the Rings example above, you could have one paragraph about the race of Men and how Tolkien portrays their culture as a means of questioning the futility of having agency in light of definitive mortality. Then, you could have a second paragraph about how the race of Men is made distinct against other races in the Lord of the Rings as a tool of evaluating the role of mortality in driving personal choice, and so on for further paragraphs.

As you can see, rather than targeting specific groups of techniques, the HL essay paragraphs first address the conceptual discussions created within the text, and then the techniques are brought in to explain how these discussions emerge and what commentary the author is trying to make.

3) Structure and Terminology

There is no definitive go-to structure for the HL Essay. So long as there is an introduction and a conclusion framing a series of body paragraphs that each contain a thesis point, analysis, evidence and connections to the line of inquiry, then you are fulfilling the requirements of formal essay structure mandated by Criterion C.

Similarly, there is no required number of body paragraphs. Given the word count, 3-4 paragraphs is a good number to ensure that you are creating detailed points without repeating ideas. But, you are free to add more or less paragraphs and there are sometimes situations or texts where that may be necessary.

Criterion C and D are somewhat more check-boxy than A and B. How you fulfil Criterions A and B can be more variable depending on your text, as individual text types have defining features that lend themselves to potentially different directions of analysis. A short story, for example, would contain dialogue and so an analysis of speech and language takes on a completely different form than it would in a poem. But Criterion C and D are relatively consistent.

As long as you have a cohesive and formal essay structure as said above, combined with clear, analytical, and explicit vocabulary and tone, Criterion C and D are as good as guaranteed to you. Key things to consider when ensuring that these criteria are fulfilled include your tone (academic and unemotive), punctuation, and sentence variety (mixture of simple, compound, and complex sentences).

Closing Remarks

The HL essay is a task aimed to allow students to demonstrate the extent of their literary skills that they have learnt over their time in the diploma program. It can be daunting, and absolutely must be difficult in order to provoke insightful analysis, but it is just as possible to get a 7 on it as on any other assessment in any other subject. My final recommendation? Draft, redraft, redraft, and redraft again. Even if you’re just rewriting the same ideas every time, constant revision and review builds a crucial familiarity with the concepts and theses that you are arguing.

Good luck on your HL essay journey!

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This page will provide you not only with authentic student responses to specimen questions, but also with examiners' feedback, and a narrated explanation of what the student did well.

Paper 2 - Specimen Question Response #1

How do two of the works you have studied portray the struggle to be understood?

Communication and collaboration are two essential qualities of human nature, but different perspectives and cultural differences continue to lead to challenges of communication and the struggles to be understood in life. This is reflected in literature, too, and can be seen in Alan Moore and David Lloyd’s graphic novel V for Vendetta and Emile Zola’s Therese Raquin. Through the use of the symbol of the roses in V for Vendetta, the didactic features of the naturalism movement in Therese Raquin, and the plights of the protagonists and other key characters in both novels, both works suggest that, unless struggles to be understood are overcome, the future for humanity could be quite bleak.

Lloyd and Moore employ symbolic roses to represent life and hope amidst apocalyptic despair. The rose is first introduced to the reader in Book 1 as V enters the Priest’s house with a white rose already plucked. The rose is initially given to the people V murders out of revenge, a reminder of the people like him harmed in the concentration camps for being minorities. In Larkhill Camp, V grows roses, and uses their fertilizer ultimately to destroy and escape the camp. By the end of the novel, as V’s social experiment moving through Anarchy to Anarchism, of reinventing society in the interests of all, comes to fruition, the rose symbolises new life, something beautiful and natural blooming out of the rubble of despair and destruction. He leaves Evey Hammond with a stark warning, though, when he says that ‘we, as gardeners, must beware… For some seeds are the seeds of ruin, and the most iridescent blooms are often the most dangerous’. Essentially, he says that new seeds represent new life, that a new day will always dawn and change is possible, but warns her of the usual human mistakes: of trusting the most beautiful, most sweet-talking leaders (‘iridescent blooms’) rather than taking a more collective responsibility, will lead to the familiar outcomes. Thus the rose both symbolises V’s own struggle to be understood, leading to his incarceration for being an outsider and his revenge for that incarceration, as well as the easy manner in which humans allow themselves to misunderstand others through their attractive presentation rather than their true intentions.

By contrast, Zola pioneers a literary movement in order to adapt the very purpose of literature in order to explore the reasons why people behave as they do, being successful or struggling with interacting and understanding each other accordingly. In his Preface to the Second Edition, Zola says that ‘he had believed, naively, that this novel might do without a preface,’ but that ‘the critics ha[d] given this book a hostile and indignant reception’ because they didn’t understand that in the novel Therese Raquin, he ‘set out to study, not characters, but temperaments’. Zola himself argues that, in pioneering the movement of Naturalism, his characters are ‘human animals’ and he is employing certain settings, situations and temperaments that then display how humans behave with each other. Zola states directly that ‘my objective first and foremost was a scientific one’, and thus it is argued that he is using literature to predict human behaviour. A character with a nervous temperament like Therese, coupled with the lazy peasant, Laurent, captured in the dingy setting of Passage du Pont Neuf, and in a passionate, forbidden affair - evidenced by their first act of lovemaking being ‘silent but brutal’ - will inevitably lead, according to Zola, to a downward spiral and the possible sequence of events that follows. Therese and Laurent become ‘murderers’ and ultimately kill themselves. However, overriding this is Zola’s key purpose of using his novel as a form of social science, to explore human beings and how they are bound to misunderstand each other and lead complicated lives as a result. 

Both authors use key characters’ struggles to be understood at climactic moments of the novels as integral to the advancement of the plot and to the ultimate resolution of their plights. After discovering the truth about her son’s death, Madame Raquin - by now a paralysed invalid - had been ‘fervently looking forward’ to the set-piece Thursday night gathering so she could attempt to unmask the murderers. Despite Laurent’s confidence that ‘she’s hardly going to start blabbing to them’, Madame Raquin indeed gained the attention of the group and began spelling out the names of Therese and Laurent, making ‘the murderers… crazed with terror’. However, at the moment of highest tension, she failed to make herself understood, as ‘the avenging hand… fell back into a spasm’ and the moment was lost. By contrast, in V for Vendetta it is Evey Hammond who goes on a journey of discovery and understanding as V tricks her into thinking she is incarcerated and ‘tortures’ her. When she discovers the truth, Evey is broken by learning it was V all along, while he claims to be ‘set[ting her] free’ from the ‘prison’ she’s been in ‘all her life’. This metaphor suggests she is blind to the truth of the world and he has had to educate her through tough means. However, his ambiguity in manner leads her to say, ‘you think you’re so good that you don’t have to make sense,’ and, ‘nothing you say means anything’. He is, then, intentionally creating a struggle for her to understand him, in order for her to learn about herself and the world, something she sees and does at the end of the novel.

Martin Luther King Jr. said, ‘Every step towards the goal of justice requires sacrifice, suffering and struggle’. In order for societies to be most effective, human beings have had to strive to overcome their struggles to understand each other in order to learn the truth about themselves, about the world, and in order to live and work together more effectively. V for Vendetta is an explicitly politically-motivated novel which expresses this through the opaque behaviour and characteristics of its title character, while Therese Raquin is a literary study of temperaments and how certain conditions lead to certain outcomes, and how certain characters struggle to understand each other, to live together, and to share hidden truths more widely. 

Examiner's marks

Narrated discussion of student response.

More Student Samples

Individuals may struggle while trying to be understood, pursuing freedom as a response. It is essential for humans to find a way in which not only can they understand each other, but feel understood, otherwise as a consequence of this there could be various differences and unwillingness of groups to work with one another. This component is essential to the existence and survival of human beings. Authors David Lloyd, Alan Moor, and Emilie Zola, created pieces which help explore the concept of not being understood, and the consequences rising from this. It can be said that through the use of the mask as symbolism, in V for Vendetta, Therese’s characterisation in Therese Raquin, and literary genre in both with Dystopia and Naturalism, authors Alan Moor, David Lloyd, and Emilie Zola portray how the struggle to be understood leads to the inability to compromise and perusal of freedom.

Emile Zola portrays the struggle to be understood through characterisation in Therese Raquin. Therese was a character which was misunderstood by her familiars, she would remain silent during most occasions, without her opinion taken into account. Yet, when Laurent appeared in her life he triggered the uncovering of a new, not seen side of Therese to the reader in which one could see her resentment towards her husband and her aunt. After years Therese at last reveals to the reader how, “ I would have preferred abandonment to their hospitality, I had a desperate need for wide-open spaces; as a little girl, I dreamt of roaring barefoot along dusty roads”.  The extract above demonstrates Therese’s desperation towards this family, although they had saved her from facing poverty, she would have still chosen to be abandoned. Therese is constantly pushed around without being able to be given a chance for her opinion, as a result she holds resentment and bitterness towards her familiars throughout her entire life. Once she sees an escape out of this life it is clear that she would take any means necessary to finally be liberated and free. This shows the desperation Therese had as she clearly wanted to be understood, and once she felt like she was, she would even kill to change her life and head it towards what she wanted it to look like. All in all, Thereses specific characteristics being presented to this situation made her want to take an extreme measure that would make her feel understood at once, showing the complexity of beings and how far some could go for comfortability and happiness.

Alan Moor and David Lloyd use symbolism to portray the struggle to be understood. V for Vendetta is a novel which shows a society where there were no minorities or people of color, and the population was oppressed by their government. V is a character which due his difference, and inability to fit the perfect society with ‘ideal people’ the right wing government wanted to achieve is cast away to a concentration camp to be tested on. The incapability of the government to understand others which are not what they deem as superior, and different, is what greatly inspires V to pursue freedom through anarchy. V utilizes a mask to represent that what he is pursuing is greater than just himself, “Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.”. The symbol of the mask is essential throughout the entirety of the comic, as it shows that there is an idea which rose due to several factors. V, a survivor from this persecution, pursued freedom, not only individually, but for all, he wanted to dismantle the government and let the population be free after so many years of being oppressed, without understanding each other. The government essentially separated and held the population back, as the only one being able to stand up for themselves was V, which later spread his ideology. 

Alan Moor, David Lloyd and Emile Zola use literary genre to depict the struggle to be understood. In these two novels there is use of  various features which help aid the creation of characters which are struggling in their environment, and how they deal with this. Irrespective of their environment, there is the same outcome of the two, individuals who want freedom after suppressing their feelings. Emile Zola used genre as he showed that the human nature of these characters in this specific situation was inescapable, and eventually would occur one way or the other In "Therese Eaquin," I have sought to study temperaments and not characters. In that lies the entire book. I have selected personages sovereignly dominated by their nerves and their blood, destitute of free will, led at each act of their life by the fatalities of their flesh.”. Alan Moor, and David Lloyd use dystopia in the novel where the world is controlled by a far right government with extremist ideas, essentially suppressing everyone's feelings to not be understood. One of the government's recurring phrases was “Strength through unity and faith”, ironically, as without individuals being understood there is no unity.

Humans are complex beings which mainly desire to be understood by others. At times some individuals may struggle as everyone is different, therefore leading to differences with one another. If people cannot manage to get past their differences and understand each other, there is no collaboration or work from either party. V for Vendetta and Therese Raquin depict this idea of the struggle to be understood and what it does to a person which oppresses their feelings in such a way. With V for Vendetta using symbols, Emile zola using characterisation, and both using literary genre they make it clear and highlight the consequences of not being understood on individuals.

Examiner's Comments 

This essay has enormous strengths. It makes clear, analytical points that address the question with relevance, and some of the analysis and evaluation - the presentation and deconstruction of evidence - is very effective. The third paragraph is a little too general even though it is effective in ensuring the comparative nature of the essay. And there are language slips, including discussing works and authors in the past rather than conventional present tense. Overall, though, a strong essay.

Examiner's Marks

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HL essay – the process

Check the Subject Guide and with your teacher for official information about the HL essay.

There are a number of different ways to develop an HL essay. Consider the following outline; it isn’t 100% comprehensive but it covers the key elements.

Preparing for the HL essay

• Carefully read through the HL essay requirements and criteria.
• Analyze HL essay samples. Make sure you understand how a particular HL essay sample addresses the requirements and criteria.
• Work very hard on your schoolwork and school assessments. Although you may not realize it early on, these are designed to build the knowledge and skills necessary to be successful on your HL essay.
• You will probably start working on your individual oral before your HL essay. The bodies of work and works you use on your individual oral CANNOT be used on your HL essay.
• As you work through bodies of work and works in your class, put a list together of ones you are considering using for your HL essay. Keep adding notes / details about the works and bodies of works on your list as you go through the course.
• Consider a few different topics (e.g. one of the course’s concepts) for your HL essay. Keep adding notes / details about the topics on your list as you go through the course.
• Once you narrow down your list of possible bodies of work and work for your HL essay, go through them and annotate them specifically for the HL essay. Your HL essay will need evidence to support your arguments – start collecting it early on.

Creating your HL essay

• Evaluate your different options, consult with your teacher and then choose a final work OR body of work that will be the focus of your HL essay. Remember that the work or body of work that you choose cannot be used for another IB assessment.
• If you are considering using a short literary text (e.g. a short story) for the HL essay check the requirements on page 43 of the Subject Guide.
• Evaluate your different options, consult with your teacher and then choose a final topic for your HL essay. The Subject Guide states that the topic you choose, “should enable a broad literary or linguistic focus for the essay. In achieving this, the course’s seven central concepts may be a helpful starting point for students in generating or determining a topic for the essay” (43).  
• Create an outline of your essay. The basic outline can start with a clear thesis statement and topic sentences.
• Early in the development process make sure your ideas / arguments / evidence meet the requirements and criteria for the HL essay.
• Periodically re-read review sample HL essays.
• As you put together your first draft, make absolutely sure that all of your sources are cited properly. If you wait too long to do this properly you will drastically increase the chances of making a mistake.
• You must put together the best possible first draft. Better first draft = better feedback from your teacher.
• Your teacher will give you feedback on your first draft but the feedback is somewhat limited. Page 44 of the Subject Guide provides additional information.
• As you get closer to finishing the final draft, double check that your HL essay follows all of the IB requirements and addresses the terms in the criteria.
• Before submitting your final essay make absolutely sure that all of your sources are cited properly.
• Submit your final draft to your teacher / IB according to the instructions you have been given. Each school has a slightly different process.

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• HL essay: sample responses
• Higher Level Essay

Sample HL essay responsesLinked from this page are some Higher Level essay sample responses with teacher marks and comments. We will be looking to add more examples, covering a range of different questions and different literary forms.

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• Support Sites

English A: Language and Literature Support Site

Othello (hle).

The following HL Essay aims to answer the line of inquiry: 

Read the essay carefully. Apply the HLE assessment criteria and discuss the marks you would award the script before reading the examiner's marks and comments. How different were your marks and comments from the examiner's marks and comments? What improvements would you make to this essay to achieve better results?

What's the role of secondary sources on the HL Essay? Both the poor and the good essay have secondary sources. Compare the bibliographies of these essays. Clearly, the better essay cites more relevant sources. In other words, make sure that your sources are actually about the primary source and not just about cultural phenomena. 

Related pages

• HL Essay: Assessment criteria
• HL Essay: Skills: HLE Builder

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HL English A: Language and Literature Essay - 19/20 Sample (Grade 7)

Hi, I just wanted to share my HL LangLit essay on photography. It got a 19/20 so I hope it helps other HL English students who are writing their essays :)

Here is the link

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