• Literature Notes
  • Major Themes in Beowulf
  • Poem Summary
  • About Beowulf
  • Character List
  • Summary and Analysis
  • Lines 1-193
  • Lines 194-606
  • Lines 607-836
  • Lines 837-1062
  • Lines 1063-1250
  • Lines 1251-1491
  • Lines 1492-1650
  • Lines 1651-1887
  • Lines 1888-2199
  • Lines 2200-2400
  • Lines 2401-2630
  • Lines 2631-2820
  • Lines 2821-3182
  • Character Analysis
  • Grendel's Mother
  • Character Map
  • The Beowulf Poet
  • The Beowulf Manuscript
  • Critical Essays
  • Major Symbols in Beowulf
  • Famous Quotes from Beowulf
  • Film Versions of Beowulf
  • Full Glossary for Beowulf
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Critical Essays Major Themes in Beowulf

A theme in a literary work is a recurring, unifying subject or idea, a motif that allows us to understand more deeply the character and their world. In Beowulf, the major themes reflect the values and the motivations of the characters.

One of the central themes of Beowulf, embodied by its title character, is loyalty. At every step of his career, loyalty is Beowulf's guiding virtue.

Beowulf comes to the assistance of the Danes (Scyldings) for complicated reasons. Certainly he is interested in increasing his reputation and gaining honor and payment for his own king back in Geatland. However, we soon learn that a major motivation is a family debt that Beowulf owes to Hrothgar. The young Geat is devoted to the old king because Hrothgar came to the assistance of Beowulf's father, Ecgtheow, years before. Now deceased, Ecgtheow had killed a leader of another tribe in a blood feud. When the tribe sought vengeance, Hrothgar, then a young king, sheltered Beowulf's father and settled the feud by paying tribute (wergild) in the form of "fine old treasures" (472) to Ecgtheow's enemies. Hrothgar even remembers Beowulf as a child. The tie between the families goes back many years, and Beowulf is proud to be able to lend his loyal services to Hrothgar.

When the hero returns to Geatland, he continues his loyalty to his uncle and king, Hygelac, risking his life even when the tactics of the ruler are not the best. After Hygelac is killed in an ill-advised raid on Frisia, Beowulf makes a heroic escape (2359 ff.) back to Geatland. Beowulf could become king then but is more loyal than ambitious. Queen Hygd offers Beowulf the throne after her husband dies, thinking that her young son (Heardred) is unable to protect the kingdom; Beowulf refuses and serves the young king faithfully. After Heardred is killed, Beowulf does become king and rules with honor and fidelity to his office and his people for 50 years. In his final test, the burden of loyalty will rest on other, younger shoulders.

Preparing for his last battle, with the fiery dragon, Beowulf puts his trust in 11 of his finest men, retainers who have vowed to fight to the death for him. Although the now elderly king insists on taking on the dragon alone, he brings along the 11 in case he needs them. When it is apparent that Beowulf is losing the battle to the dragon, however, all but one of his men run and hide in the woods. Only Wiglaf, an inexperienced thane who has great respect for his king, remains loyal. Wiglaf calls to the others in vain. Realizing that they will be no help and that his king is about to be killed, he stands beside the old man to fight to the death — theirs or the dragon's. For Beowulf, sadly, it is the end. Although he and Wiglaf kill the dragon, the king dies. As he dies, Beowulf passes the kingdom on to the brave and loyal Wiglaf.

Another motivating factor for Beowulf — and a central theme in the epic — is reputation. From the beginning, Beowulf is rightly concerned about how the rest of the world will see him. He introduces himself to the Scyldings by citing achievements that gained honor for him and his king. When a drunken Unferth verbally assaults Beowulf at the first banquet, at issue is the hero's reputation. Unferth's slur is the worst kind of insult for Beowulf because his reputation is his most valuable possession. Reputation is also the single quality that endures after death, his one key to immortality. That's why Beowulf later leaves the gold in the cave beneath the mere, after defeating the mother, preferring to return with Grendel's head and the magic sword's hilt rather than treasure. He has and continues to amass treasures; his intent now is in building his fame.

Unferth's slur accuses Beowulf of foolishly engaging in a seven-day swimming contest on the open sea, as a youth, and losing. If Beowulf can't win a match like that, Unferth asserts, he surely can't defeat Grendel. Beowulf defends his reputation with such grace and persuasion that he wins the confidence of King Hrothgar and the rest of the Danes. He points out that he swam with Breca for five nights, not wanting to abandon the weaker boy. Rough seas then drove them apart, and Beowulf had to kill nine sea monsters before going ashore in the morning. His reputation intact, Beowulf prepares to meet Grendel and further enhance his fame.

As he discusses Beowulf's later years, the poet lists the virtues (2177 ff.) leading to the great man's fine reputation. Beowulf is courageous and famous for his performance in battle but equally well known for his good deeds. Although aggressive in war, Beowulf has "no savage mind" (2180) and never kills his comrades when drinking, an important quality in the heroic world of the mead-hall. Beowulf respects the gifts of strength and leadership that he possesses.

As he prepares to meet the dragon, near the end of the poem, now King Beowulf again considers his reputation. He insists on facing the dragon alone despite the fact that his death will leave his people in jeopardy. Hrothgar's Sermon warned Beowulf of the dangers of pride, and some critics have accused the great warrior of excessive pride (hubris) in the defense of his reputation. A more considerate judgment might be that Beowulf is an old man with little time left and deserves the right to die as a warrior. The final words of the poem, stating that Beowulf was "most eager for fame' (3182), might be best understood by a modern audience by remembering that, in Beowulf's world, fame is synonymous with reputation.

Generosity and Hospitality

The Scyldings' King Hrothgar and Queen Wealhtheow embody the themes of generosity and hospitality. The code of the comitatus is at the heart of the Beowulf epic. In this system, the king or feudal lord provides land, weapons, and a share of treasure to his warriors (called thanes or retainers) in return for their support of the leader in battle. The leader's generosity is one of his highest qualities. There are more than 30 different terms for "king" in the poem, and many of them have to do with this role as provider. He is the "ring-giver' (35) or the "treasure-giver" (607); his seat of power is the "gift-throne" (168).

When booty is seized from an enemy in battle, everything goes to the king. He then allots treasure to each warrior according to the man's achievements as a soldier. When Beowulf defeats Grendel and Grendel's mother, he expects and receives great riches as his reward, including a golden banner, helmet, and mail-shirt, as well as a jeweled sword, magnificent horses with golden trappings that hang to the ground, a gem-studded saddle, and a golden collar. Such generosity is emblematic of Hrothgar's character. In turn, Beowulf will present these treasures to his own king, Hygelac, who will then honor Beowulf with appropriate gifts. Propriety/generosity is, thus, a crucial part of the political, military, social, and economic structure of the culture.

Wealhtheow shares in the gift giving and is the perfect hostess. When she serves mead in Heorot, it is an act of propriety and diplomacy, attending first to her king and then to various guests, paying special attention to Beowulf. An improper queen would be one like Modthrytho (1931 ff.) who was so inhospitable as to have her own warriors executed for the offense of merely looking into her eyes.

Hospitality is such an established part of the culture that the poet feels free to refer to it with casual humor. When Beowulf reports to Hrothgar on his victory over Grendel (957 ff.), he ironically speaks in terms of hospitality. He tried, he says, to "welcome my enemy" (969) with a firm handshake but was disappointed when he received only a "visitor's token" (971), Grendel's giant claw, "that dear [meaning 'precious'] gift" (973), a kind of macabre gratuity for services rendered. Beowulf had, ironically speaking, tried to be the perfect host; but he wanted the entire ogre body as his tip . Grendel left only his claw as a cheap compensation.

Despite Unferth's jealous rant at the first banquet, the most serious embodiment of envy in the poem is Grendel. The ogre who has menaced Hrothgar's people for 12 years is envious of the Danes because he can never share in mankind's hope or joy. The monster's motivation is one of the few undeniably Christian influences in the epic. Grendel is a descendant of Cain, the biblical son of Adam and Eve who killed his brother Abel out of jealousy (Genesis 4). The legend is that the monsters of the earth are Cain's descendants and eternally damned. Grendel resents men because God blesses them but will never bless him. The bright lights and sounds of joy emanating from Hrothgar's magnificent mead-hall, Heorot, especially annoy the ogre.

The scop 's "Song of Creation" angers Grendel because it reminds him of the light and hope of God's creation and the loss he suffers because of Cain's sin. Grendel stomps up from the mere to devour Danes and rule nightly over Heorot as a form of revenge stemming from this envy.

Revenge serves as a motivating factor for several characters throughout the poem, initially stirring Grendel and his mother. Grendel seeks revenge upon mankind for the heritage that he has been dealt. He delights in raiding Heorot because it is the symbol of everything that he detests about men: their success, joy, glory, and favor in the eyes of God. Grendel's mother's revenge is more specific. She attacks Heorot because someone there killed her son. Although she is smaller and less powerful than Grendel, she is motivated by a mother's fury. When Beowulf goes after her in the mere, she has the added advantage of fighting him in her own territory. As she drags him into her cave beneath the lake, her revenge peaks because this is the very man who killed her son. Only Beowulf's amazing abilities as a warrior and the intervention of God or magic can defeat her.

Revenge also motivates the many feuds that the poet refers to and is a way of life — and death — for the Germanic tribes. Old enmities die hard and often disrupt attempts at peace, as the poet recognizes. Upon his return to Geatland, Beowulf (2020 ff.) speculates about a feud between Hrothgar's Scyldings and the Heathobards, a tribe in southern Denmark with whom Hrothgar hopes to make peace through the marriage of his daughter. Beowulf is skeptical, envisioning a renewal of hostilities. In fact, the Heathobards do later burn Heorot in events not covered by the poem but probably familiar to its audience. Another example of revenge overcoming peace occurs in the Finnsburh section (1068-1159).

Beowulf's final battle is the result of vengeance. A dangerous fire-dragon seeks revenge because a fugitive slave has stolen a valuable cup from the monster's treasure-hoard. His raids across the countryside include the burning of Beowulf's home. Beowulf then seeks his own revenge by going after the dragon.

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Family and Tribe

In Beowulf (and in the medieval Germanic culture that produced Beowulf ), family and tribal allegiances determine one's identity. Characters are constantly identified as the son, wife, or daughter of a particular man, and as members of this or that tribe. Men or beings without tribes—such as Grendel and Heremod —are described as lonely and joyless. Without a community or family, these men are incomplete. All of the cultural institutions described in Beowulf , from…

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Good Warriors and Good Kings

The narrator of Beowulf emphasizes the importance of both good warriors and good kings. But as the story of Beowulf unfolds, it becomes clear that while good kings and warriors share some similar traits, such as courage, loyalty, selflessness, and might in battle, the values of a good warrior and a good king do not overlap in other fundamental ways.

The differences between good kings and good warriors arise from the different roles that kings…

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Fame, Pride, and Shame

The warriors of Beowulf seek fame through feats of strength, bravery in the face of danger, an utter disdain for death, as well as by boasting about their feats of strength, bravery, and disdain for death. The quest for fame is of the utmost importance to a warrior trying to establish himself in the world.

Yet the quest for fame can lead to harm in two very different ways. First, a quest for fame can…

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Repetition and Change

Beowulf is full of repetitions: the story begins and ends with funerals of kings; Beowulf must fight Grendel and Grendel's Mother ; the tale of Sigemund foreshadows Beowulf's battle with the dragon; the feuds related in stories told by the bards echo the feuds of Beowulf's own time. These repetitions emphasize the continuity of the world and show that events are in many ways just variations of previous events, proceeding in endless procession like the…

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Christianity and Paganism

Because of its complicated origin, Beowulf has elements of both pagan Germanic culture and Christianity. The story of Beowulf probably originated as an oral tradition sometime in the 7th century. But the only surviving manuscript of Beowulf was written in the 11th century by Christian scribes, who either inserted the Christian overtones to the story, or were working from a manuscript set down by previous Christians who added the Christian elements. Suffice it to say…

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Themes in Beowulf

Honor : Honor and reputation were considered important personal traits to the Germanic and Scandinavian cultures featured in Beowulf . For Beowulf, there is nothing more important than the creation of a legacy. He travels from Geatland to Denmark to kill Grendel out of a desire for personal glory and to defend the allied Danes. Honor is important to the Danes as well. Before even setting out to kill Grendel, Beowulf must prove himself to the Danes, repairing his marred reputation from to a swimming race he lost in his youth. Finally, the elderly Beowulf refuses to flee from the dragon at the poem’s end, even as his best soldiers desert him.

Revenge : Revenge drives the heroes and villains in Beowulf . Grendel attacks Heorot Hall because he wants to seek vengeance against mankind for his lineage. Grendel’s mother attacks Beowulf because he killed her son. The narrator suggests that there are multiple feuds and battles going on between the different Germanic tribes. This suggests that revenge was a way of life in this time. Beowulf himself conducts his final battle to seek vengeance against the dragon who burned down his home.

Kinship : Kinship, being related by blood, ancestry, or affinity, and loyalty are main driving factors that structure Beowulf’s actions. He owes the old king Hrothgar a debt of gratitude because Hrothgar assisted Beowulf’s father in the past. Loyalty was seen as a way to maintain one’s honor and therefore was extremely important.

Tension between paganism and Christianity : England underwent a radical Christianization process in about 597 with the mission of St. Augustine. However, paganism continued to influence patterns of thought and culture. Beowulf is presumed to have been composed between 700 and 1000 CE, but the only surviving copy of the poem was transcribed by Christian monks in the 11th century. It is unknown whether or not these scribes added Christian narratives to the tale during this transcription or if the Christian undertones were already part of the narrative. Inconsistencies throughout the poem suggest that elements were added to the narrative by someone other than the original author. Many have speculated that the poem was written down from a pagan oral tradition which could account for many of the disagreements within the text. Regardless of who added the Christian themes to the poem, Beowulf is an example of the conversion from paganism to Christianity.

Themes Examples in Beowulf:

"Men are not able           Soothly to tell us..."   See in text   (I)

In a Christian world, God would receive the ship. However, in a pagan world, it's less known where the ship goes. Since Scyld was a pagan, the poet tells the audience that Scyld's final resting place is unknown; Scyld may have been a good king, but he was still a pagan, which is why the poet prefers to describe the burial of Scyld in strictly pagan terms.

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"At the hour that was fated..."   See in text   (I)

This line demonstrates another example of how the poet mixes Christianity and paganism. The line begins with a reference to the hour of death for the strong and unyielding Scyld, a reference to the destiny (or fate, or Wyrd) that pagans believe control their lives. However, the line concludes by saying Scyld goes to God's keeping instead of a mead-hall like Valhalla. This indicates that the poet won't abandon references to paganism despite being Christian and continue to mix them throughout.

"God-Father..."   See in text   (I)

Note that although the Beowulf poet and his audience are Christian, the story the poet tells predates Christianity. Consequently, although the world described in Beowulf is pagan, the poet uses both Christian and pagan imagery throughout the poem, sometimes blending and confusing the two. This contributes to a major theme throughout Beowulf . Additionally, the "God-Father" of Beowulf's time likely refers to Odin, the All-Father, as it has appeared in other translations of this story.

"The kindred of Cain..."   See in text   (II)

The poet alludes to the biblical story of Cain and Abel, in which the wicked Cain kills his brother and is thus expelled by God from human society. The story states that all of Cain’s descendants also became outcasts and eventually monsters. The poet establishes Grendel as a kinsman of Cain, supporting the idea that he is partly human. This allusion thus applies a Christian lens to pagan lore by viewing such monsters and “ill-favored creatures” as products of Cain’s sin.

"Father Almighty..."   See in text   (II)

This expression aligns with how God is commonly referred to in Christian doctrine. It stands in opposition to the kenning in the first chapter “God-Father,” which could also refer to the Norse god Odin. Such an expression is further evidence of the inconsistency between the poet’s Christianity and the pagan lore at the heart of the tale.

"Four bairns of his body born in succession..."   See in text   (II)

Among the Geats and Danes, there were two main sources of personal worth: glory through heroic feats and honor through one's bloodline. In a fashion similar to stories in the biblical Old Testament, the poet recounts the children and heirs of Scyld. Here, Hrothgar's worth is presented through his ancestry. Additionally, such a style of introducing a story would have been a familiar approach for the poet's Christian audience.

"love of Him knew not..."   See in text   (III)

In this passage, the poet tells us that Grendel rules Heorot through terror but is unable to kill Hrothgar or approach the throne of the mead-hall. The poet indicates that Grendel is incapable of doing this because the king possesses a divine right to rule, as bestowed on him by God's grace. The role of the king as a medium between the gods and society is an ancient one and has precedent in both Christian monarchies and pre-Christian pagan kingdoms.

"Hope of the heathen..."   See in text   (III)

At a loss for what to do, the Danes turn to their pagan gods for help. The poet not only reminds his audience that the Danes did not know the Christian God, but he also condemns the practice by saying that turning to false gods will offer no consolation.

"the Wielder they thanked..."   See in text   (IV)

In some translations, the men thank God , which is another indication of the dichotomy between paganism and Christianity in the story. This version acknowledges that the Geats would have praised one of their own Norse gods, named here as the Wielder , for safe passage.

"And as bid of the brave one the battle-gear guarded..."   See in text   (VII)

Despite the Geats’s appearing to be among friends, Wulfgar has them leave their shields and weapons behind. Likewise, Beowulf commands several Geats to stay behind with their gear just in case something goes wrong. Both of these actions represent an aspect of the warrior culture at the time; namely, that until loyalty is demonstrated and trust earned, both sides will keep their guards up.

"God can easily hinder the scather           From deeds so direful...."   See in text   (VIII)

The dichotomy between God’s will and the forces of Wyrd (or fate, or destiny) on the surface appear to be very similar. However, the important thing to notice here is that Christianity emphasizes the existence of only one God while paganism includes a pantheon of gods and accepts the existence of others. While paganism could feasible include the Christian god as an element, the Christian faith cannot acknowledge the existence of other gods. The narrator’s lack of consistency with framing story elements relays the tension and difficulty at the time England was undergoing Christianization.

"Weird hath offcast them to the clutches of Grendel...."   See in text   (VIII)

Recall that “Weird” (or Wyrd) refers to personal destiny, or fate. Here, Hrothgar personifies Weird by making it perform the action in the sentence. This personification implicitly draws on Norse mythology, in which Weird was often conceptualized as a goddess. The people that Grendel has killed died because of the forces of destiny, not because of individual choice. By personifying Weird, Hrothgar (and the poet) create a dichotomy between God and Weird, or Christian faith and Pagan destiny. While Weird sent the men to “the clutches of Grendel,” God has the power to stop Grendel from killing Hrothgar.

"For fear of a feud were forced to disown him...."   See in text   (VIII)

The theme of being cast out of one's society for having committed a crime or politically incorrect action is present from Homeric through Anglo-Saxon literature. Usually, distant relatives or family friends take in the fugitive, as Hrothgar takes in Ecgtheow. The weight of such an exile is conveyed through the three alliterative f words of the line.

"I tell thee in earnest..."   See in text   (X)

Beowulf has dropped his respectful yet patronizing tone and accuses Unferth of not only killing his brothers but also of cowardice—one of the more serious insults in this society. Because Unferth doesn't immediately challenge Beowulf to a fight, this lack of reaction serves as proof for Beowulf's claims.

"Weird often saveth..."   See in text   (X)

Despite the earlier reference to God by Beowulf (the poet), he now refers to Weird—or destiny—instead of God, as the power that determines the value of a warrior's life. In Beowulf's mind, the virtue of courage justifies redemption, not faith, another point in the poem in which Christianity and paganism clash.

"God's beautiful beacon..."   See in text   (X)

The poet uses another Christian image in this section, which again highlights the distinction between Christianity and paganism. Since Beowulf likely would have not used such words, the poet is potentially finding ways of connecting the Christian present to the pagan past.

"That God Almighty hath governed for ages..."   See in text   (XI)

The Geats express some of their doubts in this passage, knowing how many Danes have been slain by Grendel. For their struggle with Grendel to lead to glory and honor, it must be a battle between men and monster without a pre-determined outcome by divine intervention. The poet offers a comforting thought to his audience that probably wouldn't have occurred to the Geats but would have resonated with a Christian audience: God rules above all, and so good will triumph over evil.

"The glory apportion, God ever-holy,..."   See in text   (XI)

In another example of the Christian-Pagan tension, the poet has Beowulf appeal to God's will in the outcome of the fight. However, Beowulf would have likely appealed either to one of the Nordic gods of war—likely Odin, the All-Father—or to Fate instead, declaring that whatever happens will happen.

"'Mid earthmen 'twas 'stablished,..."   See in text   (XI)

This is an interesting comment because it indicates that Grendel, though no longer part of God's world, is ultimately governed by the will of God. More importantly, Grendel cannot destroy Beowulf unless God wills it. In such instances, fate proves to be an important theme in the poem.

"What woman soever in all of the nations           Gave birth to the child..."   See in text   (XV)

This may be the poet's way of linking Beowulf's mother, who gave birth to the savior of his people, to Mary, mother of Jesus, who gave birth to the savior of mankind. Whatever the reason for this statement, it does reflect the importance of women in Scandinavian and Anglo-Saxon societies.

"When feasting is finished...."   See in text   (XVI)

The poet uses a feast as a metaphor for life, which would resonate with the audience. Note also how the poet does not describe this "fated place" as heaven or hell. Not mentioning some kind of life after death is odd for a Christian poet, but this is possibly an example of the pagan view of death taking precedence over the Christian view.

"Prepared for the pile..."   See in text   (XVII)

Various pagan funeral rites included burning the deceased, whereas Christians believed the only proper funeral was burial. This image would have drawn a sharp distinction for the poet's audience between their new religion, Christianity, and the old pagan beliefs. The distinction emphasizes that such practices are in the historical past.

"When Hun of the Frisians the battle-sword Láfing,..."   See in text   (XVIII)

Hengest, whose slain leader has not been avenged, thinks of revenge but is trapped by the truce with Finn not to fight. The poet implies that when Hun gives the sword Láfing to Hengest, he is subtly reminding Hengest that he must renew the fight with Finn because of the pagan code of loyalty to king and kin. The sacred duty to avenge his lord conflicts with another sacred duty to abide by his oath. However, loyalty to king is a much stronger duty in this warrior society.

"Weird they knew not, destiny cruel,..."   See in text   (XIX)

The poet's choice of using Weird, or Fate, and cruel destiny in this passage foreshadows conflict that will shortly come to Hrothgar's hall. Essentially, this passage is saying that the people feasted and enjoyed themselves, unaware of the struggles and hardships that will come to them. Interestingly, this word choice omit's any reference to the Christian God, the poet preferring to use the pagan concept that controls the lives of humankind.

"Whether God all gracious would grant him a respite           After the woe he had suffered..."   See in text   (XX)

Grendel's mother's attack on Heorot essentially reverses Beowulf's defeat of Grendel. The Danes' sorrows are renewed, and they wonder if God will ever grant Heorot peace. Note how the poet uses the Christian God in the Danes’ pleas for salvation, but he often uses Fate or cruel destiny, as he did earlier, to foreshadow unpleasant occurrences—such as the death of Aeschere.

"seek if thou darest!..."   See in text   (XXI)

Even though Hrothgar doesn't directly command Beowulf to find and destroy Grendel's mother, his challenge is impossible for Beowulf to ignore. Beowulf's honor and reputation are at stake. Since he has inadvertently started this blood-feud, he must resolve it, and the only resolution is either the death of Beowulf or that of Grendel's mother.

""Grieve not, O wise one! for each it is better,           His friend to avenge than with vehemence wail him;..."   See in text   (XXII)

Beowulf reaffirms his own values and the values of the culture at the time. Vengeance of a friend or loved one is the appropriate response, not mourning. He is not only reminding Hrothgar of this, but he is also consoling Hrothgar and vowing to kill Grendel's mother. Beowulf's values underscore a major theme in the play: the importance of being honorable through glory and valor.

"And had God most holy not awarded the victory,..."   See in text   (XXIII)

In telling the story of Beowulf, the poet, or the Christian translators, gives credit to God for Beowulf's ability to be honorable. Beowulf's honor becomes a combination of divine gifts and his will to act. He becomes an example of how all warriors should behave and underscores the importance of honor and grace within the poem and his society.

"the hall-guest..."   See in text   (XXIII)

The cave in which Beowulf battles Grendel's mother is referred to as a "hall," suggesting that this underwater cave is meant to mirror Heorot Hall in the world above. The contrasting yet similar features between these two places further shows not only how Grendel and his mother possess some human characteristics but that their lair is a perversion of the natural world. This reinforces the divinity of Heorot and further informs the audience of Grendel and his mother’s evil war against god and humankind.

"So any must act whenever he thinketh           To gain him in battle glory unending,           And is reckless of living...."   See in text   (XXIII)

The poet makes a very important cultural statement to his audience: Brave deeds—gaining “battle glory”—are more valuable and long lasting than one's life. Beowulf , like many poems about life and its struggles, is meant both to entertain and to instruct. In this case, modern readers gain insight into the cultural instructions and beliefs at the time this story was written.

"the eddies were cleansèd..."   See in text   (XXIV)

Beowulf has cleansed the water, permanently calming the mere. Supernatural beings like Grendel and his mother no longer inhabit this horrific place. The poet uses this detail to illustrate how humans, and by extension God, have triumphed over the supernatural world.

"His life put aside and this short-lived existence...."   See in text   (XXIV)

This is one of the first times the poet mentions how life is a “short-lived” existence, a reference to the ephemeral, or transient, nature of the world. One of the less-discussed themes in the poem is that life and all of one's triumphs are only temporary. No matter how powerful one is, death and the end of one's power are the inevitable result.

"That it melted entirely..."   See in text   (XXIV)

Even though we shortly learn that Grendel's blood is so toxic that it melts the blade, this event is symbolic of the supernatural in the tale. The poet tells his audience that this blade, made by supernatural beings, has done its job and has no place in the human world. The added acknowledgment to the “truth-firm Creator,” while possibly an addition by Christian translators, is in keeping with this notion that the supernatural weapon has done its work in ridding the world of a supernatural enemy, and now “The Father unbindeth the bond” that keeps it together.

"Learn then from this,           Lay hold of virtue!..."   See in text   (XXV)

Having given his praises earlier, Hrothgar finishes his speech by contrasting Beowulf with King Heremod. Hrothgar's speech serves as a reminder to Beowulf and the others in attendance about the dangers of power and the need to respect established customs, such as gift giving, in order to effectively lead. This speech then supports the theme of the importance of one’s honor and reputation, particularly as they relate to societal expectations.

"he gave then no ring-gems..."   See in text   (XXV)

Heremod (Heremond) is here used as an example of a bad leader, who battles only for his own glory, neglects to distribute wealth to those who fight with him, and is therefore considered an outcast in his own clan. This description helps to contrast his poor character with how good and noble Beowulf and Hrothgar are and it also provides insight into cultural expectations for behavior at the time.

"The flood slew thereafter the race of the giants..."   See in text   (XXV)

The mention of a flood removing the giants from the world represents an example of an allusion. The poet alludes to the biblical story of the flood and Noah's Ark, in which God flooded the earth to purge it of sin and evil. Since this story would not have been known to those in Beowulf or Hrothgar’s time, this is another example of the poet’s reminding his audience of the power of God and the punishment of heathen creatures.

"Had God not defended me...."   See in text   (XXV)

After having shared all of the supernatural elements from Beowulf's battle with Grendel's mother, the poet now includes multiple references to God's assistance in this scene—an indication that he (or the Christian translators) feels the need to inject Christianity back into the narrative to reassure the audience that good has triumphed over evil.

"Beware of arrogance, world-famous champion!..."   See in text   (XXVI)

Hrothgar uses his praise for Beowulf to give him this warning about fame and pride. Through Hrothgar's speech, honor becomes more complicated: it has as much to do with humility as it does with valor and glory. He achieves this definition by reminding Beowulf that death takes everyone in the end, meaning personal pride and ambition are not as important as the legacy of honor that one leaves behind. Power and fame become a byproduct of a life lived honorably rather than the goal of one's actions.

"His end-day anear,..."   See in text   (XXVI)

Hrothgar continues his speech by reminding Beowulf of the fragility and fleeting nature of life and the need to focus one's efforts on relationships and not on possessions. Having mentioned the transient nature of life, the poet has started to steadily focus on the theme of mortality.

"So a kinsman should bear him..."   See in text   (XXXI)

By stating what a kinsman ought to do, this line implies that there is much betrayal and treachery in this society. In addition to providing entertainment, the poet is also trying to instruct his listeners in proper behavior by sharing a tale with themes that advocate for honorable behavior, one of the main goals of tales like Beowulf .

"briefly he spake then:           "Hold thou, O Earth, now heroes no more may,..."   See in text   (XXXII)

This section is meant to be a lament for lost lives and lost glory. The speaker is focused on images of dead kinsmen, and he makes the concept concrete by pointing out that there is no one left to polish the weapons and armor: "battle and death" have reduced his clan so that he is the last living representative. This is a sad end for a warrior society.

"the hand was too mighty 80      Which every weapon, as I heard on inquiry,..."   See in text   (XXXVI)

The poet implies that Beowulf's strength is too much for the sword. There are two possible interpretations for this. One inference is that the poet wants to further enhance the audience's opinion of Beowulf and his legendary strength. The other is that the sword failing Beowulf is a part of his destiny and therefore beyond his control.

""I remember the time when, tasting the mead-cup,..."   See in text   (XXXVI)

Wiglaf, the youngest among Beowulf's men, reminds the more experienced warriors of their duty to defend Beowulf before joining the battle himself. The “tasting [of] the mead-cup” is a symbol of solidarity and an important oath of loyalty among the Geats.

"The battle-famed bid ye to build them a grave-hill..."   See in text   (XXXVIII)

Beowulf requests to have his body burned and placed within a “grave-hill,” or a burial mound. This poet's choice to state this request for a pagan burial is interesting, because in Christian societies, burning the dead was forbidden and burial with Christian rites was the only appropriate funeral. This serves as evidence for the Christian translators’ having infused Christian elements into the story because such aspects are not entirely consistent with the characters’ behavior.

"They placed in the barrow rings and jewels,           All such ornaments as erst in the treasure           War-mooded men had won in possession:..."   See in text   (XLIII)

Beowulf embarks on this dangerous journey to gain treasure for his people and vanquish the dragon that threatens them. This marks the pinnacle of Beowulf's story as this is the highest form of earthly valor that he can enact. The cursed treasure that is buried with him is symbolic of the vanity inherent in human desires. The dragon spends his life guarding treasure which has no use to him and Beowulf dies trying to obtain a treasure that has no use to his people. Much like fame, pride, and earthly glory which end in death, the desire for the treasure is a dead end. However, Beowulf's final act is not in vain. Because he used his quest for glory as a way to exemplify the valor of a warrior, his quest and death become symbols of honor for the Danes. Thus, Beowulf's people remember him as a virtuous and noble leader who fulfilled his duty to them.

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Heroism and Leadership

The world of Beowulf might seem at first to be a place of pure brawn. Beowulf can swim the ocean for weeks at a time, dive down into the mere for a full day without taking a breath, and wrestle monsters to death with his bare hands. However, these tales of superhuman power rest on a fragile structure. While the poem lauds heroism, its deeper concern is with the leadership that can spring from overvaluing it—and the risks and doubts of that leadership.

Hrothgar makes this point well in his speech of guidance to Beowulf: 

Sometimes [God] allows the mind of a man
of distinguished birth to follow its bent,
grants him fulfilment and felicity on earth
and forts to command in his own country […] 
until the man in his unthinkingness
forgets that it will ever end for him.
[…]The whole world
conforms to his will, he is kept from the worst
until an element of overweening
enters him and takes hold (119). 

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Beowulf

What is Beowulf ?

poem. A poet in a Heian period kimono writes Japanese poetry during the Kamo Kyokusui No En Ancient Festival at Jonan-gu shrine on April 29, 2013 in Kyoto, Japan. Festival of Kyokusui-no Utage orignated in 1,182, party Heian era (794-1192).

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Beowulf is a heroic poem, considered the highest achievement of Old English literature and the earliest European vernacular epic. It deals with events of the early 6th century CE and is believed to have been composed between 700 and 750. Although originally untitled, it was later named after the Scandinavian hero Beowulf, whose exploits and character provide its connecting theme.

Where does Beowulf take place?

Beowulf takes place in early 6th-century Scandinavia , primarily in what is known today as Denmark and Sweden .

Who was Beowulf written by?

The author of Beowulf is unknown. It is possible that the poem was composed by and transmitted between several different poets before it was preserved in a single manuscript that dates to about 1000.

What does Beowulf present to Hrothgar?

Upon his return to Heorot, Beowulf presents to King Hrothgar Grendel ’s decapitated head and the jeweled hilt of the sword he used to kill Grendel’s mother.

Was Beowulf real?

There is no evidence of a historical Beowulf, but other characters, sites, and events in the poem can be historically verified. For example, the poem’s Danish King Hrothgar and his nephew Hrothulf are generally believed to have been based on historical figures.

themes of beowulf essay

Beowulf , heroic poem, the highest achievement of Old English literature and the earliest European vernacular epic . The work deals with events of the early 6th century, and, while the date of its composition is uncertain, some scholars believe that it was written in the 8th century. Although originally untitled, the poem was later named after the Scandinavian hero Beowulf, whose exploits and character provide its connecting theme. There is no evidence of a historical Beowulf, but some characters, sites, and events in the poem can be historically verified. The poem did not appear in print until 1815. It is preserved in a single manuscript that dates to circa 1000 and is known as the Beowulf manuscript (Cotton MS Vitellius A XV) .

Beowulf falls into two parts. It opens in Denmark, where King Hrothgar has a splendid mead hall known as Heorot, a place of celebration and much merriment. However, the joyous noise angers Grendel , an evil monster living in a nearby swamp. For 12 years the creature terrorizes Heorot with nightly visits in which he carries off Hrothgar’s warriors and devours them.

After learning of the Danes’ trouble, young Beowulf, a prince of the Geats in what is now southern Sweden, arrives with a small band of retainers and offers to rid Heorot of its monster. Hrothgar is astonished at the little-known hero’s daring but welcomes him. After an evening of feasting, much courtesy, and some discourtesy—at one point, one of Hrothgar’s men insults Beowulf—the king retires, leaving Beowulf in charge. During the night, Grendel comes from the moors , rips open the heavy doors, and devours one of the sleeping Geats. He then grapples with Beowulf, who refuses to use a weapon. Beowulf grips one of Grendel’s hands with such force that the monster finally wrenches himself free only when his arm is torn off at the shoulder. Mortally wounded, Grendel returns to his swamp and dies. Beowulf then displays the monster’s arm in Heorot for all to see.

The next day is one of rejoicing in Heorot, and a feast is thrown in Beowulf’s honour. However, as the warriors sleep that night, Grendel’s mother, another swamp monster, comes to avenge her son’s death, and she kills one of Hrothgar’s men. In the morning Beowulf dives into her mere (lake) to search for her, and she attacks him. They struggle in her dry cave at the mere’s bottom, and Beowulf finally kills her with a sword. In the cave, Beowulf discovers Grendel’s corpse, whose head he cuts off and takes back to Heorot. The Danes rejoice once more. Hrothgar makes a farewell speech about the character of the true hero, and Beowulf, enriched with honours and princely gifts, returns home to King Hygelac of the Geats.

4:043 Dickinson, Emily: A Life of Letters, This is my letter to the world/That never wrote to me; I'll tell you how the Sun Rose/A Ribbon at a time; Hope is the thing with feathers/That perches in the soul

The second part passes rapidly over Hygelac’s subsequent death in a battle (of historical record), the death of his son, and Beowulf’s succession to the kingship and his peaceful rule of 50 years. However, the tranquility ends when a fire-breathing dragon becomes enraged after a man steals from its treasure-filled lair. The creature begins ravaging Geatland, and the brave but aging Beowulf decides to engage it, despite knowing that he will likely die. The fight is long and terrible—a painful contrast to the battles of his youth. Painful too is the desertion of all his retainers except for his young kinsman Wiglaf, who comes to his aid. They ultimately kill the venomous dragon, but Beowulf is mortally wounded from a bite in the neck. Before he dies, he names Wiglaf his successor. Beowulf is cremated on a funeral pyre, and his remains are buried in a barrow built by the sea. As his people mourn his death, they also express the fear that, without Beowulf, Geatland will be invaded by nearby tribes.

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  • Beowulf: Summary
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Beowulf: Theme Analysis

  • Beowulf: Top Ten Quotes

Heroism

The main theme of Beowulf is heroism. This involves far more than physical courage. It also means that the warrior must fulfil his obligations to the group of which he is a key member. There is a clear-cut network of social duties depicted in the poem. The king has an obligation to behave with generosity. He must reward his thanes with valuable gifts for their defense of the tribe and their success in battle. This is why King Hrothgar is known as the "ring-giver." He behaves according to expectations of the duties of a lord when he lavishly rewards Beowulf and the other Geat warriors for ridding the Danes of Grendel's menace.

But the thanes have their obligations too. (A thane is a warrior who has been rewarded by his king with a gift of land.) They must show undivided loyalty to their lord. Only in this way can the society survive, because the world depicted in Beowulf is a ruthless and dangerous one. The warriors must be prepared for battle at all times. Only in the mead-hall is there any respite from the dangers of the world outside. As Seamus Heaney writes in his introduction to the poem: "Here [in the mead-hall] is heat and light, rank and ceremony, human solidarity and culture" (p. xv). This is why the coming of Grendel is so traumatic for the Danes. They are being attacked in their own sanctuary.

Beowulf is the greatest of the heroes depicted in the poem not only because he has the greatest prowess in battle. He also perfectly fulfills his social obligations. He has the virtues of a civilized man, as well as the strength of the warrior. He looks after his people and is always gracious and kind. The following lines are typical of the way in which Beowulf is depicted:

Beowulf does not fail his people, even at the last, when as an old man he goes forward without hesitation to battle the dragon. He does what he knows he must do. In this sense he is like Hamlet in the last act of Shakespeare's play, who is finally ready to avenge the death of his father. Like Hamlet, Beowulf is determined to play out his role as it is appointed for him, whatever the cost to himself. He faces up to his destiny, his fate, without flinching. By doing so he makes himself an exemplar for not only the Geats in a long-gone heroic society, but for the modern reader too.

Blood-Feuds

Although Beowulf is in some respects a Christian poem, its social code emphasizes justice rather than mercy. The code of the warrior society is a simple but harsh one. It is blood for blood. If there is killing, the clan that has suffered must exact revenge. Since feuds between different clans break out regularly, the effect is to create a never-ending process of retaliation. It is this, just as much as the presence of the monsters, that gives the poem its dark atmosphere. The awareness that a feud is about to reopen supplies much of the foreboding that is apparent at the end of the poem, for example. With Beowulf their protector gone, the Geats fear that old feuds with the Swedes will be resumed, and they will be the worse for it.

Various blood-feuds in the past are alluded to many times in the poem. The most vivid description is contained in the long section (lines 1070-1157) in which the minstrel sings of the saga of Finn and his sons, which is about a feud between the Frisians and the Danes.

There was one other way of settling disputes in these societies, and that was through the payment of compensation in gold. This was literally the "death-price," an agreed upon price that the dead man was considered to be worth. This practice is alluded to in the lines about Grendel, who would not stop his killing,

Another example is when Hrothgar pays compensation in gold to the Geats for the loss of the Geat warrior to Grendel.

Christianity and Fate

There are many references in the poem to the Christian belief in one almighty God who takes a personal interest in human affairs. Beowulf and Hrothgar give praise to God for the defeat of Grendel. The outcome of battles is attributed to the judgment of God, and Beowulf puts his trust in God.

The scriptural references, however, are restricted to the Old Testament rather than the New. The story of Cain and Abel is mentioned, for example, in explaining the origins of Grendel. And the sword hilt of Grendel's mother is engraved with a depiction of the Flood described in the book of Genesis. But Beowulf makes no mention at all of Christ, or an afterlife in heaven for the believer. The burial rites described, in which warriors are buried with their treasure, does not suggest belief in a Christian heaven.

Scholars debate the question of how fundamental Christianity is to the poem. It does not strike anyone as a thoroughly Christian work.

The atmosphere of much of Beowulf is dark and pagan. There are many references to an impersonal fate that controls the destinies of men. "Fate goes ever as fate must," (line 455) says Beowulf, only a few lines after he has referred to the judgment of God. Not long after this, when Beowulf tells of his battles with sea-monsters, he says, "fate spares the man it has not already marked." He does not say God spares the man. And the poet's words, "fate, / the grim shape of things to come" (lines 1233-34) does not suggest Christian hope and joy.

The two perspectives, pagan and Christian, therefore co-exist in the poem.

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The Poem “Beowulf”: Character Analysis Essay (Critical Writing)

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Beowulf presents one of the most important pieces of English literature from the Anglo-Saxon period because of its epic nature and historic value. The poem depicts the heroic deeds of the warrior Beowulf and captures the Anglo-Saxon culture of the medieval period. The poem is divided into three parts for each of Beowulf’s heroic battles with Grendel, Grendel’s mother, and the dragon. In each part of the poem, Beowulf demonstrates different heroic traits, ultimately creating his image of an epic hero.

Firstly, Beowulf’s story in the poem starts when he offers to help King Hrothgar defeat the monster known as Grendel. The character proves the seriousness of his intentions by boasting about his previous victories in battle with nine sea monsters, demonstrating his courage. In the poem, Grendel is depicted as a monster that appears “bigger than any man” and stronger than the main character (Heaney, 2008, p.93). During his fight with Grendel, Beowulf demonstrates bravery by fighting the monster bare-handed to gain great fame and honor.

Next, in the part of the poem which depicts Beowulf’s battle with Grendel’s mother, the character demonstrates his commitment to duty and King Hrothgar by killing Grendel’s mother. Furthermore, Beowulf demonstrates his intelligence when he discovers that his sword cannot hurt Grendel’s mother and finds a magic sword inside her cave. Thus, in addition to bravery and courage often associated with epic heroes, Beowulf possesses such heroic qualities as loyalty and intelligence.

Lastly, Beowulf enters the fight with the last monster as the king of Geats. During his last battle, Beowulf demonstrates care for his soldiers, contrary to his actions in the first parts of the poem. He also shows the will to self-sacrifice, which resonates with one of his loyal soldiers. Together, they kill the dragon, and Beowulf dies not only as a famous hero but also as a responsible leader and ruler.

In conclusion, this essay explored heroic traits in the character of Beowulf. The essay defines how each chapter of the poem captures different heroic traits exhibited by Beowulf, such as bravery and courage, loyalty and intelligence, wisdom and self-sacrificing. Thus, the paper explains how the combination of different heroic traits creates the image of Beowulf as an epic hero and captures the character’s progression from a brave warrior to a wise and responsible ruler.

Heaney, S. (2008). Beowulf: An illustrated edition. W.W. Norton & Company.

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The Theme of Fame in Beowulf

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The desire for fame and its influence on beowulf, the implications of fame on the characters in beowulf.

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  1. Major Themes in Beowulf

    A theme in a literary work is a recurring, unifying subject or idea, a motif that allows us to understand more deeply the character and their world. In Beowulf, the major themes reflect the values and the motivations of the characters. One of the central themes of Beowulf, embodied by its title character, is loyalty. At every step of his career ...

  2. Themes in Beowulf with Examples and Analysis

    Theme #5. Revenge. Revenge can also be considered as one of the major themes of the epic of Beowulf. Beowulf, though, comes to help the King Hrothgar, he, in fact, wants to take revenge for the death of the Danes killed by Grendel. Grendel's killing spree is also to take revenge because the Danes singing disturbs his peace.

  3. Beowulf Themes

    The warriors of Beowulf seek fame through feats of strength, bravery in the face of danger, an utter disdain for death, as well as by boasting about their feats of strength, bravery, and disdain for death. The quest for fame is of the utmost importance to a warrior trying to establish himself in the world. Yet the quest for fame can lead to ...

  4. Beowulf Themes (Richard Wilbur)

    Discussion of themes and motifs in Richard Wilbur's Beowulf. eNotes critical analyses help you gain a deeper understanding of Beowulf so you can excel on your essay or test.

  5. Beowulf Themes

    Discussion of themes and motifs in Anonymous, Unknown's Beowulf. eNotes critical analyses help you gain a deeper understanding of Beowulf so you can excel on your essay or test.

  6. Themes in Beowulf

    Themes. in. Beowulf. Honor: Honor and reputation were considered important personal traits to the Germanic and Scandinavian cultures featured in Beowulf. For Beowulf, there is nothing more important than the creation of a legacy. He travels from Geatland to Denmark to kill Grendel out of a desire for personal glory and to defend the allied Danes.

  7. Beowulf Themes

    Heroism and Leadership. The world of Beowulf might seem at first to be a place of pure brawn. Beowulf can swim the ocean for weeks at a time, dive down into the mere for a full day without taking a breath, and wrestle monsters to death with his bare hands. However, these tales of superhuman power rest on a fragile structure.

  8. The major themes of Beowulf

    The main themes of Beowulf are fortitude/wisdom, glory/treasure, fate/providence, loyalty/vengeance, and good over evil/good verses evil. These themes stated, the most universal is good verses ...

  9. Beowulf

    Beowulf, heroic poem, the highest achievement of Old English literature and the earliest European vernacular epic.The work deals with events of the early 6th century, and, while the date of its composition is uncertain, some scholars believe that it was written in the 8th century. Although originally untitled, the poem was later named after the Scandinavian hero Beowulf, whose exploits and ...

  10. Beowulf: Theme Analysis

    Beowulf is the greatest of the heroes depicted in the poem not only because he has the greatest prowess in battle. He also perfectly fulfills his social obligations. He has the virtues of a civilized man, as well as the strength of the warrior. He looks after his people and is always gracious and kind. The following lines are typical of the way ...

  11. Universal Themes in Beowulf

    The epic "Beowulf" has many themes. A theme is an overarching idea or belief a story conveys. The universal themes that are present in the epic contribute to the main theme of identity in some way ...

  12. The Poem "Beowulf": Character Analysis Essay (Critical Writing)

    The essay defines how each chapter of the poem captures different heroic traits exhibited by Beowulf, such as bravery and courage, loyalty and intelligence, wisdom and self-sacrificing. Thus, the paper explains how the combination of different heroic traits creates the image of Beowulf as an epic hero and captures the character's progression ...

  13. Beowulf An Epic Poem Analysis: [Essay Example], 945 words

    Published: Mar 5, 2024. The epic poem Beowulf has captivated readers and scholars alike for centuries with its timeless themes of heroism, loyalty, and the battle between good and evil. Written in Old English, this ancient tale of a Scandinavian warrior's heroic feats has inspired countless adaptations and retellings, solidifying its place as a ...

  14. Theme of Archetypes in Beowulf: [Essay Example], 674 words

    The theme of archetypes in Beowulf is pervasive and adds depth and complexity to the narrative. The heroic archetype embodied by Beowulf and other characters serves as a model of nobility and righteousness. The monster archetype, represented by Grendel, Grendel's mother, and the dragon, symbolizes the forces of chaos and evil.

  15. Beowulf Universal Theme: [Essay Example], 803 words

    One of the most important works of Old English literature, tells the story of a heroic warrior who faces incredible challenges and ultimately triumphs over evil.As with many timeless works, Beowulf explores universal themes that continue to resonate with readers across generations. One such theme is the concept of heroism and the idea that true courage comes from within.

  16. Beowulf Sample Essay Outlines

    A. She attacks the sleeping Danes in Herot in revenge for the murder of her son. B. The monster kills Esher, carrying off his body and her son's body parts. C. Hrothgar's soldiers track her ...

  17. The Theme of Fame in Beowulf: [Essay Example], 845 words

    This essay aims to explore the theme of fame in Beowulf, examining its role in shaping the characters' decisions and actions, as well as its broader implications on the society depicted in the poem. By analyzing various aspects of fame within the text, we can gain a deeper understanding of its importance to Beowulf and the world he inhabits.

  18. Beowulf Critical Essays

    Critical Evaluation. Beowulf is the earliest extant heroic poem in any modern European language. The poem has come down through the centuries in a single manuscript, which was damaged and almost ...