examples of a memoir essay

How to Write a Memoir: Examples and a Step-by-Step Guide

Zining Mok  |  January 29, 2024  |  32 Comments

If you’ve thought about putting your life to the page, you may have wondered how to write a memoir. We start the road to writing a memoir when we realize that a story in our lives demands to be told. As Maya Angelou once wrote, “There is no greater agony than bearing an untold story inside you.”

How to write a memoir? At first glance, it looks easy enough—easier, in any case, than writing fiction. After all, there is no need to make up a story or characters, and the protagonist is none other than you.

Still, memoir writing carries its own unique challenges, as well as unique possibilities that only come from telling your own true story. Let’s dive into how to write a memoir by looking closely at the craft of memoir writing, starting with a key question: exactly what is a memoir?

How to Write a Memoir: Contents

What is a Memoir?

• Memoir vs Autobiography

Memoir Examples

Short memoir examples.

• How to Write a Memoir: A Step-by-Step Guide

A memoir is a branch of creative nonfiction , a genre defined by the writer Lee Gutkind as “true stories, well told.” The etymology of the word “memoir,” which comes to us from the French, tells us of the human urge to put experience to paper, to remember. Indeed, a memoir is “ something written to be kept in mind .”

A memoir is defined by Lee Gutkind as “true stories, well told.”

For a piece of writing to be called a memoir, it has to be:

• Nonfictional
• Based on the raw material of your life and your memories
• Written from your personal perspective

At this point, memoirs are beginning to sound an awful lot like autobiographies. However, a quick comparison of Elizabeth Gilbert’s Eat, Pray, Love , and The Autobiography of Benjamin Franklin , for example, tells us that memoirs and autobiographies could not be more distinct.

Next, let’s look at the characteristics of a memoir and what sets memoirs and autobiographies apart. Discussing memoir vs. autobiography will not only reveal crucial insights into the process of writing a memoir, but also help us to refine our answer to the question, “What is a memoir?”

Memoir vs. Autobiography

While both use personal life as writing material, there are five key differences between memoir and autobiography:

1. Structure

Since autobiographies tell the comprehensive story of one’s life, they are more or less chronological. writing a memoir, however, involves carefully curating a list of personal experiences to serve a larger idea or story, such as grief, coming-of-age, and self-discovery. As such, memoirs do not have to unfold in chronological order.

While autobiographies attempt to provide a comprehensive account, memoirs focus only on specific periods in the writer’s life. The difference between autobiographies and memoirs can be likened to that between a CV and a one-page resume, which includes only select experiences.

The difference between autobiographies and memoirs can be likened to that between a CV and a one-page resume, which includes only select experiences.

Autobiographies prioritize events; memoirs prioritize the writer’s personal experience of those events. Experience includes not just the event you might have undergone, but also your feelings, thoughts, and reflections. Memoir’s insistence on experience allows the writer to go beyond the expectations of formal writing. This means that memoirists can also use fiction-writing techniques , such as scene-setting and dialogue , to capture their stories with flair.

4. Philosophy

Another key difference between the two genres stems from the autobiography’s emphasis on facts and the memoir’s reliance on memory. Due to memory’s unreliability, memoirs ask the reader to focus less on facts and more on emotional truth. In addition, memoir writers often work the fallibility of memory into the narrative itself by directly questioning the accuracy of their own memories.

Memoirs ask the reader to focus less on facts and more on emotional truth.

5. Audience

While readers pick up autobiographies to learn about prominent individuals, they read memoirs to experience a story built around specific themes . Memoirs, as such, tend to be more relatable, personal, and intimate. Really, what this means is that memoirs can be written by anybody!

Ready to be inspired yet? Let’s now turn to some memoir examples that have received widespread recognition and captured our imaginations!

If you’re looking to lose yourself in a book, the following memoir examples are great places to begin:

• The Year of Magical Thinking , which chronicles Joan Didion’s year of mourning her husband’s death, is certainly one of the most powerful books on grief. Written in two short months, Didion’s prose is urgent yet lucid, compelling from the first page to the last. A few years later, the writer would publish Blue Nights , another devastating account of grief, only this time she would be mourning her daughter.
• Patti Smith’s Just Kids is a classic coming-of-age memoir that follows the author’s move to New York and her romance and friendship with the artist Robert Maplethorpe. In its pages, Smith captures the energy of downtown New York in the late sixties and seventies effortlessly.
• When Breath Becomes Air begins when Paul Kalanithi, a young neurosurgeon, is diagnosed with terminal cancer. Exquisite and poignant, this memoir grapples with some of the most difficult human experiences, including fatherhood, mortality, and the search for meaning.
• A memoir of relationship abuse, Carmen Maria Machado’s In the Dream House is candid and innovative in form. Machado writes about thorny and turbulent subjects with clarity, even wit. While intensely personal, In the Dream House is also one of most insightful pieces of cultural criticism.
• Twenty-five years after leaving for Canada, Michael Ondaatje returns to his native Sri Lanka to sort out his family’s past. The result is Running in the Family , the writer’s dazzling attempt to reconstruct fragments of experiences and family legends into a portrait of his parents’ and grandparents’ lives. (Importantly, Running in the Family was sold to readers as a fictional memoir; its explicit acknowledgement of fictionalization prevented it from encountering the kind of backlash that James Frey would receive for fabricating key facts in A Million Little Pieces , which he had sold as a memoir . )
• Of the many memoirs published in recent years, Tara Westover’s Educated is perhaps one of the most internationally-recognized. A story about the struggle for self-determination, Educated recounts the writer’s childhood in a survivalist family and her subsequent attempts to make a life for herself. All in all, powerful, thought-provoking, and near impossible to put down.

While book-length memoirs are engaging reads, the prospect of writing a whole book can be intimidating. Fortunately, there are plenty of short, essay-length memoir examples that are just as compelling.

While memoirists often write book-length works, you might also consider writing a memoir that’s essay-length. Here are some short memoir examples that tell complete, lived stories, in far fewer words:

• “ The Book of My Life ” offers a portrait of a professor that the writer, Aleksandar Hemon, once had as a child in communist Sarajevo. This memoir was collected into Hemon’s The Book of My Lives , a collection of essays about the writer’s personal history in wartime Yugoslavia and subsequent move to the US.
• “The first time I cheated on my husband, my mother had been dead for exactly one week.” So begins Cheryl Strayed’s “ The Love of My Life ,” an essay that the writer eventually expanded into the best-selling memoir, Wild: From Lost to Found on the Pacific Crest Trail .
• In “ What We Hunger For ,” Roxane Gay weaves personal experience and a discussion of The Hunger Games into a powerful meditation on strength, trauma, and hope. “What We Hunger For” can also be found in Gay’s essay collection, Bad Feminist .
• A humorous memoir structured around David Sedaris and his family’s memories of pets, “ The Youth in Asia ” is ultimately a story about grief, mortality and loss. This essay is excerpted from the memoir Me Talk Pretty One Day , and a recorded version can be found here .

So far, we’ve 1) answered the question “What is a memoir?” 2) discussed differences between memoirs vs. autobiographies, 3) taken a closer look at book- and essay-length memoir examples. Next, we’ll turn the question of how to write a memoir.

How to Write a Memoir: A-Step-by-Step Guide

1. how to write a memoir: generate memoir ideas.

how to start a memoir? As with anything, starting is the hardest. If you’ve yet to decide what to write about, check out the “ I Remember ” writing prompt. Inspired by Joe Brainard’s memoir I Remember , this prompt is a great way to generate a list of memories. From there, choose one memory that feels the most emotionally charged and begin writing your memoir. It’s that simple! If you’re in need of more prompts, our Facebook group is also a great resource.

2. How to Write a Memoir: Begin drafting

My most effective advice is to resist the urge to start from “the beginning.” Instead, begin with the event that you can’t stop thinking about, or with the detail that, for some reason, just sticks. The key to drafting is gaining momentum . Beginning with an emotionally charged event or detail gives us the drive we need to start writing.

3. How to Write a Memoir: Aim for a “ shitty first draft ”

Now that you have momentum, maintain it. Attempting to perfect your language as you draft makes it difficult to maintain our impulses to write. It can also create self-doubt and writers’ block. Remember that most, if not all, writers, no matter how famous, write shitty first drafts.

Attempting to perfect your language as you draft makes it difficult to maintain our impulses to write.

4. How to Write a Memoir: Set your draft aside

Once you have a first draft, set it aside and fight the urge to read it for at least a week. Stephen King recommends sticking first drafts in your drawer for at least six weeks. This period allows writers to develop the critical distance we need to revise and edit the draft that we’ve worked so hard to write.

5. How to Write a Memoir: Reread your draft

While reading your draft, note what works and what doesn’t, then make a revision plan. While rereading, ask yourself:

• What’s underdeveloped, and what’s superfluous.
• Does the structure work?
• What story are you telling?

6. How to Write a Memoir: Revise your memoir and repeat steps 4 & 5 until satisfied

Every piece of good writing is the product of a series of rigorous revisions. Depending on what kind of writer you are and how you define a draft,” you may need three, seven, or perhaps even ten drafts. There’s no “magic number” of drafts to aim for, so trust your intuition. Many writers say that a story is never, truly done; there only comes a point when they’re finished with it. If you find yourself stuck in the revision process, get a fresh pair of eyes to look at your writing.

7. How to Write a Memoir: Edit, edit, edit!

Once you’re satisfied with the story, begin to edit the finer things (e.g. language, metaphor , and details). Clean up your word choice and omit needless words , and check to make sure you haven’t made any of these common writing mistakes . Be sure to also know the difference between revising and editing —you’ll be doing both. Then, once your memoir is ready, send it out !

Learn How to Write a Memoir at Writers.com

Writing a memoir for the first time can be intimidating. But, keep in mind that anyone can learn how to write a memoir. Trust the value of your own experiences: it’s not about the stories you tell, but how you tell them. Most importantly, don’t give up!

Anyone can learn how to write a memoir.

If you’re looking for additional feedback, as well as additional instruction on how to write a memoir, check out our schedule of nonfiction classes . Now, get started writing your memoir!

32 Comments

Thank you for this website. It’s very engaging. I have been writing a memoir for over three years, somewhat haphazardly, based on the first half of my life and its encounters with ignorance (religious restrictions, alcohol, and inability to reach out for help). Three cities were involved: Boston as a youngster growing up and going to college, then Washington DC and Chicago North Shore as a married woman with four children. I am satisfied with some chapters and not with others. Editing exposes repetition and hopefully discards boring excess. Reaching for something better is always worth the struggle. I am 90, continue to be a recital pianist, a portrait painter, and a writer. Hubby has been dead for nine years. Together we lept a few of life’s chasms and I still miss him. But so far, my occupations keep my brain working fairly well, especially since I don’t smoke or drink (for the past 50 years).

Hi Mary Ellen,

It sounds like a fantastic life for a memoir! Thank you for sharing, and best of luck finishing your book. Let us know when it’s published!

Best, The writers.com Team

Hello Mary Ellen,

I am contacting you because your last name (Lavelle) is my middle name!

Being interested in genealogy I have learned that this was my great grandfathers wife’s name (Mary Lavelle), and that her family emigrated here about 1850 from County Mayo, Ireland. That is also where my fathers family came from.

Is your family background similar?

Hope to hear back from you.

Richard Lavelle Bourke

Hi Mary Ellen: Have you finished your memoir yet? I just came across your post and am seriously impressed that you are still writing. I discovered it again at age 77 and don’t know what I would do with myself if I couldn’t write. All the best to you!! Sharon [email protected]

I am up to my eyeballs with a research project and report for a non-profit. And some paid research for an international organization. But as today is my 90th birthday, it is time to retire and write a memoir.

So I would like to join a list to keep track of future courses related to memoir / creative non-fiction writing.

Hi Frederick,

Happy birthday! And happy retirement as well. I’ve added your name and email to our reminder list for memoir courses–when we post one on our calendar, we’ll send you an email.

We’ll be posting more memoir courses in the near future, likely for the months of January and February 2022. We hope to see you in one!

Very interesting and informative, I am writing memoirs from my long often adventurous and well travelled life, have had one very short story published. Your advice on several topics will be extremely helpful. I write under my schoolboy nickname Barnaby Rudge.

[…] How to Write a Memoir: Examples and a Step-by-Step Guide […]

I am writing my memoir from my memory when I was 5 years old and now having left my birthplace I left after graduation as a doctor I moved to UK where I have been living. In between I have spent 1 year in Canada during my training year as paediatrician. I also spent nearly 2 years with British Army in the hospital as paediatrician in Germany. I moved back to UK to work as specialist paediatrician in a very busy general hospital outside London for the next 22 years. Then I retired from NHS in 2012. I worked another 5 years in Canada until 2018. I am fully retired now

I have the whole convoluted story of my loss and horrid aftermath in my head (and heart) but have no clue WHERE, in my story to begin. In the middle of the tragedy? What led up to it? Where my life is now, post-loss, and then write back and forth? Any suggestions?

My friend Laura who referred me to this site said “Start”! I say to you “Start”!

Hi Dee, that has been a challenge for me.i dont know where to start?

What was the most painful? Embarrassing? Delicious? Unexpected? Who helped you? Who hurt you? Pick one story and let that lead you to others.

I really enjoyed this writing about memoir. I ve just finished my own about my journey out of my city then out of my country to Egypt to study, Never Say Can’t, God Can Do It. Infact memoir writing helps to live the life you are writing about again and to appreciate good people you came across during the journey. Many thanks for sharing what memoir is about.

I went to Egypt earlier this year. I aspire for my second book to document and tell the story of my travels of Africa, following the first – a memoir that led me to this post.

I am a survivor of gun violence, having witnessed my adult son being shot 13 times by police in 2014. I have struggled with writing my memoir because I have a grandson who was 18-months old at the time of the tragedy and was also present, as was his biological mother and other family members. We all struggle with PTSD because of this atrocity. My grandson’s biological mother was instrumental in what happened and I am struggling to write the story in such a way as to not cast blame – thus my dilemma in writing the memoir. My grandson was later adopted by a local family in an open adoption and is still a big part of my life. I have considered just writing it and waiting until my grandson is old enough to understand all the family dynamics that were involved. Any advice on how I might handle this challenge in writing would be much appreciated.

I decided to use a ghost writer, and I’m only part way in the process and it’s worth every penny!

Hi. I am 44 years old and have had a roller coaster life .. right as a young kid seeing his father struggle to financial hassles, facing legal battles at a young age and then health issues leading to a recent kidney transplant. I have been working on writing a memoir sharing my life story and titled it “A memoir of growth and gratitude” Is it a good idea to write a memoir and share my story with the world?

Thank you… this was very helpful. I’m writing about the troubling issues of my mental health, and how my life was seriously impacted by that. I am 68 years old.

[…] Writers.com: How to Write a Memoir […]

[…] Writers.com: “How to Write a Memoir” […]

I am so grateful that I found this site! I am inspired and encouraged to start my memoir because of the site’s content and the brave people that have posted in the comments.

Finding this site is going into my gratitude journey 🙂

We’re grateful you found us too, Nichol! 🙂

Firstly, I would like to thank you for all the info pertaining to memoirs. I believe am on the right track, am at the editing stage and really have to use an extra pair of eyes. I’m more motivated now to push it out and complete it. Thanks for the tips it was very helpful, I have a little more confidence it seeing the completion.

Well, I’m super excited to begin my memoir. It’s hard trying to rely on memories alone, but I’m going to give it a shot!

Thanks to everyone who posted comments, all of which have inspired me to get on it.

Best of luck to everyone! Jody V.

I was thrilled to find this material on How to Write A Memoir. When I briefly told someone about some of my past experiences and how I came to the United States in the company of my younger brother in a program with a curious name, I was encouraged by that person and others to write my life history.

Based on the name of that curious program through which our parents sent us to the United States so we could leave the place of our birth, and be away from potentially difficult situations in our country.

As I began to write my history I took as much time as possible to describe all the different steps that were taken. At this time – I have been working on this project for 5 years and am still moving ahead. The information I received through your material has further encouraged me to move along. I am very pleased to have found this important material. Thank you!

Wow! This is such an informative post packed with tangible guidance. I poured my heart into a book. I’ve been a professional creative for years to include as a writer, mainly in the ad game and content. No editor. I wasn’t trying to make it as an author. Looking back, I think it’s all the stuff I needed to say. Therapy. Which does not, in and of itself, make for a coherent book. The level of writing garnering praise, but the book itself was a hot mess. So, this is helpful. I really put myself out there, which I’ve done in many areas, but the crickets response really got to me this time. I bought “Educated” as you recommended. Do you have any blog posts on memoirs that have something to say to the world, finding that “something” to say? It feels like that’s theme, but perhaps something more granular. Thanks for this fantastic post. If I had the moola, I would sign up for a class. Your time is and effort is appreciated. Typos likely on comments! LOL

thanks. God bless

I am a member of the “Reprobates”, a group of seven retired Royal Air Force pilots and navigators which has stayed in intermittent touch since we first met in Germany in 1969. Four of the group (all of whom are in their late seventies or early eighties) play golf together quite frequently, and we all gather for reunions once or twice a year. About a year ago, one of the Reprobates suggested posterity might be glad to hear the stories told at these gatherings, and there have since been two professionally conducted recording sessions, one in London, and one in Tarifa, Spain. The instigator of these recordings forwarded your website to his fellow Reprobates by way of encouragement to put pen to paper. And, I, for one, have found it inspiring. It’s high time I made a start on my Memoirs, thank you.

Thank you for sharing this, Tim! Happy writing!

Hi, I’m Jo. I’m finally jumping in and writing the memoir that has been running alongside me for at least the last 5 years. I’m terrified, of what I’m not 100% sure. The story won’t leave me alone and right now is the time to start my first draft. I’m approaching half way through what nature may call natural life on Earth, mid-life sounds strange to say. It just feels like the right time to document the journey thus far – especially the last decade. It’s been a radical time for transformation, internally and externally. I’m afraid but your post and these comments have helped.

Good luck on your memoir, Jo! I’m excited to hear more.

Leave a Comment Cancel Reply

Save my name, email, and website in this browser for the next time I comment.

10 Essential Essay-Length Memoirs You Can Read Online for Free

Short insights with big impacts.

• Photo Credit: Unsplash/Sincerely Media

Are you a fan of anecdotal reading, but lacking the time to dive into a 300 page memoir? Do you love the specificity of short essays? Or are you looking for a taste of an author’s work before you peek any deeper into their psyche? Then you might consider looking into some essay-length memoirs—think of them as memoir examples, rather than full-fledged books.

Whether you’re hoping to find a piece of writing that makes you feel less alone, or you want to expand your understanding of the human race, these true accounts will stick with you. Here are 10 phenomenal memoir examples you can read online right now for free.

Related: The Best Essay Collections to Add to Your TBR List

"Me Talk Pretty One Day"

by David Sedaris

• Photo Credit: Chris Karidis/Unsplash

Comedian and author David Sedaris wrote the memoir essay “Me Talk Pretty One Day” about his time living in Paris to learn the French language. While matriculating as a middle-aged man has its benefits—"No one will ever again card me for a drink or demand that I weave a floor mat out of newspapers"—it doesn't spare him, or any of his peers, from the abuse of their teacher. Sedaris recounts carrying a special brand of insecurity, tackling the complexity of language and the thrill of being a humorist going toe-to-toe with a stern and scathing professeure .

For collections of Sedaris’ writing, be sure to check out Dress Your Family in Corduroy and Denim and When You Are Engulfed in Flames .

Related: 13 Famous Memoirs Everyone Should Read Once

"Age Appropriate"

by Jen Doll

Jen Doll is a freelance journalist—whose credits include articles for The Atlantic , Esquire , and New York Magazine —and author of the young adult novel Unclaimed Baggage . In this anecdotal essay about a summer vacation spent with family, Doll explores what it means to bring your teenage self along into adulthood. Stuck between the frustration of being treated like a child by her parents, and the ever-present desire to run from the strains of adult self-sufficiency, she writes to come to terms with the different selves she houses in the context of her surroundings.

Related: 15 Best Memoirs That Will Change Your Outlook on Life

"The Price of Black Ambition"

by Roxane Gay

In “The Price of Black Ambition,” Roxane Gay interweaves a timeline of her struggles and successes with a frank discussion on the sociopolitical racism inherent in the United States. She speaks on the fact that children of color are often given an inflated sense of “ambition” at a young age, as they must work twice as hard with half as much to achieve opportunities that are more carelessly given to their white peers. And, despite the exceptional amounts of work people of color put in to move forward in life, their efforts are regularly regarded as less than—their presence in “white” circles is considered a fluke or consequence of required diversity. She refers to her ambition as a hunger that can never be satisfied in the current status quo of America.

Gay is most notable for her essay collection Bad Feminist , as well as her fiction novel An Untamed State .

Related: 8 Extraordinary Biographies About Strong Women

Want more memoirs? Sign up for the Early Bird Books newsletter and get the best daily ebook deals delivered straight to your inbox.

"My Dad Tried to Kill Me with an Alligator"

by Harrison Scott Key

• Photo Credit: Karl Bewick/Unsplash

Harrison Scott Key is the author of two memoirs: Congratulations, Who Are You Again? and The World’s Largest Man . Key details one humorous afternoon on Mississippi’s Pearl River, where he believes his brother’s “badass” antics and his father’s gruff and wild nature almost led to his death-by-alligator. Through a consideration of the differences between him and his father, he contemplates how his near-death experience might have shaped his adult life. Remembering his father fondly, Key reconsiders his own path of fatherhood.

Related: 10 Moving Biographies and Memoirs

"Explicit Violence"

by Lidia Yuknavitch

Known for her provocative novels Dora: A Headcase , The Small Backs of Children , and The Book of Joan , Lidia Yuknavitch wrote “Explicit Violence” about the terrible abuses she suffered throughout her lifetime. She talks not just of the physical acts, but the ways in which violence changed her state of mind. Yuknavitch is honest about the ways in which she was made to feel like she deserved the violence heaped upon her—and if how she didn’t deserve it, she should become the kind of person that might deserve it. With a sharp clarity, she condemns the ways in which those who suffer abuses, particularly women, are made to feel as though to talk about it is an inconvenience on those who could never understand.

For more from the life of Lidia Yuknavitch, she has also published the full-length memoir The Chronology of Water .

"Surviving Anxiety"

by Scott Stossel

In the essay “Surviving Anxiety,” journalist and author Scott Stossel opens up about his experience with mental illness. Suffering from anxiety since infancy, Stossel paints a startling and surprising picture of the measures he has to go through to appear unaffected and “normal” due to his internal (and often irrational) worries. In an honest detailing of therapeutic, medicinal, and self-medicinal attempts to get his high-functioning anxiety under control, he expresses the frustrations and constant battle those who suffer from mental illness experience. For a deeper look into Stossel’s experience and the history of anxiety, read his full-length memoir My Age of Anxiety .

"Darkness Visible"

by William Styron

• Photo Credit: Ian Espinosa/Unsplash

William Styron, acclaimed writer of Sophie’s Choice and The Confessions of Nat Turner , suffered deeply from bouts of depression. In his memoir essay, “Darkness Visible,” Styron is compelled to speak out about his struggle with mental illness after the suicide of Primo Levi. To combat the ignorance and taboo nature surrounding depression, Styron speaks about his own struggles with dark emotions, as well as the difficult path of healing. In the book of the same name, Styron expands upon this essay in a more complete memoir.

Related: William Styron: A Life in Books

"No Labels, No Drama, Right?"

by Jordana Narin

This enlightening and insightful essay comes from Jordana Narin, the winner of the New York Times 2015 Modern Love College Essay contest. Her memoir account exemplifies how new relationships have changed in the modern era, often careening toward an amorphous understanding between two people. She touches on an inclination to avoid not only labels, but vulnerability. Narin outlines how in a situation where the feelings are no less profound than something “real,” people are putting obstacles in their own paths by embracing an aversion to emotional honesty.

"I Was Pregnant, and Then I Wasn't"

by Laura Turner

• Photo Credit: freestocks.org/Unsplash

Laura Turner is a journalist who has written for such publications as the New York Times , The Atlantic , Glamour , and The Verge , with a book in-progress about the cultural history of anxiety. In this tear-jerking short memoir, Turner talks about her recent experience with a miscarriage. Her account encapsulates the worries of burgeoning motherhood put at sudden odds with grief and an overwhelming feeling of suddenly being alone. In an especially poignant and candid moment, Turner writes, “Your life doesn’t change, and that’s the strange part—because it was supposed to.”

Related: 7 Tragic Memoirs That Deserve Your Tears

"After Life"

by Joan Didion

Following the death of her husband in 2003, renowned essayist, journalist, and author Joan Didion penned “After Life.” In her essay, Didion describes the moments leading up to her husband’s sudden death, and continues on in aching detail about the moments following her realization that he was gone. She describes her “waves” of grief which were at the same time both strange and typical, and reaches for an explanation of how different grief can be when it’s unexpected.

More of Didion’s profound writings include Slouching Toward Bethlehem , The White Album , and After Henry .

Fiction & Memoirs From 6 Influential Writers

Featured photo: Sincerely Media / Unsplash ; Additional images courtesy of Chris Karidis/ Unsplash ; Karl Bewick/ Unsplash ; Ian Espinosa/ Unsplash ; freestocks.org/ Unsplash

Get the best daily book deals delivered to your inbox

© 2024 OPEN ROAD MEDIA

• We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

35 Best Memoir Examples For a Thought-Provoking Read

As an aspiring author, it’s likely you’re an avid reader. And, if you already have dreams of sharing your story with the world, it’s important to read and learn from other memoir examples that have resonated with readers.

But we don’t suggest just picking up any book.

If you want to learn how to write a memoir, we recommend checking out a book that has been written by an author with whom you have a shared lived experience, who has a similar style or writing tone to your own, or who writes about a similar topic. While the intention is never to copy someone else’s work, reading memoirs that might show up in the same category as yours could be immensely helpful.

While reading, take note of how vulnerable the author gets, how much they share, how they relate to the reader, what details impact you the most, and what about the delivery makes it so moving.

Our top 35 memoir examples

From famous best-sellers to the lesser-known reads on this list, the following memoir examples include common universal literary themes, very intimate glimpses into the writers’ lives, hard-earned life lessons, and a variety of topics and tones to inspire your own memorable memoir.  

1. I Know Why The Caged Bird Sings by Maya Angelou

This is a classic memoir example – one that captures childhood, pain, and longing in all its nuanced forms.

2. The Glass Castle by Jeanette Walls

Resilience and redemption co-star in this bestseller about Jeanette Walls’ life.

3. The Hiding Place by Corrie Ten Boom

An evangelist and survivor of Hitler’s concentration camps, the life of Corrie Ten Boom stands among the best memoir examples. 

4. The Puma Years by Laura Coleman

This story stands out among memoir examples for its personal look at the illegal pet trade industry, the impact of deforestation, and the bond between humans and animals.

5. Walden by Henry David Thoreau

You may not think documenting a life of seclusion would count as a memoir example, but Walden is considered one of the most compelling books in American literature.

6. Born Standing Up by Steve Martin

This memoir shares why Steve Martin started – and stopped – his stand-up comedy. 

7. Life by Keith Richards

Written by the very one who founded The Rolling Stones , this one stands out among memoir examples. Ready to take a deep dive into Keith Richards’ life?

8. The Bell Jar by Sylvia Plath

This semi-autobiographical, memoir-esque story shares the key points in Esther Greenwood’s neurosis. It is known as a haunting story while solidifying itself as an American classic.

9. All Over But the Shoutin’ by Rick Bragg

Known for its expert prose, this memoir example tells of a life headed for the cotton mills, culminating in a career as a Pulitzer Prize–winning reporter.

10. The Yellow House by Sarah M. Broom

One hundred years covered in one story, The Yellow House is unique among memoir examples. 

11. Hunger: A Memoir of (My) Body by Roxane Gay

Bestselling author Roxane Gay invites readers into a behind-the-curtain look at self-image, food, safety, and the dependent role each plays in correlation to the others. 

12. God’s Smuggler by Brother Andrew

At first glance, Brother Andrew’s story fits in the thriller book genre – except for the fact that it’s all completely true. His dedication to smuggling Bibles to those who did not have any makes for a riveting read.

13. The Long Goodbye by Meghan O’Rourke

Memoir examples that artfully address grief and how to grieve well are few and far between. Meghan tackles this topic from a personal angle with a story only she could tell.

14. Her by Christa Parravani

Imagine losing a sibling, a twin, and knowing that you yourself only have a 50% chance at survival. This memoir example covers a unique look at love and survival. 

15. South Island Tiny House by Corianne Holmes

While many of our memoir examples cover large periods of time or even an author’s entire lifetime, this is a story about a pivotal, life-changing season in a person’s life. Written by one of our very own Self Publishing students , Corianne shares her experience of moving to a new country and into a tiny home – divulging plenty of lessons learned.

16. Fullness by Azure Moyna 

Azure shares her story of surviving her brilliant yet sociopathic father, her struggle with bulimia, and her hunger for love.

17. My Mother’s Daughter by Perdita Felicien

Opportunity, suffering, faith, perseverance and grit , Olympics, and nannying – each one of these topics shows up within the pages of this book that’s based on a true story .

18. Beautiful Boy: A Father’s Journey Through His Son’s Addiction By David Sheff

This memoir, written by a father about his son, is such a compelling memoir example that it was turned into a major motion picture. Addiction takes many faces, but when it appears on the face of your son, it’s that much more personal. 

19. Cowboy in a Corporate World by Ray Marxer

If you are a historical nonfiction lover or enraptured by the American West, read this memoir (by another SP student!) for a modern take about life on the ranch.  

20. Personal History by Katharine Graham

Presidents, mental illness, wealth, suicide, deep loneliness…the life of Katharine Graham will keep you turning pages.

21. Let’s Take The Long Way Home: A Memoir Of Friendship By Gail Caldwell

A Pulitzer Prize winner, Gail Caldwell invites readers into an intimate look at friendship, life’s highs and lows, and the power of women when facing it all. 

22. When Breath Becomes Air by Paul Kalanithi

From the New York Times bestseller list , this is a memoir of a 36-year-old who goes from being a neurosurgeon to being a patient. 

23. Angela’s Ashes by Frank McCourt

This story chronicles the life of Irish immigrants, their resilience, and the details of surviving daily life. 

24. Ain’t That a Miracle? by Jeremy Occhipinti

Funny and frank, while addressing some of the extremes of human emotion, this is another one of our favorite memoir examples written by one of our authors! 

25. Educated by Tara Westover 

Tara was 17 when she stepped into her first-ever classroom. Somehow, she made it to Harvard and Cambridge. This is her story.

26. Barefoot to Avalon: A Brother’s Story by David Payne

This deeply personal memoir example is one of two brothers, their rivalries and love, and the tragedy that cut through their lives far too early. 

27. Heart Berries By Terese Marie Mailhot

This memoir example shares the story of Terese’s dysfunctional past, a life-changing diagnosis, and, ultimately her journey toward overcoming it all. 

28. Yes Please by Amy Poehler

Candid but also hilarious (I mean, would we expect less?) Amy’s story belongs among the top comedic celebrity memoir examples. 

29. Pawprints On Our Hearts by Kerk Murray

Any book about a man’s best friend is always worth the read. This international bestseller was a huge Amazon self-publishing success story, creating a legacy far bigger than just one book.

30.  Homage To Catalonia by George Orwell

This is a memoir example of personal ideas and the conflict when realities arrive on the war front. George Orwell recounts his time fighting the Fascists.

31. Wave by Sonali Deraniyagala

Written by the sole surviving family member of a massive tsunami, Sonali writes about a very serious topic : grief and the aftermath of tragedy. 

32. What My Bones Know by Stephanie Foo

This one covers some major triggers: childhood abuse and trauma followed by a lifetime of mis- or undiagnosed PTSD and, finally, the healing she’s always needed. Stephanie doesn’t hold back in this memoir that may help others on their own journey.

Related : Read our full What My Bones Know review here.

33. Becoming by Michelle Obama

Becoming chronicles the former First Lady’s journey from her South Side Chicago roots to the White House. It offers intimate reflections on her personal growth, career, and family life, emphasizing her experiences and challenges in becoming her true self.

34. The Liars’ Club by Mary Karr

The Liars’ Club by Mary Karr is a memoir detailing the author’s turbulent childhood in East Texas. It vividly recounts her dysfunctional family, marked by her mother’s mental illness and her father’s alcoholism, blending dark humor and raw honesty to explore themes of resilience and survival.

35. Wild by Cheryl Strayed

Wild tells the harrowing and heartfelt story of Cheryl Strayed as she hikes the Pacific Crest Trail in the wake of her divorce and her mother’s death from cancer. It is incredibly raw and human – and you heal along with her through every step she takes.

What’s next? Include your story in memoir examples

You now have a versatile list of various memoir examples as well as snippets of why these stories stand out among memoirs. 

Now it’s your turn! Take some time to consider your own life story, the themes that stand out, and how they could help your readers. Then, create a memoir outline and get to writing.

Your story could change people’s lives – don’t wait any longer to publish it! 

While it may feel intimidating to write a book that’s raw and vulnerable and your story, learning how to start your memoir is often the most difficult part. Editing , publishing, and book marketing , including permission marketing , all come long after you’ve got an initial manuscript in your hands. And, if you claim your free copy of Published (just click below) or join our Author Advantage Accelerator, you’ll have a dedicated coach to help you with each step of your author journey.

Join the Community

Join 100,000 other aspiring authors who receive weekly emails from us to help them reach their author dreams. Get the latest product updates, company news, and special offers delivered right to your inbox.

10 Memorable Memoir Examples to Fuel Your Writing Fire

• February 17, 2024

Table of Contents:

List of memoir examples for students.

• 1- "The Glass Castle" by Jeannette Walls:
• 2- "Educated" by Tara Westover:
• 3- "Wild" by Cheryl Strayed:
• 4- "The Diary of a Young Girl" by Anne Frank:
• 5- "Night" by Elie Wiesel:
• 6- "Just as I Am" by Cicely Tyson:
• 7- "Eat, Pray, Love" by Elizabeth Gilbert:
• 8- "Bossypants" by Tina Fey:
• 9- "When Breath Becomes Air" by Paul Kalanithi:
• 10- "The Sun Does Shine" by Anthony Ray Hinton:

Importance of Memoirs

1- personal connection and empathy, 2- historical context, 3- understanding the self, 4- inspiration and motivation, 5- cultural insight, 6- therapeutic writing, conclusion:.

Memoirs hold an exceptional place because they fuse the artistry of storytelling with the raw sincerity of personal experience. With the help of memoir ghostwriters , readers can pass into someone else’s world, allowing us to see life through a different perspective, experience unfamiliar events, and understand diverse viewpoints.

The unique blend of personal insight, historical backdrop, and cultural nuances cements their value in literature and as important sociocultural documents.

Navigating through the memoir examples experience the highs and lows of the author’s life, a memoir illuminates the human condition in a way few other genres can replicate.

Below are the memoir examples:

1- “The Glass Castle” by Jeannette Walls:

Walls paints a clear picture of her troubled youth, which was marked by poverty and parents who didn’t follow the rules. The book is a strong look at strength, family relationships, and the effects of having a hard childhood. Her honest writing lets readers into her world, making them feel pity and think about their lives.

2- “Educated” by Tara Westover:

Westover’s memoir unfolds as a journey of self-discovery and education. The narrative voice skillfully captures the tension between loyalty to family and the pursuit of knowledge. One of those memoir examples addresses the challenges of escaping a restrictive environment and reflects on the transformative power of education in shaping identity.

3- “Wild” by Cheryl Strayed:

Strayed’s autobiography is an interesting account of her journey along the Pacific Crest Trail. The book discusses loss, healing, self-empowerment, and the trip itself. Strayed’s honest and thoughtful writing style connects with readers, making “Wild” a story about looking at the world around you and inside yourself.

4- “The Diary of a Young Girl” by Anne Frank:

Anne Frank’s diary is a poignant firsthand account of life in hiding during the Holocaust. Through her entries, readers witness the resilience of the human spirit amidst unimaginable circumstances. The memoir examples serve as a historical document and a timeless testament to the power of hope and courage.

5- “Night” by Elie Wiesel:

The memories of the Nazi death camps that Wiesel recounts in his book are distressing. In addition to showing how horrible the Holocaust was, the author’s motive for writing is to ask deep questions about faith and humanity. The movie “Night” is a stark warning of how horrible past events can be and how strong people are to keep going.

6- “Just as I Am” by Cicely Tyson:

Cicely Tyson’s memoir reflects on her groundbreaking career as an actress and her journey as a Black woman in the entertainment industry. The book explores themes of identity, purpose, and breaking barriers. Tyson’s strong narrative writing provides insights into the challenges she faced and the trail she blazed for future generations.

7- “Eat, Pray, Love” by Elizabeth Gilbert:

In her book, Gilbert writes about her year-long trip through Italy, India, and Indonesia after a painful split. The book is about discovering yourself, being spiritual, and trying to be happy. “Eat, Pray, Love” is an easy-to-relate and positive book for people who want to grow, thanks to Gilbert’s honest and funny writing.

8- “Bossypants” by Tina Fey:

Tina Fey’s funny writing memoir Night is full of stories from her life and work in the entertainment business. “Bossypants” is funny and deep about gender roles, how the workplace works, and how hard it is to balance work and children. This book is fun and thought-provoking, thanks to Fey’s honesty and humor.

9- “When Breath Becomes Air” by Paul Kalanithi:

Kalanithi, a neurosurgeon diagnosed with terminal cancer, reflects on life, mortality, and the intersection of medicine and philosophy. The memoir, completed posthumously by his wife, Lucy, offers profound insights into the human experience, leaving readers with contemplative thoughts about the meaning of existence.

10- “The Sun Does Shine” by Anthony Ray Hinton:

Hinton’s memoir recounts his unjust incarceration on death row for nearly 30 years before being exonerated. The memoir examples explore themes of injustice, faith, and the resilience of the human spirit. Hinton’s story serves as a powerful testament to the flaws in the criminal justice system and the importance of hope in the face of adversity.

Memoirs offer a wealth of knowledge and insight rare in any other form of literature. They are unique windows into personal, historical, and cultural contexts, revealing real, often powerful, narratives of individual lives. Here’s a look at why memoir writing services are so important:

By reading stories, people can put themselves in another person’s shoes, which helps them understand and care about other people. Memoirs come alive by sharing personal stories about many different kinds of events. This helps us connect more deeply and see things beyond our narrow points of view.

It often captures and reflects upon significant historical events, presenting personal accounts of, for example, wars, political upheavals, or cultural shifts. Memoir examples thus serve as living testimonies and firsthand reports of history, offering an intimate understanding of the past beyond dry facts and figures.

By exploring others’ triumphs and trials, we constructively reflect on our own experiences and realize that as unique as we appear, many of our struggles and joys are universal. This powerful self-reflection opens up the possibility for personal growth.

Memoirs written by professional ghostwriters can inspire by showcasing the resilience and grit of individuals who endured hardship, overcame challenges, and subsequently flourished. They become blueprints for strength and perseverance, fueling our courage in battle.

It’s possible to read a wide range of people’s experiences through their diaries, written by people from many countries, groups, and walks of life. Reading these memoirs may help one better understand and appreciate other cultures by providing glimpses into their unique traditions and ways of life.

For book authors , writing memoirs can work as a therapeutic process. It allows them to express and navigate their experiences and emotions, providing an opportunity for healing, closure, or personal discovery.

Memoirs foster empathy, establish historical connections, provide personal and cultural insights, inspire, and fundamentally remind us of our shared human experiences.

Exploring memoirs can be a journey full of unexpected discoveries and profound insights. These ten memorable memoir examples are just the tip of the iceberg in the broad and diverse universe of memoir literature.

limited Time offer

50% off on all services.

REDEEM YOUR COUPON: VHBA50

Recommended Blogs

How to use ai to write a book: steps, tools, & prompts, how to make leather book covers in 10 simple steps, top 10 fast and best nsfw ai writer tools for story, hire book authors & publishers at discounted rates looking for a book author or publisher contact us for a free consultation and get 30% off your first project..

Automated page speed optimizations for fast site performance

Write a Great Memoir: How to Start (and Actually Finish) Your First Draft

by Joe Bunting | 1 comment

Start Your Story TODAY! We’re teaching a new LIVE workshop this week to help you start your next book. Learn more and sign up here.

When I first started writing my memoir, Crowdsourcing Paris , about a real-life adventure I experienced with my wife and ten-month-old son, I thought it was going to be easy.

After all, by that point in my career, I had already written four books, two of which became bestsellers. I’ve got this, I thought. Simple.

It wasn’t. By the time Crowdsourcing Paris was published and became a #1 New Release on Amazon, it was more than five years later. During that time, I made just about every mistake, but I also learned a process that will reliably help anyone to start and finish writing a great memoir.

My memoir, Crowdsourcing Paris , as a #1 New Release on Amazon!

In this guide, I want to talk about how you can start writing your memoir, how you can actually finish it, and how you can make sure it’s good .

If you read this article from start to finish, it will save you hundreds of hours and result in a much better finished memoir.

Hot tip : Throughout this guide, I will be referencing my memoir Crowdsourcing Paris as an example. To get the most out of this guide and the memoir writing process in general, get a copy of the book to use as an example. Order your copy here »

But Wait! What Is a Memoir? (Memoir Definition)

How do you know if you're writing a memoir? Here's a quick memoir definition:

A memoir is a book length account or autobiography about a real life situation or event. It usually includes a pivotal experience in your life journey.

A key point to make is that memoir is a  true story . You don't have to get every piece of dialogue perfect, but you do have to try to tell the personal story or experience as best as you remember.

If you're looking to fictionalize your real life account you're writing a novel, not a memoir (and specifically a roman à clef novel ).

For more on the difference between a novel and a memoir, check out this coaching video:

How to Get Started With Your Memoir: 10 Steps Before You Start Writing

This guide is broken into sections: what to do before you start writing and how to write your first draft.

When most people decide to write a memoir, they just start writing. They write about the first life experience they can think of.

That’s sort of what I did too. I just started writing about my trip to Paris, beginning with how I first decided to go as a way to become a “real writer.” It turned out to be the biggest mistake I made.

If you want to finish your memoir, and even more, write a good memoir, just starting with the first memory you can think of will make things much harder for you.

Instead, get started with a memoir plan.

What’s a memoir plan? There are ten elements. Let’s break it down.

Get the memoir plan in a downloadable worksheet. Click to download your memoir plan »

1. Write Your Memoir Premise in One Sentence

The first part of a memoir plan is your premise. A premise is a one-sentence summary of your book idea.

You might be wondering, how can I summarize my entire life in a single sentence?

The answer is, you can’t. Memoir isn’t a full autobiography. It’s not meant to be a historical account of your entire life story. Instead, it should share one specific situation and what you learned from that situation.

Every memoir premise should contain three things:

• A Character. For your memoir, that character will always be you . For the purposes of your premise, though, it’s a good idea to practice thinking of yourself as the main character of your story. So describe yourself in third person and use one descriptive adjective, e.g. a cautious writer.
• A Situation. Memoirs are about a specific event, situation, or experience. For example, Marion Roach Smith’s bestselling memoir was about the discovery that her mother had Alzheimer’s, which at the time was a fairly unknown illness. My memoir, Crowdsourcing Paris , begins on the first day of my trip to Paris and ends on the day I left. You can’t write about everything, at least in this book. But you can write about one thing well, and save all the other ideas for the next book.
• A Lesson. What life lesson did you learn from this situation? How did your life change inexorably after going through this situation? Again, here you can’t write about everything you’ve ever learned. Choose ONE life lesson or emotional truth and focus on it.

Want to see how a premise actually looks? Here’s an example from my memoir Crowdsourcing Paris :

When a Cautious Writer is forced by his audience to do uncomfortable adventures in Paris he learns the best stories come when you get out of your comfort zone.

One thing to note: a premise is not a book description. My book description, which you can see here , is totally different from the premise. It’s more suspenseful and also less detailed in some ways. That’s because the purpose of a premise isn’t to sell books.

What is the premise of your memoir? Share it in the comments below!

2. Set a Deadline to Finish Your First Draft

Or if you’ve already finished a draft, set a deadline to finish your next draft.

This is crucial to do now , before you do anything else. Why? Because there are parts of the memoir plan that you can spend months, even years on. But while planning is helpful, it can easily become a distraction if you don’t get to the writing part of the process.

That’s why you want to put a time limit on your planning by setting a deadline.

How long should the deadline be?

Stephen King says you should write a first draft in no longer than a season. So ninety days.

In my 100 Day Book program, we’ve helped hundreds of memoir writers finish their book in just 100 days. To me, that’s a good amount of time to finish a first draft.

However, I wouldn’t take any longer than 100 days. Writing a book requires a level of focus that’s difficult to achieve over a long period of time. If you set your deadline for longer than 100 days, you might never finish.

Also set weekly milestones.

In addition to your final deadline, I recommend breaking up the writing process into weekly milestones.

If you’re going to write a 65,000-word memoir over 100 days, let’s say, then divide 65,000 by the number of weeks (about 14) to get your weekly word count goal: about 4,600 words per week.

That will give you a sense of how much progress you’re making each week, so you won’t be in a huge rush to finish right at the end of your deadline. After all, no one can pull an all-nighter and finish a book! Create a writing habit that will enable you to actually finish your book.

Keep track of your word count deadlines.

By the way, this is one reason I love Scrivener , my favorite book writing software , because it allows you to set a target deadline and word count. Then Scrivener automatically calculates how much you need to write every day to reach your deadline.

It’s a great way to keep track of your deadline and how much more you have to write. Check out my review of Scrivener to learn more.

3. Create Consequences to Make Quitting Hard

I’ve learned from experience that a deadline alone isn’t enough. You also have to give your deadline teeth .

Writing a book is hard. To make sure that you show up to the page and do the work you need to finish, you need to make it harder to not write.

How? By creating consequences.

I learned this from a friend of mine, writer and book marketing expert Tim Grahl .

“If you really want to finish your book,” he told me, “write a check for $1,000 to a charity you hate. Then give that check to a friend with instructions to send it if you don’t hit your deadline.”

“I don’t need to do that,” I told him. “I’m a pro. I have discipline.” But a month later, after I still hadn’t made any progress on my memoir, I finally decided to take his advice.

This was during the 2016 U.S. presidential election. So I wrote a $1,000 check to the presidential candidate that I most disliked (who shall remain nameless!), and gave it to a friend with instructions to send the check if I didn’t hit my final deadline.

I also created smaller consequences for the weekly deadlines, which I highly recommend. Here’s how it works:

Consequence #1 : Small consequence, preferably related to a guilty pleasure that might keep you from writing. For example, giving up a game on your phone or watching TV until you finish your book.

Consequence #2 : Giving up a guilty pleasure. For example, giving up ice cream, soda, or alcohol until you finish your book.

Consequence #3 : Send the $1,000 check to the charity you hate.

Each of these would happen if I missed three weekly deadlines. If I missed the final deadline, then just the $1,000 check would get sent.

After I put in each of these consequences, I was the most focused and productive I’ve ever been in my life. I finished my book in just nine weeks and never missed a deadline.

If you actually want to finish your memoir, give this process a try. I think you’ll be surprised by how well it works for you.

4. Decide What Kind of Story You’re Telling

Now that you’ve set your deadline, start thinking about what kind of book you’re writing. What is your story really about?

“Memoir is about something you know after something you’ve been through,” says Marion Roach Smith, author of The Memoir Project .

I think there are seven types of stories that most memoirs are about.

• Coming of Age. A story about a young person finding their place in the world. A great example is 7 Story Mountain  by Thomas Merton.
• Education. An education story , according to Kim Kessler and Story Grid, is about a naive character who, through the course of the story, comes to a bigger understanding of the world that gives meaning to their existing life. My memoir, Crowdsourcing Paris , is a great example of an education memoir.
• Love. A love story is about a romantic relationship, either the story of a breakup or of two characters coming together. Eat, Pray, Love by Elizabeth Gilbert is a great example of a love story memoir, as it tells the story of her divorce and then re-discovering herself and love as she travels the world.
• Adventure/Action. All adventure stories are about life and death situations. Also, most travel memoirs are adventure stories. Wild by Cheryl Strayed is a great example, and Crowdsourcing Paris is also an adventure story. (You can apply the principles from our How to Write Adventure guide here , too!)
• Performance. Performance memoirs are about a big competition or a competitive pursuit. Julie and Julia , Julie Powell’s memoir about cooking her way through Julia Child’s recipes, is a good example of a performance memoir. Outlaw Platoon , about the longest-serving Ranger platoon in Afghanistan, is another great performance story.
• Thriller. Memoirs about abuse or even an illness could fall into the crime, horror, or thriller arena. (Our full guide on How to Write a Thriller is here .)
• Society. What is wrong with society? And how can you rebel against the status quo? Society stories are very common as memoirs. I would also argue that most humor memoirs are society stories, since they talk about one person’s funny, transgressive view on society. Anything by David Sedaris, for example, is a society memoir.

For more on all of these genres, check out Story Grid’s article How to Use Story Grid to Write a Memoir .

Three Stories

Note that I included my memoir in two categories. That’s because most books, including memoirs, are actually a combination of three stories. You have:

• An external story. For example, Crowdsourcing Paris is an adventure story.
• An internal story . As I said, Crowdsourcing Paris is an education story.
• A subplot . Usually the subplot is another external story, in my case, a love story.

What three stories are you telling in your memoir?

5. Visualize Your Intention

One of the things that I’ve learned as I’ve coached hundreds of writers to finish their books is that if you visualize the following you are much more likely to follow through and accomplish your writing goals:

• Where you're going to write
• When you're going to write
• How much you're going to write

Here I want you to actively visualize yourself at your favorite writing spot accomplishing the word count goal that you set in step two.

For example, when I was writing Crowdsourcing Paris , I would imagine myself sitting at this one café that was eight doors down from my office. I liked it because it had a little bit of a French feel. Then I would imagine myself there from eight in the morning until about ten.

Finally, I would actively visualize myself watching the word count tracker go from 999 to 1,000 words, which was my goal every day. Just that process of imagining my intention was so helpful.

What is your intention? Where, when, and how much will you write? Imagine yourself actually sitting there in the place you’re going to write your memoir.

6. Who Will Be On Your Team?

No one can write a book alone. I learned this the hard way, and the result was that it took me five years to finish my memoir.

For every other book that I had written, I had other people holding me accountable. Without my team, I know that I would never have written those books. But when I tried to write my memoir, I thought, I can do this on my own. I don’t need accountability, encouragement, and support. I’ve got this.

To figure out who you need to help you finish your memoir, create three different lists of people:

• Other writers. These are people who you can process, with who know the process of writing a book. Some will be a little bit ahead of you, so that when you get stuck, they can encourage you and say, “I’ve been there. You’re going to get through it. Keep working.”
• Readers. Or if you don’t have readers, friends and family. These will be the people who give you feedback on your finished book before it’s published, e.g. beta readers.
• Professional editors. But you also need professional feedback. I recommend listing two different editors here, a content editor to give feedback on the book as a whole (for example, I recommend a Write Practice Certified Coach), and a proofreader or line editor to help polish the final draft. (Having professional editing software is smart too. We like ProWritingAid. Check out our ProWritingAid review .)

Just remember: it takes a team to finish a book. Don’t try to do it on your own.

And if you don’t have relationships with other writers who can be on your team, check out The Write Practice Pro. This is the community I post my writing in to get feedback. Many of my best writing friends came directly from this community. You can learn more about The Write Practice Pro here .

7. What Other Books Will Inspire You?

“Books are made from books,” said Cormac McCarthy. Great writers learn how to write great books by reading other great books, and so should you.

I recommend finding three to five other memoirs that can inspire you during the writing process.

I recommend two criteria for the books you choose:

• Commercially successful. If you want your book to be commercially successful, choose other books that have done well in the marketplace.
• Similar story type. Try to find books that are the same story type that you learned in step four.

For my memoir, I had four main sources of inspiration.

Eat, Pray, Love by Elizabeth Gilbert; The Innocents Abroad by Mark Twain; A Moveable Feast by Ernest Hemingway; and Midnight in Paris , the film by Woody Allen.

I referred back to these sources all the time. For example, when I was stuck on the climactic scene in the memoir, I watched one scene in A Midnight in Paris twenty times until I could quote the dialogue. I still didn’t come up with the solution until the next day, but understanding how other writers solved the problems I was facing helped me figure out my own solutions for my story.

8. Who Is Your Reader Avatar?

Who is your book going to be for? Or who is the one person you’ll think of when you write your book? When the writing gets hard and you want to quit, who will be most disappointed if you never finish your book?

I learned this idea from J.R.R. Tolkien, who wrote his novel The Hobbit for his three boys as a bedtime story. Every day he would work on his pages, and every night he would go home and read them to his sons. And this gave him an amazing way to get feedback. He knew whether they laughed at one part or got bored at another.

This helped him make his story better, but I also imagine it gave him a tremendous amount of motivation.

This Can Be You, Sort Of

I don’t think your reader avatar should be you. When it comes to your own writing, you are the least objective person.

There’s one caveat: you can be your own reader avatar IF you’re writing to a version of yourself at a different time. For example, I have friends who have imagined they were writing to a younger version of themselves.

Who will you write your memoir for?

9. Publishing and Marketing

How will you publish your book? Will you go the traditional route or will you self-publish? Who is your target market (check your reader avatar for help)? What will you do to promote and market your book? Do you have an author website ?

It might be strange to start planning for the publishing and marketing of your book before you ever start writing it, but what I’ve discovered is that when you think through the entire writing process, from the initial idea all the way through the publishing and marketing process, you are much more likely to finish your book.

In fact, in my 100 Day Book program, I found that people who finished this planning process were 52 percent more likely to finish their book.

Spend some time thinking about your publishing and marketing plans. Just thinking about it will help you when you start writing.

Start Building Your Audience Before You Need It

In the current publishing climate, most memoir agents and publishers want you to have some kind of relationship with an audience before they will consider your book.

Start building an audience before you need it. The first step to building an audience, and the first step to publishing in general, is building an author website. If you don’t have a website yet, you can find our full author website guide here .

(Building a website doesn’t have to be intimidating or time-consuming if you have the right guide.)

10. Outline Your Memoir

The final step of the planning process is your memoir outline . This could be the subject of a whole article itself. Here, I’ve learned so much from Story Grid, but if you don’t have time to read the book and listen to over 100 podcast episodes, here’s a quick and dirty process for you.

But First, for the Pantsers

There are two types of writers: the plotters and the pansters . Plotters like to outline. Pantsers think outlining crushes their creative freedom and hate it.

If you identify with the pantsers, that’s okay. Don’t worry too much about this step. I would still recommend writing something in this section of your memoir plan, even if you only know a few moments that will happen in the book, even recording a series of events might help as you plan.

And for you plotters, outline to your heart’s content, as long as you’ve already set your deadline!

Outlining Tips

When you’re ready to start outlining, here are a few tips:

• Begin by writing down all the big moments in your life that line up with your premise. Your premise is the foundation of your story. Anything outside of that premise should be cut.
• S eparate your life events into three acts. One of the most common story structures in writing is the three-act story structure. Act 1 should contain about 25 percent of your story, Act 2 about 50 percent of your story, and Act 3 about 25 percent.
• Act 1 should begin as late into the story as possible. In Crowdsourcing Paris , like most travel memoirs, I began the story the day I arrived in Paris.
• Use flashbacks, but carefully. Since I began Crowdsourcing Paris so late into the action, I used flashbacks to provide some details about what happened to lead up to the trip. Flashbacks can be overused, though, so only include full scenes and don’t info dump with flashbacks.
• Start big. The first scene in your book should be a good representation of what your book is about. So if you’re writing an adventure story (see Step 4), then you should have a life or death moment as the first scene. If you’re writing a love story, you should have a moment of love or love lost.
• End Act 1 with a decision. It is you, and specifically your decisions , that drive the action of your memoir. So what important decision did you make that will drive us into Act 2?
• Start Act 2 with your subplot. In Step 4, I said most books are made up of three stories. Your subplot is an important part of your book, and in most great stories, your subplot begins in Act 2.
• Act 2 begins with a period of “fun and games.” Save the Cat , one of my favorite books for writers, says that after the tension you built with the big decision in Act 1, the first few scenes in Act 2 should be fun and feel good, with things going relatively well for the protagonist.
• Center your second act on the “all is lost” moment. Great stories are about a character who comes to the end of him or herself. The all is lost moment is my favorite to write, because it’s where the character (in this case you ) has the most opportunity to grow. What is YOUR “all is lost” moment?
• Act 3 contains your final climactic moment. For Crowdsourcing Paris , this was the moment when I thought I was going to die. In a love story memoir, it might be when you finally work things out and commit to your partner.
• Act 3 is also where you show the big lesson of the memoir. Emphasis on show. Back in Step 1, you identified the lesson of your memoir. Act 3 is when you finally demonstrate what you’ve learned throughout the memoir in one major event.
• A tip for the final scene: end your memoir with the subplot. This gives a sense of completion to your story and works as a great final moment.

Use the tips above to create a rough outline of your memoir. Keep in mind, when you start writing, things might completely change. That’s okay! The point with your plan isn’t to be perfect. It’s to think through your story from beginning to end so that you’ll be prepared when you get to that point in the writing process.

Want to make this process as easy as possible? Get the memoir plan in a downloadable worksheet. Click to download your memoir plan »

That’s the end of the planning stage of this guide. Now let’s talk about how to write your first draft.

How to Write the First Draft of Your Memoir

If you’ve followed the steps above to create a memoir plan, you’ve done the important work. Writing a memoir, like writing any book, is hard. But it will actually be harder to not be successful if you’ve followed all the steps in the memoir plan.

But once you’ve created the “perfect” plan, it’s time to do the dirty work of writing a first draft.

In part two of our guide, you’ll learn how to write and finish a first draft.

1. Forget Perfection and Write Badly.

First drafts are messy. In fact, Anne Lamott calls them “shitty first drafts” because they are almost always terrible.

Even though I know that, though, any time I’m working on a new writing project, I still get it into my head that my first draft should be a masterpiece.

It usually takes me staring at a blank screen for a few hours before I admit defeat and just start writing.

If you’re reading this, don’t do that! Instead, start by writing badly.

Besides, when you’ve done the hard planning work, what you write will probably be a lot better than you think.

2. Willpower Doesn’t Work. Neither Does Inspiration. Instead, Use the “3 Minute Timer Trick.”

My biggest mistake when I began Crowdsourcing Paris was to think I had the willpower I needed as a professional writer and author of four books to finish the book on my own. Even worse, I thought I would be so inspired that the book would basically write itself.

I didn’t. It took not making much progress on my book for more than a year to realize I needed help.

The best thing you can do to help you focus on the writing process for your second draft is what we talked about in Step 4: Creating a Consequence.

But if you still need help, try my “3 Minute Timer Trick.” Here’s how it works:

• Set a timer for three minutes. Why three minutes? Because for me, I’m so distractible I can’t focus for more than three minutes. I think anyone can focus for three minutes though, even me.
• Write as fast as you can. Don’t think, just write!
• When the timer ends, write down your total word count in a separate document (see image below). Then subtract from the previous word count to calculate how many words you wrote during that session.
• Also write down any distractions during those three minutes. Did the phone ring? Did you have a tough urge to scroll through Facebook or play a game on your phone? Write it down.
• Then, repeat the process by starting the timer again. Can you beat your word count?

This process is surprisingly helpful, especially when you don’t feel like writing. After all, you might not have it in you to write for an hour, but anyone can write for three minutes.

And the amazing thing is that once you’ve started, you might find it much easier to keep going.

Other Tools for Writers

By the way, if you’re looking for the tools I use and other pro writers I know use, check out our Best Tools for Creative Writers guide here .

3. Make Your Weekly Deadlines.

You can’t finish your book in an all-nighter. That being said, you can finish a chapter of your book in an all-nighter.

That’s why it’s so important to have the weekly deadlines we talked about in Part 1, Step 2 of this guide.

By breaking up the writing process into a series of weekly deadlines, you give yourself an achievable framework to finish your book. And with the consequences you set in Step 3 of your memoir plan, you give your deadlines the teeth they need to hold you accountable.

And as I mentioned above, Scrivener is especially helpful for keeping track of deadlines (among other things). If you haven’t yet, check out my review of Scrivener here .

4. Keep Your Team Updated.

Having a hard time? It’s normal. Talk to your team about it.

It seems like when you’re writing a book, everything in the universe conspires against you. You get into a car accident, you get sick, you get into a massive fight with your spouse or family member, you get assigned a new project at your day job.

Writing a book would be hard enough on its own, but when you have the rest of your life to deal with, it can become almost impossible.

Without your team, which we talked about in Step 6 of your book plan, it would be.

For me, I would never have been able to finish one book, let alone the twelve that I’ve now finished, without the support, encouragement, and accountability of the other writers whom I call friends, the readers who believe in me, and most of all, my wife.

Remember: No book is finished alone. When things get hard, talk about it with your team.

And if you need a team, consider joining mine. The Write Practice Pro is a supportive encouraging community of writers and editors. It’s where I get feedback on my writing, and you can get it here too. Learn more about the community here.

5. Finally, Trust the Process.

When I walk writers through the first draft writing process, inevitably, around day sixty, they start to lose faith.

• They think their book is the all-time worst book ever written.
• They get a new idea they want to work on instead.
• They decide the dream to write a book and become a writer was foolish.
• They want to quit.

A few do quit at this point.

But the ones who keep going discover that in just a few weeks they’ve figured out most of the problems in their book, they’re on their last pages, and they’re almost finished.

It happens every time, even to me.

If you take nothing else from this post, please hear this: keep going. Never quit. If you follow this process from start to finish, you’re going to make it, and it’s going to be awesome.

I’m so excited for you.

How to Finish Your Memoir

More than half of this guide is about the planning process. That’s because if you start well, you’ll finish well.

If you create the right plan, then all that’s left is doing the hard, messy work of writing.

Without the right plan, it’s SO easy to get lost along the way.

That’s why I hope you’ll download my Memoir Plan Worksheet. Getting lost in the writing process is inevitable. This plan will become your map when it happens. Click to download the Memoir Plan Worksheet.

More than anything, though, I hope you’ll never quit. It took me five years to write Crowdsourcing Paris , but during that time I matured and grew so much as a writer and a person, all because I didn’t quit.

Even if it takes you five years, the life lessons you’ll learn as you write your book will be worth it.

And if you’re interested in a real-life adventure story set in Paris, I’d be honored if you’d read Crowdsourcing Paris . I think you’ll love it.

Good luck and happy writing.

More Writing Resources:

• How to Write a Memoir Outline: 7 Essential Steps For Your Memoir Outline
• 7 Steps to a Powerful Memoir
• The Memoir Project by Marion Roach Smith
• Crowdsourcing Paris by J.H. Bunting

Are you going to commit to writing a memoir (and never quitting, no matter what)? Let me know in the comments .

Summarize your memoir idea in the form of a one-sentence premise. Make sure it contains all three elements:

• A character
• A situation

Take fifteen minutes to craft your premise. When you’re finished, share your memoir premise in the Pro Practice Workshop for feedback. And if you share, please be sure to give feedback to three other writers. Not a member? Join us .

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

Work with Joe Bunting?

WSJ Bestselling author, founder of The Write Practice, and book coach with 14+ years experience. Joe Bunting specializes in working with Action, Adventure, Fantasy, Historical Fiction, How To, Literary Fiction, Memoir, Mystery, Nonfiction, Science Fiction, and Self Help books. Sound like a good fit for you?

One of my book chapters has been accepted for publication, but I lack confidence in the accuracy of what I have written. I have completed the chapter, but I would appreciate your assistance in improving its quality.

Submit a Comment Cancel reply

Your email address will not be published. Required fields are marked *

Submit Comment

Join over 450,000 readers who are saying YES to practice. You’ll also get a free copy of our eBook 14 Prompts :

Popular Resources

Best Resources for Writers Book Writing Tips & Guides Creativity & Inspiration Tips Writing Prompts Grammar & Vocab Resources Best Book Writing Software ProWritingAid Review Writing Teacher Resources Publisher Rocket Review Scrivener Review Gifts for Writers

Books By Our Writers

You've got it! Just us where to send your guide.

Enter your email to get our free 10-step guide to becoming a writer.

You've got it! Just us where to send your book.

Enter your first name and email to get our free book, 14 Prompts.

Want to Get Published?

Enter your email to get our free interactive checklist to writing and publishing a book.

COACHING + PUBLISHING

FORMATTING + DESIGN

FREELANCE COMMUNITY

How to Write a Memoir: 7 Ways to Tell a Powerful Story

by Brooke Warner | Sep 4, 2023

Whether you curl up with memoirs on a frequent basis or pick one up every now and again, you know powerful memoirs have the capacity to take readers for an exhilarating ride.

While all memoirs are different, the best ones have certain elements in common. Knowing what makes a memoir compelling and riveting is key when sitting down to craft your own.

When I teach people how to write a memoir, we talk about how to tell a compelling story.

Table of contents.

In this article, we’ll review some common memoir elements so you can weave them into your own work. Before we start, let’s define memoir.

What is Memoir?

Memoir is not an autobiography. In other words, it is not the story of your whole life. Memoir is a slice of life, a story of part of your life or a story from your life.

The scope of memoir will vary depending on the subject matter, but more often than not, aspiring memoirists come to the page with too much story that needs to be pared down . One way to do that is to get clear about your themes. Memoir is often reined in by the writer knowing what her themes are and writing each scene while holding two questions in mind:

• How does this scene relate to my theme?
• What sense am I trying to make of my story through writing this scene?

Memoir is about creating understanding, making sense of your story so that others can relate. Memoir is not “what happened,” because unless you’re famous, what happened to you in your life is not what will draw readers to the page. What draws readers is the subject matter (surviving a trauma, trying to live by the tenets of self-help books, living in prison) or the theme (addiction, parent-child relationships, repeating family patterns, identity). 

A memoir that lacks an author’s effort to extract meaning from their story is usually a slow read. A reader may find themselves wondering what’s the point? If there’s nothing in the story for the reader, the memoir is lacking reflection and takeaway, which are two key elements that are unique to memoir.  

The Write Life has teamed up with Self-Publishing School to create a training called, Writing and Publishing Your Life Story. In it, you’ll learn the three core elements of memorable memoirs. Click here to sign up for this free workshop .

How to Write a Memoir

If you’re planning to write a memoir, your goal should be to take your readers on a journey they won’t forget. Here are seven tips for how to write a memoir.

1. Narrow Your Focus

Your memoir should be written as if the entire book is a snapshot of a theme or two from your lived experience. Consider a pie, where your life represents the whole pie, and you are writing a book about a teeny-tiny sliver.

Since your memoir is not an autobiography, you can figure out your themes by making a timeline of your life. In the classes I teach, we call these “turning points” and it’s a valuable exercise to discover where the juice is, to sort out where to focus and where you might have the most to extract from your story. You want your readers to walk away knowing you, and a particular experience you lived through, on a much deeper level, but also to apply their own understanding of their own experiences to your story.

Perhaps you are familiar with Angela’s Ashes by Frank McCourt. This memoir focuses on Frank’s life as a child growing up in Ireland. Angela is his mother, and much of the storyline focuses on the mother-son relationship, and how Frank saw her, as well as the role of outside forces like alcoholism, loss, and trauma on their entire family.

2. Include More than Just Your Story

Even as you narrow your focus, we also need to think bigger in our writing pursuits.

For example, if Kamala Harris wrote a memoir about being a wife and stepmother while pursuing her career, she would pull in tidbits about how she juggled these roles when she had such a big job and big ambitions. She would let us into the intimate moments, including fights she might have had with her husband over the impossible kind of balance women in power who also have families face.  

Likewise, if Madonna was writing a memoir about reinventing herself after 20 years away from the public spotlight, she most likely would include what it felt like to return to the music scene and how she continued to travel and perform while raising her children.

How does this apply to you? Imagine you are writing a memoir about your three-week trek through the Himalayan Mountains. While the focus would be on your trip, as well as what you learned about yourself along the way, you would be wise to also include other details about the place, the people your experience, and what you learned not only about yourself, but about human nature and the wider world.

You could describe the geography and history of the area, share interesting snippets about the people and animals you interacted with, and discuss your exploration of the meaning of it all as you progressed along your arduous journey.

Your readers want to know about you , but also about what got you to this place to begin with. What prompted the trek? What is your backstory? What did you learn about yourself along the way? It’s these kinds of vivid details and astute observations that make for a powerful memoir.

3. Tell the Truth

One of the best tips for how to write a powerful memoir is to be honest and genuine. This is often tricky because we don’t want to hurt or upset the people (our family and friends!) we’ve written into our books. But it’s important that you mine for the truth of your story—even if it makes your journey as an author more difficult.

When Shannon Hernandez wrote her memoir , Breaking the Silence: My Final Forty Days as a Public School Teacher , she knew she had a major dilemma: “If I opted to tell the whole truth, I would pretty much ensure I would never get a job with New York City Public Schools again.”

But she also knew teachers, parents and administrators needed to hear why great teachers are leaving education in droves and why the current educational system is not doing what’s best for our nation’s kids.

“I wrote my book with brutal honesty and it has paid off with my readers. It’s bringing national attention to what is happening behind closed school doors.” Shannon Hernandez

One more note on honesty: Memoirs explore the concept of truth as seen through your eyes . Never write in a snarky manner or with a bitter tone. The motivation for writing a memoir shouldn’t be to exact revenge, whine, or seek forgiveness; it should simply be to share an experience that readers can relate to.

Don’t exaggerate or bend the truth in your memoir. If you find you can’t remember, that’s alright. You can write composite scenes. You can lean into what “would have been true,” insofar as the details—your mother would have worn a particular style of dress, your best friend would have been chewing her favorite gum, your brother would have yelled something like the insult you decide to write.

You don’t need to fabricate or embellish, but you also didn’t live your life with a tape recorder strapped to your belt, so memoir is all about recreating what happened while honoring the emotional truth of your story.

4. Put Your Readers in Your Shoes

Powerful writers show, not tell . And for a memoir writer, this is essential to your success, because you must invite your reader into your perspective so she can draw her own conclusions.

The best way to do this is to unfold the story before your reader’s eyes by using vivid language that helps your reader visualize each scene . Mary Karr, author of three memoirs and the book, The Art of Memoir , writes that you must zip the reader into your skin. Another way to think of it is to imagine you’re carrying an old-school camcorder on your shoulder as you guide your reader through the scenes of your life. You want to place your reader right there next to you, or better yet, inside of your experiences. 

Perhaps you want to explain that your aunt was a “raging alcoholic.” If you say this directly, your description will likely come across as judgmental and critical.

Instead, paint a picture for your audience so they come to this conclusion on their own. You might write something like this:

“Vodka bottles littered her bedroom, and I had learned the hard way not to knock on her door until well after noon. Most days she didn’t emerge into our living quarters until closer to sunset, and I would read her facial expression to gauge whether or not I should inquire about money—just so I could eat one meal before bedtime.”

FREE RESOURCE

Nonfiction Outline Template

Ready to write? Get the parts of your story RIGHT and finish your book FASTER with this pre-formatted, easy to use, fill-in-the-black template!

5. Employ Elements of Fiction to Bring Your Story to Life

Think of the people in memoirs as characters. A great memoir pulls you into their lives: what they struggle with, what they are successful at, and what they wonder about.

Many of the best memoir writers focus on a few key characteristics of their characters , allowing the reader to get to know each one in depth. Your readers must be able to feel emotions about your characters—love or hate or something in between.  

To bring your characters alive, bring details like the characters’ tone of voice, how they talk, their body language and movements, and their style of speech. Read other memoirs to get a sense of how writers introduce place and setting into their stories through their characters—their accents, their behaviors, their shared values.  

While your memoir is a true story, employing elements of fiction can make it far more powerful and enjoyable for your readers, and one point of craft is learning how to create strong characters your readers will feel like they know.

6. Create an Emotional Journey

Don’t aim to knock your readers’ socks off. Knock off their pants, shirt, shoes, and underwear too! Leave your readers with their mouths open in awe, or laughing hysterically, or crying tears of sympathy and sadness—or all three.

Take them on an emotional journey that motivates them to read the next chapter, wonder about you well after they finish the last page, and tell their friends and colleagues about your book. The best way to evoke these feelings in your readers is to connect your emotions, as the protagonist, with pivotal reflections and takeaways about the happening throughout your narrative arc.

Most of us are familiar with the narrative arc . In school, our teachers used to draw a “mountain” and once we reached the precipice, we were to fill in the climatic point of the book or story. Your memoir is no different: You need to create enough tension to shape your overall story, as well as each individual chapter, with that narrative arc.

In Children of the Land by Marcelo Hernandez Garcia, we witness a boy growing up undocumented in the United States, the child of parents who crossed him over the US-Mexico border when he was just five years old. You’ll never find Marcelo telling us he was sad, angry, or devastated. 

Instead, he writes of his disappointment after his mother didn’t get her green card:

“It’s okay, mijo, we tried,” Ama said to me as I drove her to church one day. “Yeah, Amá, we tried, I said, hoping that between each of our admissions, at least one of us would actually believe it was worth it. Marcelo Hernandez Garcia

Or of his fear when ICE raids his childhood home: 

We stood there, frozen, unsure of what to do. The inner urge to flee was replaced with paralyzed submission—we were cemented in place. In that moment, if anyone wished to do so, they could have walked through the door, commanded us to cut ourselves open, and we would have probably listened.  Macelo Hernandez Garcia

7. Showcase Your Personal Growth

By the end of your memoir, you need to have shown growth or change or transformation of yourself, the protagonist of your story.  

Whatever experiences you had throughout your book will carry more weight when you show how they affected you along your journey, and how you grew and changed as a result of what you lived through, or what you survived. How did what you went through change your approach to life? Change how you thought about others or yourself? Help you become a better or wiser person in some way?

This is often the hardest part of writing a memoir because it requires introspection—sometimes in the form of hindsight, certainly in the form of self-reflection. It requires you sometimes to write with an understanding that your character might not have known then —at the age you were. This is why it’s so important to learn how to weave in reflections that don’t break the fictive dream.

You don’t want to constantly interrupt your narrative with asides, like:

• “Now I understand… ”
• “I still wish my mother had treated me better … ”

Instead, allow for the reflection to exist almost as if it’s an omniscient knowing, because in many ways it is. No one knows your story better than you—and you’re allowed, throughout your story—to extract meaning and apply understanding. Not only are you allowed, the genre demands it.  

If you make meaning from your story, your readers will find meaning in your story too.

Memoir Examples as Inspiration

Let’s look at a few memoir examples .

We broke these into three categories of memoirs, those that can help us learn about structure, theme and takeaway. Each of these are essential elements of the genre.

Examples of Memoirs that Use an Effective Structure

Although you’ll hear from memoirists who didn’t use an outline, or who prefer a process over a structured experience, most memoirists can benefit from having a structure in place before they start writing.

The most straightforward memoirs are those that start at point A and end at point B, moving the reader along in linear time.

Some examples include coming-of-age memoirs, like Kiese Laymon’s Heavy or Daisy Hernandez’s A Cup of Water Under My Bed , or memoirs that are narrowly focused, like Lori Gottleib’s Maybe You Should Talk to Someone, or Jennifer Pastiloff’s On Being Human .

Then there are framed memoirs, like Dani Shapiro’s Inheritance which chronicles the A to B linear journey of finding out that the father who raised her was not her biological father, making use of flashback and memory to piece together the front story of what’s happening as she figures out the truth of who she really is. Wild by Cheryl Strayed, is another famous framed memoir, because the A to B story is her trek along the Pacific Crest Trail, but the use of flashback and memory has her constantly leaving the front story and entering into the backstory to give context for why she’s on this journey in the first place. 

There are also thematic memoirs, like Terese Marie Mailhot’s Heart Berries , which focuses on themes of identity and trauma and its impact on her and her family, but reaches more broadly into the experience of being Native American. 

Examples of Thematic Memoirs

Thematic memoirs abound typically sell better than other memoirs because they’re what the industry calls “high-concept,” meaning that they’re easy for buyers and readers to wrap their minds around.

Countless categories of memoir point to big-picture themes: addiction and recovery ; parenting ; travel ; cooking; coming-of-age; dysfunctional family; religious experience; death and dying ; divorce; and more.

Your theme (or sometimes themes) infuses every chapter you write, and it/they can be quite nuanced. For instance, a theme might be healing through running.

Once you identify your theme, you must always keep sight of it. I liken this to wearing a pair of tinted glasses. If you put on glasses with purple lenses, you can still see the entirety of the world around you, but you will never forget that you’re wearing the glasses because everything you look at is tinted purple.

The same should be true with good memoir: introduce the reader to your world, but keep your memoir contained and on point by keeping your principal (and sometimes secondary) themes front and center.

Single-issue memoirs about things like addiction, body image, or illness — including books like Hunger: A Memoir of (My Body) by Roxane Gay;  Smashed: Story of a Drunken Girlhood by Koren Zailckas; Sick: A Memoir by Porochista Khakpour; or Laura M. Flynn’s Swallow the Ocean: A Memoir , about growing up with a mentally unwell parent are all great examples. 

For travel memoirs, or food memoirs, or memoirs of leaving home, check out books like The Expedition by Chris Fagan; or A Tiger in the Kitchen by Cheryl Lu-Lien Tan; or Blood, Bones, and Butter by Gabrielle Hamilton.

Examples of Memoirs with Strong Takeaways

Takeaway is your gift to the reader. It’s a message, reflection, or truism.

Sometimes these fall at the end of scenes or the end of chapters, but that’s not always necessary. Takeaway can happen at any moment, when the author shares something heartfelt, universal, and true.

It’s those moments in reading memoir that hit you hard because you can relate—even if you haven’t had the exact experience the author is describing.

Understanding takeaway is a long process, and some authors, when they first start thinking about takeaway, make the mistake of being too overt or trying too hard.

These are subtle moments of observation about the world around you, a wrapping up of an experience through a lesson learned or the sharing of the way something impacted you. The idea is to sprinkle these moments into your chapters, without overwhelming or spoon-feeding your reader.

Good writers do this so seamlessly you don’t even realize it happened, except that you feel like he or she has burst your heart, or crushed you with the weight of their insight. You feel like you know the author because it’s as if she’s speaking directly to you.

Good takeaway is, in fact, mirroring. It’s a way of relaying that we are not alone and the world is a crazy place, isn’t it?

But is it such a bad thing to live like this for just a little while? Just for a few months of one’s life, is it so awful to travel through time with no greater ambition than to find the next lovely meal? Or to learn how to speak a language for no higher purpose than that it pleases your ear to hear it? Or to nap in a garden, in a patch of sunlight, in the middle of the day, right next to your favorite foundation? And then to do it again the next day? Of course, no one can live like this forever. Elizabeth Gilbert

Not all reflective passages have to be questions, but you can see that this technique is effective. Gilbert is ruminating over the life she’s living, but which she cannot maintain; in her experience—through the vantage point of her American understanding of the world—it’s not possible, and undoubtedly 99% of her readers agree.

We all know what it feels like to be saddled by the burdens of everyday life. Gilbert’s readers would feel this passage on a visceral level, even if they’d never before been to Italy, because everyone understands the longing that’s wrapped up in allowing yourself to just let down. And that’s what makes this a takeaway; it’s a universal connection to the reader.

Now get out there and write!

When you follow these examples and these seven guidelines for writing your memoir, you will captivate your audience and leave them begging for more.

But more importantly, you will share your own authentic story with the world.

Ready to learn more about sharing your story with the world?

This is an updated version of a story that was previously published. We update our posts as often as possible to ensure they’re useful for our readers.

TRY OUR FREE APP

Write your book in Reedsy Studio. Try the beloved writing app for free today.

Craft your masterpiece in Reedsy Studio

Plan, write, edit, and format your book in our free app made for authors.

Guides • Perfecting your Craft

Last updated on Apr 14, 2023

How to Write a Memoir: Turn Your Personal Story Into a Successful Book

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Martin Cavannagh

Head of Content at Reedsy, Martin has spent over eight years helping writers turn their ambitions into reality. As a voice in the indie publishing space, he has written for a number of outlets and spoken at conferences, including the 2024 Writers Summit at the London Book Fair.

About Tom Bromley

Author, editor, tutor, and bestselling ghostwriter. Tom Bromley is the head of learning at Reedsy, where he has created their acclaimed course, 'How to Write a Novel.'

Writing a memoir can be a meaningful way to reflect on your life's journey and share your unique perspective with people around you. But creating a powerful (and marketable) book from your life's memories — one that can be enjoyed by readers across the world — is no easy task. 

In this article, we'll explore the essential ingredients that make up an impactful and commercially viable memoir and provide you with tips to craft your own.

Here’s how to write a memoir in 6 steps: 

1. Figure out who you’re writing for

2. narrow down your memoir’s focus, 3. distill the story into a logline , 4. choose the key moments to share, 5. don’t skimp on the details and dialogue, 6. portray yourself honestly.

Before you take on the challenge of writing a memoir, make sure you have a clear goal and direction by defining the following:

• What story you’re telling (if you’re telling “the story of your life,” then you may be looking at an autobiography , not a memoir),
• What the purpose of your memoir is,
• Which audience you’re writing it for.

Some authors write a memoir as a way to pass on some wisdom, to process certain parts of their lives, or just as a legacy piece for friends and family to look back on shared memories. Others have stronger literary ambitions, hoping to get a publishing deal through a literary agent, or publishing it yourself to reach a wide audience. 

Whatever your motivation, we’d recommend approaching it as though you were to publish it. You’ll end up with a book that’s more polished, impactful, and accessible 一 even if it’ll only ever reach your Aunt Jasmine.

🔍 How do you know whether your book idea is marketable? Acclaimed ghostwriter Katy Weitz suggests researching memoir examples from several subcategories to determine whether there’s a readership for a story like yours.

Know your target reader

If you’re not sure where to start it doesn’t hurt to figure out your target audience 一 the age group, gender, and interests of the people you’re writing it for. A memoir targeted at business execs is a very different proposition from one written to appeal to Irish-American baseball fans. 

If you want a little help in asking the right questions to define your audience, download our author market research checklist below. 

FREE RESOURCE

Market Research Checklist

Find your ultimate target audience with our checklist.

Now that you know who you’re writing for, you need to clearly define which (yummy) slice of your life you want to share with them. 

When writing a memoir, there's always the temptation to cover broad periods of your life, from that time in first grade when Mrs. Taylor laughed at your painting, to your third divorce, and everything in between. But remember, this is not a biography. You should try to choose specific experiences or aspects of your life that form a red thread or a central theme. The narrower the focus, the better your memoir will resonate with others. 

For example, a memoir could be about the time you hiked the Appalachian Trail, became a Jiu-Jitsu master, or volunteered in a refugee camp. Naturally, anecdotes from other parts of your life may intertwine with your main narrative, but there needs to be a focused center to your book.

Not only will a narrower slice of life help you concentrate your efforts, it will also make it easier to shift the focus from your personal story to specific, relatable things you experienced , making it easier for readers to care and take something away from the book.

GET ACCOUNTABILITY

Meet writing coaches on Reedsy

Industry insiders can help you hone your craft, finish your draft, and get published.

A broader theme readers can relate to

Unless you’re a celebrity, you can’t expect people to just want to read your memoir 一 you have to give them a reason to carve time out of their busy schedule and sit with your book. People are drawn to stories that they can relate to or that teach them something about themselves and the world. 

So, before you get to writing, identify the broader themes behind your personal experiences and center the book around them. For example, a story about hiking the Appalachian Trail could be a story about spiritual growth. A book about learning Jiu-Jitsu may be about building confidence and overcoming fear. A memoir about working with refugees could be about cultivating empathy and overcoming structural inequality. 

These are themes that people from different ages, gender, and cultures can relate to. They will make your memoir much more universal. Figure out what readers can learn from your experiences, whether that’s something about resilience, trauma, parenting, self-discovery, or other, and center your book around that .    

💡 Listen to 3-time memoir author Paul Bradley Carr explain the importance of nailing your memoir’s focus from the get-go in this advice-packed Reedsy Live.

At this point, you’re probably fired up and stretching your fingers to start writing. But there are a few more steps to take to ensure you’re set up for success. 

Memory lane isn’t a straight path — it’s a winding road with many off-ramps and distractions. So before you start drafting, make a note of where you’re going by encapsulating your memoir in a sentence or two. Ask yourself: if I were to pitch it to a stranger on an elevator, how would I summarize it? The purpose of this exercise is to help you weave the main themes into a clear narrative arc, which is essential to turn your life into a captivating story. 

Here are some example loglines from famous memoirs for inspiration: 

Take some time with your logline and whittle your story down to its purest form. If it helps, start by writing what you think the back cover blurb will be. Then boil it down further and further, until you can finally pitch it in just a few sentences.

The logline is the North Star that will guide you as you start to collect the moments of your life to include in the book. 

Now that you have a direction and some central themes, it’s time to pick the best tales from your buffet of life experiences. It’s natural to look back at your life chronologically and select memories in a linear fashion, but really, what’s important is to pick the most meaningful moments, whether big or small, that propel your memoir forward.

For example, Trevor Noah’s Born a Crime is a collection of stories about growing up as a mixed-raced child in Apartheid South Africa. The book shares how Noah questioned his mother’s religious beliefs, spoke multiple languages to bridge cultural differences, made and sold CDs to escape poverty, and more. Each story is a different window into his world and how it shaped him, but all of them build on the book’s central themes of faith, identity, and resilience.

Look for moments of high emotion

When you’re mining your memory for stories, look for those with moments of high emotion and meaning. Whether it was a funny, sad, or embarrassing memory, the ones that shaped who you are and how you see the world tend to be the most emotionally charged.

To discern the gems from mediocre stories, consider working with a professional editor and take advantage of their editorial wisdom. 

MEET EDITORS

Polish your book with expert help

Sign up, meet 1500+ experienced editors, and find your perfect match.

Now close your eyes, and dig deep into your memories to repaint your stories on the blank page as colorfully (and accurately) as possible. 

To make your memoir deeply engaging, experiment with different storytelling techniques and use sensory details, actions, and dialogue, as opposed to explicitly stating what you did or how you felt. This falls into the classic writing advice of ‘Show, don’t tell.’

When revisiting your memories, be thorough in your research and try to collect as many details as possible: 

• Read back your journal entries (if you kept one) to see how you felt in the moment.
• Get your hands on photos or videos from that period in your life (either digital or analog.)
• Interview your family members, friends, and other people relevant to your story.
• Revisit locations and settings from the past that you plan on writing about.
• Look up anything that can be verified or fact-checked (e.g. dates, social media posts, or world news.)

Once you've collected the raw material, organize these memories in a way that makes sense for you. Being systematic in your research will pay serious dividends when you actually start working on your manuscript.

You’re allowed some creative license with dialogue

One thing that is particularly important to get right is dialogue. Obviously, you don't have to write dialogue exactly as it happened — our memories are fallible after all. However, you do need to accurately capture the essence of what was said (and how). As long as you’re faithful to what happened (or at least honest about how you experienced it) you can take some liberties with the precise wording. 

To write believable dialogue, take inspiration from your favorite writers, or take our free course below for tips. 

FREE COURSE

How to Write Believable Dialogue

Master the art of dialogue in 10 five-minute lessons.

😱 Inevitably, when you write about other people there’s always a risk of portraying them in a way they don’t appreciate. As general advice, tell them you’re writing this story, or prepare to lose some relationships. And if you’re really pushing some boundaries, discuss it with your lawyer! 

Next, it’s time to look inwards and flesh out a compelling and relatable protagonist: you!  

The best memoirs read like novels, which means they hinge on the protagonist’s voice and personality 一 their quirks, values, and goals, and how they rise to life’s challenges. Just as in a novel, your memoir needs a relatable protagonist that undergoes some change.

It takes a good dose of courage to portray yourself as a multidimensional character 一 one with both strengths and weaknesses, one who sometimes wins and sometimes loses. 

Do background work on yourself

To infuse a dose of humanity to your own character, you’ll have to do the background work as if you were a character in a novel. Take note of everything from your physical appearance, cultural background, psychological traits, and more. This exercise will help you bring to surface details about your personality that you’d otherwise look over, and depict a much more well-rounded protagonist. To facilitate the process, use our free character development template which will guide you with specific prompts and questions.  

Reedsy’s Character Development Template

A story is only as strong as its characters. Fill this out to develop yours.

Define your character’s arc

Additionally, it's helpful to define your own character's arc 一 how you’ve matured through the life experiences highlighted in the memoir. There are specific steps you can follow to define your personal hero's journey , but among other questions, you’ll have to answer: 

• What inciting incident set you on a journey?
• What were the obstacles you encountered?
• Which mentors helped you along the way?
• What were the lessons you needed to learn?
• How have you changed as a result?

These questions will help you strengthen your memoir’s narrative, hooking the readers in like the best novels do. 

To give an example, Cheryl Strayed's journey in Wild begins after the death of her beloved mother and other family problems, which lead her on a path of self-destruction, culminating in a divorce and addiction to heroin. Having reached the bottom, she decides to hike the Pacific Crest Trail for three months in order to find herself. The path is filled with challenges 一 from her hiking inexperience, to losing her boots, to fellow hikers warning her that it's not safe to go on alone. Through resilience (and some help) she is able to overcome her physical and emotional challenges, find forgiveness and rediscover her inner strength. 

Take inspiration from Wild and other memoirs, and deconstruct how your own experiences might fit into these all-important story elements. 

You now have all the ingredients: a specific memoir topic that touches on universal themes (as summarized by your logline), a selection of vivid and relevant memories, and a multidimensional character with an interesting story arc. It’s time to put it all together by outlining the structure of your memoir, which is exactly what we’ll cover in our next post.

15 responses

CourtneySymons says:

11/01/2018 – 15:26

This was exactly the article I needed today! I've just begun a new career path as a ghostwriter and am finding it difficult to find learning resources (conferences, courses, books, networks of ghostwriters, etc.). If any readers have advice on where I should be looking or who I should be talking to, I would be forever grateful! Thanks so much!

M. Thomas Maxwell says:

11/01/2018 – 15:28

I had no intention of writing a book but encouraged by my grandson I embarked on a story telling venture that led to Grandfather's Journal, www.captaintommaxwell.com. It truly is a series of life stories shared with my grandson. Published by Westbow press in 2015 I used many Reedsy tips and am very pleased with the results.I have since encouraged others to consider doing the same. It took over a year and was a pleasant experience.

Don Karp says:

11/01/2018 – 16:06

As a self-published memoir writer, I read this with appreciation. I do not agree with all that's said here. For example, "2. Do Your Research." Of course certain events--those experienced publicly by a large number of people--need to be accurate. But even the word, "memoir," says it's about memory, not accuracy. This is one of the major differences from an autobiography which does require research. I looked up the dictionary definition and got confirmation on this. Perhaps you need to re-examine this and get it right?

↪️ Reedsy replied:

11/01/2018 – 17:00

I would agree that memoirs are indeed based on memory — and in some way that's why historians are often forced to question the reliability of memoirs as a primary source. I would say, however, that modern readers to expect memoirs to be as factually-correct as possible. Editors at publishers will go to great pains to ensure that — or face a public backlash. If you say anything in a memoir that can be disproved by a basic google search will seriously compromise your relationship with a reader. The other benefit with research is that it can do a lot to jog your memories. Unreliable recollections can often be set straight once you remind yourself of certain facts. Thanks for commenting!

↪️ Don Karp replied:

11/01/2018 – 17:28

Thanks for your response. This brings up two points for me. First, what is more powerful, a memory of an experience or the actual experience? Different people interpret the same experience differently. Second, what do you propose to do with the dictionary definition of "memoir?" Since the word is based on memory and not research, perhaps you can suggest some alternate word form?

↪️ The Red Lounge For Writers replied:

05/12/2018 – 08:14

I think looking at the idea of the 'voice of innocence' and the 'voice of experience' could really help with this distinction between fact and memory. As writers of memoir, we are expected to write what we remember. We can do this using the voice of innocence, and use the voice of experience to write about the factual context.

Stu Mountjoy says:

11/01/2018 – 21:48

A group I used to attend, on a Friday, started people off with the basic exercise of writing a story about one thing that happened to you, and I did one about a race at school. I am always impressed by the first page I read of Alan Alder's bio (actor in M*A*S*H TV series) - "Hi I'm Alan Alder, and when I was six, my mother tried to kill my father." - wow.

31/01/2018 – 10:15

Alda's a great writer — "Things I Overheard While Talking to Myself" is such a fantastic name for a memoir too.

Robbie Cheadle says:

31/01/2018 – 04:48

A very useful and interesting post on writing a memoir.

31/01/2018 – 10:14

I'm glad you like it Robbie :)

The Red Lounge For Writers says:

05/12/2018 – 08:10

All great advice. Memoir is probably my favourite genre to read, and some of my favourite books are memoirs. I'm of the opinion that everyone has a story to tell; it's just a matter of figuring out how to do it really well.

James Soil says:

15/07/2019 – 13:16

Thank you very much I just finished my Memoir titled Addicted it will be out this summer after reading this article I feel much better about it I pretty much did what the article says.

Izaura Nicolette says:

04/08/2019 – 04:50

Self-published Author, Izaura Nicolette. 'Within The Mountains: A Mormon Reform School Experience.' Published January, 2019. Seeking legit Publishing House or Agent. I still have not received any royalties due to publishers being fraudulent. I want to speak publicly about my memoir. Hundreds to thousands can back me up. This is a true story. I hold too close to my heart. Hoping to heal by sharing this experience, and opening door for many others.

Magzley says:

08/08/2019 – 02:14

Can I *breathe* life into my story instead?

Cassandra Janzen says:

20/12/2019 – 04:35

Very helpful, thank you!

Comments are currently closed.

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

Bring your publishing dreams to life

The world's best editors, designers, and marketers are on Reedsy. Come meet them.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

Home — Essay Types — Memoir Essay

Memoir Essay Examples

Selecting the right topic is the cornerstone of a compelling memoir essay. It's the initial step in crafting a narrative that resonates with readers and leaves a lasting impression. The chosen topic serves as the foundation upon which your entire memoir is built, setting the tone and direction for your storytelling journey. To better illustrate this point, let's examine some memoir essay examples in our base of essays.

When you carefully consider your memoir essay topics, you're essentially inviting readers into your world, allowing them to connect with your personal experiences, emotions, and insights. The more relatable the topic, the deeper the connection you can establish with your audience. After all, the power of memoir lies in its ability to evoke empathy and understanding.

To gain a better understanding of this concept, we can turn to some well-known memoirs, such as "The Glass Castle" by Jeannette Walls and "Eat, Pray, Love" by Elizabeth Gilbert, as memoir essay examples. "The Glass Castle" revolves around her unconventional upbringing and the struggles of her impoverished family, illustrating how the right topic can engage readers and make a memoir not just a personal narrative but a shared human experience.

Finding Inspiration for Memoir Essay Topics

So, where can you find inspiration for your memoir essay topics? The answer lies in your own life experiences, and there are countless facets to explore.

I. Start by reflecting on significant life events, such as your childhood memories. Think about the moments that shaped you, the adventures that left a lasting impression, and the challenges that forced you to grow. These events often hold the key to compelling memoir essay ideas, as they offer glimpses into your personal journey.

• A Life-Altering Event and Its Profound Impact
• Exploring the Impact of Milestones in Life
• Personal Crisis Leading to Transformation
• Influence of Key Moments on Life's Path
• Lessons from Milestones: Successes and Failures

II. Additionally, consider your milestones and achievements. Successes and accomplishments, both big and small, can be fertile ground for memoirs. Whether it's graduating from college, starting a business, or completing a marathon, these moments represent your growth and perseverance.

• Reflecting on the Marathon: Perseverance and Transformation
• Transitioning from College to the Real World
• Entrepreneurial Ventures: Navigating Challenges in Business
• Shaping Character Through Personal Achievement
• Personal Growth Through Accomplishments

Personal challenges and growth experiences also make for engaging topics. Everyone faces adversity at some point in their lives, and sharing how you navigated through these trials can inspire and connect with readers who have undergone similar struggles.

Of course, here are the essay topic examples marked up as a list:

• My Journey Through Personal Challenges and Triumph
• My Most Memorable Experiences in Life
• Navigating Personal Struggles for Personal Growth
• Triumphing Over Life's Obstacles: Stories of Resilience
• Lessons from Adversity: Building Empathy and Connection Through Shared Struggles

Lastly, your career and professional experiences are a goldmine of stories. Share your successes, the challenges you've faced, and the valuable lessons you've learned along the way. Your career journey can offer valuable insights and inspiration to others pursuing their own professional paths.

• Lessons Learned from My Professional Journey
• How Past Experiences Influence Our Present
• Overcoming Challenges and Thriving in My Career
• Shaping Growth Through Career Path and Mentorship
• Inspiring Others with Insights from My Professional Odyssey

By delving into these various aspects of your life, you can uncover memoir topics that are not only deeply personal but also universally relatable, creating a narrative that resonates with readers on a profound level.

A memoir essay, with its vulnerability, introspection, and focus on key life lessons, differs from a standard personal essay or autobiography. Unlike chronological autobiographies, memoir essays thoughtfully reflect on specific meaningful experiences. By candidly revisiting impactful moments, memoir essayists gain self-awareness, find meaning in hardship, preserve family histories, and share life-changing epiphanies. 

Great memoir essays , illustrated by memoir essay examples , balance vivid scenic recreation, raw emotional insights, and universal truths. Evocative sensory details transport readers to pivotal moments, while introspective narration reveals the inner turmoil, growth, and realizations that recollection brings. The most compelling memoirs extract wisdom from lived experience, inviting readers to reflect on their own journeys.

Memoir Essay’s Central Theme 

Identifying your memoir essay’s central theme or message provides focus for both writing and reflection. Set aside time for deep thought about the big life moments you could explore within your memoir essay and what universal insights they hold.

Common memoir themes include overcoming adversity, grief and loss, achievement, parenthood, sexual identity, family dynamics, disillusionment, recovery from trauma or addiction, spiritual awakening, and more. For example, a parent’s memoir may center on personal growth through raising a special needs child. A memoir of grief could find meaning in love and legacy after loss.

Once you land on a specific theme, use it as a touchstone while shaping your memoir’s scenes, tone, and takeaways. Let it guide your writing toward impactful self-revelation.

Memoir Essay’s Structure

An intentional structure connects your memoir’s scenes into a cohesive narrative arc. Chronological organization works well for linear stories, while a braided narrative with interwoven timelines suits winding journeys. 

Some memoirs, as in memoir essay examples for college students, utilize frame narratives that “bookend” the story, like Sidonie-Gabrielle Colette’s childhood recollections in My Mother’s House. Others divide chapters into thematic segments, like cancer survivor Kathy Kamen’s shifting outlooks in The Medicine Wheel.

Play with different structures until you find one that mirrors your narrative’s emotional cadence. Outline essential scenes like epiphanies, darkest moments, turning points, and resolutions to build your blueprint. A strong structure elevates your memoir’s impact.

Memoir Essay’s Voice and Tone

An authentic narrative voice and complementary tone shape how readers connect with your memoir. Your voice should fit the story, while your tone reflects the narrator’s perspective. 

For example, a humorous, ironic tone could capture the absurdities of childhood. A somber, reflective tone may suit a memoir of loss. Word choice profoundly affects tone, so select descriptors deliberately based on the desired mood and emotions.

Beyond tone, stylistic devices like metaphor and imagery convey voice. Is your narrator contemplative? Sarcastic? Lyrics? Fragmented sentences or analytical asides also contribute nuance. Remember your voice makes the memoir uniquely yours.

Bringing Scenes and Characters to Life 

Transport readers right into your memoir’s most pivotal scenes using vivid sensory description. Share sights, sounds, smells, textures, and tastes that set the scene and make it relatable. Zoom in on resonant images and telling details that reveal deeper meaning and character insight.  

Dialogue and anecdotes also help dramatize events and portray relationships. Let important conversations and interactions unfold naturally to illuminate the interpersonal dynamics, motivations, and emotions at play. Specific, evocative details turn recalled moments into immersive scenes.

Polishing Memoir Essays

Refine your first draft by revisiting your memoir’s central theme and emotional impact. Strengthen the narrative arc and deepen insights through targeted revision:

• Read sections aloud to polish language and flow.  
• Ask trusted readers for constructive feedback.
• Develop motifs and metaphors that underscore themes.
• Enhance scenes with more vivid sensory descriptions. 
• Adjust structure and pacing as needed.
• Clarify the narrative perspective and voice.

Revision is key to crafting a memoir that resonates. It takes raw recollections and molds them into universally relatable experiences suffused with meaning.

Free Memoir Essay Examples

We hope these free memoir essay examples inspire you to embrace the power of storytelling and to celebrate the uniqueness of every life’s narrative. Explore the pages of these memoirs to witness the resilience of the human spirit, the complexities of relationships, and the transformative power of personal reflection. These examples of memoir essays are a testament to the richness of the human experience and the artistry of memoir writing.

College Memoir Essay Examples

These insightful essays provide a glimpse into the diverse and transformative experiences of college life. Explore these stories of growth, challenges, and self-discovery as students share their personal narratives, shedding light on the unique journey that is higher education. Whether you’re a student seeking inspiration or simply curious about the college experience, these essays offer valuable insights and perspectives.

How to Write a Memoir Essays

Tips in memoir essay infographics.

Checklist for Writing a Memoir Essay

• Before You Start

✓ Choose a Specific Topic: select a meaningful and impactful life experience to write about.

✓ Identify Your Message: determine the central theme or message you want to convey through your memoir essay.

✓ Gather Memories: brainstorm and collect memories, details, and emotions related to your chosen experience.

✓ Narrow Your Focus: decide on the specific aspect or moment within your experience that you’ll explore in-depth.

• Structuring Your Memoir Essay

✓ Create a Three-Part Structure: plan for a clear beginning, middle, and end in your essay.

✓ Craft an Engaging Introduction: start with a compelling hook that introduces the topic and grabs the reader’s attention.

✓ Develop the Body: explore your chosen experience in detail, utilizing vivid descriptions, emotions, and reflections.

✓ Conclude Thoughtfully: wrap up your essay by tying together loose ends and leaving readers with something to ponder.

✓ Reflect and Connect: consider the broader implications of your memoir, connecting your personal experience to universal truths or lessons.

• Writing Your Memoir Essay

✓ Write Clearly and Concisely: use clear and concise language to convey your story and message effectively.

✓ Use Sensory Details: incorporate sensory details to bring your experiences to life for the reader.

✓ Be Honest and Authentic: share both strengths and vulnerabilities to make your memoir more relatable and authentic.

✓ Embrace Vulnerability: don’t shy away from sharing your emotions and vulnerabilities, as they add depth to your narrative.

✓ Revise and Edit: carefully revise and edit your work for clarity, coherence, and overall polish.

• Additional Resources

✓ Refer to Memoir Examples for College Students: seek inspiration and guidance from memoir examples tailored to college students’ experiences.

✓ Explore how to start a memoir essay examples: study various ways to begin your memoir essay effectively, drawing from examples.

Using this checklist can help you stay organized and focused while writing your memoir essay, ensuring that you craft a compelling and meaningful narrative.

While delving into the intricacies of writing a memoir essay, it’s essential to embrace the complexities of your narrative, weaving together the threads of your experiences with insight and reflection. However, expanding your understanding of different essay formats can further refine your writing craft. Specifically, by crafting a problem-solution essay, you can develop a keen eye for identifying and articulating challenges within your stories, while also presenting thoughtful, engaging resolutions. This skill not only enhances the depth and structure of your memoir but also equips you with a versatile approach to writing that can be applied across various genres. Engage with this dynamic essay format to enrich your storytelling toolkit and bring a new level of sophistication to your memoir.

Figurative Language Memoir

Throughout history, figurative language has been used as a powerful tool for writers to convey complex emotions and ideas in a more engaging and impactful way. From the use of metaphors to similes, personification, and hyperbole, figurative language adds depth and creativity to writing, allowing…

The Power of Traveling: Personal Experiences and Reflections

Introduction Traveling is one of the most enriching experiences one can have. It exposes you to new cultures, customs, and ways of thinking. However, it can also be challenging and unpredictable, making it a true adventure. As a college student, I have had the opportunity…

The Transformative Power of Literacy

Literacy, in its simplest definition, is the ability to read and write. However, it is much more than that. Literacy is a fundamental skill that enables individuals to communicate, comprehend, and learn. It is an essential tool for success in life and is the foundation…

The Significance of Family: A Memoir Paper

Introduction Families are the cornerstone of society. They provide love, support, and guidance to their members, helping them navigate the ups and downs of life. Each family has its unique story to tell, shaped by the experiences they share together. As a college student, I…

Get professional help in 5 minutes

Lessons Learned from Childhood, College, and Long-Distance Connections

Friendship is a fundamental aspect of human life. This memoir reflects on the author’s experiences with childhood friends, college friends, and long-distance friendships, highlighting the lessons learned and the power of friendship in overcoming life’s challenges. Childhood Friends Childhood friends are often the first friends…

Preserving Family Culinary Traditions: A Connection to My Cultural Roots

Food is an essential part of our culture and identity, and it plays a significant role in shaping our family traditions. Growing up, my family’s kitchen was always filled with the smells of delicious home-cooked meals, and the recipes that have been passed down through…

My Journey as a Syrian Refugee: Shedding Light on the Realities of the Crisis

With over 80 million people forcibly displaced from their homes. Syria has been at the forefront of this crisis, with millions of Syrians fleeing the country due to the ongoing civil war. As a Syrian refugee myself, I have experienced the challenges and obstacles that…

500 Words about My Life Experience: How Life Experiences Shape Us

Life is a journey filled with twists and turns that shape who we are today. Our past experiences, both good and bad, have a profound impact on our lives and help us grow into the person we are today. As a college student, I have…

Journey of Self-Discovery through Memoirs

Introduction Memoirs are a powerful tool for self-discovery. They allow individuals to reflect on their past experiences and use them to gain a better understanding of themselves. In this essay, I will be sharing my personal journey of self-discovery through my memoir. I hope that…

From Struggles to Success: My Journey

Introduction Life is a journey full of twists and turns, ups and downs. My journey has been no exception. Growing up, I faced many challenges that tested my resilience and strength. However, through hard work and determination, I was able to overcome these struggles and…

What is a memoir essay?

This type of writing is often mixed up with autobiography essays. However, it is not the same as it represents a first-person narrative that describes a certain part of a person's life. The topics and ideas are always chosen by the author. In terms of comparing a personal essay vs memoir, it is necessary to understand that memoir still keeps to a certain chronology even if describing a single day.

How to write memoir essays?

Even though it is not a fiction story, memoir essay writing still uses various metaphors or literary devices that increase an emotional effect. You can see our memoir essay examples that show how it is done in practice. The structure has a strong temporal effect and an overly emotional tone, which is acceptable for memoir writing. Remember to end your writing with an important argumentation that will make readers think.

How to start writing a memoir essay?

To begin writing a memoir essay, start by identifying a compelling personal story or theme from your life. Reflect on its significance and outline the key moments. Then, create an engaging opening that hooks readers, drawing them into your narrative. Finally, let your story unfold with honesty, reflection, and vivid detail.

How to write a memoir essay structure?

A memoir essay typically follows a chronological or thematic structure. Start with an engaging introduction, introduce the central theme or event, and provide vivid details. Progress through the narrative, building tension or insight. Conclude by reflecting on the significance of your story, offering lessons, or leaving readers with a thought-provoking idea.

How does a memoir essay differ from other types of writing?

Memoir essays differ by their introspective nature, centering on personal experiences and lessons learned. They often incorporate vivid descriptions and emotional depth to engage readers on a personal level.

What are some common themes explored in memoir essays?

Common memoir themes include overcoming adversity, family dynamics, personal growth, grief, identity, and transformative moments. These themes provide a framework for exploring life's complexities.

What is the ultimate goal of a memoir essay?

The primary goal of a memoir essay is to share a personal story while offering universal insights or lessons that resonate with readers. It aims to create a meaningful and reflective narrative.

How much personal detail should I include?

Be judiciously vulnerable. Share telling details that lend insight, but avoid oversharing or exposing others’ privacy. Strive for candid self-revelation in service of the larger theme.

How do I conclude in a meaningful way?

Offer closing reflections on your memoir’s central insights, tying together the theme and narrative arc. Look ahead to the future or revisit where the journey began. End on an uplifting or poignant note.

Students also browse

• Problem Solution Essay
• Satire Essay
• Exploratory Essay
• Proposal Essay
• Analytical Essay
• Profile Essay
• Synthesis Essay
• Rhetorical Analysis Essay
• Autobiography Essays
• Cause and Effect Essays

We use cookies to personalyze your web-site experience. By continuing we’ll assume you board with our cookie policy .

• Instructions Followed To The Letter
• Deadlines Met At Every Stage
• Unique And Plagiarism Free

• Buy Custom Assignment
• Custom College Papers
• Buy Dissertation
• Buy Research Papers
• Buy Custom Term Papers
• Cheap Custom Term Papers
• Custom Courseworks
• Custom Thesis Papers
• Custom Expository Essays
• Custom Plagiarism Check
• Cheap Custom Essay
• Custom Case Study
• Custom Annotated Bibliography
• Custom Book Report
• How It Works
• Writing Guides
• +1 (888) 398 0091
• Essay Samples
• Essay Topics
• Research Topics
• Writing Tips

How to Write a Memoir Essay

October 12, 2023

What is a Memoir Essay?

A memoir essay is a form of autobiographical writing that focuses on a specific aspect of the author’s life. Unlike a traditional autobiography, which typically covers the author’s entire life, a memoir essay hones in on a particular event, time period, or theme. It is a deeply personal and reflective piece that allows the writer to delve into their memories, thoughts, and emotions surrounding their chosen subject.

In a memoir essay, the author aims to not only recount the events that took place but also provide insight into the impact and meaning of those experiences. It is a unique opportunity for self-discovery and exploration, while also offering readers a glimpse into the author’s world. The beauty of a memoir essay lies in its ability to weave together personal anecdotes, vivid descriptions, and introspective reflections to create a compelling narrative.

Writing a memoir essay can be both challenging and rewarding. It requires careful selection of memories, thoughtful introspection, and skillful storytelling. The process allows the writer to make sense of their past, gain a deeper understanding of themselves, and share their unique story with others.

Choosing a Topic for Your Memoir Essay

Selecting the right topic is crucial to write a good memoir essay. It sets the foundation for what you will explore and reveal in your personal narrative. When choosing a topic, it’s essential to reflect on your significant life experiences and consider what stories or themes hold the most meaning for you.

One approach is to think about moments or events that have had a profound impact on your life. Consider times of triumph or adversity, moments of exploration or self-discovery, relationships that have shaped you, or challenges you have overcome. These experiences can provide a rich foundation for your memoir essay.

Another option is to focus on a specific theme or aspect of your life. You might explore topics such as identity, family dynamics, cultural heritage, career milestones, or personal beliefs. By centering your essay around a theme, you can weave together various memories and reflections to create a cohesive narrative.

It’s also important to consider your target audience. Who do you want to connect with through your memoir essay? Understanding your audience’s interests and experiences can help you choose a topic that will resonate with them.

Ultimately, the topic should be one that excites you and allows for introspection and self-discovery. Choose a topic that ignites your passion and offers a story worth sharing.

Possible Memoir Essay Topics

• Childhood Memories
• Family Dynamics
• Life-altering Events
• Overcoming Societal Expectations
• Love and Loss
• Self-discovery and Transformation
• Lessons from Nature
• Journey from Darkness to Light
• Triumphing Over Adversities
• Life’s Defining Moments

Outlining the Structure of Your Memoir Essay

Writing a memoir essay allows you to share your personal experiences, reflections, and insights with others. However, before you start pouring your thoughts onto the page, it’s essential to outline the structure of your essay. This not only provides a clear roadmap for your writing but also helps you maintain a cohesive and engaging narrative.

First, consider the opening. Begin with a captivating introduction that hooks the reader and establishes the theme or central message of your memoir. This is your chance to grab their attention and set the tone for the rest of the essay.

Next, move on to the body paragraphs. Divide your essay into sections that chronologically or thematically explore different aspects of your life or experiences. Use vivid descriptions, anecdotes, and dialogue to bring your memories to life. It’s crucial to maintain a logical flow and transition smoothly between different ideas or events.

As you approach the conclusion, summarize the key points you’ve discussed and reflect on the significance of your experiences. What lessons have you learned? How have you grown or changed as a result? Wrap up your memoir essay by leaving the reader with a memorable takeaway or a thought-provoking question.

Remember, the structure of your memoir essay should support your storytelling and allow for a genuine and authentic exploration of your experiences. By outlining your essay’s structure, you’ll have a solid foundation to create a compelling and impactful memoir that resonates with your readers.

How to Write an Introduction for Your Memoir Essay

The introduction of your memoir essay sets the stage for your story and captivates your readers from the very beginning. It is your opportunity to grab their attention, establish the tone, and introduce the central theme of your memoir.

To create a compelling introduction, consider starting with a hook that intrigues your readers. This can be a surprising fact, a thought-provoking question, or a vivid description that immediately draws them in. Your goal is to make them curious and interested in what you have to say.

Next, provide a brief overview of what your memoir essay will explore. Give your readers a glimpse into the key experiences or aspects of your life that you will be sharing. However, avoid giving away too much detail. Leave room for anticipation and curiosity to keep them engaged.

Additionally, consider how you want to establish the tone of your memoir. Will it be reflective, humorous, or nostalgic? Choose your words and phrasing carefully to convey the right emotions and set the right atmosphere for your story.

Finally, end your introduction with a clear and concise thesis statement. This statement should express the central theme or message that your memoir will convey. It serves as a roadmap for your essay and guides your readers in understanding the purpose and significance of your memoir.

By crafting a strong and captivating introduction for your memoir essay, you will draw readers in and make them eager to dive into the rich and personal journey that awaits them.

Write the Main Body of Your Memoir Essay

When developing the main body of your memoir essay, it’s essential to structure your thoughts and experiences in a clear and engaging manner. Here are some tips to help you effectively organize and develop the main body of your essay:

• Chronological Structure: Consider organizing your memoir essay in chronological order, following the sequence of events as they occurred in your life. This allows for a natural flow and a clear timeline that helps readers understand your personal journey.
• Thematic Structure: Alternatively, you can focus on specific themes or lessons that emerged from your experiences. This approach allows for a more focused exploration of different aspects of your life, even if they did not occur in a linear order.
• Use Vivid Details: Use sensory details, descriptive language, and engaging storytelling techniques to bring your memories to life. Transport your readers to the settings, evoke emotions, and create a vivid picture of the events and people in your life.
• Show, Don’t Tell: Instead of simply stating facts, show your readers the experiences through engaging storytelling. Use dialogue, scenes, and anecdotes to make your memoir more dynamic and immersive.
• Reflections and Insights: Share your reflections on the events and experiences in your memoir. Offer deeper insights, lessons learned, and personal growth that came from these moments. Invite readers to reflect on their own lives and connect with your journey.

By organizing your main body in a logical and engaging manner, using vivid details, and offering thoughtful reflections, you can write a compelling memoir essay that captivates your readers and leaves a lasting impact.

Reflecting on Lessons Learned in Your Memoir Essay

One of the powerful aspects of a memoir essay is the opportunity to reflect on the lessons learned from your personal experiences. These reflections provide deeper insights and meaning to your story, leaving a lasting impact on your readers. Here are some tips for effectively reflecting on lessons learned in your memoir essay:

• Summarize Key Points: In the conclusion of your essay, summarize the key events and experiences you have shared throughout your memoir. Briefly remind readers of the significant moments that shaped your journey.
• Identify Core Themes: Reflect on the core themes and messages that emerged from your experiences. What did you learn about resilience, love, identity, or perseverance? Identify the overarching lessons that you want to convey.
• Offer Personal Insights: Share your personal insights and reflections on how these lessons have influenced your life. Were there specific turning points or moments of epiphany? How have these experiences shaped your beliefs, values, or actions?
• Connect to the Reader: Make your reflections relatable to your readers. Explore how the lessons you learned can resonate with their own lives and experiences. This allows them to connect with your story on a deeper level.
• Offer a Call to Action: Encourage readers to reflect on their own lives and consider how the lessons from your memoir can apply to their own journeys. Pose thought-provoking questions or suggest actions they can take to apply these insights.

By reflecting on the lessons learned in your memoir essay, you give your readers a chance to contemplate their own lives and find inspiration in your personal growth. These reflections add depth and impact to your storytelling, making your memoir essay truly memorable.

Crafting a Strong Conclusion for Your Memoir Essay

The conclusion of your memoir essay is your final opportunity to leave a lasting impression on your readers. It is where you tie together the threads of your story and offer a sense of closure and reflection. Here are some tips to help you craft a strong conclusion for your memoir essay:

• Summarize the Journey: Remind your readers of the key moments and experiences you shared throughout your essay. Briefly summarize the significant events and emotions that shaped your personal journey.
• Revisit the Central Theme: Reiterate the central theme or message of your memoir. Emphasize the lessons learned, personal growth, or insights gained from your experiences. This helps reinforce the purpose and impact of your story.
• Reflect on Transformation: Reflect on how you have transformed as a result of the events and experiences you shared. Share the growth, self-discovery, or newfound perspectives that have shaped your life.
• Leave a Lasting Impression: Use powerful and evocative language to leave a lasting impact on your readers. Craft a memorable phrase or thought that lingers in their minds even after they finish reading your essay.
• Offer a Call to Action or Reflection: Encourage your readers to take action or reflect on their own lives. Pose thought-provoking questions, suggest further exploration, or challenge them to apply the lessons from your memoir to their own experiences.

By crafting a strong conclusion, you ensure that your memoir essay resonates with your readers long after they have finished reading it. It leaves them with a sense of closure, inspiration, and a deeper understanding of the transformative power of personal storytelling.

Editing and Proofreading Your Memoir Essay

Editing and proofreading are crucial steps in the writing process that can greatly enhance the quality and impact of your memoir essay. Here are some tips to help you effectively edit and proofread your work:

• Take a Break: After completing your initial draft, take a break before starting the editing process. This allows you to approach your essay with fresh eyes and a clear mind.
• Review for Structure and Flow: Read through your essay to ensure it has a logical structure and flows smoothly. Check that your paragraphs and sections transition seamlessly, guiding readers through your story.
• Trim and Refine: Eliminate any unnecessary or repetitive information. Trim down long sentences and paragraphs to make your writing concise and impactful. Consider the pacing and ensure that each word contributes to the overall story.
• Check for Clarity and Consistency: Ensure that your ideas and thoughts are expressed clearly. Identify any confusing or vague passages and revise them to improve clarity. Check for consistency in tense, tone, and voice throughout your essay.
• Proofread for Errors: Carefully proofread your essay for spelling, grammar, and punctuation errors. Pay attention to common mistakes such as subject-verb agreement, verb tenses, and punctuation marks. Consider using spell-checking tools or having someone else review your work for an objective perspective.
• Seek Feedback: Share your memoir essay with a trusted friend, family member, or writing partner. Their feedback can provide valuable insights and help you identify areas for improvement.

By dedicating time to edit and proofread your memoir essay, you ensure that it is polished, coherent, and error-free. These final touches enhance the reader’s experience and allow your story to shine.

Sociology Research Topics Ideas

Importance of Computer in Nursing Practice Essay

History Research Paper Topics For Students

By clicking “Continue”, you agree to our terms of service and privacy policy. We’ll occasionally send you promo and account related emails.

Latest Articles

Debating in class or composing a persuasive paper is a fruitful intellectual practice. Doing so, participants and writers are expected...

Most students wonder whether it is possible to cite an article in an essay. The answer is “Yes”! Why not...

Let us explain what is what and how it can be used. An anthology is a published collection of poems...

I want to feel as happy, as your customers do, so I'd better order now

We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept All”, you consent to the use of ALL the cookies. However, you may visit "Cookie Settings" to provide a controlled consent.

Writing the Memoir (Moxley): Introduction

• Introduction
• Tips for Writing the Memoir
• Annotated Memoirs
• Describing a Person
• Describing a Place
• Sample Topics and Essays

Introduction to Writing the Memoir

Teaching and writing the memoir .

            A memoir can be one of the most meaningful essays that a student can write and one of the most engaging essays for a teacher to read.  The spirit generated by the memoir can create class fellowship less attainable through subjects requiring pure analysis, description, or narration.  More than any other subject, a memoir demands that a student bring his sensibilities and experiences to school, and when that happens, it is virtually impossible for anyone to accept a mediocrity of passion.  Students and teachers are likely to treat writing as an experience in itself, a means for writers to understand their lives and for teachers to understand their students’ worlds.

              In Terrains of the Heart, Willie Morris writes,

  If it is true that a writer's world is shaped by the experience of childhood and adolescence, then returning at long last to the scenes of those experiences, remembering them anew and living among their changing heartbeats, gives him, as Marshall Frady said, the primary pulses and shocks he cannot afford to lose. I have never denied the poverty, the smugness, the cruelty which have existed in my native state [ Mississippi ].  Meanness is everywhere, but here the meanness, and the nobility, have for me their own dramatic edge, for the fools are my fools, and the heroes are mine too.

  As a young editor who left his native state for New York City, Willie Morris wrote prolifically about his hot Mississippi youth from the cold Northeast.  His essays on home preserve a way of life in the Delta—a complicated history marked by romance and violence—while he lived in a New York far removed from this past.  We sense when reading Willie Morris’s carefully crafted memories that he is coming to know himself through his writing and, in a broader sense, has resurrected a world that can help others understand their own lives.

            To both student and teacher, this is what I hope teaching and writing the memoir will give you:  a chance to investigate your past, your culture, and your lives in general, and in so doing, create a community of authors who delight in the struggle to write clearly, meaningfully, and correctly.

The Rationale

              By clicking here , or by opening the above tab, Annotated Memoirs, you will go to a list of six types of essays, each of which is hyperlinked to a sample essay and a discussion of it. 

              Each sample annotated essay will have the following:

1.  an introduction that comments on the type of essay and how it may generate good writing from young students;

2.  a link to the essay so you can open or print it;

3.  a discussion of the essay, called “The Craft of the Essay,” which explains the strategy in each paragraph or “part” of the essay so that the teacher and student can see how the memoir was crafted from the bare memory.  This section should encourage teacher and student to scrutinize the essay together during a read-aloud session to determine how they think the memory was turned into memoir;

4.  an “Assignment” section that gives the student some specific questions to answer that might help them see the further craft of the particular memoir.

Teaching Strategies

              As with any assignment, the teaching strategy depends on the size of the class, the amount of time allotted for the assignment, how much it is weighted, and so forth.

            Ideally, teaching the memoir should take 6-7 nights of homework.  These nights could be spaced over the course of two-three weeks.

            You could also make it a lighter assignment and cut it to 3-4 assignments, with only one rough draft, instead of the two I suggest.

Homework Assignment #1: 

              The teacher/class decides which category of memoir they will read together as a class to introduce the assignment.  For example, you may choose from the Annotated Memoirs to read the Writing about Death and Mortality assignment and its sample annotated essay “Death of a Pig” by E. B. White.  For this night’s homework, the students should print out the assignment and essay at home to bring to class as their text.  They should read the essay, read the “Craft of the Essay” discussion, and then answer on paper the questions under the “Assignment” section. 

            In class the next day, read the essay aloud (or as much of it as possible), go over the “Craft of the Essay” and finish the day having the students explain their responses to the “Assignment.”

            If there is any time left, you might get the students to discuss the topic, “Where does memory begin?” ( Click here for a passage from Willie Morris's Taps to get the ball rolling. )

  Homework Assignment #2:

              Open the  Sample Topics and Essays  tab to find numerous topics and sample essays.  Decide whether everyone is going to write the same type of essay or whether the topic will be open to a variety of memoirs.  Then read a few sample essays for the topic you choose. 

Written homework is to sit for 40 minutes and do a “fast write,” in which the student writes about half of the first draft of the memory, paying no attention to grammar, style, syntax, or organization. This assignment is to get the student to write or type 2-3 pages of his memory with some, but minimal, revision (the revision should take place after the fast-write).  Click on the tab, Tips for Writing the Memoir, for some help getting started after the fast-write.

            In class the next day, students will read aloud what they have written.  The object is to hear one or two inspiring accounts so that each student can “get the hang of the assignment.”  The teacher should be pushing everyone to develop his “voice.”   Again, see Tips for Writing the Memoir  for a discussion of voice and other terms.

  Homework Assignment #3: 

              Continue where the students left off in Assignment #2 and try to write 4-5 handwritten, or 3-4 typed, pages.  If someone does not like what he/she did in Assignment #2, then start anew.

            In class the next day, have the students read aloud their work.  By the end of this day everyone should have read his/her essay at least once, either on this day or the day before.  The teacher should keep track of who has read.  Again, note how distinct the students’ written voices are, and who is putting in moments of self-reflection and not getting hung up on chronological retelling.

  Homework Assignment #4:

              By this time the students should know the focus of their essay (in other words, what wisdom, revelation, or general idea that their essay is revealing) and should begin “crafting,” or creatively organizing, the memory to become a memoir.

            It is crucial that the student realize that facts are not solely important.  Good memoirs are a blend of fact and creation; this concept will be tough to defend, but the writers of memoir have flexibility regarding the facts of the memory, since it is the “truth” of the memory they are creating; sometimes the facts are too confusing or pallid to have the needed color to make a memory vivid.  For a memory to become memoir, it needs a larger-than-life appeal.  ( Click here for some comments by Dorothy Gallagher on fact versus truth in memoir. )

To craft the essay, for homework (5-10 minutes) try having them draw a timeline of the way the memory works; in class the teacher can draw the timeline of other successful sample essays.  They will see that many essays about a lost loved one starts at the funeral, flashes back to the life, and at the end returns to the funeral.  Flashbacks are crucial to building characters, dead or alive

            Also ask them to outline what they have written as best they can (10-15 minute assignment).  Then, looking at their outlines, they may see a way to restructure the telling of the memory to get the most out of it. 

            The students should be encouraged to imitate the structure of essays that resemble the one they are writing.

            With all this in mind, they should go back and begin writing a new draft for 30 minutes.  In class the next day, have them report on what they’ve changed and have them read some first paragraphs aloud.

    Homework Assignment #5:

              Finish draft number 2.  The students should be keeping track of their rough drafts, as their grade will be based as much on effort and process as on final product.  By now the essays should have incorporated a number of ways to build character, place, and their focus:  short dialogue, concrete descriptions, anecdotes, and moments of reflection.

            Have each student read his or her first 3-4 sentences.  Urge everyone to listen intently and decide which of these sentences should be the first one in the essay.  Frequently, the first paragraph or two can be cut.  It takes most writers about 100 or more words to get warmed up.  Remind them of the Truman Capote Rule:  “I believe more in the scissors than I do the pencil.”

  Homework Assignment #6:

              The final essay is due, approximately 4-5 typed pages.  The student should turn in at least two verifiable rough drafts and the final draft.  The teacher will have heard every student’s paper at least once and should have encouraged each student to drop by for 5-10 minutes during the last 4-5 days to discuss the progress of the memoir.

            The process of this assignment should be weighted as heavily as the final product.  I usually check that the student has written two drafts, contributed to class workshops, and has revised carefully by showing he has learned: 

  (1) to start strategically;

(2) to create the various characters through description, action, anecdote, and brief dialogue;

(3) to create place and atmosphere through concrete description, temperature, climate, and telling details;

(4) to build a strong focus through moments of self-reflection;

(5) to organize strategically, dividing his essay into many paragraphs, some short, some long;

(6) to unify his essay so that, although it may wander, it ultimately returns to some unifying point or image;

(7) to punctuate and write solid sentences that create a pleasing variety and rhythm.

• Willie Morris's "Taps"
• Comments by Dorothy Gallagher
• Next: Tips for Writing the Memoir >>
• Last Updated: Jan 18, 2024 11:10 AM
• URL: https://libguides.montgomerybell.edu/memoir

18 Essay-Length Short Memoirs to Read Online on Your Lunch Break

We scoured collections, magazines, and online journals to bring you the 18 best short memoir examples you can read over your lunch break.

Emily Polson

Emily Polson is a freelance writer and publishing assistant at Simon & Schuster. Originally from central Iowa, she studied English and creative writing at Belhaven University in Jackson, Mississippi, before moving to a small Basque village to teach English to trilingual teenagers. Now living in Brooklyn, she can often be found meandering through Prospect Park listening to a good audiobook. Twitter: @emilycpolson | https://emilycpolson.wordpress.com/

View All posts by Emily Polson

I love memoirs and essays, so the genre of essay-length short memoirs is one of my favorites. I love delving into the details of other people’s lives. The length allows me to read broadly on a whim with minimal commitment. In roughly 5–30 minutes, I can consume a complete morsel of literature, which always leaves me happier than the same amount of time spent doom-scrolling through my various social news feeds.

What are short memoirs? 

What exactly are short memoirs? I define them as essay-length works that weave together life experiences around a central theme. You see examples of short memoirs all the time on sites like Buzzfeed and The New York Times . Others are stand-alone pieces published in essay collections.

Memoir essays were my gateway into reading full-length memoirs. It was not until I took a college class on creative nonfiction that I realized memoirs were not just autobiographies of people with exciting lives. Anyone with any amount of life experience can write a memoir—no dramatic childhood or odd-defying life accomplishments required. A short memoir might be an account of a single, life-changing event, or it may be reflection on a period of growth or transition.

Of course, when a young adult tells people she likes writing creative nonfiction—not journalism or technical writing—she hears a lot of, “You’re too young to write a memoir!” and “What could someone your age possibly have to write about?!” As Flannery O’Connor put it, however, “The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can’t make something out of a little experience, you probably won’t be able to make it out of a lot. The writer’s business is to contemplate experience, not to be merged in it.”

Memoir essay examples

As the lit magazine Creative Nonfiction puts it, personal essays are just “True stories, well told.” And everyone has life stories worth telling.

Here are a few of my favorite memoir examples that are essay length.

SHORT MEMOIRS ABOUT GROWING UP

Scaachi koul, “there’s no recipe for growing up”.

In this delightful essay, Koul talks about trying to learn the secrets of her mother’s Kashmiri cooking after growing up a first-generation American. The story is full of vivid descriptions and anecdotal details that capture something so specific it transcends to the realm of universal. It’s smart, it’s funny, and it’ll break your heart a little as Koul describes “trying to find my mom at the bottom of a 20-quart pot.”

ASHLEY C. FORD, “THE YEAR I GREW WILDLY WHILE MEN LOOKED ON”

This memoir essay is for all the girls who went through puberty early in a world that sexualizes children’s bodies. Ford weaves together her experiences of feeling at odds with her body, of being seen as a “distraction” to adult men, of being Black and fatherless and hungry for love. She writes, “It was evident that who I was inside, who I wanted to be, didn’t match the intentions of my body. Outside, there was no little girl to be loved innocently. My body was a barrier.”

Kaveh Akbar, “How I Found Poetry in Childhood Prayer”

Akbar writes intense, searing poetry, but this personal essay contextualizes one of his sweetest poems, “Learning to Pray,” which is cradled in the middle of it. He describes how he fell in love with the movement, the language, and the ceremony of his Muslim family’s nightly prayers. Even though he didn’t (and doesn’t) speak Arabic, Akbar points to the musicality of these phonetically-learned hymns as “the bedrock upon which I’ve built my understanding of poetry as a craft and as a meditative practice.” Reading this essay made me want to reread his debut poetry collection, Calling a Wolf a Wolf , all over again.

JIA TOLENTINO, “LOSING RELIGION AND FINDING ECSTASY IN HOUSTON”

New Yorker staff writer Jia Tolentino grew up attending a Houston megachurch she referred to as “the Repentagon.” In this personal essay, she describes vivid childhood memories of her time there, discussing how some of the very things she learned from the church contributed to her growing ambivalence toward it and its often hypocritical congregants. “Christianity formed my deepest instincts,” she writes, “and I have been walking away from it for half my life.” As the essay title suggests, this walking away coincided with her early experiences taking MDMA, which offered an uncanny similarity to her experience of religious devotion.

funny short memoirs

Patricia lockwood, “insane after coronavirus”.

Author Patricia Lockwood caught COVID-19 in early March 2020. In addition to her physical symptoms, she chronicled the bizarre delusions she experienced while society also collectively operated under the delusion that this whole thing would blow over quickly. Lockwood has a preternatural ability to inject humor into any situation, even the dire ones, by highlighting choice absurdities. This is a rare piece of pandemic writing that will make you laugh instead of cry–unless it makes you cry from laughing.

Harrison Scott Key,  “My Dad Tried to Kill Me with an Alligator”

This personal essay is a tongue-in-cheek story about the author’s run-in with an alligator on the Pearl River in Mississippi. Looking back on the event as an adult, Key considers his father’s tendencies in light of his own, now that he himself is a dad. He explores this relationship further in his book-length memoir, The World’s Largest Man , but this humorous essay stands on its own. (I also had the pleasure of hearing him read this aloud during my school’s homecoming weekend, as Key is an alumnus of my alma mater.)

David Sedaris, “Me Talk Pretty One Day”

Sedaris’s humor is in a league of its own, and he’s at his best in the title essay from Me Talk Pretty One Day . In it, he manages to capture the linguistic hilarities that ensue when you combine a sarcastic, middle-aged French student with a snarky French teacher.

SAMANTHA IRBY, “THE WORST FRIEND DATE I EVER HAD”

Samantha Irby is one of my favorite humorists writing today, and this short memoir essay about the difficulty of making friends as an adult is a great introduction to her. Be prepared for secondhand cringe when you reach the infamous moment she asks a waiter, “Are you familiar with my work?” After reading this essay, you’ll want to be, so check out Wow, No Thank You . next.

Bill Bryson, “Coming Home”

Bryson has the sly, subtle humor that only comes from Americans who have spent considerable time living among dry-humored Brits. In “Coming Home,” he talks about the strange sensation of returning to America after spending his first twenty years of adulthood in England. This personal essay is the first in a book-length work called I’m a Stranger Here Myself , in which Bryson revisits American things that feel like novelties to outsiders and the odd former expat like himself.

Thought-provoking Short memoirs

Tommy orange, “how native american is native american enough”.

Many people claim some percentage of Indigenous ancestry, but how much is enough to “count”? Novelist Tommy Orange–author of There There –deconstructs this concept, discussing his relationship to his Native father, his Certificate of Degree of Indian Blood, and his son, who will not be considered “Native enough” to join him as an enrolled member of the Cheyenne and Arapaho Tribes. “ How come math isn’t taught with stakes?” he asks in this short memoir full of lingering questions that will challenge the way you think about heritage. 

Christine Hyung-Oak Lee, “I Had a Stroke at 33”

Lee’s story is interesting not just because she had a stroke at such a young age, but because of how she recounts an experience that was characterized by forgetting. She says that after her stroke, “For a month, every moment of the day was like the moment upon wakening before you figure out where you are, what time it is.” With this personal essay, she draws readers into that fragmented headspace, then weaves something coherent and beautiful from it.

Kyoko Mori, “A Difficult Balance: Am I a Writer or a Teacher?”

In this refreshing essay, Mori discusses balancing “the double calling” of being a writer and a teacher. She admits that teaching felt antithetical to her sense of self when she started out in a classroom of apathetic college freshmen. When she found her way into teaching an MFA program, however, she discovered that fostering a sanctuary for others’ words and ideas felt closer to a “calling.” While in some ways this makes the balance of shifting personas easier, she says it creates a different kind of dread: “Teaching, if it becomes more than a job, might swallow me whole and leave nothing for my life as a writer.” This memoir essay is honest, well-structured, and layered with plenty of anecdotal details to draw in the reader.

Alex Tizon, “My Family’s Slave”

In this heartbreaking essay, Tizon pays tribute to the memory of Lola, the domestic slave who raised him and his siblings. His family brought her with them when they emigrated to America from the Philippines. He talks about the circumstances that led to Lola’s enslavement, the injustice she endured throughout her life, and his own horror at realizing the truth about her role in his family as he grew up. While the story is sad enough to make you cry, there are small moments of hope and redemption. Alex discusses what he tried to do for Lola as an adult and how, upon her death, he traveled to her family’s village to return her ashes.

Classic short memoirs

James baldwin, “notes of a native son”.

This memoir essay comes from Baldwin’s collection of the same name. In it, he focuses on his relationship with his father, who died when Baldwin was 19. He also wrestles with growing up black in a time of segregation, touching on the historical treatment of black soldiers and the Harlem Riot of 1943. His vivid descriptions and honest narration draw you into his transition between frustration, hatred, confusion, despair, and resilience.

JOAN DIDION,  “GOODBYE TO ALL THAT”

Didion is one of the foremost literary memoirists of the twentieth century, combining journalistic precision with self-aware introspection. In “Goodbye to All That,” Didion recounts moving to New York as a naïve 20-year-old and leaving as a disillusioned 28-year-old. She captures the mystical awe with which outsiders view the Big Apple, reflecting on her youthful perspective that life was still limitless, “that something extraordinary would happen any minute, any day, any month.”  This essay concludes her masterful collection,   Slouching Towards Bethlehem .

Tim O’Brien, “The Things They Carried”

This is the title essay from O’Brien’s collection, The Things They Carried . It’s technically labeled a work of fiction, but because the themes and anecdotes are pulled from O’Brien’s own experience in the Vietnam War, it blurs the lines between fact and fiction enough to be included here. (I’m admittedly predisposed to this classification because a college writing professor of mine included it on our creative nonfiction syllabus.) The essay paints an intimate portrait of a group of soldiers by listing the things they each carry with them, both physical and metaphorical. It contains one of my favorite lines in all of literature: “They all carried ghosts.”

Multi-Media Short Memoirs

Allie brosh, “richard”.

In this blog post/webcomic, Allie Brosh tells the hilarious story about the time as a child that she, 1) realized neighbors exist, and 2) repeatedly snuck into her neighbor’s house, took his things, and ultimately kidnapped his cat. Her signature comic style drives home the humor in a way that will split your sides. The essay is an excerpt from Brosh’s second book, Solutions and Other Problems , but the web version includes bonus photos and backstory. For even more Allie classics, check out “Adventures in Depression” and “Depression Part Two.”

George Watsky, “Ask Me What I’m Doing Tonight”

Watsky is a rapper and spoken word poet who built his following on YouTube. Before he made it big, however, he spent five years performing for groups of college students across the Midwest. “Ask Me What I’m Doing Tonight!” traces that soul-crushing monotony while telling a compelling story about trying to connect with people despite such transience. It’s the most interesting essay about boredom you’ll ever read, or in this case watch—he filmed a short film version of the essay for his YouTube channel. Like his music, Watsky’s personal essays are vulnerable, honest, and crude, and the whole collection, How to Ruin Everything , is worth reading.

If you’re looking for even more short memoirs, keep an eye on these pages from Literary Hub , Buzzfeed , and Creative Nonfiction . You can also delve into these 25 nonfiction essays you can read online and these 100 must-read essay collections . Also be sure to check out the “Our Reading Lives” tag right here on Book Riot, where you’ll find short memoirs like “Searching for Little Free Libraries as a Way to Say Goodbye” and “How I Overcame My Fear of Reading Contemporary Poets.”

You Might Also Like

What is a Memoir Essay?

The term “memoir essay” is used to describe something akin to a personal essay. It’s a pure narrative reflection from the author’s life.A memoir essay tightly examines an event, relationship, or theme. 

Definitions bleed in every direction, but I tend to think of a memoir essay as decidedly NOT like an op-ed, and definitely not a reported personal essay. Now, to be clear: it’s not your whole life—that would be a memoir, or an autobiography (if you happen to be famous).

A memoir essay is different from a personal essay because it’s all about you—not an external topic. You never know—a memoir essay can also launch you into writing a full-length memoir book. 

{Note: that’s a photograph of my grandmother as a teenager, above center, in the 1930s).

Memoir essays rely on the author's own memories. These include: 

Scenes of specific moments

Personal reflections (aka “what does it all mean?”)

Descriptions of people, places and experiences 

Photos and ephemera

The best memoir essays are often funny or vulnerable, sharing intimate or even embarrassing details of life and experiences. 

But memoir essays may be more publishable at the moment if also providing insights into broader social, cultural, or historical issues. The author connects personal experiences to larger themes.

Length ranges from 650 to 2000 words

What’s the Best Structure for a Memoir Essay?

There are a few possible structures. In general, you’ll lead with a “hook” to bring the reader in, then let the reader know what the essay will be about—don’t let the reader get too far in before you introduce the central action. You use whatever you need to from your life to illustrate your point. Oh, and it will have a point. Then, it will wrap up with a pithy ending.

Here are a few options for essay structure. 

Chronological Memoir Essay

This is often the type of memoir essay most people attempt first—following a timeline of a particular period in life. This structure can help readers understand how the author's experiences led them to where they are now. You must control time well in your writing to use this approach. 

Pros: Provides a clear and easy-to-follow narrative arc. 

Cons: Can become predictable and plodding, or too encumbered by irrelevant details… And then I got out of my car, and then I closed the car door, and then I walked into the store, and then…. 

Thematic Memoir Essay

Instead of following a strict chronological order, a thematic structure organizes the essay around specific themes or topics. For example, an author might write about his mustache. Or scars (or lack of scars!). This abstract and open-ended structure could allow the author to explore ideas and connections in a more free-form way.

Pros: Creative freedom, allows readers a quick “entry” f you choose a theme experienced by many, or an unusual or controversial theme. 

Cons: You must control details very well, and have the ability to really reflect on unique insights you can offer, particularly if it’s a well-traveled theme like “My first trip abroad,” or “death.” 

Circular Memoir Essay

A circular memoir essay begins and ends in the same place, or creates closure and reflection through repeating themes, events, images, or scenes. For example, you might start with an event in the past—your sixteenth birthday—and then discuss your child’s sixteenth’s birthday at the story’s end. These essays can pack a powerful emotional wallop through repetition and demonstrating an experience’s impact. 

Pros: This structure can be effective for essays that deal with themes of growth, transformation, or personal change.

Cons: A circular memoir requires careful planning, attention to detail, and ensuring you don’t get too repetitive. 

Hybrid Memoir Essay

This type simply uses a combination of the structures above or switches between the two—for example, blending chronological timelines in a circular essay. 

Pros : The most flexible of all varieties

Cons: It may be easier to start out with just one type discussed above, then attempt hybrid. 

EARLY REGISTRATION PRICE $470 — THROUGH AUGUST 25th

LIMIT: 12 SPACES

Next session: October 14 through December 16, 2024.

This comprehensive, 10-week group class will teach you specific techniques and skills that will empower you to write great short stories. By the end of the class, you’ll have two finished stories and several new ideas. Asynchronous means there are NO meetings (well, one, but it’s optional). But because it’s a group class, students still engage in online conversations, peer review, and build community.

Work with an instructor whose own stories have appeared in The Paris Review, Ploughshares, Boston Review, Conjunctions, Guernica, and countless other great literary magazines.

Tips for a Memoir Essay

Don’t just retell your memories and stories but highlight what it means that you’re sharing those stories 

Provide as many relevant details as you can, and as specific as you can, even if you’re not writing scenes…use objects, describe sensory details. 

Consider integrating creative literary elements such as characterization, language choice, and other craft elements to heighten the reader’s experience and essay’s impact

What Are Some Good Topics for Memoir Essays?

Consider these topics: 

Childhood memories: Consider focusing on specific events or the feeling of a particular time or place.

Family relationships: A particularly difficult relationship, a pivotal moment in your family's history, or the dynamics that shaped your upbringing.

Life-changing events: The birth of a child, marriage or divorce, the death of a loved one, a major career change, or other minutes, hours or days that changed your world as you knew it. 

Overcoming challenges: Whether it's an illness, addiction, or other personal struggle, writing about overcoming difficulty can show readers that it's possible to find strength and resilience in the face of adversity.

What are some examples of memoir essays?

"The Fourth State of Matter" by Jo Ann Beard : This New Yorker essay tells the story of a mass shooting at the author's workplace, the University of Iowa. Beard weaves together her personal experiences with the larger social and political context of the event, creating a moving and powerful essay that explores themes of trauma, grief, and resilience.

" Me Talk Pretty One Day" by David Sedaris : This humorous and self-deprecating Esquire essay, recounts Sedaris's experiences trying to learn French while living in Paris. It’s structured around his language struggles and interactions with an eccentric language teacher. The piece captures the joy and frustrations of navigating a new language and culture.

“The Use of Force” by William Carlos Williams : This very short memoir essay describes an incident when Williams, who was also a doctor in addition to being a famous poet, had to subdue a child to see into her throat to find out if she had diphtheria. She did NOT want him to look into her throat, and so they struggle, violently. The essay is just a simple description of the situation, but it is clearly about more than it seems. 

Who Publishes Memoir Essays?

There are many publications that publish memoir essays, ranging from literary journals to mainstream magazines. Here are a few examples:

The New York Times Modern Love column: This popular column publishes personal essays about love, relationships, and family, and it has become a popular platform for emerging and established writers alike.

The Sun: This ad-free, reader-supported magazine publishes personal essays, interviews, fiction, and poetry that explore the human experience in all its complexity. The magazine is known for its commitment to honesty, intimacy, and emotional depth.

Missouri Review: a wonderful literary magazine. They also have an annual contest, the winner receives $5000. 

Granta: this British literary magazine has a wide readership and is very beloved. Mary Gaitskill’s long Memoir essay “Lost Cat” appeared in Granta. I had a memoir essay in there, too, about a pool hustler I used to know .

These are just a few examples of the many publications that publish memoir essays. As with any type of writing, it's important to do your research and find the publications that are the best fit for your work and your goals as a writer.

What are some common problems with memoir essays? 

Writers who bring me early drafts of their memoir essays often seem to have one of several issues. You want to make sure of the following: 

This story must engage the attention of a perfect stranger. Because it has conflict or is funny or extremely surprising, or more of these things at once. 

The story does not seem to be “about” anything. Go read “The Use of Force,” which I mentioned above, and you’ll see how this is not just about him subduing a girl in order to diagnose her illness. He realizes at some point that he is enjoying attacking her, even if it’s for her own good. The title itself suggests that the essay is about more than what happens. 

The pacing is off. Sometimes people slow down their story when not much is happening, and then they speed up when things get interesting—they do this because conflict is unpleasant, and they want to get away from the conflict. But readers NEED that conflict. So you want to do the opposite of that: slow down time when things are painful, and speed past the nice moments. 

Information in the right order, preventing reader confusion. This is common, very common. Imagine a perfect stranger reading the essay. Would they be confused at all? What would you have to say to allay that confusion? If the essay opens with Barry told me I was bad at my job, but I said I wasn’t, t he reader will be confused. Try being more specific: My ex-husband Barry, who I had recently divorced, told me I was a terrible lawyer, but I knew he was just bitter. 

30 Personal Essay Prompts

Nine types of personal essays .

How to Write Your Memoir: A 5-Step Guide

Memoir is not just a fancy literary term for an autobiography. I say that from the start, because I so often hear the terms incorrectly interchanged.

Your memoir will be autobiographical, of course, but it can’t be about you.

Confused yet? Stay with me.

You may have heard both of these genres associated with creative nonfiction .

• What is Creative Nonfiction?

The term can seem confusing, but it’s all about telling a compelling true story while using the same kinds of elements found in good fiction to make it sing.

Creative Nonfiction is a term that can be applied to a wide array of genres,  including memoir, autobiography, biography, travel writing, personal essays, interviews, blogs, and more. Actually, it should be characteristic of almost any form of nonfiction.

In many ways, Creative Nonfiction reads like fiction while sticking to the facts. It allows you to tell a true story in a most compelling way by employing narrative elements like foreshadowing, backstory, dialog, conflict, tension, description, and more.

Such elements aren’t in themselves fictional. Your story remains absolutely true, but such tools enhance the reading experience.

Some nonfiction is designed primarily to educate and inform (think textbooks, how-to books, or self-help books), but would argue that even these can benefit from Creative Nonfiction techniques. Why not build a narrative that helps readers best relate to the content and become immersed in it?

Memoirs (from the French and Latin for “memory” or “remembrance”) by definition focus on your personal experience, intimacy with the reader, and reflecting both transferable principles and universal emotional truth.

That’s why, ironic as it may sound, a memoir should be as much about the reader as the writer. Yes, it’s your story, based on your experience, but unless readers see a bit of themselves in it, what’s the point? You will have written a book that is merely about something, rather than for the purpose of something.

So what can Creative Nonfiction bring to your memoir? Resonance. Relatability. Accessibility.

And how will it manifest itself? By triggering the theater of the readers’ minds so they can feel the story, imagine themselves in it, experience it with you.

Most importantly, convey your emotional truth . Show how your experiences, challenges, and lessons learned made you feel, how you coped, and the impact they had on your personal or spiritual growth.

• Autobiography vs. Memoir: What’s the Difference?

An autobiography is your life story from birth to the present.

A memoir is theme-oriented with anecdotes from your life that buttress a specific theme .

Too many authors write a memoir because they believe their lives are so interesting that even strangers would enjoy a detailed account .

Don’t misunderstand — maybe you are interesting.

All of us are, to some degree. I know hardly anyone who doesn’t have a story.

But unless you’re a celebrity, sorry but most people beyond your family and close friends aren’t likely to care.

They care about themselves and how your personal story might somehow benefit them.

So your theme must be reader-oriented, offering universal truth, transferable principles that will help them become a better person or get them through whatever crisis they might be facing.

The closest I have come to writing my own memoir, Writing for the Soul , uses selected anecdotes about famous and interesting people I’ve met to illustrate points I make about writing.

Had I merely written an autobiography and not offered writing instruction, it would’ve been largely ignored.

• Should You Write a Memoir?

While you don’t have to be famous to write a great memoir, you must tell a story that educates, entertains, and emotionally moves the reader.

You may write a memoir without intending to traditionally publish it. You might write it for only your family and friends.

I’m here to help, regardless your reason for writing your memoir.

• What Should Your Memoir Be About?

Your memoir should draw on anecdotes from your life to show how you progressed from some unlikely place to where you are today.

In that way, it’s about you, but it’s for the benefit of the reader.

Maybe you’re:

• From the other side of the tracks
• From a broken home
• A victim of abuse
• A recovered addict

Yet you have achieved:

• Financial security

You might start with how bad things once were for you and how unlikely it was that you would escape your situation.

Then you would show pivotal experiences and people important to your transformation, what you learned, and how your life changed.

Naturally, the better your stories and the more significant your change (in fiction, we call this a character arc ), the better your memoir.

However, great stories are not the point — and frankly, neither is the memoir writer (you).

The point is reader takeaway.

Readers should be able to apply to themselves and their own situations the larger truths and principles your theme imparts.

That way, you don’t have to awkwardly try to apply your message to them. Ideally, they’ll do that for themselves.

They may be enduring something entirely different from what you did, yet your story gives them hope.

• What Publishers Look For

Don’t buy into the idea that only famous people can sell a memoir. Sure, they might be able to get away with a recitation of their daily routines, because people are interested in the minutiae of the famous.

But memoirs by the largely unknown succeed for one reason: they resonate because readers identify with them.

Truth, especially the hard, gritty, painful stuff, bears that universal truth and those transferable principles I mentioned above.

Candor and self-revelation attracts readers, and readers are what publishers want .

Astute agents or publishers’ acquisitions editors recognize how relatable a memoir will be.

Agents and editors tell me they love to discover such gems — the same way they love discovering the next great novelist.

The key is a compelling story told with creative writing.

So, when writing your memoir…

Remember, you’re the subject, but it’s not really about you.

It may seem counterintuitive to think reader-first while writing in first person about yourself, but readers long to be changed by your story.

Give them insight about life through your experiences. Give them the tools they need to overcome their own struggles, even if they’re not at all like yours. Give them a model for overcoming.

Couch it in entertaining, educational, and emotional stories, and they’ll not only stay with you till the last page, but they’ll also recommend your memoir to their friends.

• How to Write a Memoir
• Settle On Your Theme
• Select Your Anecdotes
• Outline Your Book
• Write It Like a Novel
• Avoid Throwing People Under the Bus

Step 1. Settle On Your Theme

Your unstated theme must be, “You’re not alone. If I overcame this, you can overcome anything.”

That’s what appeals to readers. Even if they do come away from your memoir impressed with you, it won’t be because you’re so special — even if you are. Whether they admit it or not, readers care most about themselves.

They’re reading your memoir wondering, What’s in this for me? The more transferable principles you offer in a story well told, the more successful your book will be .

Cosmic Commonalities

All people, regardless of age, ethnicity, location, and social status, share certain felt needs: food, shelter, and love. They fear abandonment, loneliness, and the loss of loved ones. Regardless of your theme, if it touches on any of those needs and fears, readers can identify.

I can read the memoir of someone of my opposite gender, for whom English is not her first language, of a different race and religion, who lives halfway around the world from me — and if she writes of her love for her child or grandchild, it reaches me.

Knowing or understanding or relating to nothing else about her, I understand the love of family.

How to Write a Memoir Without Preaching

Trust your narrative to convey your message. Too many memoir writers feel the need to eventually turn the spotlight on the reader with a sort of “So, how about you…?”

Let your experiences and how they impacted you make their own points, and trust the reader to get it. Beat him over the head with your theme and you run him off.

You can avoid being preachy by using what I call the Come Alongside Method. Show what happened to you and what you learned, and if the principles apply to your readers, give them credit for being smart enough to get it.

Step 2. Select Your Anecdotes

The best memoirs let readers see themselves in your story so they can identify with your experiences and apply the lessons you’ve learned to their own lives.

If you’re afraid to mine your pain deeply enough to tell the whole truth, you may not be ready to write your memoir. There’s nothing a little less helpful — or marketable — than a memoir that glosses over the truth.

So, feature the anecdotes from your life that support your theme, regardless how painful it is to resurrect the memories. The more introspective and vulnerable you are, the more effective your memoir will be.

Create a list of events in your life and their impact on you. These may be major events like a war, your parents’ divorce, a graduation, a wedding, or the loss of a dear friend or relative.

But they may also be seemingly mundane life events that for some reason affected you deeply. Just make sure they support your theme.

Who is unforgettable and what role did they play in making you the person you’ve become?

Interview family and friends for different perspectives. Peruse photographs, revisit meaningful places, research dates, the weather, and relevant history.

Step 3. Outline Your Book

Without a clear vision, trying to write a memoir will likely end in disaster. There’s no substitute for an outline .

Potential agents or publishers require in your proposal a synopsis of where you’re going, and they also need to know that you know.

One that changed the course of my writing career is novelist Dean Koontz ’s Classic Story Structure, spelled out in his classic How to Write Bestselling Fiction . Though obviously intended as a framework for a novel , I discovered it applies perfectly to almost any genre (including TV sitcoms, if you can believe it).

And fortunately, for the purposes of my subject today, Koontz’s classic story structure serves a memoir beautifully too.

Here it is in a nutshell:

• Plunge your main character into terrible trouble as soon as possible
• Everything he does to try to get out of it makes it only progressively worse until…
• His situation appears hopeless
• But in the end, because of what he’s learned and how he’s grown through all those setbacks, he rises to the challenge and wins the day.

You might be able to structure your memoir the same way merely by how you choose to tell the story. As I say, don’t force things, but the closer you can get to that structure , the more engaging your memoir will be.

For your memoir, naturally, you’re the main character.

And the Terrible Trouble would be the nadir of your life . (If nadir is a new word for you, it’s the opposite of zenith .)

Take the reader with you to your lowest point, and show what you did to try to remedy things.

But what about that “as soon as possible” caveat?

Maybe your terrible trouble didn’t manifest itself until later in life.

Fine, start there. The backstory can emerge as you progress, but you’ll find his structure and sequencing will make for the most compelling read.

Important in fiction as well as in a memoir is to be sure your reader is invested in the main character enough to care when he is plunged into terrible trouble.

While in fiction that means some hint of the stakes — he’s a husband, a father, has suffered some loss, etc. If that’s also true of you, subtly inject it.

Also in a memoir, you want to promise a good outcome, some form of your own wonder at who you are now compared to who you once were or destined to be. That way, readers can take from your story that things can dramatically change for the better in their lives too.

One of the reasons this structure works so well in fiction is because it’s often true in real life.

If you’ve become a successful, happy person despite an unfortunate background, it’s likely that you tried many times to fix things, only to see them deteriorate until you developed the ability to break through.

All Koontz and I are saying is to emphasize that .

Keep your outline to a single page for now.

Then develop a synopsis with a sentence or two of what each chapter will cover.

Write this in the present tense. “I enroll in college only to find that…”

And don’t worry if you’ve forgotten the basics of classic outlining or have never felt comfortable with the concept.

It doesn’t have to be rendered in Roman numerals and capital and lowercase letters and then numerals, unless that serves you best.

Just a list of sentences that synopsize your idea works fine, too.

And remember, it’s a fluid document meant to serve you and your book. Play with it, rearrange it as you see fit — even during the writing.

Step 4. Write It Like a Novel

It’s as important in a memoir as it is in a novel to show and not just tell .

My father was a drunk who abused my mother and me. I was scared to death every time I heard him come in late at night.

As soon as I heard the gravel crunch beneath the tires, I dove under my bed.

I could tell by his footsteps whether Dad was sober and tired or loaded and looking for a fight.

I prayed God would magically make me big enough to jump between him and my mom, because she was always his first target…

Use every tool in the novelist’s arsenal to make each anecdote come to life: dialogue , description, conflict , tension , pacing, everything.

These will make sure you grab your readers’ attention and keep it — because these tools ensure that they’ll become engrossed in your story.

Worry less about chronology than theme.

You’re not married to the autobiographer’s progressive timeline.

Tell whatever anecdote fits your point for each chapter, regardless where they fall on the calendar.

Just make the details clear so the reader knows where you are in the story .

You might begin with the most significant memory of your life, even from childhood.

Then you can segue into something like, “Only now do I understand what was really happening.” Your current-day voice can always drop in to tie things together.

Character Arc

As in a novel, how the protagonist (in this case, you) grows is critical to a successful story. Your memoir should make clear the difference between who you are today and who you once were. What you learn along the way becomes your character arc .

Point of View

It should go without saying that you write a memoir in the first person . And just as in a novel, the point-of-view character is the one with the problem, the challenge, something he’s after. Tell both your outer story (what happens) and your inner story (its impact on you).

Setups and Payoffs

Great novels carry a book-length setup that demands a payoff in the end, plus chapter-length setups and payoffs, and sometimes even the same within scenes. The more of these the better.

The same is true for your memoir. Virtually anything that makes the reader stay with you to find out what happens is a setup that demands a payoff. Even something as seemingly innocuous as your saying that you hoped high school would deliver you from the torment of junior high makes the reader want to find out if that proved true.

Make ‘em Wait

Avoid using narrative summary to give away too much information too early. I’ve seen memoir manuscripts where the author tells in the first paragraph how they went from abject poverty to independent wealth in 20 years, “…and I want to tell you how that happened.”

To me, that takes the air right out of the tension balloon.

Many readers would agree and see no reason to continue reading.

Better to set them up for a payoff and let them wait.

Not so long that you lose them to frustration, but long enough to build tension.

Step 5. Avoid Throwing People Under the Bus

If you’re brave enough to expose your own weaknesses, foibles, embarrassments, and yes, even your failures to the world, what about your friends, enemies, loved ones, teachers, bosses, and coworkers?

If you tell the truth, are you allowed to throw them under the bus?

In some cases, yes.

But should you?

Even if they gave you permission in writing, what’s the upside?

Usually a person painted in a negative light — even if the story is true — would not sign a release allowing you to expose them publicly.

But even if they did, would it be the right, ethical, kind thing to do?

All I can tell you is that I wouldn’t do it. And I wouldn’t want it done to me.

If the Golden Rule alone isn’t reason enough not to do it, the risk of being sued certainly ought to be.

So, What to Do?

On one hand, I’m telling you your memoir is worthless without the grit. On the other, I’m telling you not to expose the evildoers.

Stalemate? No.

Here’s the solution:

Changing names to protect the guilty is not enough. Too many people in your family and social orbit will know the person, making your writing legally actionable.

So change more than just the name.

Change the location. Change the year. Change their gender. You could even change the offense .

If your own father verbally abused you so painfully when you were thirteen that you still suffer from the memory decades later, attribute it to a teacher and have it happen at an entirely different age.

Is that lying in a nonfiction book? Not if you include a disclaimer upfront that stipulates: “Some names and details have been changed to protect identities.”

So, no, don’t throw anyone under the bus. But don’t stop that bus!

• Common Memoir Mistakes

Making it too much like an autobiography

Memoirs aren’t a chronological history of everything that’s happened in your life. Make sure your theme is strong, compelling, and reader-focused. If the stories you include don’t speak to your theme, cut them.

Including minutiae

Use only the details that matter. Have a large family or circle of friends, only a few of whom were critical to your outcome? Leave most of them out. Avoid describing day-to-day experiences or descriptions unless they directly relate to your theme.

Your memoir isn’t the place for touting your achievements. You’ll turn readers off. Describe your challenges and emotional truths authentically. Own your successes but stay humble. Memoir is about the journey more than the destination.

Glossing over the truth

Writing a memoir will challenge you emotionally. It can be hard to revisit tough times or traumatic experiences — but unless you tell the whole truth, your readers won’t be able to relate and your story will fall flat.

How can you avoid sounding preachy or overbearing in your writing? Look for any time you use the words “must,” “should,” “ought,” or “have to,” and then find ways to reword your sentences using the Come Alongside Method to encourage, inspire, or suggest instead.

Affecting the wrong tone

Your memoir isn’t a place to be flippant, sarcastic, or condescending. You can be lighthearted at times, but use humor judiciously. Don’t try to cover up your emotional truth with lame jokes. Your story won’t feel authentic and your readers will lose interest.

• How to Start Your Memoir

Start slowly by setting the stage or explaining family dynamics and you’ll soon lose your reader’s attention.

Hook your reader from page one by beginning in medias res — in the middle of things. That doesn’t mean it has to be slam-bang action, but something must be happening.

Not sure exactly where to start ? No problem.

You don’t have to know the best beginning for your book in order to start writing — and you shouldn’t procrastinate indefinitely until you figure it out.

Instead, many memoir writers only discover their strongest potential opening as a last step. Decide what stories you’ll include, write those, and choose the best one once you see what you have to work with.

• Memoir Examples

Thoroughly immerse yourself in this genre before attempting to write in it. I read nearly 50 memoirs before I wrote mine ( Writing for the Soul ). Here’s a list to get you started:

• All Over But the Shoutin’ by Rick Bragg (my favorite book ever)

The Pulitzer Prize winning New York Times reporter tells the story of growing up dirt poor in Alabama with a father who had a “murderous temper” and a mother who went 18 years without a new dress to make sure her kids had a better life.

• Cultivate by Lara Casey

Part inspiration and part practical guide, Lara’s insight helps women who feel “inadequate, overwhelmed, and exhausted” to find grace through cultivating what matters most.

• A Moveable Feast by Ernest Hemingway

One of Hemingway’s most beloved books, this memoir provides a fascinating snapshot of his life as a writer in 1920s Paris.

• Out of Africa by Karen Blixen

Modern Library named this classic book, written in 1937, as one of the 100 best nonfiction books of all time. In it, Karen describes her experiences running a coffee farm with her husband in Kenya in 1914.

• Angela’s Ashes by Frank McCourt

The history of Frank McCourt’s “miserable Irish Catholic childhood” and how stories helped him to survive slums and starvation and ultimately thrive as a professional storyteller.

• Still Woman Enough by Loretta Lynn

In a much anticipated follow-up to her first memoir, Coal Miner’s Daughter , Loretta tells the story of the second half of her life. She writes about the stresses of fame and candidly discusses her often turbulent relationship with the husband she married at age 13.

• Born Standing Up by Steve Martin

A moving and insightful look into one of the greatest comedians ever — including Steve’s creative process, his incredible work ethic, and why he walked away during the height of his career.

• The Year of Magical Thinking by Joan Didion

Didion’s story of marriage, family life, and unexpected tragedy will touch anyone who’s ever loved and lost a spouse or child.

• This Boy’s Life by Tobias Wolff

After divorce splits his family, a young Toby Woolf runs away to Alaska, forges checks, and steals cars — then redefines his life.

• Molina by Benjie Molina and Joan Ryan

The story of a father who raised 3 famous major league baseball catchers and left a legacy of “loyalty, humility, courage, and the true meaning of success.”

• Undone by Michele Cushatt

Michele’s story of divorce, cancer, and integrating a new family shows readers how embracing faith and letting go of the need to control can lead to a vibrant life despite chaos and messiness.

• Will the Circle Be Unbroken? By Sean Dietrich

Sean’s story of love, loss, and the unthinkable gives readers hope for a future that breaks the destructive cycles of previous generations.

• Turn Your Life Story Into a Captivating Memoir

If you’ve ever thought about writing a memoir (or wondered if you should even try), you now have everything you need.

Think about your theme. What have you learned that could help others? How will you tell your stories to inspire your readers and change lives?

Brush up on the 7 essential story elements to make sure your memoir is as relatable as possible.

And once you’re ready to get started, head over to How to Outline a Nonfiction Book in 5 Steps .

Are You Making This #1 Amateur Writing Mistake?

Faith-Based Words and Phrases

What You and I Can Learn From Patricia Raybon

Before you go, be sure to grab my FREE guide:

How to Write a Book: Everything You Need to Know in 20 Steps

Just tell me where to send it:

• Skip to main content
• Skip to primary sidebar
• Skip to footer

Memoir coach and author Marion Roach

Welcome to The Memoir Project, the portal to your writing life.

How to Write A Memoir in Essays

Sorting the Stories — Memoir as Essay Collection

by Linda Styles Berkery

When I told a friend that I was taking a memoir-writing class, she replied, “Your life just isn’t that interesting.” Obviously she was thinking autobiography , not understanding memoir . I ignored her comment and continued to write about the small threads of wisdom I’ve learned.

After many edits, additions, and subtractions, I had built a wardrobe. I had a collection of fourteen personal essays—each one told through the lens of a dress. A Little Black Dress —learning compassion as illustrated by growing up in a funeral home. Memory Gown —naming mistakes as illustrated by a trip to the ER. Red Mini —seeing individuals as illustrated by teaching third grade. Ordinary dresses can bring out profound lessons.

Since all the writing pieces were in essay format, I adjusted Marion Roach Smith’s famous writing math, It’s about X as illustrated by Y to be told in a Z , and made a chart. To my Z factor, (essays) I added color and noted the dress: a turquoise paisley print, a navy maternity dress, an orange Hawaiian muumuu, a yellow sundress from 1941, a blue velvet jumper.

Each essay could stand alone, yet a book kept coming to mind. It was not enough to say I have a collection of “dress stories” of different length and various moods. I had more work to do. Although my structure would not be typical of a book length memoir (Act 1, Act 2, Act 3), even memoir as an essay collection must have an overall arc—a roof overhead, not just dress threads running through. Yes, memoir can be an essay collection, but it still needs structure and order.

I printed each story individually and laid them across my living room carpet. I knew which essay to put first and which would be last, but the other twelve? Originally I was tempted to group them. These three relate to my father’s WWII stories—put them together. Two had childhood dresses. My husband was mentioned in this group. But nothing really worked until my wonderful editor, Robyn Ringler, passed along tips she had learned from her own writing coach.

“Mix them up,” Robyn suggested. “Vary the word count. Don’t try to force the order, but pay attention to the emotions and lessons in the stories. Then, after you collect everything in the order you think might work, read the last paragraph of one story and the first paragraph of the following story and see if that works. You might need to do that process a few times.”

Robyn was right. I did arrange the essays a few times. But since these were, after all, dress stories, I got creative. If I had a photo of the dress, or a scrap of material from the dress, I stapled it to the printed page. Clearing a closet rod, I hung each essay from fourteen skirt hangers and started arranging them for a book. (Don’t try this at home.) I moved them and moved them until I could see a lovely rainbow arc for the entire collection.

When I was finally comfortable with the flow, I released my dress stories from their hangers and returned to the computer to cut and paste the individual essays into one long document. More edits. Moving paragraphs. Breaking up stories into parts. Adding just a bit more here and there. Writing an introduction and a final note to the reader. Two years after I wrote the first “dress story” for a memoir class, the book was published as Reflections: A Wardrobe of Life Lessons. Memoir, like a classic great dress, never goes out of style.

From the Introduction:

The hardest years in life are those between ten and seventy.

—Helen Hayes

At ten, I wasn’t the moody middle child wanting to be noticed, as much as the one who always seemed to notice. I was the sorter of stories, the keeper of traditions. Reaching up, or out, or down, I saw invisible threads that joined people together. I still do. Now, at seventy, I’m connecting more strands. And dresses are coaching my memory.

Three hard white suitcases live under my bed. I yank out the middle one and plop it on the blue star quilt. I’m not loading it up for a trip; it’s already full. I know what’s inside: dresses, scraps of fabric from dresses, and old photos. Clicking on the double locks feels like opening a black box of flight recordings. Messages vibrate from crinkles and creases, stains and frills. Memories rise from cotton, velvet, and silk—fibers from my journey through life.

Wisdom remains on the fold of one dress. I smooth a wrinkle and kindness appears. When I trace my pinky over white lace, I remember letting go. Hope is in there too, along with judgment, loss, compassion, forgiveness…a wardrobe of memories just waiting to be unpacked. Ralph Waldo Emerson said, “Life is a succession of lessons which must be lived to be understood.” I agree. But sometimes a life lesson can also be worn as a dress.

  Excerpt from a middle essay:  Navy Maternity

My first maternity outfit was a long-sleeved navy blue dress from Sears that I bought for my father’s wake and funeral. I wore it again on Father’s Day and then buried it under the lilac bush in my childhood backyard, watering the ground with my tears. The words from a homily echoed in my head. Ritualize where you are now . That’s what I was doing—dressing a wound by burying a dress…

The moment I stepped out of that dress, I felt different. Lighter. Aware. I was carrying a new life—had been all along—but now I could finally breathe. I glanced in the mirror and saw myself as a mother-to-be. I shoved the dress in the bag and tossed it in the car. The dress was easy to remove, but not the grief. Shifting my focus to new life, I decided to take one small step.

The following week, on my final day of teaching elementary school, I drove to my childhood home only two blocks away. I pulled the navy maternity dress from the white plastic bag. My mother was at work. But I didn’t need her. I knew where my father’s garden tools were kept. I grabbed a shovel and began digging in the dirt near the lilac bush—Dad’s favorite bush. It didn’t take long to scoop a hole big enough to bury a death dress…

Excerpt from the final essay: Dressing for a Reunion

At the Hyatt Regency Hotel near Dulles Airport, I’m wearing the same tri-colored dress that I wore for my 50 th  high school reunion in 2016—it’s mostly blue, with bands of black and white. I call it my past-present-future dress. The dress is making an encore appearance in 2017 at a different reunion tonight.  Can it really be called a reunion if we’ve never met?  My husband tells me to hurry. We exit the elevator and enter a full dining room. The celebration begins.

Arms reach across the table to shake my hand. A shoulder nudges close. I feel a tap on my back. Legs move toward me. Fingers clasp. Another arm extends around my waist. Then hugs, so many embraces and tears. I am aware of my middle-ness. I am a quiet middle child, in the middle of a loud story. I am in the middle of history, in the middle of generations, in the middle of Danish fishermen and American flyers. I’m standing in the middle of memory and expectation because I did what middle children do best—I made connections…

Author’s bio: Linda Styles Berkery holds an M.A. from Russell Sage College. Linda taught third grade, led retreats and worked in parish ministry. Her writings on faith/life have been published in various magazines, blogs and books. Her new book is Reflections: A Wardrobe of Life Lessons. 

HOW TO WIN A COPY OF THE BOOK I hope you enjoy Writing Lessons. Featuring well-published writers of our favorite genre, each installment takes on one short topic addressing how to write memoir. It’s my way of saying thanks for coming by. Love the author featured above? Did you learn something in the how-to? Then you’ve got to read the book. And you can. I am giving away one copy, and all you have to do to win is leave a comment below about something you learned from the writing lesson or the excerpt. I’ll draw winners at random (using the tool at random dot org) after entries close at midnight on May 15, 2019. Good luck!

Share this:

Related posts:

• Writing Lessons: Picking Small Topics To Write About
• Writing Lessons: Finding Time to Write
• Writing Lessons: How to Write About A Difficult Subject, by Bette Lynch Husted

GET THE QWERTY PODCAST

Subscribe free to the podcast

Reader interactions.

Amy Laundrie says

April 14, 2019 at 7:37 am

I found this extremely helpful. I’m a columnist for “The Wisconsin Dells Events” and am searching for a way to connect my “Slice of Life” columns into a second memoir. My first, “Laugh, Cry, Reflect: Stories From a Joyful Heart” includes pieces on nature, my pet ducklings, antidotes about my teaching career, and family stories. I appreciate the tips on how memoirists should make sure the last paragraph of one piece ties in with the first paragraph of the next and I think using dresses as a uniting metaphor was brilliant. I’m eager to read your book.

April 14, 2019 at 10:50 am

Dear Amy, I appreciate your kind words. I had a lot of fun using dresses as a thread through the essays. I would love to read your own slices of life columns. Marion has helped all of us go small. Linda

Susan Davies says

April 14, 2019 at 8:05 am

I love this concept! I have been so stuck in my writing, feeling overwhelmed. I had contemplated this approach but was so unsure….this lesson just gave me that push! Wish me luck! Thank you for your lessons! I enjoy them so much!

April 14, 2019 at 10:54 am

Susan, This is great news. I found all the writing lessons to be so helpful in my own work and I am honored that sharing my experience can help nudge you today. It is so good to give back. My editor, Robyn Ringler shared these tips from her own writing teacher so we are helping each other to gain movement. Linda

Laura McKowen says

April 14, 2019 at 8:09 am

Your content is so very helpful, Marion. About nine months ago, I read your book, and then I was on one of your calls. What I learned helped me focus, organize, and finish my manuscript for my first book, a memoir about sobriety. I sent it to my publisher last week. :) Thank you!

April 14, 2019 at 10:57 am

Marion’s content has always been so helpful to me too. Congratulations on completing your story.

David Sofi says

April 14, 2019 at 8:10 am

Excellent lesson and piece by Ms. Berkery. Especially resonating was the bit about Robyn’s advice from her writing coach. I will have that posted on my Writing Wall. I also tingled with her modification of The Algorithm (That is my personal emphasis of Marion’s lesson, it is so insightful and meaningful.)

Linda Berkery says

April 14, 2019 at 8:31 am

Marion’s writing math made each essay possible and I held it in mind throughout the entire book. Robyn RIngler’s advice pulled the entire collection together. Thank you for your comments.

Careen says

April 14, 2019 at 8:14 am

I want this book! Not only for its content, but because it illustrates the principles Marion puts forth.

April 14, 2019 at 11:34 am

Careen, I hope you continue to find help from the writing lessons and the wisdom from Marion. I surely did. Linda

Ginger Hudock says

April 14, 2019 at 8:16 am

This was wonderful post! The book would be something I could relate to because my age (61) and the metaphor of dresses. This is a great and doable way to structure a book as a series of essays. It seems much more doable for me. I am comfortable writing blog posts and magazine articles, but the thought of a long book is overwhelming sometimes.

April 14, 2019 at 11:01 am

Ginger, I am with you on the thoughts of a long book. It seemed too much for me. I was so happy to find that a series of essays was a reachable goal and Marion gave good feedback when I shared that I was attempting to do just that – she reminded me that I still needed an overall arc in order to print them together as a book. I hope you continue.

April 14, 2019 at 8:30 am

Breaking up the writing into smaller, more manageable pieces seems to tame the bigger writing project, sticking to the algorithm in each section. I loved seeing the process of finding the structure of the book, which is my biggest challenge.

April 14, 2019 at 11:40 am

Dear Beth, Smaller pieces worked so well for this collection. And yes, with each essay I made sure to follow the writing math. I kept asking myself what is this about ? Although told through the lens of a dress, it wasn’t about the dress… it was about a universal theme. Thank you for your thoughts. Linda

April 14, 2019 at 8:35 am

I can’t tell you how often I used Marion’s book and notes from her course as I was completing this book. Such good advice.

Elizabeth says

April 14, 2019 at 8:38 am

I flipped through my closet in my mind – many ideas there for essays, including the ban on trousers for women in my high school in the sixties, and the godawful bloomers for gym class. Thank you!

April 14, 2019 at 11:09 am

Oh Elizabeth, Our minds must run similar. There is a story about those gym “dresses” from my first P E class at Russell Sage College. And oh yes, a mini dress from my teaching days, when women were not allowed to wear pants, but COULD wear a mini dress three inches above the knees. Keep flipping through your closet in your mind. Clothing is so rich to draw out the memoir essays. Thank you for your post. Linda

Ruth Crates says

April 14, 2019 at 8:59 am

I continue to look for a way to write my memoirs. Essays might be a good fit for me. I love how Linda used an unlikely subject…. dresses – to relate her life experiences. If I don’t win the book, I will buy it…I loved the exerpt about burying her grief. We can all relate to that.

April 14, 2019 at 4:30 pm

Dear Ruth, I do hope that you will continue to write memoir. I found that essays were a perfect length. Mine ranged from about 800 to 1200 words in the book. Some had several parts but each one could be read alone which helped me continue. I am happy whenever someone considers the book, the proceeds are going to assist a local thrift store, called ReStyle, from Unity House in Troy. When we have some book signings we are also inviting readers to donate a gently used dress. So my unlikely thread of dresses is really being put to good use. Linda

April 14, 2019 at 4:34 pm

Isn’t it amazing how an idea can take off in so many directions! A wonderful way to help others.

April 14, 2019 at 4:40 pm

If you are in the Albany-Troy area look for several benefit book signings on the Facebook page: Reflections: A Wardrobe of Life Lessons

Cynthia C says

April 14, 2019 at 9:04 am

Incredibly helpful hearing about the writing process! I love reading how these authors make decisions about how the final product will look.

April 14, 2019 at 4:36 pm

Cynthia, I always loved reading the writing lessons from Marion’s posts. I was fascinated with the whole process of structure. Linda

Cassandra Hamilton says

April 14, 2019 at 9:41 am

Great post. I appreciate Linda Styles Berkery sharing her process. By breaking her subject into essays she was able to work ideas in smaller sections. I like how when she focused on the larger piece, the book, she turned to a visceral and visual method: hanging up her essays, each represented by a dress, to sort and rearrange until she felt they were right. I would think the photos of the dresses also evoked in her thoughts and feelings and helped her to pack her writing with vivid descriptions. I’m inspired with her process and how she cleverly teased us with snippets of her new work. Thank you!

April 14, 2019 at 4:44 pm

Dear Cassandra, Thanks for your comments. You are right about the visual part. It really helped me to organize the flow of the essays and the overall arc of the book. (And at one point when I realized that I didn’t have a green dress – it brought up a life lesson from an old memoir of a green gym dress!) Linda

Cheryl Hilderbrand says

April 14, 2019 at 10:08 am

Since the excerpts offered here resonated so strongly, I can’t wait to read the rest of the book. Is it just women our age who grew up with dresses who are so emotionally connected to fabric, and tucks, and gathers? A quilt made from childhood dresses keeps me warm, but I worry that I should put it away so that it’s scrapbook, memory-spurring nature can be preserved. The advice from Ms. Berkery’s editor was something I needed to hear . Thank you Marion, Linda, and Robyn.

April 14, 2019 at 4:49 pm

Dear Cheryl, I do think that dresses meant a lot more to us than they do to the next generation. My own adult daughters rarely wear dresses, but they still have emotional and memories attached to clothing. My husband saved his race t-shirts and had them made into a quilt! He no longer runs, only walks due to an injury, but that quilt hangs over his couch reminding him of all those races. Robyn Ringler’s insights (my editor for the book) were so valuable in getting this collection to print. I am glad to pass her advice along. Linda

Jen Chambers says

April 14, 2019 at 10:17 am

I find this very helpful- it solidifies a concept that I’ve been working on for some time of using essays as memoir in my own work. Using a literal thread to hold the narrative together made a great metaphor here. I am intrigued by the structural ideas and hope to get the book!

April 14, 2019 at 5:18 pm

Dear Jen, Thank you for your comments. I hope you continue to use essays as memoir. It really helped me to keep going.. I could focus on one essay at a time. Indeed I kept them in separate folders on my computer until I recognized how to make “dress stories” into a literary closet collection. Best regards,’ Linda

Debbie Morris says

April 14, 2019 at 10:28 am

I’ve had an idea brewing for years now, and this style has opened up a completely new way to join them yet keep them separate. I thoroughly enjoy the teachings here as well as that wonderfully inspiring sampling of essays. I feel energized, thank you!

April 14, 2019 at 6:03 pm

Dear Debbie, Thanks for the comments. I hope this idea keeps brewing and maybe finds a similar outlet. Linda

Barbara Womack says

April 14, 2019 at 10:38 am

I love this concept and have been inspired to use a similar approach in my own (somewhat stalled) writing.

I can’t wait to read this book!

April 14, 2019 at 6:06 pm

Dear Barbara, I am glad to hear about your writing. I wish you well on the journey and am happy that you found this approach to be helpful. Linda

Ann Hutton says

April 14, 2019 at 10:44 am

Excellent! I’m sharing this with a memoir writing group I facilitate. Meanwhile, I call out a “Yes!” to visually laying out your pages to really SEE what you’ve got and how it might fit together. Once I taped 260 pages to three walls in an empty office in order to look at the structure of a memoir manuscript. That’s when I realized that I did indeed have a beginning, middle, and ending! And looking for repetitions or other glaring mistakes was easier this way, rather than trying to read through pages on a computer screen.

Many thanks!

LInda Berkery says

April 14, 2019 at 6:11 pm

Dear Ann, Wow that must have been some wall sight! Yes, I think we sometimes need a visual way to keep us moving forward. Glad that worked for you and thank you for the comments. Best to your writing group. If you send me a personal message on Facebook page for the book. I will send you my “chart” with all the essays. My editor used that page for a talk she was giving on memoir writing. Linda

Merrie Skaggs says

April 14, 2019 at 10:49 am

Linda’s wardrobe structure is brilliant. I learned that I might be able to include an essay I wrote about my dad in my memoir. Also, Linda’s words spoke to me on several levels, or with various threads as she might say. I am still in the unraveling stage of my memoir writing and relish the connections since I am a Marion disciple, have seen my 70th birthday, and taught third grade. I learned much from your charming writing and the lessons you shared. Thank you, Linda, and thank you to our guru Marion. I’m not going to wait to win your book; I plan to buy it, read it, and learn from it now. “. . .bury a death dress. . .” My heart strings are still vibrating.

Linda Styles Berkery says

April 14, 2019 at 11:13 am

Dear Merrie, I am so happy to meet another over 70 writer of memoir. My father’s journey through his WWII experience rescued in the North Sea by Danish fishermen and as a POW is another thread through the collection. The proceeds from this book are also being used to help ReStyle, the thrift store run by Unity House in Troy, NY – my hometown. So buying the book supports a great cause. Thank you. Linda

Carol Gyzander says

April 14, 2019 at 11:00 am

I love the connecting device of the dresses! The first essay excerpt was interesting, but then I found myself curious about how it would be used in the next…and the next…

April 14, 2019 at 4:53 pm

Carol, I am so glad that you found yourself curious about the dresses used and the lessons they told. Sometimes I found myself pondering how a certain dress or saved piece of fabric could bring out so many memoires. What was going on? – You start writing and then you find more and more life experiences coloring the page. Linda

Jan Duffy says

April 14, 2019 at 11:15 am

Thank you Marion for another excellent post. The idea of basing a series of personal essays on a collection of dresses is so good. As I was reading the excerpts I felt as though I was Linda’s alter ego, experiencing every emotion that she did. Good work, I hope I can be as successful in my writing endeavors.

marion says

April 14, 2019 at 2:31 pm

Dear Jan, You are most welcome. Isn’t this a lovely, helpful post? Linda did an excellent job with this and with the book. I am delighted to see you here. Please come back soon. Best, Marion

Thank you Jan and Marion for your kind remarks. Several readers have commented that they felt they were standing right with me as they read. So we touched universal topics – close to our hearts. Linda

Karen Elizabeth Lee says

April 14, 2019 at 11:42 am

Thank you for writing this piece. I have been struggling with structure for my memoir for almost a year! writing short pieces as that is how it seems to be unfolding but then questioning myself – “Is this the right or acceptable format?” “Can I do it this way?” Your insight gives me the courage to follow this path – the essay path – to see where it will lead me! thank you.

April 14, 2019 at 4:57 pm

Dear Karen, I never started out to write a book or a collection. I just began with one essay of a brown plaid dress – a short piece for a writing assignment. I casually remarked, “I could probably write a lot more essays through the lens of a dress…” and I received such encouragement to continue. See where the short pieces lead you. Perhaps you have a collection rather than a traditional memoir book. Blessings for your good work. I am happy that this piece could encourage you. Linda

Cheryl A Kesling says

April 14, 2019 at 2:19 pm

Thank you, Linda, for sharing your story. I’m a 72-year-old struggling writer working on a memoir since 2014. It seems life keeps flying in front of me to the point of building a wall too high to see over. I’ve journaled, keeping track of unimaginable tragic moments and survival. I’ve written words on paper for a critique group but never seems to hit the mark, or at least to my satisfaction. Maybe I’m too hard on myself. Your memoir essay structure is something I’ve been thinking about for a long time but I know that each essay needs a reason or a lesson learned, and that is been my problem. Knowing what lessons I’ve learned is hard to put on paper when one holds back emotions. I’m sure reading your book would be helpful. Maybe making a chart as you did from Marion’s math and color coding for different periods ( as told in a Z- the essay) and using one metaphorical object to push the essays along is the answer for me as well. Thank you again.

April 14, 2019 at 5:06 pm

Dear Cheryl, Thank you for your heartfelt comments. Some essays (lessons) needed space and time before I could write about them. We all tend to be hard on ourselves. Keep writing. and Keep journaling. I found that going back to journals and circling some key memoires allowed me to move toward an essay. But journal writing is different than writing for print and I had to allow some pieces to stay in a journal and not try to force them to be an essay. But making the chart using X, Y, and Z was the most important formula I learned from Marion.

Etty Indriati says

April 14, 2019 at 3:11 pm

I love the excerpt of Linda’s book as it reflects the “what it is about” in Marion’s online course The Memoir Project that I took; and Linda cleverly wrote her book into chapters of personal essays. It makes me want to read the whole book! It is also inspires me to not giving up writing a memoir.

April 14, 2019 at 5:09 pm

Dear Etty, Marion’s outline is a wonderful way to start. I hope you can read the whole book and please don’t give up writing memoir in whatever form it takes. I think reflecting through writing is a blessing. Thank you for the comments. Linda

iliana says

April 14, 2019 at 7:23 pm

Linda, thanks so much for sharing aspects of your writing process! Cut and paste, and I really mean printing the pages, cutting where needed and rearranging, gluing them on another blank page, was my graduate advisor’s way of writing and editing articles, reports and proposals. That’s how I wrote my thesis too, hands on, feeling it. Looking at a dress as a metaphor, so clever! Looking forward to reading your book :)

April 14, 2019 at 7:36 pm

Seems like I did something like that old fashioned cut and paste on my TYPED thesis back in the day. Thanks for your kind remarks. Linda

KRISTA L RUSKIN says

April 14, 2019 at 7:28 pm

OMG. I’ve been struggling with not having lived “an important life” and yet wanting to write a memoir for my kids. My father died when I was 31. I often wished I had received more lessons from him and had them for my kids. In recording my own, 20 years later, on the upside of my life lessons, I’m hoping they see the possibilities for their lives even in The dark days. The idea of writing bits and and pieces of varying length and letting them tell me how to structure the book is liberating. Thank you!

April 15, 2019 at 9:00 pm

Dear Krista, I am happy that you can see your life as memoir worthy as it surely is. My father died when I was 26 and yet his influence is strongly felt in this collection. I wish you all the best for your writing. Linda

Lisa Sonora says

April 15, 2019 at 8:43 am

So many take aways here!

I haven’t read all of the comments, but skimmed, so hope to offer something not shared yet.

First, that you ignored your friends comment about writing about your life.

Then… using Marion’s algorithm for each of the essays (described in the second paragraph) —brilliant!

I too, am a student of Marion, and have been so STUCK on trying to figure out the algorithm for my memoir.

Your piece gave me the idea to look closer at the individual pieces within the book and trying to name what those are really about.

I just love the image of you hanging up your essays like dressed in the wardrobe, and laughed out loud at “don’t try this at home”. Because, yeah, I would try that at home — it make sense to give the writing some physical form that relates to the subject to help see it differently.

Congrats on the publication of your book, Lynda — I cannot wait to read it!

April 15, 2019 at 9:07 pm

Dear Lisa, Thank you for such great comments. Yes, hanging up those dress stories was crazy but a fun way to really see them in place. And it was wonderfully refreshing too. We often need to trust our own instincts sometimes more than the voices of dear but sometimes bossy friends! Best to you for your own writing. Linda

Cathy Baker says

April 15, 2019 at 8:47 am

I love everything about this post as I’m working on a book with mini-memoirs on our building my future writing studio, Tiny House on the Hill. After reading this post, I might consider having fewer chapters with a higher word count. I always learn so much from you, Marion, as well as those you coach. Thank you!

April 15, 2019 at 9:09 pm

I love the idea of mini-memoirs! Great! Thanks for your comments. I have also learned so much from Marion and her writing posts. Linda

Tammy Roth says

April 15, 2019 at 11:51 am

I’m always looking for clever ideas of arranging memoir topics and this is just brilliant. Thank you for sharing the process.

April 15, 2019 at 9:14 pm

Dear Tammy, Arranging those memoir essays was made easier using Robyn’s advice along with Marion’s wisdom. I was honored to share the process with so many interesting writers. Thank you for your comments. Linda

April 16, 2019 at 8:35 pm

Oh my! This came at the most perfect time. I am trying to write a memoir and it keeps running through my mind that I should try doing it in essays. I lost my son to suicide, so it’s about grief, hope, and faith. I loved what Robyn shared with you about connecting the last paragraph of one to the beginning of the next. The excerpts are wonderful. I can’t wait to read the book. Thank you for sharing your wisdom.

April 16, 2019 at 9:01 pm

Dear Faith, I am glad that Robyn ‘s idea might help you find your way through a collection of essays. She suggested the last paragraph and the first one should flow for the reader but they can still stand alone as individual essays. I wish you blessings in your writing. Linda

Naomi Johnson says

April 16, 2019 at 10:51 pm

I LOVED the wonderful advice from her editor, while she was still working out the overarching structure: “pay attention to the emotions and lessons in the stories . . .. Then . . . read the last paragraph of one story and the first paragraph of the following story and see if that works.”

Lovely, indeed!

April 17, 2019 at 7:00 pm

Thank you for your comments. Robyn Ringler and Marion offer such valuable suggestions. And I am grateful. Linda

Melanie says

April 17, 2019 at 2:49 pm

I’m in the process of structuring my next book now. I was right there, with descriptions of white suitcases containing “…fabrics from my journey through life.” I could hear the crinkle of crinoline, and I was reminded of one of my absolute favorite couplets by Joni Mitchell: “Everything comes and goes, marked by lovers and styles of clothes…” As I enjoyed all the other places the piece had taken me, I asked myself, “Do I have milestones (like these dresses) that mark the milestones of my life?” And I realized, I DO! I am a songwriter, so of COURSE, every milestone has a song! Thanks, Marion & Linda for such beautiful and inspiring work.

April 17, 2019 at 5:23 pm

You are most welcome, Melanie. Please come back soon. Best, Marion

April 17, 2019 at 7:06 pm

Thank you for your comments and the great quote! Love it. And nice for me too as my maiden name was Styles. I am glad that you found yourself asking questions about your own milestones.

Teresa Reimer says

April 20, 2019 at 9:12 pm

What a wonderful idea to hang each story and it’s inspiration on a clothes hanger. Organization and expanding on the theme! Can’t get much better than that.

April 22, 2019 at 6:15 pm

Teresa Thanks for your comments. Yes it was definitely different but fun! Linda

Donna P says

April 29, 2019 at 11:36 am

Dear Linda,

Your ideas, along with Marion’s brilliant advice, strike a real chord with me. I, too, have been struggling with the concept of essays within a memoir. Due to health issues, I have not given my book as much attention lately. I’m going to paste this article to my forehead to keep it top of mind! Truly inspirational at a time when I really needed it. Thanks to you and to Marion. I will definitely buy the book.

April 29, 2019 at 12:34 pm

Dear Donna, Thank you for sharing your thoughts. Marion’s advice really helped me stay focused on each individual essay. And I am so happy to know that sharing my experience making a collection of essays could help you move your own writing along. Best to you for your writing. Linda

Gail Gaspar says

Essays in the form of a wardrobe of dresses, yes. I am wondering if my memoir will take the form of essays unified by a theme (I adore metaphors) and you have illustrated how it can done. As a coach, I am happy you listened to your inner voice and not to the friend who remarked, “Your life just isn’t that interesting.” I appreciate how you show, don’t tell, about what each dress represents. The image of your dress stories hanging in your closet is an excellent reminder of how creative and expansive the writing process can be – when we allow it.

Laurie says

May 1, 2019 at 3:10 pm

Marion – This is my first visit to your blog and site. So much info! Thank you! I too am working on a memoir that right now is a collection of stories. This truly resonated with me as I am stuck as to how to pull them together into a book. Linda – your insights and suggestions couldn’t have been more on target. I have already printed them out and moved them about – but I think I need to write a few more – and then piece them together – reading the last para / first para – and adding bits as you suggested. I LOVED reading the excerpt of the book – what a wonderful way to tie the stories together by the dresses. As a writer – I loved that creative idea to tie it all together – and as a reader – each except you shared – I could apply to my own life and my own past closet of dresses! Well done! I would be tickled to win the book and read more!

May 1, 2019 at 5:47 pm

Dear Laurie, Thank you for your thoughtful remarks. Finding Marion’s blog and site is certainly a real gift. I was fortunate to take a class when she was teaching in Troy before everything went online. But look how many more people can be reached. I am delighted that you could relate to the dress stories and find memories arriving from your own closet. I loved making the book a collection/ wardrobe of stories. All the best to you with your own memoir. Linda

May 2, 2019 at 11:52 am

What a lovely way to seamlessly piece together a book! I’m in awe of your process and inspired by the concept! I’ve always struggled to let go of certain garments because of the memories associated with them. Now I understand why: Not only does each one offer a memory, but you’ve proven each one tells a story. I can’t wait to visit your story-closet and read more!

May 2, 2019 at 8:59 pm

Dear Susan, Thank you for your kind remarks. I hope you do visit my “story-closet” as well as peek at some life lessons from your own wardrobe. Linda

Maggie Yoest says

May 3, 2019 at 10:57 am

I am new to memoir writing and have been encouraged by Susan and Marion. Hopefully, as I stay with this, some of the fear will dissipate and the courage to share myself and my view will grow. Thank you both!

May 3, 2019 at 4:00 pm

Maggie, I hope you continue with memoir. Marion is a wonderful guide. Linda

SITEWIDE SEARCH

Join me on instagram, mroachsmith.

Memoir Essay

Memoir essay generator.

Writing out our memories of the past and present , while putting it into paper and pen, for the world to see sounds like a dream come true for those who are into this. To a smaller few, it may sound more like an open diary.   Though it may sound sad to hear, a memoir is actually a fun way of writing something you wish to be remembered. Sounds like a good idea? Do you wish to want to know how and what to write in a memoir? Easy! Check them out below and download any of our  5+ Memoir Essay examples that fit you.

5+ Memoir Essay Examples

1. memoir essay template.

Size: 492 KB

2. Visual Memoir Project Essay

3. Narrative Memoir Essay

Size: 463 KB

4. Example of Memoir Essay

Size: 171 KB

5. Essay on the Memoir Literary Genre

6. Mexicana-Chicana Memoir Essay

Size: 74 KB

What is a Memoir?

A memoir is taken from the French word mémoire which means memory or something to reminiscent. A memoir is a nonfiction narrative that talks about the situations in your life that you want to hold on too. A memoir is different from an essay since the person reading the memoir is taken back to a journey of the author’s life while an essay is a writer’s thoughts and ideas.

What is a Memoir Essay?

A memoir essay is a type of writing where you put both your thoughts and ideas as well as your desired memories together. It is also known as an essay length adaptation of a memoir . The word count ranges from 1,000/2,000 words to 8,000 or 10,000 words. Nothing more, nothing less. Your memoir essay is different from your autobiography. You are not going to write your whole life story, but some snips of your life story.

How to create a Memoir?

Although there are some ways in creating such a beautiful memoir, sticking to the facts is better than making things that do not belong or you have not experienced a part of it to make it sound better. The result is, it is no longer considered a memoir but an essay since you are only sharing your thoughts and not the actual facts. However, there are easy steps you can read to know and understand how to write the perfect memoir.

Think Of What Theme You Are Going For.

Brainstorming what theme you are going for is essential when writing your memoir. Your theme could range from happy or sad. The theme is important in your memoir.

Identify and Write Down Your Memories.

Brainstorm. The second thing you can do is to brainstorm for memories you wish to write down. From your earliest memories to your most recent ones, especially those that gave you the biggest impact on your life.

Your memoir must be truthful.

This is a big deal when it comes to writing your memoir, since this is about you and your special memories. Adding somebody else’s experience to make your memoir sound better is wrong and should be avoided at all costs.

Connect each memory to your current ones, and don’t be afraid to get vulnerable.

Interconnecting your previous memories to your current ones is okay. Some memories often interlink. Also, when writing, do not be afraid to get vulnerable. Readers often relate more if the author gets on to their level of vulnerability.

Write a memoir you want others to remember you for.

When writing, we often want to think about the rules, the formats, how we want our readers to view it. But remember, this is your memoir. Write the facts, write about your memories but do so while having fun. Let your readers be a part of your story. Draw them in. Let them dive in and see how you are viewed in their eyes.

Put life in your memoir.

Readers would love to hear you laugh, to see you smile, to sympathize with you when you are sad through your words. They want to be in your shoes through words. To view your experiences through your eyes.

What is the difference between a memoir and a memoir essay?

A memoir in layman’s terms is like a big open diary you let people read. You write the memories that affected you most from the beginning to present. A memoir essay however is an essay adaptation of a memoir. There is very little difference between the two.

How many paragraphs does it take to write a memoir essay?

It only takes about 2 to 4 paragraphs to write your memoir essay or half a page long.

Writing a memoir essay may take a while and some trial and errors, but as long as you stick to the simple rules on how to write a memoir essay, you are all set. Just remember to look at the rules and to have fun while sticking to the facts as well.

Text prompt

• Instructive
• Professional

Write about a pivotal moment in your life for your Memoir Essay.

Discuss the impact of a significant relationship in your life in your Memoir Essay.

• Writing Resources
• The Art of Memoir
• All Courses

How to write a memoir essay

Writing a memoir essay is a great strategy to see if your idea for a book-length work is interesting, relevant and relatable. In this article, I’m going to explain the purpose of writing a memoir essay, and the most important keys to getting it published. Over the years I’ve written dozens of first-person essays and opinion pieces for print and digital publications, so I’ll share some examples of my own published memoir essays, to show you how to structure your memoir essay.

First, what is a memoir essay?

A memoir is a personal narrative that reflects on specific experiences you’ve had in your life in line with a relevant and universal theme or topic.

So your memoir essay would naturally involve personal narrative style (first-person, generally) around a specific experience or theme that’s connected to your proposed book-length memoir.

If you’ve been in my world for awhile, you’ll know that I recommend a personal essay or first-person article as a great strategy for accelerating your publishing timeline. Writing a first-person essay for a blog is also how I secured a literary agent and offers of publication for my second book, A Letter From Paris . In just a few weeks!

Writing a memoir essay is a great strategy to get you a publishing deal 

Getting a memoir essay or first-person piece published is such an empowering alternative to the usual publishing timeline for writers… Because writing an article or essay on your experience and the theme you wish to develop into a book-length work (or ARE developing) works to clarify and boost your confidence around your writing skills, and will give you valuable feedback from publishing professionals (and visibility amongst them). You might find that editorial insights from your essay or article is better than a thousand critiques on your manuscript, AND could even lead to an offer from an agent or publisher, depending on other elements.

Getting a memoir essay published (which could take anywhere from a month to three) is also MUCH quicker than the common path taken by memoir writers which I see a LOT with memoir particularly…

• Spending five years on your manuscript,
• Spending two years on your book proposal….
• Paying for endless critiques or constantly workshopping either of the two and getting confused, dejected, and losing confidence and enthusiasm entirely….

My favourite publishing strategy particuarly for nonfiction authors, is to leverage a published non-fiction piece – say, a blog post, an essay, an Op-Ed or an article – and turn it into a book deal.

This is how I found an agent and publisher for A Letter From Paris , it’s how dozens of authors I know have secured incredible book deals. You also earn money (if you pitch to a paying publication), improve your writing skills, build your platform and make impressive connections, learn a lot, and more.

Publishing a non-fiction piece either in a top publication or even a lesser-known outlet is also a great way to boost your writing profile (AKA that dreaded thing called ‘platform’ for the introverts among us!), gauge interest in your memoir topic or particular threads of the story, improve your google-ability (yes this IS a thing – be assured any agent or editor will google you before they do anything else!), add fantastic clips and extra material to your book proposal , finesse your story and improve your writing skills.

How do you write a memoir essay?

When you’re writing a memoir essay with the express goal to get interest in your book for a publishing deal, the key writing tips for a memoir essay also apply to your book itself, but with one MAJOR caveat: do NOT give away the entire story. You want to leave readers – and potential publishers – in no doubt that there is MUCH more to the story.

HOW TO WRITE A MEMOIR ESSAY

Step 1: clarify your hook [because this helps you structure the essay].

The most important thing you need to get right for your memoir essay is also the most important thing you need in a book-length memoir: a strong hook. Having a strong hook also implies bravery and strength in your writing voice, because until you’re willing to put your unique perspective and your personality  and your point-of-view into your personal story, it won’t stand out among the thousands of other essays or story pitches on that topic or common experience theme.

Put simply, a hook is something unique, unusual, contrasting, strange, personal and compelling about your specific experience. And it’s ALSO very personal, for a memoir essay. Your hook is that part of your story that your friends say “WTF?” when you explain that the same day you lost your dog and your husband, you also won the lottery.

It’s that part of your story that beggars belief but also elicits intrigue from your audience. It raises questions and interest and also compels a reader to RELATE to your story because it’s what’s unique about a universal theme.

Of course, you may not have lost your dog and your husband but also won the lottery on the same day, but generally if a story is important enough for you to want to share a story with the wider world, you have something very deep, meaningful and affecting to say. What is it? Why does this matter to you so much? It must be fresh and unique and you need to find that very fine balance between the universal and the personal.

And, as I’ve said before, with memoir – personal narrative – being PERSONAL – means you must reveal something… PERSONAL about yourself.

Writing a memoir essay for publication is humbling and vulnerable. I shared about my late father in my memoir essay and I hadn’t even said many of those things out loud to old friends, at that point. It’s usually where there’s some unresolved pain and you’ve needed to really work through an issue much harder than someone else. Or in a very unique or different way to many others who have experienced the same thing. The hook could just be one little detail of the story – for example, when you look at thousands of stories of an experience of tragedy such as the September 11 attacks or the Bali Bombings, it’s usually the little personal details that start the story of an individual experience. That pulls us in and helps us relate.

Practise finding your story hook by talking about your story with friends. What do they find most compelling? What is the question at the heart of your hook? You will spend the rest of the essay or article or series of blog posts exploring this.

A BIG MISCONCEPTION AROUND STORY HOOKS

You need a hook to both successfully pitch the memoir essay and ALSO to write it well. And this is why writing a memoir essay for publication is such a great practise point for getting a memoir published! You can’t just say “I’m pitching an essay about my mother” or about “my experience with grief” – you need to be more specific than that. You need to show the relatable theme and the premise of the story – what you’re going to explore and give the reader that they haven’t ever seen or felt or known about this, before.

Memoir essay pitching tip : Don’t just say “the essay is about my mother.” Or – “the essay is about my hunt for a house and how hard it was”. There has to be some kind of contrast and specific detail that makes us see immediately how different this story is to the many others on this theme or experience. Even in a lyrical, prosaic memoir essay, you need to explore the internal grapplings with something  – well, gripping. Even the most stunning prose needs a hook!

Memoir essay writing tip: Start observing yourself when you watch a movie – how is the beginning of the story presented? What about stories and first-person essays (memoir essays) you read through to the end – what is it about these essays that gets you invested? Make note.

Step 2: Great memoir essays include both an inner AND an outer journey in the story structure

Christopher Vogler in one of my favourite writing books, The Writer’s Journey   writes:

“Good stories show two journeys, outer and inner…”

When I read a compelling memoir essay or article, I’m struck by how the narrator weaves the inner journey with what’s going on in their physical or outer world, and how the two reflect and build upon each other. Memoir essays can be written chronologically (so, from Monday to Friday as you lived the experience, for example). Or, you could write your memoir essay thematically (say, a collection of examples from the author’s life as relating to the topic or theme of the experience). You could also do what’s called a braided essay, where you weave multiple threads together cohesively, so that the essay works as a whole. I personally find braided essays the most satisfying to read, and most challenging to successfully write, and it’s the same with braided memoirs. I do think that the 6 storytelling principles still apply as I teach them in THE ART OF MEMOIR , because I braided research on my late father with historical data with present-day experience to tell the story of A LETTER FROM PARIS . And the essays that I published before the book came out needed to do the same. It’s tricky! It’s almost like writing three different essays. At once! But as long as you know the way you’ll bring the beginning, the middle and the end together cohesively, which is exactly why i created the visual map I use to structure memoir inside THE ART OF MEMOIR, you have a map to use.

Here are two examples of memoir essays I wrote before A LETTER FROM PARIS was published: The initial post which braided astrology with personal experience and letters of my late father…

A longer travel essay along the theme of ‘time travel’ which braided history and current-day…

Read this essay by Lauren Hough which was published in Huffington Post for an example of a thematic essay. What’s so human, and so compelling (and by the way, it led to a book deal for LEAVING ISN’T THE HARDEST THING , her memoir-in-essays from Vintage!), are the contrasts between her physical and working environment (being a “cable guy”) and the internal life she leads: left-leaning, queer, empathetic…

It’s the personal contrasts that keep you reading (as well as the vivid examples she gives!). The characters she meets in her job (external) show who she is and what she believes (internal). Do you see what I mean?

Coming back to the hook element – it’s not enough to ‘explain’ something that happened to you – eg. I did this, I went here, I felt like this…. Plenty of these pieces get published. They’re clickbait, they’re quickly-forgotten, and you don’t want them on your clip list. Instead you need to deep-dive into how the external influenced the internal – to show those two journeys, inner and outer… To explore your own empathy, if you will.

Memoir essay Tip: Use the outer to provoke the inner. What do I mean? If you’re writing a story about meeting your real father for the first time at age 19 in a dive bar in New Orleans, relate the external reality of being in New Orleans with why and how you came to be meeting your father there…

Step 3: Only include what’s relevant [and eliminate all that does not connect to the focal point of the story]

In memoir essays, as with book-length memoirs and personal narratives, you must always remember that this is a STORY you’re weaving. And to make it highly readable, everything must connect to the central premise or narrative thread. A key pointer to an early versus a later draft is including relevant material. Essays need to be clean and concise – you don’t have an entire chapter to introduce a character, you have a few sentences or a paragraph. Even in long-form essays, the story needs to be relatively tight. So, if your essay is about meeting your father in New Orleans (as the above example suggests), only include anecdotes, references, observations and material that relates to said meeting or how you dealt with said meeting.

Memoir writing tip: Often (always?) you need to write out a whole heap of irrelevant material before you can get rid of it. You need to ‘write’ your way into the story. That’s fine! But make sure you leave it for a couple of days so you can assess what needs to go, when you come back to revise the essay – and/ or the pitch – for publication. Often you’ll find much of what you thought mattered, has nothing to do with the central premise of the story, AND, because you’ll have only 1000 to 3000 words to explore this experience, you want to keep things tight. And – remember to leave people wanting more!

Step 4: End on a summary or new understanding of the problem or issue, and/or show a clear transformation

The most important part in a memoir essay is that you show some sort of transformation in your character or point-of-view or change from beginning to end of the story. While you might be exploring a topic, question or theme in your story, you need to show that you, as a character, have changed or at the very least learnt and reflected from your journey. If it’s a non-fiction article, the ending will generally be a summary of what you’ve learnt, but with memoir it can be a little more subtle. You could end with a surprise realisation or moment of movement, to leave the reader on a high note. Again, if you’re using this memoir essay as part of a strategy to get a publishing deal or literary agent representation, you won’t want to end your memoir essay with everything explained and neatly resolved. There needs to be more to uncover and explore, for a publisher or an agent to want to see material for a book-length work.

STEP 5: Revise your memoir essay and the pitch, before you send it out

Here are some general revision tips, which I teach in much more detail inside the editing component of THE ART OF MEMOIR:

• Never ever send your first draft to an editor – leave your memoir essay or article for a few days and come back to it.
• Edit for repetition and relevance: It always amazes me how much I repeat certain words in my writing. You only see this when you’ve left it a few days, and if you use that wonderful ‘search and replace’ tool in Word.  So look for repetition of certain words and delete or change them, if need be. Be ruthless.
• Edit for relevance – As I touched on, above, if you’re aiming for a word count of 1200, for example (very standard for essays in publications such as the New York Times Ties section), and trying to lop 400 words off, what is LEAST relevant chunk to the main question or theme of your article? Remember: You can include the whole story in your book. This is a strategic published piece to elicit interest and engage in the most compelling elements of your story.
• Don’t take a huge ‘run up’ – Just as a huge issue many editors see in memoir manuscripts submitted to publishing houses is that they take too long to get to the point of the story – so you should jump right into the inciting incident, or compelling event, in the beginning of your essay. Don’t write three paragraphs of beautiful poetry about what you did the day before the big event. You don’t have a lot of words to waste in an essay or article.
• Study other essays – this should really be my number one piece of advice. Whatever outlet you choose to pitch to, study what has been published for that particular section of that particular outlet so you can get an overview of how the story should be styled and structured.
• Read it out loud. This is a great tip one of my first newspaper editors gave me (particularly when you have a low word count of anything under 1000 words). Reading out loud helps you see what needs to go, and what doesn’t work, very quickly.

WRITING A Memoir Essay for Publication, in summary:

Writing a memoir essay for publication is a great way to develop your writing style and visibility for your potential book deal. It’s also going to strengthen your writing voice, because to get a personal story published, you need a writing voice that shows personality, point-of-view and perspective on the experience. Whether you want to write a memoir essay OR a book-length narrative, THE ART OF MEMOIR , my signature writing programme, is going to show you exactly how to structure and revise a nonfiction narrative for professional publication. Sign up for the masterclass below to learn more about what’s included in the programme and whether or not it’s right for you.

MORE LIKE THIS

Hi The detailed blogs are extremely helpful for memoir writing. Thank you so much for sharing your insight and the effort. much appreciated. ive been trying to download things and its unsuccessful.

Hi Annie – you’re welcome. I can see you signed up for the checklists but you need to confirm your email – check your spam as it might have ended up there?

Thank you so much for the response. You’re right! All your mails went into spam . Sorted and looking forward to accessing the masterclass. Thank you for the blogs. Informative and precise. Wishes from Scotland Annie

Argh – I find that a lot with gmail emails, their filters are annoying. Enjoy the masterclass!

Leave A Comment Cancel reply

• Craft and Criticism
• Fiction and Poetry
• News and Culture
• Lit Hub Radio
• Reading Lists

• Literary Criticism
• Craft and Advice
• In Conversation
• On Translation
• Short Story
• From the Novel
• Bookstores and Libraries
• Film and TV
• Art and Photography
• Freeman’s
• The Virtual Book Channel
• Behind the Mic
• Beyond the Page
• The Cosmic Library
• The Critic and Her Publics
• Emergence Magazine
• Fiction/Non/Fiction
• First Draft: A Dialogue on Writing
• The History of Literature
• I’m a Writer But
• Lit Century
• Tor Presents: Voyage Into Genre
• Windham-Campbell Prizes Podcast
• Write-minded
• The Best of the Decade
• Best Reviewed Books
• BookMarks Daily Giveaway
• The Daily Thrill
• CrimeReads Daily Giveaway

The Memoir in Essays: A Reading List

Elizabeth kadetsky on the multiple ways we can look at the self.

While the personal essay has enjoyed continued popularity, a book-length collection of linked essays, centered on an author’s self or life, is less common than a traditional memoir or novel. A truly successful essay collection can reveal the author processing experiences at many different points in time and through many different lenses. As a writer, I’ve always been drawn to the essay as a form, for its concision, for its ability to highlight an intriguing gap between author and narrator that lends an inherent tension and self-questioning. A collection of essays treating the same or related inquiries multiplies this effect.

The distance afforded by those multivalent lenses can allow an author to regard one’s younger self as a different character, a different persona. This can create an unease or uncertainty that is exciting, and also very relatable to the reader. An author’s ability to forgive that earlier version of herself is especially prevalent in the memoir-in-essays, perhaps because of the extended time period covered as a writer composes essays across years or even decades.

We are lucky enough to be in the middle of a renaissance. Several recent and upcoming memoirs-in-essays use the inquisitive essay form to tell life stories from different vantage points and make the reader question and revel in unreliable narrators and new perspectives. The more traditional memoir focuses on seeking and attaining redemption. The nonlinear structure of an essay collection reveals that there is never easy redemption, never clear resolution: bad things happen for no reason; overcoming one trial does not lessen the need to adapt in the next.

These new, enchanting and powerful collections are a welcome reminder that in our collective state of unrest and unknown futures, there is a comfort in knowing that there is an inherent uncertainty in having the answers.

Emily Arnason Casey, Made Holy: Essays (University of Georgia Press)

In beautiful, scenic prose, Emily Arnason Casey probes her middle American childhood from the stance of different venues, times of life, and primary characters—a family cabin and repository for memories both happy and sad; a little sister who grew up and wasn’t a sidekick anymore; a mother who didn’t reveal the family propensity to alcoholism until it was too late; an aunt who succumbed to the illness’s lure. In a spiral-like structure that keeps returning to a central and unanswerable question—how, and why, must this family battle the draws and effects of alcohol addiction—Arnason Casey tells a poignant story of a “normal” family that through its quirks and desires must find a path to survival. The author finds solace in nostalgia and a way forward by examining the errors of the past and by embracing, as a mother, the promise of the future generation. Her probing and compulsive need to question reminds us that alcoholism has no simple etiology, and that its cures are as individual as they are elusive.

Sonja Livingston, The Virgin of Prince Street: Expeditions into Devotion } (University of Nebraska Press)

At a time of dwindling religiosity, Livingston finds herself wishing for greater connection to her Catholic roots while also exploring the physical space of the church in upstate New York that made memories for her as a child. Because of religious attrition, the church that she grew up in becomes the gathering space for dozens of rescued saint statues deaccessioned from other churches nearby. Livingston embarks upon a quest to find a missing Virgin Mary statue, that moves not in straight lines but elliptically, following a parallel physical and emotional journey that is an exploration into faith, Catholicism, and a desire for spiritual connection on modern terms. In examining the sustained power of a central icon of the Catholic church and an object of personal, sentimental attachment, Livingston’s linked essays highlight the irresolvable paradox of modern religiosity—that the seeker must follow an uncharted middle pathway when the old texts and their tropes, their patriarchy and their strictures, necessarily fall away.

Amy Long, Codependence (Cleveland State University Poetry Center)

In this haunting and troubling book, Long revisits scenes and anecdotes from her  boyfriend’s heroin addiction and her subsequent dependence on opioids for chronic pain. Formal experiments such as essays disguised as lists, prescription forms, and medical reports are interspersed among scene-driven recollections from different points in time: the author’s first introduction to the drug; the allure of an older addict; attempts at recovery. The grounding presence of the author’s supportive mother is offset by the narrative’s tragic other constant—the euphoria and escape offered by the drug. By eschewing a linear narrative structure, Long illustrates the difficulty of achieving recovery and puts lie to the myth that addiction is a logical disease that naturally ends with a cure. In its very form, this memoir undermines the narrative so prevalent in media treatments of this illness—that in order to trounce the beast, the individual suffering from addiction need only attend a recovery program. Having written about and witnessed my own sister’s decades’ long struggle to overcome opioid addiction, I was drawn to Long’s wisdom in portraying addiction not as a problem to be solved so much as a complexity to be observed and penetrated.

Sejal Shah, This Is One Way to Dance (University of Georgia Press)

The Indian-American author continually revisits her troubled relationship to her American identity through layered essays treating her bifurcated Indian and American past. Exploring her family’s immersion in Gujarati subculture when she was a child growing up in Rochester, New York; her experience as one of few people of color in her MFA creative writing program; and many family weddings in which she must confront her presumed future as a desi bride, Shah questions her place in both American culture and the thriving American-Gujarati subculture. By placing dates at the ends of the essays, it is suggested that her complicated and lifelong conflicts about race and cultural identity can be told chronologically. But, as she explains in her introduction, many essays had multiple end dates after having been revised and reconsidered as time moved forward. The multiple end dates elegantly upend the notion that a rational, hypothesis-thesis-synthesis structure can encompass the complexities of identity and belonging. Shah’s choice to write non-narratively about her conflicts of identity provide insight for anyone raised with a dual or multiple cultural identity—anyone who may, at different points of time, feel a greater allegiance to one culture, another, or a never straightforward amalgam of many. Who we understand ourselves to be, Shah’s book tells the reader in subtle ways, is not a fact so much as a moving target, an unending query.

Sue William Silverman, How to Survive Death and Other Inconveniences (University of Nebraska Press)

Silverman is the author of three previous memoirs. In How to Survive Death and Other Inconveniences , she tells her life story through the lens of an obsession with death and the desire to come to terms with the inevitable but often avoided reality that in the end we are mortal. The essays begin with a chronological life story of growing up in New Jersey and encountering American culture’s death-avoidance, but then take a swerve when several brief but elusive mentions accrue into an account of a rape at a young age and a discovery that her memory of the event connects to her fixation on death. A chronological structure gives way to a thematic plot, in which Silverman seeks to confront her topic through reporting, immersion, and reflection—for instance by visiting a morgue, exploring mythological figures associated with death, and recollecting a family funeral. The sophisticated writing and structure make the whole greater than the sum of its many fascinating and worthy parts. Silverman’s essays continually reveal the irrational functioning of memory and how it connects our pasts to our worldviews. Honoring subconscious logic, How to Survive Death and Other Inconveniences makes the gambit that the mysteries of the self are both keys to understanding and uncertainties to be celebrated. We become who we are without being fully conscious of our choices—probing those choices won’t give us easy answers, but the discoveries along the way will be illuminating and well worth the necessary befuddlements.

__________________________________

Elizabeth Kadetsky’s memoir , The Memory Eaters, is available now from University of Massachusetts Press.

• Share on Facebook (Opens in new window)
• Click to share on Twitter (Opens in new window)
• Click to share on Google+ (Opens in new window)
• Click to share on LinkedIn (Opens in new window)
• Click to share on Reddit (Opens in new window)
• Click to share on Tumblr (Opens in new window)
• Click to share on Pinterest (Opens in new window)
• Click to share on Pocket (Opens in new window)

Elizabeth Kadetsky

Previous article, next article, support lit hub..

Join our community of readers.

to the Lithub Daily

Popular posts.

Remembering Deirdre Bair

• RSS - Posts

Literary Hub

Created by Grove Atlantic and Electric Literature

Sign Up For Our Newsletters

How to Pitch Lit Hub

Advertisers: Contact Us

Privacy Policy

Support Lit Hub - Become A Member

Become a Lit Hub Supporting Member : Because Books Matter

For the past decade, Literary Hub has brought you the best of the book world for free—no paywall. But our future relies on you. In return for a donation, you’ll get an ad-free reading experience , exclusive editors’ picks, book giveaways, and our coveted Joan Didion Lit Hub tote bag . Most importantly, you’ll keep independent book coverage alive and thriving on the internet.

Become a member for as low as $5/month

• EssayBasics.com
• Pay For Essay
• Write My Essay
• Homework Writing Help
• Essay Editing Service
• Thesis Writing Help
• Write My College Essay
• Do My Essay
• Term Paper Writing Service
• Coursework Writing Service
• Write My Research Paper
• Assignment Writing Help
• Essay Writing Help
• Call Now! (USA) Login Order now
• EssayBasics.com Call Now! (USA) Order now
• Writing Guides

How to Write a Memoir Essay

Table of Contents

How to Write a Memoir Essay (Writing Guide)

• Start instructions
• Main part writing
• Conclusion writing
• Memoir example

Every individual has a past and a story to tell about childhood to adulthood experiences. Memoirs offer you the chance to express yourself through the rough or smooth ride of the memories. Hence, memoir essay writing simply is a chronological account of one’s life. A memoir closely relates to a biography but they slightly differ. A biography is the narration of someone’s life history and the person telling the story is not the author. On the other hand, the author of the record gives an account of his personal experience over a specific event encountered in his life. In this case, a memoir never covers all the noteworthy events of a person’s life.

Five Techniques to Start a Memoir Essay

• Have a clear concept of what you intend to write about. Narrow your focus to a specific event that was pertinent to your life or a given circumstance.
• Inform the audience of the purpose of writing the memoir. Each person writes for specific and passionate reasons with a target people group in mind.
• Give a preview of the event that entices the reader. Let the tension build to make the person reading want to follow on to the end.
• Engage the audience through captivating words.
• Avoid chronological analysis of the occurrence as this dilutes the script’s value to the reader.

Writing the Body Paragraphs

In this section, you narrate the occurrences and factors surrounding the specific account. Expound on how this particular event influences your present life either negatively or positively. It can be a conflict that builds up to be a problem but in the end becomes the opportunity for the success of the narrator. Be creative to include other factors that would add value to your paper.  However, be honest and tell the truth as the purpose of such a script serves to share personal experiences that impact people’s lives.

Factors to consider while outlining your memoir under this part include:

• Have in mind your reader and show rather than tell the insights of your circumstances
• Employ fiction elements
• Exhibit character and conflict in an emotional way
• Be specific to detail and build on the details
• Create a unique memoir scenario and avoid predictability in the text before a conclusion

Since everybody has diverse life happenings, tell your story in style and let the reader identify with you. Significantly, find the right slant to describe your story, and the body paragraphs will definitely flow. Nonetheless, types of outlining a memoir such as before and after, the whirlpool, chronological, character studies, and the narrative track exist. Moreover, create sustainable tension that shapes the overall story. The narrator chooses which structure best suits his description taking into consideration the pros and cons. A good memoir composition aims at enlightening the audience rather than exalting oneself as a victim or hero in a given context.

The Conclusion

You have to outline the changes made due to the event encountered. The audience needs to understand how you have handled and dealt with the conflict or character under analysis in the body context. Also, indicate your present stage of life as a result of the described events. Let there be a connection from the introduction to the main body.

A Memoir Example

It was dark in chilly weather. The sky was bright with the moon gazing down at me as I sat down on the bench outside, away from the noisy party celebrations. Friends and family had occasioned my 21st birthday with glamor and a joyous mood was in the air. As I sat staring at the glittering stars, childhood memories flashed through my mind.

On my tenth birthday, ululations and circumcision songs characterized the night. It was a day to transit from childhood to womanhood. The culture dictated so and my loyal parents were all excited to see me undergo and subdue the pain to adulthood. Now, I was old enough to be married and enrich them. I was property, very valuable and my virginity had to be sewn to maintain my value.

Nonetheless, my age mates were going through the same thing. False courage, I had to subscribe to it to avoid mockery. Three weeks after the practice there was a groom set for me, a 60-year-old man. I wouldn’t stand that so I had to run for my life.

The escape landed me in good hands, I now had access to education that has built my life into who I am. My rebellion was for a good course. Otherwise, poverty, poor health, and hard labor on farms would be my story. Tears trickled as I recalled the event and how many young innocent girls undergo the same. Backward traditions that violate human rights, especially that of the girl-child should be completely shunned. Presently as we celebrate, my parents acknowledge the step I took, though it brought shame to them eleven years ago.