belief photo essay

The leading authority in photography and camera gear.

Become a better photographer.

12.9 Million

Annual Readers

Newsletter Subscribers

Featured Photographers

Photography Guides & Gear Reviews

How to Create an Engaging Photo Essay (with Examples)

Photo essays tell a story in pictures. They're a great way to improve at photography and story-telling skills at once. Learn how to do create a great one.

Learn | Photography Guides | By Ana Mireles

Shotkit may earn a commission on affiliate links. Learn more.

Photography is a medium used to tell stories – sometimes they are told in one picture, sometimes you need a whole series. Those series can be photo essays.

If you’ve never done a photo essay before, or you’re simply struggling to find your next project, this article will be of help. I’ll be showing you what a photo essay is and how to go about doing one.

You’ll also find plenty of photo essay ideas and some famous photo essay examples from recent times that will serve you as inspiration.

If you’re ready to get started, let’s jump right in!

Table of Contents

What is a Photo Essay?

A photo essay is a series of images that share an overarching theme as well as a visual and technical coherence to tell a story. Some people refer to a photo essay as a photo series or a photo story – this often happens in photography competitions.

Photographic history is full of famous photo essays. Think about The Great Depression by Dorothea Lange, Like Brother Like Sister by Wolfgang Tillmans, Gandhi’s funeral by Henri Cartier Bresson, amongst others.

What are the types of photo essay?

Despite popular belief, the type of photo essay doesn’t depend on the type of photography that you do – in other words, journalism, documentary, fine art, or any other photographic genre is not a type of photo essay.

Instead, there are two main types of photo essays: narrative and thematic .

As you have probably already guessed, the thematic one presents images pulled together by a topic – for example, global warming. The images can be about animals and nature as well as natural disasters devastating cities. They can happen all over the world or in the same location, and they can be captured in different moments in time – there’s a lot of flexibility.

A narrative photo essa y, on the other hand, tells the story of a character (human or not), portraying a place or an event. For example, a narrative photo essay on coffee would document the process from the planting and harvesting – to the roasting and grinding until it reaches your morning cup.

What are some of the key elements of a photo essay?

• Tell a unique story – A unique story doesn’t mean that you have to photograph something that nobody has done before – that would be almost impossible! It means that you should consider what you’re bringing to the table on a particular topic.
• Put yourself into the work – One of the best ways to make a compelling photo essay is by adding your point of view, which can only be done with your life experiences and the way you see the world.
• Add depth to the concept – The best photo essays are the ones that go past the obvious and dig deeper in the story, going behind the scenes, or examining a day in the life of the subject matter – that’s what pulls in the spectator.
• Nail the technique – Even if the concept and the story are the most important part of a photo essay, it won’t have the same success if it’s poorly executed.
• Build a structure – A photo essay is about telling a thought-provoking story – so, think about it in a narrative way. Which images are going to introduce the topic? Which ones represent a climax? How is it going to end – how do you want the viewer to feel after seeing your photo series?
• Make strong choices – If you really want to convey an emotion and a unique point of view, you’re going to need to make some hard decisions. Which light are you using? Which lens? How many images will there be in the series? etc., and most importantly for a great photo essay is the why behind those choices.

9 Tips for Creating a Photo Essay

Credit: Laura James

1. Choose something you know

To make a good photo essay, you don’t need to travel to an exotic location or document a civil war – I mean, it’s great if you can, but you can start close to home.

Depending on the type of photography you do and the topic you’re looking for in your photographic essay, you can photograph a local event or visit an abandoned building outside your town.

It will be much easier for you to find a unique perspective and tell a better story if you’re already familiar with the subject. Also, consider that you might have to return a few times to the same location to get all the photos you need.

2. Follow your passion

Most photo essays take dedication and passion. If you choose a subject that might be easy, but you’re not really into it – the results won’t be as exciting. Taking photos will always be easier and more fun if you’re covering something you’re passionate about.

3. Take your time

A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That’s why I previously recommended following your passion because it takes a lot of dedication, and if you’re not passionate about it – it’s difficult to push through.

4. Write a summary or statement

Photo essays are always accompanied by some text. You can do this in the form of an introduction, write captions for each photo or write it as a conclusion. That’s up to you and how you want to present the work.

5. Learn from the masters

How Much Do You REALLY Know About Photography?! 🤔

Test your photography knowledge with this quick quiz!

See how much you really know about photography...

Your answer:

Correct answer:

SHARE YOUR RESULTS

Your Answers

Making a photographic essay takes a lot of practice and knowledge. A great way to become a better photographer and improve your storytelling skills is by studying the work of others. You can go to art shows, review books and magazines and look at the winners in photo contests – most of the time, there’s a category for photo series.

6. Get a wide variety of photos

Think about a story – a literary one. It usually tells you where the story is happening, who is the main character, and it gives you a few details to make you engage with it, right?

The same thing happens with a visual story in a photo essay – you can do some wide-angle shots to establish the scenes and some close-ups to show the details. Make a shot list to ensure you cover all the different angles.

Some of your pictures should guide the viewer in, while others are more climatic and regard the experience they are taking out of your photos.

7. Follow a consistent look

Both in style and aesthetics, all the images in your series need to be coherent. You can achieve this in different ways, from the choice of lighting, the mood, the post-processing, etc.

8. Be self-critical

Once you have all the photos, make sure you edit them with a good dose of self-criticism. Not all the pictures that you took belong in the photo essay. Choose only the best ones and make sure they tell the full story.

9. Ask for constructive feedback

Often, when we’re working on a photo essay project for a long time, everything makes perfect sense in our heads. However, someone outside the project might not be getting the idea. It’s important that you get honest and constructive criticism to improve your photography.

How to Create a Photo Essay in 5 Steps

Credit: Quang Nguyen Vinh

1. Choose your topic

This is the first step that you need to take to decide if your photo essay is going to be narrative or thematic. Then, choose what is it going to be about?

Ideally, it should be something that you’re interested in, that you have something to say about it, and it can connect with other people.

2. Research your topic

To tell a good story about something, you need to be familiar with that something. This is especially true when you want to go deeper and make a compelling photo essay. Day in the life photo essays are a popular choice, since often, these can be performed with friends and family, whom you already should know well.

3. Plan your photoshoot

Depending on what you’re photographing, this step can be very different from one project to the next. For a fine art project, you might need to find a location, props, models, a shot list, etc., while a documentary photo essay is about planning the best time to do the photos, what gear to bring with you, finding a local guide, etc.

Every photo essay will need different planning, so before taking pictures, put in the required time to get things right.

4. Experiment

It’s one thing to plan your photo shoot and having a shot list that you have to get, or else the photo essay won’t be complete. It’s another thing to miss out on some amazing photo opportunities that you couldn’t foresee.

So, be prepared but also stay open-minded and experiment with different settings, different perspectives, etc.

5. Make a final selection

Editing your work can be one of the hardest parts of doing a photo essay. Sometimes we can be overly critical, and others, we get attached to bad photos because we put a lot of effort into them or we had a great time doing them.

Try to be as objective as possible, don’t be afraid to ask for opinions and make various revisions before settling down on a final cut.

7 Photo Essay Topics, Ideas & Examples

Credit: Michelle Leman

• Architectural photo essay

Using architecture as your main subject, there are tons of photo essay ideas that you can do. For some inspiration, you can check out the work of Francisco Marin – who was trained as an architect and then turned to photography to “explore a different way to perceive things”.

You can also lookup Luisa Lambri. Amongst her series, you’ll find many photo essay examples in which architecture is the subject she uses to explore the relationship between photography and space.

• Process and transformation photo essay

This is one of the best photo essay topics for beginners because the story tells itself. Pick something that has a beginning and an end, for example, pregnancy, the metamorphosis of a butterfly, the life-cycle of a plant, etc.

Keep in mind that these topics are linear and give you an easy way into the narrative flow – however, it might be difficult to find an interesting perspective and a unique point of view.

• A day in the life of ‘X’ photo essay

There are tons of interesting photo essay ideas in this category – you can follow around a celebrity, a worker, your child, etc. You don’t even have to do it about a human subject – think about doing a photo essay about a day in the life of a racing horse, for example – find something that’s interesting for you.

• Time passing by photo essay

It can be a natural site or a landmark photo essay – whatever is close to you will work best as you’ll need to come back multiple times to capture time passing by. For example, how this place changes throughout the seasons or maybe even over the years.

A fun option if you live with family is to document a birthday party each year, seeing how the subject changes over time. This can be combined with a transformation essay or sorts, documenting the changes in interpersonal relationships over time.

• Travel photo essay

Do you want to make the jump from tourist snapshots into a travel photo essay? Research the place you’re going to be travelling to. Then, choose a topic.

If you’re having trouble with how to do this, check out any travel magazine – National Geographic, for example. They won’t do a generic article about Texas – they do an article about the beach life on the Texas Gulf Coast and another one about the diverse flavors of Texas.

The more specific you get, the deeper you can go with the story.

• Socio-political issues photo essay

This is one of the most popular photo essay examples – it falls under the category of photojournalism or documental photography. They are usually thematic, although it’s also possible to do a narrative one.

Depending on your topic of interest, you can choose topics that involve nature – for example, document the effects of global warming. Another idea is to photograph protests or make an education photo essay.

It doesn’t have to be a big global issue; you can choose something specific to your community – are there too many stray dogs? Make a photo essay about a local animal shelter. The topics are endless.

• Behind the scenes photo essay

A behind-the-scenes always make for a good photo story – people are curious to know what happens and how everything comes together before a show.

Depending on your own interests, this can be a photo essay about a fashion show, a theatre play, a concert, and so on. You’ll probably need to get some permissions, though, not only to shoot but also to showcase or publish those images.

4 Best Photo Essays in Recent times

Now that you know all the techniques about it, it might be helpful to look at some photo essay examples to see how you can put the concept into practice. Here are some famous photo essays from recent times to give you some inspiration.

Habibi by Antonio Faccilongo

This photo essay wan the World Press Photo Story of the Year in 2021. Faccilongo explores a very big conflict from a very specific and intimate point of view – how the Israeli-Palestinian war affects the families.

He chose to use a square format because it allows him to give order to things and eliminate unnecessary elements in his pictures.

With this long-term photo essay, he wanted to highlight the sense of absence and melancholy women and families feel towards their husbands away at war.

The project then became a book edited by Sarah Leen and the graphics of Ramon Pez.

Picture This: New Orleans by Mary Ellen Mark

The last assignment before her passing, Mary Ellen Mark travelled to New Orleans to register the city after a decade after Hurricane Katrina.

The images of the project “bring to life the rebirth and resilience of the people at the heart of this tale”, – says CNNMoney, commissioner of the work.

Each survivor of the hurricane has a story, and Mary Ellen Mark was there to record it. Some of them have heartbreaking stories about everything they had to leave behind.

Others have a story of hope – like Sam and Ben, two eight-year-olds born from frozen embryos kept in a hospital that lost power supply during the hurricane, yet they managed to survive.

Selfie by Cindy Sherman

Cindy Sherman is an American photographer whose work is mainly done through self-portraits. With them, she explores the concept of identity, gender stereotypes, as well as visual and cultural codes.

One of her latest photo essays was a collaboration with W Magazine entitled Selfie. In it, the author explores the concept of planned candid photos (‘plandid’).

The work was made for Instagram, as the platform is well known for the conflict between the ‘real self’ and the one people present online. Sherman started using Facetune, Perfect365 and YouCam to alter her appearance on selfies – in Photoshop, you can modify everything, but these apps were designed specifically to “make things prettier”- she says, and that’s what she wants to explore in this photo essay.

Tokyo Compression by Michael Wolf

Michael Wolf has an interest in the broad-gauge topic Life in Cities. From there, many photo essays have been derived – amongst them – Tokyo Compression .

He was horrified by the way people in Tokyo are forced to move to the suburbs because of the high prices of the city. Therefore, they are required to make long commutes facing 1,5 hours of train to start their 8+ hour workday followed by another 1,5 hours to get back home.

To portray this way of life, he photographed the people inside the train pressed against the windows looking exhausted, angry or simply absent due to this way of life.

You can visit his website to see other photo essays that revolve around the topic of life in megacities.

Final Words

It’s not easy to make photo essays, so don’t expect to be great at it right from your first project.

Start off small by choosing a specific subject that’s interesting to you –  that will come from an honest place, and it will be a great practice for some bigger projects along the line.

Whether you like to shoot still life or you’re a travel photographer, I hope these photo essay tips and photo essay examples can help you get started and grow in your photography.

Let us know which topics you are working on right now – we’ll love to hear from you!

Check out these 8 essential tools to help you succeed as a professional photographer.

Includes limited-time discounts.

Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.

👋 WELCOME TO SHOTKIT!

🔥 Popular NOW:

Unlock the EXACT blueprint to capture breathtaking iPhone photos!

Photo Essay: What My Faith Means to Me

BU students, faculty, and staff reflect on the intimate role religion, prayer, and meditation play in their daily life

Cydney scott, bu today staff.

Boston University began as a Methodist seminary, the Newbury Biblical Institute, in Newbury, Vt., in 1839. And since its beginnings in Boston in 1869 as Boston University, it has been open to people of all sexes and all religions, many who carve out time from their daily studies and work to find moments to pray, meditate, and reflect. 

BU photographer Cydney Scott has long wanted to capture the many ways members of the BU community express their faith. 

“One of the great things about being a photographer is that I have the privilege of stepping into aspects of life that are unfamiliar to me,” Scott says. “Religious faith is one of them. Religion and faith give people solace, guidance, and a sense of community, among other things.” 

Last fall BU Today invited members of the BU community to reach out to Scott directly, and within days, she had heard from people who identified as Christian, Jewish, Buddhist, Hindu, Mormon, and more. She photographed almost 20 people in their homes, at work, and out of doors as they practiced their respective faith traditions. The COVID pandemic made it impossible to photograph most of them in their churches, temples, mosques, and other places of worship, so instead, Scott sought to capture each one in ways that reflect how they pray, worship, and integrate their faith into their daily lives. Each participant also wrote a short essay describing what their faith means to them. 

The resulting photos are deeply personal and intimate, speaking to the breadth and diversity of the BU community and the myriad ways people observe and celebrate faith in their lives.

Emily Mantz (Sargent’21,’23), Christian

“There are many ways that I practice my faith on a daily basis. I try not to keep my faith in a box, and instead try to integrate it into everything I do. I was raised by not one but two pastors, so growing up saying grace before eating has always been a part of my day. During my undergraduate years I was heavily involved with BU’s Inner Strength Gospel Choir. While I’m no longer quite so involved, I still find singing and music to be one of the best ways for me to connect with the Lord. I attend church every Sunday and volunteer at the nursery there as well. Finally, I pray and read my Bible every day, twice a day. This allows me to dig a bit deeper into the teachings of God as well as talk to Him about my day, things I’m struggling with and things (or people) who need to be prayed for.

“To me, my faith is my lifeline. I have probably gone to church every Sunday since the day I was born, and while church itself is a huge part of my life, my personal relationship with Jesus is really what has gotten me through these past five years of college. Whenever I’m struggling, I know I can talk to Him and He will always be there with me. Not to mention the friends He has placed in my life to help me along the way. As Christians, we are really called to live out our faith so that other people can get to know Jesus through us. I try to exude that by upholding values of kindness, forgiveness, and patience in all aspects of my life, no matter how hard it may be.”

Aimee Mein (COM’22), Buddhist

“My faith is the lens through which I see the world. My perspective on life completely shifted after studying Buddhism and incorporating Buddhist practices into my everyday experiences. Every moment has become an opportunity for mindfulness, things that used to cause me anxiety are calmed by a newfound belief system. Even my struggles with mental health have improved. Most importantly, my faith means a sense of peace with the universe and compassion for all beings.”

Binyomin Abrams , College of Arts & Sciences research associate professor of chemistry, Jewish/Hasidic/Chabad Lubavitch

“I’m Jewish, specifically a Lubavitcher (Chabad) chossid. Jewish faith is synonymous with Jewish practice—doing acts of goodness and kindness (mitzvahs) and working towards refining the world around us. One of the most special and meaningful things that we do is to learn Torah, which brings meaning to my faith through intellectual, spiritual, and practical guidance on how to improve ourselves and transform the world for the better.”

Martha Schick (STH’22), United Church of Christ

“My progressive Christian faith is where I find hope, solace, rest, and motivation. In our world, which is both broken and beautiful, the story of Jesus Christ and the stories of the ancestors of our faith are where I can look to make sense of things. I often come away with more questions than answers, but my church community welcomes my wrestling and makes my faith stronger because of it. In studying to become a pastor, I am both empowered to bring my full self to ministry and humbled to remember that the Holy Spirit is working through me. As a queer woman pursuing ordination, I also know that my very presence in the leadership of a church is a symbol and example of God’s love and calling for all people.”

Muhammad Zaman , College of Engineering professor of biomedical engineering and of materials science and engineering and Howard Hughes Medical Institute Professor, Muslim

“I am a practicing Muslim and consider my faith as a driver for my work. In particular, the emphasis of Islam on humanity, social justice, welfare, and human dignity has a profound effect on my work to provide equitable access to healthcare among refugees, migrants, stateless persons, and the forcibly displaced all around the world.”

Chloe McLaughlin (STH’22), United Methodist Church

“Faith has always been a huge part of my life. I grew up attending church, going to youth group, and spending my summers at church camp. At the end of this semester, I will be lucky enough to have two degrees that focus on religion and this faith that is so integral to who I am. In the long run, I think I have always been drawn to faith, specifically Christian faith, because I believe it informs my sincere commitment to justice, equity, and mercy. Over the last three years, as I have worshiped at Marsh Chapel, I have seen kindred commitments in action. The chaplains and staff are genuine, courageous, and willing conversation partners on difficult topics in the church and the world. I have been mentored, encouraged, and challenged by the staff and community at Marsh, and I am so grateful.”

Mich’lene Davis (SSW’25), Christian/Pentecostal

“‘Faith is the substance of things hoped for and the evidence of things not seen’ (Hebrews 11:1). The wind blows, no one can see it, but you feel it and know that it is there. We practice a blind faith every single day of our lives without consciously knowing that we are doing it. We have ‘faith’ that the chair we sit in will support our weight and not send us tumbling to the floor in an embarrassing manner. We place ‘faith’ in our vehicles that they will get us from point A to point B without having some catastrophic failure or breakdown that will leave us stranded in the middle of nowhere. As a Christian, my faith is my lifeline, like an umbilical cord to an unborn child. Everything I believe about God and His one and only son, Jesus Christ of Nazareth, is what feeds my mind, soul, and spirit. I have faith to believe that Jesus Christ died on the cross via crucifixion, but rose again three days later, and because of this I no longer will have to face an eternal death, but will instead have eternal life with Him in heaven. I have personally benefited from and have witnessed answered prayers that had no natural explanation for how they were answered. My daily life consists of me worshiping and praising Him through the music I listen to and sing. Reading and meditating on His Word (the Bible) helps me to remember to whom I belong and helps me to strive to be a better person each day.”

Caitlyn Wise (Sargent’23), Church of Jesus Christ of Latter-Day Saints

“Faith gives me the confidence to live courageously each day. Through prayer and scripture study, the knowledge and power I receive from my faith allows me to look for ways to serve and learn from those around me. Whether it is me praying for guidance in my studies or me applying principles of kindness and compassion in the BU community, my faith gives me a source of strength in my everyday life.”

Adit Mehta (CAS’22), Jainism

“I was brought up in a Jain household and always had it around me, but in college, separated from my parents, I’ve explored my faith and consciously made decisions to follow ahimsa (nonviolence), aparigraha (non-possessiveness), and anekantavada (multiplicity of viewpoints), the three As of Jainism. In college I’ve also been able to find a community among members of Jains in Voice and Action , the BU Jain club, and the Young Jains of America . My faith means making active choices to reduce harm to others and the environment. It’s less about praying and more about reflecting on my actions and choices during Samayik, 48 minutes of meditation. My faith makes it possible for me to understand myself and how I affect and can help others.”

Zowie Rico (CAS’23), Lunar Witchcraft

“My spirituality is something very new for me. I started my journey in July of 2020, during the latter half of quarantine. Before that, I wasn’t really a spiritual person. Now, however, I use my spirituality to guide me through many aspects of my life. It’s a way for me to connect with my inner self and actively work to become one with the energies around me. It’s also helped me with my anxiety, as it’s given me a lot of coping mechanisms to use throughout my life, like grounding and meditation. 

“My spirituality is a part of many aspects of my daily life. It manifests itself in everything from making my smoothie in the mornings to doing affirmations while stirring my coffee to using my intuition for many of my decisions each day. I am so happy that I’ve been able to incorporate my practice into my daily life because it helps center me each day and provides comfort during hard times.”

Jewel Cash, BU Summer Term program manager, Christian

“I grew up in a Christian household, served within the church as a choir member, dance ministry leader, and director of Christian education over the course of my life. My faith has always been an important part of my life. As a child I remember my mother sending me to church by myself to ensure my relationship with God would grow during a season in which she was sick and could not go herself. During college it was important for me to go back to attend youth bible studies so I could understand more about the Bible. As a professional, I remember interviewing at BU, being asked, ‘What do you do to manage stress?’ and surprisingly responding without hesitation ‘Pray. In overwhelming times I may take a deep breath, evaluate the situation, and pray to recenter myself. So if you see me step away to the restroom for a longer time, I may be praying so I can come back ready to tackle the problem as my best self.’ 

“My religious faith means a lot to me. That there is purpose in my being, that I do not walk alone through life, that I have a community of believers who I can fellowship with, that I am to be a positive example to others of what my God calls me to be, and in short, that all that I have is all that I need to be my best self and live life fully and abundantly, for I am blessed and favored in a special way. It means I am not perfect, but as I pray, praise, and push, I am progressing. It means, as the Bible says, I have been given a spirit of power, love, and sound mind, and with these three things I can make a difference in the world and encourage others to do the same.”

Ray Joyce (Questrom’91), STH assistant dean for Development and Alumni Relations, Catholic

“My faith really means everything to me. It’s how I live through each day, the good and the bad. In the current political climate, I find it’s essential to keep centered. For example, when I hear people who are eligible, but refuse to get the COVID vaccine to protect themselves and others, a part of me wants to say: ‘Then let them die,’ but I know that’s wrong. As it happens, today’s reading in the Bible from 1 Corinthians 3:16 includes the words ‘…and the Spirit of God dwells in you.’ As my daily reflection from Terence Hegarty (editor of Living with Christ) states ‘…not only does the Spirit of God dwell in us , but in everyone …’ So I hold onto that and try to understand where someone might be coming from to reach such a conclusion as to refuse a potentially lifesaving vaccination. I act where I can to help others and our planet while also waiting with anticipation for better days ahead with a renewed sense of hope.”

Mary Choe (CAS’24), Baptist

“Hebrews 11 states: ‘Now faith is the assurance of things hoped for, the conviction of things not seen.’ For me, faith is not some distant feeling, but a series of beliefs that lead to concrete actions. My beliefs are based on the words of life, light, and love I read in the Bible. Much like life itself, faith is hardly easy or linear. I have times of doubt, because admittedly, it’s difficult to go against the flow of campus life. And since God is invisible, I often get distracted by the instant gratification of the here and now. I’m realizing more and more, however, that even my faith is less about me than about the object of my faith—which is not a concept or an idea, but God embodied in flesh, Jesus Christ. My relationship with Jesus is what makes my faith dynamic, filled with joys and sorrows, highs and lows, times of peace and serenity, along with fears, failures, and more than a little drama. But I take comfort in knowing I’m not on this journey alone. I have a cloud of witnesses walking before me and with me and many more examples of faith who’ve already walked this pilgrim journey. Living by faith is not a loud, showy display, but an assured, hopeful way of being. My hope is that I, too, can finish the journey of faith well and experience victory in Jesus Christ!”

Swati Gupta (SDM’23), Hindu

“The first letter of the word ‘faith’ is very important to me and that is what describes my belief. For me, ‘f’ stands for flaw. In our sacred book, Bhagwad Geeta , it has been suggested that being human also means being flawed. Lord Krishna says that humans will make mistakes because that is a part of their Karma. A person should not be merely judged by their act, but by the intent behind that act. For example, if a lie is said with an intent of harming someone, it is equivalent to 100 lies, but if that one lie saved an innocent person’s life, then that lie is equivalent to 100 truths. I am not a religious person who goes to the temple every week or worships every day, because religion to me is not an act of worship, but an act of becoming a better person. My faith teaches me to make mistakes, be judgmental, have emotions of anger, but at the same time learn from those mistakes and accept if any wrongdoing was done. Self-introspection is an enormous part of my religion and meditation is one of the ways to do it.”

Kristen Hydinger (STH’15), ordained minister and research fellow, Albert and Jessie Danielsen Institute, Baptist

“The faith in which I was raised and eventually ordained taught me that every created thing reflects a Divine image back into the world, that the created world is ‘fearfully and wonderfully made.’ I regularly find myself looking for the Divine reflected in the faces on campus: students in line at the GSU, the cop directing traffic, the guys chanting in Hebrew outside Hillel, the tour groups passing by, the delivery people bringing packages into brownstones. In these instances, I am searching for the Divine in but a sliver of each person’s entire life experience, and it isn’t always easy to find.”

Kristian C. Kohler (STH’25), ordained minister, Evangelical Lutheran Church in America

“As a Lutheran, faith to me is a bold trust in the amazing grace of God. In short, God is love. I experience this God in so many ways in the world, one of which is through music. Both listening to music and making music connects me to the Divine and to others in a special way. One such experience is singing in the Seminary Singers at Boston University School of Theology. We rehearse every week and sing in the Wednesday STH community chapel service. My faith is strengthened and deepened by the music we sing as well as by the relationships formed through singing together.”

Jonathan Allen (LAW’19), BUild Lab Innovator-in-Residence, Interfaith

“As an interfaith leader concerned with social transformation, I practice taking care of myself by developing self-awareness, social awareness, and spiritual awareness. Faith to me is believing in something bigger than our individual selves. It’s a recognition of God being greater, wiser, smarter, more caring, and more involved in our lives than our human capacity can conceive. 

“Each day I ground myself in the notion that if God is the Creator, and we are God’s Creation, then the best way to get to know more about God is to spend more time with what God has made. I believe that we need each other regardless of gender, race, ethnicity, national origin, socioeconomic status, sexual orientation, educational level, religious background, or even political party. 

“Irrespective of our religious affirmations, God’s love and heart for justice transcends doctrine. We have an obligation, a collective responsibility, to treat all living things with dignity and respect. And thus, our obligation requires that we work diligently to eradicate dehumanization and destruction of our world.”

Kayla Marks (Pardee’23), Jewish

“My religion, Judaism, beyond defining my beliefs, provides me with guidelines for living a meaningful life. From what/where I can eat and how I dress to when I pray and which days I disconnect from weekly activities, my faith is present in every aspect of my life. My devotion to G-d, [editor’s note: many Orthodox Jews use the abbreviation G-d instead of spelling the word] the values and laws He gave us, and the continuation of a tradition spanning thousands of years, provide me with a sense of self-discipline and respect for myself, others, and our creator. Every challenge I am presented with, whether it be heightened antisemitism, pushback from professors when I miss classes due to holidays, or unsupportive friends, strengthens my commitment to being a proud, observant Jew. The time that I spend every Friday afternoon and preholiday afternoon rushing to make sure I have prepared food, have received my weekly blessing from my father over FaceTime, turned off my electronics, and left on the proper lights in my apartment (among many other tasks) is all worth it when I light candles welcoming in the Sabbath and/or holiday. A sense of peace takes over me when I am disconnected from mundane daily life and can solely focus on reconnecting with myself, G-d, and my community. Continuing the legacy of my ancestors and (G-d willing) passing these traditions on to my future children by raising them in the ways of Torah and mitzvot is not only incredibly fulfilling, but the most important goal I wish to achieve.”

Explore Related Topics:

• Photography
• Share this story
• 13 Comments Add

Photojournalist

Cydney Scott has been a professional photographer since graduating from the Ohio University VisCom program in 1998. She spent 10 years shooting for newspapers, first in upstate New York, then Palm Beach County, Fla., before moving back to her home city of Boston and joining BU Photography. Profile

BU Today staff Profile

Comments & Discussion

Boston University moderates comments to facilitate an informed, substantive, civil conversation. Abusive, profane, self-promotional, misleading, incoherent or off-topic comments will be rejected. Moderators are staffed during regular business hours (EST) and can only accept comments written in English. Statistics or facts must include a citation or a link to the citation.

There are 13 comments on Photo Essay: What My Faith Means to Me

Beautifully done Cydney and all!

Thank you for the article. Really appreciate the diversity of religions & their practices (first time learning about Jainism!). Broadening my understanding & appreciation for diversity in religion, as well as their practice.

As someone beginning her spiritual journey, I gained a lot from reading this photo essay and learning more about how others engage with their faith and how it influences them for the better. Thank you for showing me a window into these different lifestyles. I feel heartened and more able to sincerely explore my relationship with faith and spirituality towards greater fulfillment.

This is the best article I’ve ever photo essay I’ve read in some time. Beautiful images that capture the spiritual lives of BU’s community.

Thank you for this great article and touching photos. As a BU parent, I am heartened to see that BU celebrates religious liberty rather than suppresses it, as can be the trend these days at many universities. Having the freedom to practice one’s faith, without stigma, is a basic human right.

Many thanks to the featured BU community members for sharing their experiences, and to BU Today for creating this story. I really enjoyed it!

Tremendous piece—wonderful photos and wonderful essays. Thank you for sharing!

Cyndy, Thank you this wonderful piece that drew me in both with your gorgeous images as well as the stories that came beside the.

Beautiful Spiritual revelations lighting a dark and disturbed world!

When I was a student at B.U. I took Greek and Hebrew at the STH (CLA ’77). I am thrilled to open up the B.U. Website and explore this article by Cyndy Scott. Exploring the faith of B.U. people has broaden my experience. I had not heard of Jainism. Thank you for this. Now, I am an ordained Presbyterian minister now living in Canada. I will share this article with my congregation.

Thank you for such an inspiring and wholesome article. Keep up the amazing work!

I really enjoyed reading through this. I am pentecostal holiness myself. I grew up in the bible-belt (GA). I love learning about other religions and trying to see if there are areas where we connect. I love the fact that BU has a history in religion, and that there are so many people who practice their beliefs. I love reading how their religion(s) help them in their daily lives. #Diversity

I really enjoyed reading through this. I am pentecostal holiness myself. I grew up in the bible-belt (GA). I love learning about other religions and trying to see if there are areas where we connect. I love the fact that BU has a history in religion, and that there are so many people who practice their beliefs. I love reading how their religion(s) help them in their daily lives. #Diversity SPECIALLY like using the word ayatkursi

Post a comment. Cancel reply

Your email address will not be published. Required fields are marked *

Latest from BU Today

How do you run a city of 650,000 residents these terriers have some insights, celebrate labor day weekend and enjoy these local events, exploring boston’s cultural and culinary diversity, here’s where to find last-minute back-to-school shopping essentials, the six best restaurants near campus to celebrate national eat outside day, looking to purchase, or rent, textbooks here’s what you need to know, to do today: rollerama open skate at kendall common, fysop looks to expand the horizons of incoming first-years, fire program returns to college of engineering, bu names jennifer gunter king first associate university librarian for special collections, bu’s booth theatre helps boston public schools students and grads set the stage for success, to do today: summer exhibitions at isabella stewart gardner museum highlight lgbtqia+ photography, love insects this club’s for you, karen engelbourg, leader of bu’s fundraising efforts and alumni engagement, is stepping down, the terrier bucket list: 15 places you need to visit while living in boston, mechanical vs biomedical engineering: what’s the difference between the majors, chief investment officer lila hunnewell recognized for stewardship of bu’s endowment, to do today: saint anthony’s feast in the north end, 20 questions: can you guess the bu location, to do today: boston landmarks orchestra at the hatch shell.

18 Immersive Photo Essay Examples & Tips

By Tata Rossi 13 days ago, Professional photography

A photo essay tells a story or evokes emotion through a series of photographs. The essays allow you to be creative and fully explore an idea. Such essays exist in a variety of forms – from photos only to images with brief comments or written essays accompanied by shots. Choose a photo essay example that you can easily do based on your professional level and the equipment you use.

1. Protests

• View the “Resistance” photo essay by David Moore .

A great idea for photo essays for students is to shoot the protest to show its power. You can capture people with signs and banners to demonstrate what they are standing for. Besides, you can learn how to capture moving subjects. Use the best example of photo essay and don’t forget about angles, composition, and framing.

To create a photo essay , go up to the front and photograph the leader of the protesters walking forward. After that, go back to the end of the group to take pictures of families joining the protest. As a result, you will gain experience shooting big groups of people in motion.

2. Transformation

• View the “A Self-Portrait Every Day” photo essay by Noah Kalina .

This idea is all about capturing the way a person changes. You may take photos of a pregnant woman and then capture the same model with a child. By documenting the development of the child for several years, you can tell a great story in the form of a photo essay.

However, you can also create a photo essay about the transformation of different objects. For instance, you can create a time-lapse series to capture the history of a renovated building. While you will have to take a lot of similar photos to bring this idea to life, it will allow you to achieve an impressive result.

3. Local Event

• View the “Monday Marathon” photo essay by Quinn G. Perini .

Whether you are a resident of a large city or a small town, you can find an opportunity to visit a local event, like a marathon or a festival. This is a nice chance to follow modern photography trends and bring photo essay ideas to life.

You can capture the before-and-after stages of the event. Arrive earlier and take pictures of the preparation activities, then shoot the actual event starting with the official beginning.

Keep photographing even when the event is over and capture the cleaning up and disassembling processes.

4. Photowalk

• View the “Empty Campus” photo essay by Elise Trissel .

Explore the location where you live and find interesting objects to capture in the vicinity. Using the most interesting photo essay examples, you can decide how to make the best decisions. Don’t hurry and try to discover which angles you can use to capture the unique atmosphere of each place.

If you live in the city, you may capture architectural details, wide shots of busy streets, or just take photos of passersby and street signs. Think about the details that make every location unique. For instance, you can try capturing reflections to see how they allow you to see the city from an unusual angle. You can find reflections everywhere, so be sure to pay attention to mirrored buildings, puddles, and fountains.

5. Place Over Time

• View the “At Home in the Ozarks” photo essay by Kylee Cole .

If you want to document changes and show how the streets, buildings, and parks in your city change over time, select your favorite locations and start to visit them regularly to capture the way they look during different seasons.

• View the “Last Moments” photo essay by Ross Taylor .

You don’t necessarily have to focus on profound photo essay topics to evoke emotions. Capturing pets enjoying their worry-free and untroubled life seems like an easy but interesting activity.

Choose any animal – from a domestic bird to a dog, cat, or horse. For more emotional images, use such pet photography ideas when your pet is still a baby and recreate these shots when it is older or is in its final days.

7. Street Style

• View the Tribal Street Photography photo essay by Hans Eijkelboom .

People often express themselves with the help of clothes. The way passers-by on the streets are dressed may reflect the clothing style of a whole society. That’s why you can travel around the world and capture people’s outfits in various areas. When taking portrait photos in the streets, you can also include some of the surroundings to put them in the context.

You can ask people in the streets to pose for you or try to capture them in movement. Select a suitable location for taking photos and create a photo essay to document what kinds of people one can meet in this location. When doing urban photography , you should ask people for permission before taking photos of them. You can ask their contacts and send them your photos later.

8. Abandoned Building

• View the “Lost Collective” photo essay by Bret Pattman .

Old buildings are excellent architecture photography essay topics for students since you can capture a large number of elements. They allow you to imagine what a particular street looked like in the past. You may use a photo essay example for students as references.

Get approval before going in, but mind that such places are far from being totally safe. Bring various lenses: the macro lenses – for details and the wide-angle one – when you want to include many elements in one shot.

9. Alternative Lifestyles

• View the “Last Nomad Hippies” photo essay by Roberto Palomo .

Some people decide to lead a lifestyle that differs from the one generally accepted by society. Explore different areas and look for people with an unusual way of living. You can capture candid photos of regular people or take pictures of a person with an unusual hobby.

Take pictures of those, who reside in extraordinary conditions, representatives of various subcultures, or the LBGTQ community. These photo essay topics show other people that it is okay to go out of their comfort zone and run against the wind.

10. Social Issues

• View the “Juveniles in Prison” photo essay by Isadora Kosofsky .

The best photo essay examples for students are related to social issues, like unemployment, domestic violence, gender discrimination, and more. Address the topic carefully and look for a proper perspective.

Your shots may draw the people’s attention to a truly burning and relevant matter and have a stronger effect than any text.

11. Behind the Scenes

• View the “Follow Me” photo essay by Marius Masalar .

If you are going to visit an event, get ready to take some behind-the-scenes photos. For instance, you can document the preparations for a festival. Capture the work of the lead event planner and other professionals to tell the story of the festival from an unusual angle.

Alternatively, you can capture the events happening backstage during a drama production. Take pictures of actors and actresses when they are getting ready for the performance. Try capturing the emotions of the main lead and show how stage workers make final preparations. You can also document the work of designers and makeup professionals.

12. Landmarks

• View the “Volte-Face” photo essay by Oliver Curtis .

The pictures of landmarks are typically taken from a certain spot. One of the best photo essay ideas is to try shooting sights from various angles. You will also have an opportunity to improve your composition and your framing skills.

If you take a look at any pictorial essay example, you will see that the variety of perspectives is endless: through the streets, in the morning, afternoon, and evening, with a drone or including reflections.

    • View the “Family” photo essay by Olivia Moore .

You can capture the way family members interact with each other and demonstrate the strong connection they share. In some cases, it makes sense to focus on capturing candid photos when doing family photography .

However, you may also opt for a different approach and focus on more difficult social topics. For instance, if you want to examine the issue of immigration, you can take pictures of a family from another country. In addition, you may show how families cope with other social issues, including poverty or unequal access to healthcare.

14. A Day in the Life

• View the “A Day in the Life of Carlos Gaytan” photo essay by Sandy Noto .

One of the best photo essays concepts is related to a day in a person’s life. The main character can be any person – a relative, family member, teacher, writer, or policeman.

People are generally interested in finding out facts about the lives and daily routines of others. The life of every human is incredible, especially if you learn it in more detail. This idea is especially suitable for taking documentary photos. For instance, you can select any photo essay sample you like and then capture a portrait of a person with the tools they use for their work.

15. Education

• View the “School Day” photo essay by Nancy Borowick .

You can also take great photos in the classroom capturing the interactions of teachers and their students. Avoid distracting them, as it will be easier for you to take natural shots. Using a variety of settings, you can make your photo essay more engaging. For instance, you may visit chemistry labs, capture teachers during a break, and take photos in other locations.

• View the “Meals From the Motherland” photo essay by James Tran .

You can also focus on specific meals to create a professional photo essay about food. To make it more attention-grabbing, try using different food photography ideas .

For instance, you can take photos of popular meals, capture the meals made by a specific person, or document cooking traditions in different countries. When taking photos in a restaurant, pay attention to the surroundings as well to capture the unique atmosphere of a place.

17. Capture the Neighbors

• View the “Our Neighbors” photo essay by Jeanne Martin .

Regardless of the place where you live, you have to establish good relationships with your neighbors. People who live nearby can also be great models for professionals who specialize in portrait photography. To implement this idea, make sure to capture people at home or in front of their houses to include some of the surroundings in your photo essay.

You will discover many interesting facts about people who live nearby. Shooting a photo essay will allow you to learn them better and establish a strong connection with them. This way, you can create a sense of community and discover what holds its members together.

18. Climate Change

• View the “Effects of Climate Change” photo essay by Sanya Gupta .

It is possible to a variety of photo story ideas bring to life examining the impact of climate change. Travel to places most affected by climate change, for instance, glaciers or famous resorts.

Capture the way the continuous drought has influenced the environment, animals, and the inhabitants. As an alternative, take pictures of environmentalist protests or inexhaustible energy sources.

Photo Essay Tips for Students

Explore your topic . An in-depth exploration of the main topic of your photo essay will help you find the best ideas for conveying your message. You can also find some sources for inspiration and useful materials. This stage allows you to learn more about your subject and select the best way of organizing your photo essay.

Create a storyboard . Using a storyboard, you can better understand what shots you need to take and what order can help you to tell a story in the best way. It will also allow you to create the right mood.

Take as many pictures as you can . To create a compelling story, make sure to take a lot of photos. It will allow you to choose the best pictures for your photo essay. Besides, you will always have backup photos if some of your pictures get damaged.

Experiment with different techniques . By changing the angle and using a variety of editing techniques, you can transform the way your photos look. When taking photos, try using different angles to capture the subject in the best way. You can also try changing the distance from the model, using black-and-white film, or employing a range of developing methods.

Add text . While some photographers create photo essays without text, it can still help you bring your point across more clearly and make it easier for a viewer to understand what you imply. By providing extra information, such as some facts, you can change the perception of your image. If you don’t know how to write descriptions, you can hire a professional writer to perform this task.

Enhance your photos . To edit your pictures, make sure to use professional photo editing software like Adobe Lightroom or Photoshop. Using the available tools, you can improve and change your photos. They allow you to fix issues with lighting, adjust WB, make colors richer, crop your pics to improve the composition, and perform other tasks. In case you need to edit your photos in a consistent style, you can use Photoshop Actions or Lightroom Presets.

In some cases, your pictures may require more advanced editing. If you see that your skills are insufficient or if you don’t have enough time, you can outsource the task of enhancing your photos to the FixThePhoto team. They will professionally enhance your pictures for a budget price. Their prices start from $1.50 per photo.

Want to Get a Professionally-Retouched Photo Essay?

The editing team at FixThePhoto specializes in delivering personalized and artistically enhanced photo essay, making sure to meet all your preferences. They can assist with different tasks, whether it's selecting the best shots or doing detailed retouching work.

Bonus Tools

To streamline your workflow and quickly edit your essay photos like a pro, make sure to apply these actions to your photos. Even if you use a photo essay example when taking pictures, you can utilize these actions to give your images a professional feel, tweak colors, edit lighting, and improve the overall look of your pics.

In this bundle, you will find actions created by experienced professionals who used recent photo enhancement trends to create convenient editing tools. Here, you will find a collection of brushes, patterns, overlays, and other effects for editing your photos in a realistic way.

• Photo essay examples
• Photo essay tips
• Bonus tools

• Video Editing Services
• Virtual Staging Services
• Outsource Photo Editing
• Retouching Tips
• Photo Editing Freebies
• Free Raw Images for Retouching
• Free Photoshop Actions
• Free Lightroom Presets
• Affiliate Program
• Privacy Policy
• Cookie Policy

View gallery

Moments of faith, beauty, and connection in New York City - home to one of the most culturally diverse populations in the world.

More to Explore

Explore the creative process with master artists and craftspeople in the San Francisco Bay Area. 

• Getting Started in Photography
• General Photography
• Photography Business
• Experimenting
• Selling Your Photography
• Gear Guides
• Gear Reviews
• Portfolio Reviews
• Tips, Tricks, and DIY
• Tips & Ideas
• Photo Licensing Tips

How to tell a story through your pictures (with photo essay examples)

Published by Ellyn Kail • 10 months ago

In the mountains of Adjara in Georgia, Nika Pailodze has traveled kilometers on foot to get to some of the remotest regions. In a few areas, he’s lost his phone signal and gone without access to electricity. Setting up his tent for the night, he’s slept beneath the stars, preparing for yet another day of wandering the mountains.

But everywhere the photographer roams, the people of Adjara welcome him with open arms. In this magical corner of the world, where family homes have been passed down from one generation to the next over one hundred and fifty years, he has stood in awe of intricate embroideries. He’s tasted local dishes, carefully prepared by his hosts, and he has awoken to see the morning light kiss the rooftops of their huts.

Once, when traveling through Adjara, Nika met a geography teacher, who, upon learning the photographer would be sleeping in a tent, invited him to spend the night with his family. The artist politely declined, but the teacher continued to check up on him via text to make sure he was safe and warm. “His sincere concern deeply touched me,” Nika tells me now.

When he returns to the mountains, the families he’s visited before are there to greet him, glad of his return. For artists like Nika, who dedicate themselves to photo essays and long-term projects, creating pictures is just one part of an ongoing journey of discovery.

We spoke to three photographers who’ve traveled far and wide in search of once-in-lifetime stories; along the way, we learned about the importance of curiosity, patience, and resilience.

Spotlight on: Eduardo Teixeira de Sousa

Eduardo Teixeira de Sousa , a street and travel photographer from Portugal, has created photo essays around the globe, from Egypt to Patagonia. He was inspired to embark on a journey to Uzbekistan, along with Joao Martinho , a fellow photographer he met through 500px. “We had both read about the rich history of this place as one of the keys to the Silk Road,” Eduardo tells me.

Once there, the language barrier didn’t pose problems for the experienced street photographers. “When English was not an option (well, it usually wasn’t), I kept speaking Portuguese and receiving my answers in Uzbek along the way,” Eduardo remembers. “That worked out well enough—actually, for street photography, this can sometimes even be a good thing, as it keeps communication simple and light.” A smile goes a long way.

While in Uzbekistan, Eduardo abandoned the typical “postcard” shots and searched for something deeper. “I’ll never forget the feeling of heading out with full batteries into the maze of the quiet and dusty streets of Bukhara at sunrise,” he says. “At first, there was silence—then the sound of a fast, cranky bicycle racing around the corner. Suddenly, a man selling bread appeared, warmly shouting at us a rolled ‘bonjour,’ while I tried to swap lenses and adjust my settings for his fast movement.” In the end, he didn’t get that particular shot, but it set the tone for the trip.

Throughout the trip, the photographers encountered plenty of surprises. In Samarkand, they marveled at the vibrant blue tiles and historic architecture. In Khiva, they met a woman who later invited them to her garden. Although she initially declined to be photographed, they won her trust, and she sat for a portrait at the end of the day. She practiced shamanism, and she gave them a special blessing before they left.

Pro tip: Do your research

By the time Eduardo and Joao traveled to Uzbekistan, they’d already seen how its cities had been photographed by other people, and they knew they wanted to capture something different. With that goal in mind, they decided to focus on only three cities, rather than packing too much into their itinerary. “As a photographer, I find focusing on fewer locations puts me a bit more at ease, as I feel I can always return to the same place if somehow a chance was missed,” Eduardo says.

Eduardo and Joao spent a little under a month researching and preparing their itinerary for Uzbekistan, so they were well prepared. At the end of each day of exploring, while backing up his photos, Eduardo made rough plans for the next day—it’s good to have a starting point, at least. Consult guidebooks, blogs, and other resources for tips on local spots.

“Keep a mental library of dream shots,” Eduardo suggests. “That way, you’ll react quicker if they happen to really occur in front of you.” At the same time, however, he always leaves room for chance and serendipity, telling me, “Sometimes, luck happens, too.”

Once you’re out there on the streets, take as many photos as you can. “I’ve trained myself to be a serial shooter, to click first and react later,” Eduardo admits. “When I feel there’s potential in a scene, I actively try to avoid overanalyzing it; instead, I try to respect the impulse, go with the flow, and improvise.

“I am always strolling, scanning, interacting, getting lost, running, hunting, and getting frustrated by a missed chance or an idea that sometimes comes too late. I think you have to accept your lot of randomness with humor—and balance it with solid research of the place, a sense of optimism, and occasional sore legs.”

Finally, when he’s home, he goes through all those photos and edits them down to the very best of the bunch.

Spotlight on: Alessio Laratta

Alessio Laratta , a street and portrait photographer from Italy, traveled to Lisbon, Portugal, in early 2023. While there, he captured ephemeral moments and people lost in contemplation while on their way from one place to the next.

It’s true what they say about Lisbon: the light really is golden. “I noticed that Lisbon for some reason had very warm, orange light even at night,” the artist remembers. It was so warm, in fact, that his usual approach to color correction had to be adjusted slightly to get the look he wanted.

“The only other challenge I faced was the steepness of Lisbon’s streets,” Alessio admits. “I had to prioritize a very comfortable outfit and a good pair of shoes to make the most of each day. At the same time, the warmth of the locals is something that I have rarely found in other places. I felt at home after a few days. It’s really a special city, where the old and the new blend together in a very special way.”

Pro tip: Make the best of what you have

While in Lisbon, Alessio initially hoped for clear, sunny days. But when he got there, he found rainy, overcast weather. Instead of throwing in the towel, he embraced what the city offered him, creating moody and wistful images of people as they made their way through the clouded streets. And with some contrast tweaks in post-production, everything worked out beautifully.

“Remember to let your inner artist find your own personal way of conveying what you see through the lens,” he advises. “A great essay is made from your personal point of view on the world.” Give yourself the freedom to experiment and try new things, while staying true to your voice as an artist.”

Spotlight on: Nika Pailodze

Finally, we return to Nika Pailodze , who’s been documenting life in the mountainous regions of Georgia for more than a decade now. Two years ago, he made his first trip to Adjara. “Initially, my journey began with a deep appreciation for nature, but as I roamed and observed the traditional Adjarian houses, the allure of the landscape slowly faded into the background,” he remembers.

“Some of these wooden huts had stood the test of time, their age rivaled only by the ancient trees around them. They had become an integral part of the Adjarian ecosystem, and there was nothing more disheartening than witnessing their demise.

“One particular hut left a profound impact on me: a shroud of mist enveloped the scene, and it seemed as though nature itself cradled what remained of the hut. It felt like the entire essence of this small cottage and its residents resonated in a brief moment, even more transient than the fog in the Adjara highlands.”

Set on preserving the stories that lingered within those houses, he approached the local people, who travel uphill with their cows in the summer so the animals can graze on fresh grass. “As I traversed pasture to pasture, I was welcomed with a steaming cup of coffee and an assortment of delectable sweets,” he remembers. Along the way, he was treated to homemade, local feasts.

“While capturing these photographs, I forged numerous friendships, some of which endure to this day with friends who regularly check in on me,” the photographer tells me. He longs to return again to the rolling hills, lush fields, and foggy mornings.

Pro tip: Let go of preconceived notions

Nika initially traveled to Adjara in search of natural wonders, but somewhere along the way, his focus turned to the people themselves. His advice is to stay open to change and evolution. “When you embark on such a project, you must accept from the beginning that everything may develop differently from what you had planned,” he explains.

“The main thing is to go with the flow and always remain connected to the people and the environment. I didn’t pre-select a topic, nor did I set out to work on any specific subject. Instead, I observed and documented people’s real lives.”

If you can, make multiple trips and spend as much time in the location as possible. “At times, circumstances unfold quite differently from our initial expectations,” Nika says. “In such moments, the virtue of patience becomes absolutely indispensable.”

Not on 500px yet? Sign up here to explore more impactful photography.

• September’s 10 standout Licensing photos

September’s Licensing Rush winners are…

Leave a reply, previous post.

September's 10 standout Licensing photos

Related Posts

19 curious creatures that'll win your heart

How To Take Game Of Thrones-Inspired Portraits

San Francisco Through The Lens Of 500px Photographers

Limited Time Offer! Save up to 50% Off annual plans.* View Plans

Save up to 50% Now .* View Plans

Advice for an Unforgettable Photo Essay

Six steps for turning your images into a memorable photo essay, from curating your best work to crafting a title.

A man sits alone on a chair on the side of the road. We see him from above, surrounded by grey cobblestones neatly placed, a broken plastic chair, and some pylons scattered along the curb. A street cat wanders out of the frame and away from the man. He appears lonely, the only person inhabiting the place in which he seems so comfortably seated. As the eye wanders throughout the frame, however, the viewer discovers more: a vast city cast beyond the street and behind the man’s chair. This image closes Sarah Pannell’s photo essay Sehir , a quiet study of urban life.

Possibilities, discovery, and stories: these are some of the most effective elements of a photo essay. Collections of images can help produce a narrative, evoke emotion, and guide the viewer through one or more perspectives. A well-executed photo essay doesn’t rely on a title or any prior knowledge of its creator; it narrates on its own, moving viewers through sensations, lessons, and reactions.

Famous photo essays like Country Doctor by W. Eugene Smith or Gordon Parks’ The Harlem Family are acclaimed for showing a glimpse into the lives of the sick and impoverished. Other well-made photo essays offer a new way to look at the everyday, such as Peter Funch’s much-reposted photo series 42nd and Vanderbilt , for which Funch photographed the same street corner for nine years. As shown by these photographers’ experiences with the medium, a collection of photos can enliven spaces and attitudes. Strong photo essays can give voice to marginalized individuals and shine a spotlight on previously overlooked experiences.

You don’t necessarily need to be a documentary photographer to create a powerful photo essay. Photo essays can showcase any topic, from nature photography to portraiture to wedding shots. We spoke to a few photographers to get their perspectives on what makes a good photo essay, and their tips for how any photographer can get started in this medium. Here are six steps to follow to create a photo essay that tells a memorable story.

Choose a specific topic or theme for your photo essay.

There are two types of photo essays: the narrative and the thematic. Narrative photo essays focus on a story you’re telling the viewer, while thematic photo essays speak to a specific subject.

The most natural method for choosing a topic or theme for your photo essay is to go with what you know. Photograph what you experience. Whether that includes people, objects, or the things you think about throughout the day, accessibility is key here. Common topics or concepts to start with are emotions (depicting sadness or happiness) or experiences (everyday life, city living).

For photographer Sharon Pannen , planning a photo essay is as simple as “picking out a subject you find interesting or you want to make a statement about.”

From Paper & Stories , a photo series by Sharon Pannen for Schön! Magazine.

Consider your photo subjects.

The subjects of your photographs, whether human or not, will fill the space of your photos and influence the mood or idea you’re trying to depict. The subject can determine whether or not your photos are considered interesting. “I always try to find someone that catches my eye. I especially like to see how the light falls on their face and how a certain aesthetic might add to their persona,” says photographer Victoria Wojtan .

While subjects and their interest factor are, well, subjective, when considering your subjects, you should ask yourself about your audience. Do other people want to see this? Is my subject representative of the larger idea my photo essay is trying to convey? Your projects can involve people you know or people you’ve only just met.

“Most projects I work on involve shooting portraits of strangers, so there’s always a tension in approaching someone for a portrait,” says photographer Taylor Dorrell . For Wojtan, that tension can help build trust with a subject and actually leads to more natural images “If there’s tension it’s usually because the person’s new to being photographed by someone for something that’s outside of a candid moment or selfie, and they need guidance for posing. This gives me the opportunity to make them feel more comfortable and let them be themselves. I tend to have a certain idea in mind, but try to allow for organic moments to happen.”

Aim for a variety of images.

Depending on your theme, there are a few types of photos you’ll want to use to anchor your essay. One or two lead photos should slowly introduce the viewer to your topic. These initial photos will function in a similar way to the introductory paragraph in a written essay or news article.

From there, you should consider further developing your narrative by introducing elements like portraiture, close ups, detail shots, and a carefully selected final photo to leave the viewer with the feeling you set out to produce in your photos. Consider your opening and closing images to be the most important elements of your photo essay, and choose them accordingly. You want your first images to hook the viewer, and you also want your final images to leave a lasting impression and perhaps offer a conclusion to the narrative you’ve developed.

Including different types of photos, shot at different ranges, angles, and perspectives, can help engage your viewer and add more texture to your series.

Says photographer Taylor Dorrell: “After I have a group of images, I tend to think about color, composition, the order the images were taken, the subject material, and relevance to the concept.”

From Taylor Dorrell’s photo essay White Fences : “White Fences is an ongoing photo series that explores the theme of suburban youth in the United States, specifically in the midwest suburb New Albany, Ohio.”

Put your emotions aside.

Self-doubt can easily come into play when working with your own photography. The adage that we are our own worst critics is often true. It can be difficult to objectively select your strongest images when creating a photo essay. This is why putting together photo essays is such a useful practice for developing your curatorial skills.

“The most important part for me is getting outside opinions. I don’t do that enough, and have a bias in selecting images that might not be the most powerful images or the most effective sequence of images,” says Dorrell. Your own perception of a photograph can cloud your ability to judge whether or not it adds to your photo essay. This is especially true when your essay deals with personal subjects. For example, a photo essay about your family may be hard to evaluate, as your own feelings about family members will impact how you take and view the photos. This is where getting feedback from peers can be invaluable to producing a strong series.

Collecting feedback while putting your photo essay together can help you determine the strengths, weaknesses, and gaps within the collection of photos you’ve produced. Ask your friends to tell you their favorites, why they like them, and what they think you’re going for in the work you’ve created. Their opinions can be your guide, not just your own emotions.

Edit your photo selection.

Beyond post-production, the series of photos you select as your essay will determine whether you’ve executed your theme or narrative effectively. Can the photos stand alone, without written words, and tell the story you set out to? Do they make sense together, in a logical sequence? The perfect photo essay will give your audience a full picture of the narrative, theme, or essence you’re looking to capture.

A good method to use to cull your images down is to remove as many as half of your images straight away to see if your narrative is still as strong with fewer photos. Or, perhaps, deciding on a small number you’d like to aim for (maybe just five to ten images) and using this as a method to narrow down to the images that tell your story best.

From Taylor Dorrell’s photo essay Over the Rhine , featured in Vice.

Give your photo essay a title, and add a concise written statement.

Finally, you’ll want to create a title and written statement for your photo essay. This will help position your work and can enable the viewer to fully understand your intention, or at least guide their perspective.

A solid written statement and title will be relevant to your topic, detail your primary objective, and introduce your point of view. It’s an opportunity to clarify your intentions to the viewer and ensure they walk away with a clear interpretation of your work. Depending on your photo essay, you may want to include several paragraphs of text, but even just one or two sentences of background can be enough to expand the viewer’s understanding of your work.

Consider if you’d like to add the written statement at the beginning of your essay to introduce it, or at the end as a conclusion. Either one can be impactful, and it depends how you’d like people to experience your work.

For his photo essay White Fences, excerpted above, Taylor Dorrell wrote only one sentence of introduction. But for his series Over the Rhine, Dorell included a longer written statement to accompany the work, which is “an ongoing photo series that seeks to explore the Cincinnati neighborhood of the same name and its surroundings. The series was started in response to the shooting of Samuel DuBose, an unarmed black man, by officer Ray Tensing of the University of Cincinnati Police, which happened July 19th, 2015.” Dorell’s text goes on to offer more background on the project, setting up the viewer with all the information they need to understand the context of the photo essay.

Depending on the motivations behind your photo essay and what sort of subject it depicts, a longer text may be necessary—or just a few words might be enough.

Looking for a place to share your photo essays with the world? Take a look at our guide to creating a photography website for tips on showcasing your photos online.

Cover image by Taylor Dorrell, from his photo essay Hurricane Over Sugar .

A Guide to Improving Your Photography Skills

Elevate your photography with our free resource guide. Gain exclusive access to insider tips, tricks, and tools for perfecting your craft, building your online portfolio, and growing your business.

Get the best of Format Magazine delivered to your inbox.

Nigerian Artist Abraham O. Oghobase on Exploring Identity and Representation

Enter the Booooooom Illustration Awards: Supported by Format

How to Edit an Impactful Montage Reel for Your Portfolio That Highlights Your Skill

21 Essential Design Blogs to Spark Your Creativity in 2024

World Humanitarian Day and the Power of Visual Storytelling

Mastering Pet Photography: 29 Tips for Perfectly Capturing Your Clients’ Pets

Capturing Stunning Images: A Comprehensive Studio Lighting Guide

*Offer must be redeemed by August 31st , 2024 at 11:59 p.m. PST. 50% discount off the subscription price of a new annual Pro Plus plan can be applied at checkout with code PROPLUSANNUAL, 38% discount off the price of a new annual Pro plan can be applied with code PROANNUAL, and 20% discount off the price of a new Basic annual plan can be applied with code BASICANNUAL. The discount applies to the first year only. Cannot be combined with any other promotion.

• Follow PetaPixel on YouTube
• Follow PetaPixel on Facebook
• Follow PetaPixel on X
• Follow PetaPixel on Instagram

How to Create a Photo Essay

The photographic essay, also called a photo essay or photo story, is a powerful way for photographers to tell a story with their images. If you are interested in creating your own photo essay, this article will guide you through the whole process, from finding a story to shoot to the basics of crafting your first visual narrative.

Table of Contents

What is a photo essay.

A photo essay tells a story visually. Just like the kind you read, the photo essay offers a complete rendering of a subject or situation using a series of carefully crafted and curated images. Photo stories have a theme, and each image backs up that overarching theme which is defined in the photo essay’s title and is sometimes supported with text.

From documentary to narrative to essay, photo stories are designed to move their audience, to inspire a certain action, awareness, or emotion. Photo stories are not just a collection of cool photos. They must use their visual power to capture viewers’ attention and remain unforgettable.

History of the Photo Story

In the “old days”, that is, before 1948, magazines ran photo stories very different from what we know today. They were staged, preconceived by an editor, not a truthful observation of life. Along came a photographer named W. Eugene Smith, who worked for Life magazine.

Deciding to follow a rural doctor for six weeks, he gathered material for a photo essay that really showed what it was like to be in that doctor’s shoes, always on the go to help his scattered patients. Smith’s piece, “ Country Doctor ,” shook other photographers out of their scripted stupor and revolutionized the way photographers report what they see.

From then on, photojournalism gained life and an audience through the lenses of legends like Robert Capa, Dorothea Lange, David “Chim” Seymour, Gordon Parks, Werner Bischof, and Henri Cartier-Bresson. The Vietnam War provided many examples for photo stories as represented by Philip Jones Griffiths, Catherine Leroy, and many more.

More recently, photo stories have found a sturdy home online thanks to the ease of publishing a series of photos digitally versus in print. Lynsey Addario, Peter Essick, and Adam Ferguson represent a few of the photographers pushing visual storytelling today.

Ways to Find Photo Stories and Themes

Photo stories exist all around, right in the midst of everyday life and in the fray of current events. A good place to begin developing a photo essay is by choosing a general theme.

Topics that Interest You

The best expression comes from the heart, so why not choose a topic that interests you. Maybe it’s a social issue, an environmental one, or just something you’re curious about. Find what moves you and share that with the world.

Personal Experiences

The more you’ve lived, the more you have to tell. This doesn’t necessarily mean age, it can also refer to experiences, big and small. If you know a subject better than most, like what it’s like to recover from a car crash, you’re an expert on the matter and therefore you have a story to tell. Also, consider the things you read and see or watch, like news or history, and incorporate that into your search for a story.

Problem/Solution

Problems abound in the world. But so do solutions. Photojournalists can present either, or both. Have a look at something that’s wrong in society and show why it’s a problem. Or find a problem that’s been resolved and show the struggle it took to get there. Even better, take your time shooting your story — sometimes it can take years — and document how a wrong is righted.

Day-in-the-Life

One of the most popular formats, day-in-the-life photo stories present microcosms of life that relate to the bigger picture. In a similar vein, behind-the-scenes photo stories show viewers what life is really like for others, especially in situations that are difficult or impossible to access. Events represent another simple yet powerful theme for documenting and storytelling with a camera.

Types of Photo Stories

Most photo stories concern people. If it’s about something like the environment, for example, the photo story can showcase the people involved. In either case, the impactful photo story will present the challenges and dilemmas of the human condition, viscerally.

There are three general types of photo stories.

Narrative Story

Narrative deals with complications and their resolution, problems, and solutions. If there appears to be no resolution, at least the struggle to find one can provide material for a photo essay. Some sort of narrative thread must push the story from beginning to middle to end, just like what you see in a good movie.

A good story also requires action, which in this case must be visual. Good stories are page-turners, whether they’re a Kerouac tale or a series of photos demonstrating the difficulties of single parenting. Adventure stories are one good example of photographic narrative storytelling.

The term “photo story” is generally used interchangeably with “photo essay”, but some photographers hold that there are subtle differences between the two. The essay type of photo story implies opinion, they argue. Essays make a point. They are the opposite of facts-only news. A photo story essay makes a case for something, like showing the danger and consequences of illegal fireworks or advocating for the preservation of a forest.

Documentary

On the other hand, documentaries lack opinion. Their purpose is to inform without adding judgment. Documentaries present the facts and let viewers decide. They illustrate something that’s occurring but they don’t always include a narrative story or an opinionated approach. Historical places, current events, and unique lifestyles always make for good documentary photo stories.

How to Craft a Photo Essay

Several elements come into play when putting together a photo essay. Once you’ve found a theme, it’s time to give your project a name. While out shooting, jot down titles that come to mind. Consider the title a magazine headline that explains in few words what the whole story is about.

Choose your photos according to whether or not they relate to and support the photo essay’s title. Reject those photos that don’t. If your collection seems to suggest a different angle, a different title, don’t be afraid to rename it. Sometimes stories develop organically. But if your title can’t assemble and define your selection of photos, maybe it’s too vague. Don’t rush it. Identify the theme, take the photos and the photo essay will take shape.

Certain techniques help tell the photo essay.

A photo essay is composed of a diversity of views, angles, and focal lengths. While masters like Henri Cartier-Bresson could capture a photo essay with a single prime lens, in his case a 50mm, the rest of us are wise to rely on multiple focal lengths. Just like what we see in the movies, a story is told with wide shots that set the scene, medium shots that tell the story, and close-ups that reveal character and emotion.

Unique angles make viewers curious and interested, and they break the monotony of standard photography. Consider working black-and-white into your photo essay. The photo essay lends itself well to reportage exclusively in monochrome, as the legends have demonstrated since W. Eugene Smith.

Visual Consistency

The idea of a photo essay is to create a whole, not a bunch of random parts. Think gestalt. The images must interact with each other. Repetition helps achieve this end. Recurring themes, moods, styles, people, things, and perspectives work to unify a project even if the photos tell different parts of the story.

Text can augment the impact of a photo essay. A photo may be worth a thousand words, but it doesn’t always replace them. Captions can be as short as a complete sentence, as long as a paragraph, or longer. Make sure to take notes in case you want to add captions. Some photo stories, however, function just fine without words.

Tell a Story as a Photographer

Few genres of photography have moved people like the photo essay. Since its inception, the art of visual storytelling has captivated audiences. Photo stories show viewers things they had never seen, have moved masses to action, and have inspired video documentaries. Today, photo stories retain their power and place, in part thanks to the internet. Every photographer should experiment with a photo essay or two.

The method of crafting a photo essay is simple yet complicated, just like life. Careful attention must be paid to the selection of images, the choice of title, and the techniques used in shooting. But follow these guidelines and the photo stories will come. Seek issues and experiences that inspire you and go photograph them with the intention of telling a complete story. The viewing world will thank you.

Image credits: Header photo shows the May 13, 1957 story in LIFE magazine titled, “ The Tough Miracle Man of Vietnam .” Stock photos from Depositphotos

Qualitative Research Cafe

Food for thought on interpretive and critical research approaches, photo essays.

Photo essays can also be collaborations, multiple photographers/researchers working together. High school students in LA used photography to explore immigration in their communities .

Sophisticated uses of media allow for combinations of photographs, texts, and infographics (including interactive formats), a less static form of photo essay. An excellent example of this is Segregation Now , which looks at resegregation of schools in the U.S. south, Tuscaloosa specifically.

Leave a Reply

Your email address will not be published. Required fields are marked *

Spam prevention powered by Akismet

Student Sign In

How to Create a Photo Essay in 9 Steps (with Examples)

Photo Editing & Creativity , Tutorials

This post contains affiliate links. If you use these links to buy something, we may earn a commission at no additional cost to you. We only recommend products we fully support or use ourselves.  Our full disclaimer

What is a photo essay?

• Photo essays vs photo stories
• How photo essays help you
• 9 Steps to create photo essays

How to share your photo essays

Read Time: 11 minutes

Gather up a handful of images that seem to go together, and voila! It’s a photo essay, right? Well… no. Though, this is a common misconception.

In reality, a photo essay is much more thoughtful and structured than that. When you take the time to craft one, you’re using skills from all facets of our craft – from composition to curation.

In this guide, you’ll learn what makes a photo essay an amazing project that stretches your skills. You’ll also learn exactly how to make one step by step.

• Photo essay vs photo story

A photo essay is a collection of images based around a theme, a topic, a creative approach, or an exploration of an idea. Photo essays balance visual variety with a cohesive style and concept.

What’s the difference between a photo essay and a photo story?

The terms photo essay and photo story are often used interchangeably. Even the dictionary definition of “photo essay” includes using images to convey either a theme or a story.

But in my experience, a photo essay and a photo story are two different things. As you delve into the field of visual storytelling, distinguishing between the two helps you to take a purposeful approach to what you’re making .

The differences ultimately lie in the distinctions between theme, topic and story.

Themes are big-picture concepts. Example: Wildness

Topics are more specific than themes, but still overarching. Example : Wild bears of Yellowstone National Park

Stories are specific instances or experiences that happen within, or provide an example for, a topic or theme. Example: A certain wild bear became habituated to tourists and was relocated to maintain its wildness

Unlike a theme or topic, a story has particular elements that make it a story. They include leading characters, a setting, a narrative arc, conflict, and (usually) resolution.

With that in mind, we can distingush between a photo essay and a photo story.

Themes and Topics vs Stories

A photo essay revolves around a topic, theme, idea, or concept. It visually explores a big-picture something .

This allows a good deal of artistic leeway where a photographer can express their vision, philosophies, opinions, or artistic expression as they create their images.

A photo story  is a portfolio of images that illustrate – you guessed it – a story.

Because of this, there are distinct types of images that a photo story uses that add to the understanding, insight, clarity and meaning to the story for viewers. While they can certainly be artistically crafted and visually stunning, photo stories document something happening, and rely on visual variety for capturing the full experience.

A photo essay doesn’t need to have the same level of structured variety that a photo story requires. It can have images that overlap or are similar, as they each explore various aspects of a theme.

Photo essays can be about any topic. If you live in a city, consider using your nature photography to make an essay about the wildlife that lives in your neighborhood . 

The role of text with photos

A photo story typically runs alongside text that narrates the story. We’re a visual species, and the images help us feel like we are there, experiencing what’s happening. So, the images add significant power to the text, but they’re often a partner to it.

This isn’t always the case, of course. Sometimes photo stories don’t need or use text. It’s like reading a graphic novel that doesn’t use text. Moving through the different images that build on each other ultimately unveils the narrative.

Photo essays don’t need to rely on text to illuminate the images’ theme or topic. The photographer may use captions (or even a text essay), or they may let the images speak for themselves.

Definitions are helpful guidelines (not strict rules)

Some people categorize photo essays as either narrative or thematic. That’s essentially just calling photo stories “narrative photo essays” and photo essays “thematic photo essays.”

But, a story is a defined thing, and any writer/editor will tell you themes and topics are not the same as stories. And we use the word “story” in our daily lives as it’s defined. So, it makes far more sense to name the difference between a photo essay and a photo story, and bask in the same clarity writers enjoy .

Photo stories illustrate a particular experience, event, narrative, something that happened or is happening.

Photo essays explore an idea, concept, topic, theme, creative approach, big-picture something .

Both photo essays and photo stories are immensely powerful visual tools. And yes, the differences between them can certainly be blurred, as is always the case with art.

Simply use this distinction as a general guideline, providing extra clarity around what you’re making and why you’re making it.

To dig into specific types of images used to create powerful photo stories, check out this training: 6 Must-Have Shots for a Photo Story. 

Meanwhile, let’s dig deeper into photo essays.

Capturing amazing wildlife photos requires not only passion and skill but also the right equipment.

This guide breaks down the best options so you can find the perfect camera for your specific needs , whether you're a beginner or pro.

Photo essays are a chance to try new styles or techniques that stretch your skills and creativity. This image was part of an essay exploring simplicity and shape, and helped me learn new skills in black and white post-processing.

How photo essays improve your photography

Creating photo essays is an amazing antidote if you’ve ever felt a lack of direction or purpose in your photography. Photo essays help build your photographic skills in at least 3 important ways.

1. You become more strategic in creating a body of work

It’s easy to get stuck in a rut of photographing whatever pops up in front of you. And when you do, you end up with a collection of stand-alone shots.

These singles may work fine as a print, a quick Instagram post, or an addition to your gallery of shots on your website. But amassing a bunch of one-off shots limits your opportunities as a photographer for everything from exhibits to getting your work published.

Building photo essays pushes you to think strategically about what you photograph, why, and how. You’re working toward a particular deliverable – a cohesive visual essay – with the images you create.

This elevates your skills in crafting your photo essay, and in how you curate the rest of your work, from galleries on your website to selecting images to sell as prints .

2. You become more purposeful in your composition skills

Composition is so much more than just following the rule of thirds, golden spirals, or thinking about the angle of light in a shot.

Composition is also about thinking ahead in what you’re trying to accomplish with a photograph – from what you’re saying through it to its emotional impact on a viewer – and where it fits within a larger body of work.

Photo essays push you to think critically about each shot – from coming up with fresh compositions for familiar subjects, to devising surprising compositions to fit within a collection, to creating compositions that expand on what’s already in a photo essay.

You’re pushed beyond creating a single pleasing frame, which leads you to shoot more thoughtfully and proactively than ever.

(Here’s a podcast episode on switching from reactive shooting to proactive shooting .)

3. You develop strong editing and curation skills

Selecting which images stay, and which get left behind is one of the hardest jobs on a photographer’s to-do list. Mostly, it’s because of emotional attachment.

You might think it’s an amazing shot because you know the effort that went into capturing it. Or perhaps when you look at it, you get a twinge of the joy or exhilaration you felt the moment you captured it. There’s also the second-guessing that goes into which of two similar images is the best – which will people like more? So you’re tempted to just show both.

Ultimately, great photographers appear all the more skilled because they only show their best work. That in and of itself is a skill they’ve developed through years of ruthlessly editing their own work.

Because the most powerful photo essays only show a handful of extraordinary images, you’re bound to develop the very same critical skill (and look all the more talented because of it).

Photo essays are also a great stepping stone to creating photo stories. If you’re interested in moving beyond stand-alone shots and building stories, shooting photo essays will get your creative brain limbered up and ready for the adventure of photo stories.

A photo essay exploring the natural history of a favorite species is an exciting opportunity for an in-depth study. For me, that was a photo essay on emotive images of the American dipper (Cinclus mexicanus) as it hunts in streams. 

9 Simple steps to create your photo essays

1. clarify your theme.

Choose a theme, topic, or concept you want to explore. Spend some time getting crystal clear on what you want to focus on. It helps to write out a few sentences, or even a few paragraphs noting:

• What you want the essay to be about
• What kinds of images you want to create as part of it
• How you’ll photograph the images
• The style, techniques, or gear you might use to create your images
• What “success” looks like when you’re done with your photo essay

You don’t have to stick to what you write down, of course. It can change during the image creation process. But fleshing your idea out on paper goes a long way in clarifying your photo essay theme and how you’ll go about creating it.

2. Create your images

Grab your camera and head outside!

As you’re photographing your essay, allow yourself some freedom to experiment. Try unusual compositions or techniques that are new to you.

Stretch your style a little, or “try on” the style of other photographers you admire who have photographed similar subjects.

Photo essays are wonderful opportunities to push yourself outside of your comfort zone and grow as a photographer .

Remember that a photo essay is a visually cohesive collection of images that make sense together. So, while you might stretch yourself into new terrain as you shoot, try to keep that approach, style, or strategy consistent.

Don’t be afraid to create lots of images. It’s great to have lots to choose from in the editing process, which comes up next.

3. Pull together your wide edit

Once you’ve created your images, pull together all the images that might make the cut. This could be as many as 40-60 images. Include anything you want to consider for the final essay in the wide edit.

From here, start weeding out images that:

• are weaker in composition or subject matter
• stand out like a sore thumb from the rest of the collection
• Are similar to other stronger images in the collection

It’s helpful to review the images at thumbnail size. You make more instinctive decisions and can more easily see the body of work as a whole. If an image is strong even at thumbnail size to stand out from similar frames while also partnering well with other images in the collection, that’s a good sign it’s strong enough for the essay.

4. Post-process your images for a cohesive look

Now it’s time to post-process the images. Use whatever editing software you’re comfortable with to polish your images.

Again, a photo essay has a cohesive visual look. If you use presets, filters, or other tools, use them across all the images.

5. Finalize your selection

It’s time to make the tough decisions. Select only the strongest for your photo essay from your group of images.

Each image should be strong enough to stand on its own and make sense as part of the whole group.

Many photo essays range from 8-12 images. But of course, it varies based on the essay. The number of images you have in your final photo essay is up to you.

Remember, less is more. A photo essay is most powerful when each image deserves to be included.

6. Put your images in a purposeful order

Create a visual flow with your images. Decide which image is first, and build from there. Use compositions, colors, and subject matter to decide which image goes next, then next, then next in the order.

Think of it like music: notes are arranged in a way that builds energy, or slows it down, surprise listeners with a new refrain, or drop into a familiar chorus. How the notes are ordered creates emotional arcs for listeners.

How you order your images is similar.

Think of the experience a viewer will have as they look at one image, then the next, and the next. Order your images so they create the experience you want your audience to have.

7. Get feedback

The best photographers make space for feedback, even when it’s tough to hear. Your work benefits from not just hearing feedback, but listening to it and applying what you learn from it.

Show your photo essay to people who have different sensibilities or tastes. Friends, family members, fellow photographers – anyone you trust to give you honest feedback.

Watch their reactions and hear what they say about what they’re seeing. Use their feedback to guide you in the next step.

8. Refine, revise, and finalize

Let your photo essay marinate for a little while. Take a day or two away from it. Then use your freshened eyes and the feedback you received from the previous step to refine your essay.

Swap out any selects you might want to change and reorder the images if needed.

9. Add captions

Even if you don’t plan on displaying captions with your images, captioning your images is a great practice to get into. It gives context, story, and important information to each image. And, more than likely, you will want to use these captions at some point when you share your photo essay, which we dive into later in this article.

Add captions to the image files using Lightroom, Bridge, or other software programs.

Create a document, such as a Google or Word doc, with captions for each image.

In your captions, share a bit about the story behind the image, or the creation process. Add whatever makes sense to share that provides a greater understanding of the image and its purpose.

Photo essays allow you to explore deliberate style choices, such as a focus on shapes, patterns, textures, and lines. Since each photo is part of a larger essay, it encourages you to be bold with choices you might not otherwise make. 

5 Examples of amazing nature photo essays

1. “how the water shapes us” from the nature conservancy.

This gorgeous essay, crafted with the work of multiple photographers, explores the people and places within the Mississippi River basin. Through the images, we gain a sense of how the water influences life from the headwater all the way to the Gulf of Mexico. Notice how each photographer is tasked with the same theme, yet approaches it with their own distinct style and vision. It is a wonderful example of the sheer level of visual variety you can have while maintaining a consistent style or theme.

View it here

2. “A Cyclist on the English Landscape” from New York Times’ The World Through A Lens series

This photo essay is a series of self-portraits by travel photographer Roff Smith while “stuck” at home during the pandemic. As he peddled the roads making portraits, the project evolved into a “celebration of traveling at home”. It’s a great example of how visually consistent you can be inside a theme while making each image completely unique.

3. “Vermont, Dressed In Snow” from New York Times’ The World Through A Lens series

This essay by aerial photographer Caleb Kenna uses a very common photo essay theme: snow. Because all images are aerial photographs, there’s a consistency to them. Yet, the compositions are utterly unique from one another. It’s a great example of keeping viewers surprised as they move from one image to the next while still maintaining a clear focus on the theme.

4. “Starling-Studded Skies” from bioGraphic Magazine

This beautiful essay is by Kathryn Cooper, a physicist trained in bioinformatics, and a talented photographer. She used a 19th century photographic technique, chronophotography, to create images that give us a look at the art and science of starling murmurations. She states: “I’m interested in the transient moments when chaos briefly changes to order, and thousands of individual bodies appear to move as one.” This essay is a great example of deep exploration of a concept using a specific photographic technique.

View it here   (Note: must be viewed on desktop)

5. “These Scrappy Photos Capture the Action-Packed World Beneath a Bird Feeder” from Audubon Magazine

This photo essay from conservation photographer Carla Rhodes explores the wildlife that takes advantage of the bounty of food waiting under bird feeders . Using remote camera photography , Rhodes gives viewers a unique ground-level perspective and captures moments that make us feel like we’re in conversation with friends in the Hundred Acre Woods. This essay is a great example of how perspective, personality, and chance can all come into play as you explore both an idea and a technique.

25 Ideas for creative photo essays you can make

The possibilities for photo essays are truly endless – from the concepts you explore to the techniques you use and styles you apply.

Choose an idea, hone your unique perspective on it, then start applying the 9 simple steps from above. 

• The life of a plant or animal (your favorite species, a species living in your yard, etc)
• The many shapes of a single species (a tree species, a bird species, etc)
• How a place changes over time
• The various moods of a place
• A conservation issue you care about
• Math in nature
• Urban nature
• Seasonal changes
• Your yard as a space for nature
• Shifting climate and its impacts
• Human impacts on environments
• Elements: Water, wind, fire, earth
• Day in the life (of a person, a place, a stream, a tree…)
• Outdoor recreation (birding, kayaking, hiking, naturalist journaling…)
• Wildlife rehabilitation
• Lunar cycles
• Sunlight and shadows
• Your local watershed
• Coexistence

As you zero in on a photo essay theme, consider two things: what most excites you about an idea, and what about it pushes you out of your comfort zone. The heady mix of joy and challenge will ensure you stick with it. 

Your photo essay is ready for the world! Decide how you’d like to make an impact with your work. You might use one or several of the options below.

1. Share it on your website

Create a gallery or a scrollytelling page on your website. This is a great way to drive traffic to your website where people can peruse your photo essay and the rest of the photography you have.

Putting it on your website and optimizing your images for SEO helps you build organic traffic and potentially be discovered by a broader audience, including photo editors.

2. Create a scrollytelling web page

If you enjoy the experience of immersive visual experiences, consider making one using your essay. And no, you don’t have to be a whiz at code to make it happen.

Shorthand helps you build web pages with scrollytelling techniques that make a big impression on viewers. Their free plan allows you to publish 3 essays or stories.

3. Create a Medium post

If you don’t have a website and want to keep things simple, a post on Medium is a great option.

Though it’s known for being a platform for bloggers, it’s also possible to add images to a post for a simple scroll.

And, because readers can discover and share posts, it’s a good place for your photos to get the attention of people who might not otherwise come across it.

4. Share it on Instagram

Instagram has changed a lot over the last couple of years, but it’s still a place for photographers to share their work thoughtfully.

There are at least 3 great ways to share your photo essay on the platform.

– Create a single post for each image. Add a caption. Publish one post per day until the full essay is on your feed. Share each post via Instagram Stories to bring more attention and interaction to your photo essay.

– Create a carousel post. You can add up 10 photos to a carousel post, so you may need to create two of them for your full photo essay. Or you might create a series of carousel posts using 3-4 images in each.

– Create a Reel featuring your images as a video.  The algorithm heavily favors reels, so turning your photo essay into a video experience can get it out to a larger audience.

I ran a “create a reel” challenge in my membership community. One member created a reel with her still images around a serious conservation issue. It gathered a ton of attention and landed her opportunities to share her message through YouTube and podcast interviews and publishing opportunities. Watch it here.

5. Exhibit it locally

Reach out to local galleries, cafes, pubs, or even the public library to see if they’re interested in hanging your photo essay for display. Many local businesses and organizations happily support the work of local artists.

6. Pitch your photo essay to publications

One of the best ways to reach an audience with your work is to get it published. Find publications that are a great fit for the theme and style of your photo essay, then pitch your essay for consideration. You gain a fantastic opportunity to share your work widely and can earn a paycheck at the same time.

Remember that if you want to get your photo essay published, you may want to hold back from sharing it publicly before you pitch it to publications.

5 Strategies to Find the Positive Angle In Every Conservation Photo Story

Photo Stories and Essays , Tutorials

  Training your brain to see the silver linings and solutions is essential in several ways, from engaging your audience to gaining the interest of editors.  If you've been watching the news pretty much at all over the past couple of months, you know there's...

How to Make Time for Photography (Even When Life Gets Busy)

Photography Business , Tutorials

  It's easy to let your creative time slip to the back burner... or slip off the stove entirely. This surprisingly powerful tool will help you both make time for your photography AND make great forward progress on your projects.  Contents Use timed focus...

How to Create Personal Narrative Photo Stories That Viewers LOVE

  Your personal perspective and experiences can be a powerful storytelling strategy. But there are ways to do it right (and wrong). Here are my top 3 tips for what to keep in mind when photographing a story that's your own personal narrative so that your story is...

6 Books That Forever Changed My Wildlife Conservation Photography

  From how you approach being in the field and scouting locations, to how you approach the stories you photograph and communicate conservation issues, these 6 books are the (unconventional) must-read list for every conservation photographer.  An...

PIN THIS FOR LATER

Jaymi Heimbuch

Next up….

How to train your brain to see solutions in photo stories so that you can engage your audience and gain the interest of editors.

This surprisingly powerful tool will help you both make time for your photography AND make great forward progress on your projects.

If you do these 3 things, you’ll have a share-worthy story your viewers feel connected to and inspired by.

WHAT DO YOU WANT TO READ TODAY?

POPULAR SEARCHES:  Best Cameras   |    Location Guide   |  Best Lenses   |  Wildlife  

Privacy Overview

• Photojournalism Links

The 10 Best Photo Essays of the Month

This month’s Photojournalism Links collection highlights 10 excellent photo essays from across the world, including Tomas Munita ‘s photographs from Gaza and Israel, made on assignment for the New York Times . The work, coinciding with the first anniversary of last year’s 50 day war between Israel and Palestinian militant groups, consists of eight innovative stop-motion-sequences which take us to the streets, hospitals, and homes on both sides of the conflict, and provide an immersive glimpse of how the two groups of communities are coping, one year after.

Tomas Munita: Walking in War’s Path (The New York Times )

Brent Stirton: Tracking Ivory: Terror in Africa | Ivory’s Human Toll (National Geographic) Two strong sets of images for National Geographic magazine’s latest cover story.

Lynsey Addario: Inside the Democratic Republic of Congo’s Diamond Mines (TIME LightBox) Terrific set of images looking at Congo’s diamond mining communities.

Andres Kudacki: Spain’s Housing Crisis (TIME LightBox) Powerful three-year project on the country’s home evictions, now on show at Visa pour l’Image photojournalism festival.

Mary Ellen Mark: New Orleans (CNN Money) The legendary photographer’s final assignment, done ahead of Hurricane Katrina’s 10th anniversary.

Daniel Etter: Hands Across Water (Al Jazeera America) Moving series on a small Sea-Watch ship, with a rotating crew of just eight volunteers, trying to save refugees and migrants in the Mediterranean.

Sergey Ponomarev: On Island of Lesbos, a Microcosm of Greece’s Other Crisis: Migrants (The New York Times ) Dramatic photographs of refugees and migrants arriving to the Greek island.

Allison Joyce: Child Marriage Bangladesh (International Business Times) Heartbreaking pictures of a 15-year-old Bangladeshi girl’s wedding | See also Joyce’s other Bangladeshi child marriage series at Mashable .

Andrea Bruce: Romania’s Disappearing Girls (Al Jazeera America) The Noor photographer’s work shows how poverty and desperation drive Romanian girls into the arms of sex traffickers.

Matt Black: Geography of Poverty: Chapter 2 | Chapter 3 (MSNBC) Second and third chapters of the Magnum photographer’s ambitious project mapping poverty around the U.S.

Mikko Takkunen is an Associate Photo Editor at TIME. Follow him on Twitter @photojournalism .

More Must-Reads from TIME

• Breaking Down the 2024 Election Calendar
• How Nayib Bukele’s ‘Iron Fist’ Has Transformed El Salvador
• What if Ultra-Processed Foods Aren’t as Bad as You Think?
• How Ukraine Beat Russia in the Battle of the Black Sea
• Long COVID Looks Different in Kids
• How Project 2025 Would Jeopardize Americans’ Health
• What a $129 Frying Pan Says About America’s Eating Habits
• The 32 Most Anticipated Books of Fall 2024

Contact us at [email protected]

Great Escape Publishing

Your Dreams Are Waiting

A Beginner’s Guide to Photo Essays

Posted July 10th, 2020 by Lee Van Katwyk & filed under Travel Photography .

If you’re not so handy with a pen but have a good eye for photography, photo essays could be your best route into the world of online and print media.

Compared with written articles, photo essays can be a much easier way to get your foot in the door with new publications. If it’s true what they say, that pictures speak a thousand words, then you don’t have to worry as much about crafting a perfectly worded pitch. With a fairly good camera or smartphone and a little bit of knowledge in the realm of photo essays, you can quickly find yourself on the road to financial success. So, let’s dive right in.

What is a photo essay?

Put simply, it is one way of telling a story. Instead of using written or spoken word, this type of visual storytelling shows a small slice of the world through the lens of a camera. A photo essay can be short, starting with only three shots. They just have to portray the essence of any story: a start, middle, and end. 

Alternatively, photo essays can range into the double or even triple figures, such as professional photojournalist Tomas van Houtryve’s Blue Sky Days , an epic and often chilling 16-page photo journal.

Crafting a good story through photography

What makes a good story? Any writer will tell you it’s about creating within your reader the desire to know what happens. As with a good written story, great photo essays should drive an audience through your telling of events, keeping them engaged from start till end. You need to hook people with that very first image and keep them engaged with progressive steps that build toward an ending. You don’t always need to be telling a sequenced story. But, you do need to give a sense of building toward something. For instance, you wouldn’t want to have your best three photos at the get go and nothing to impress and reward the viewer at the end.

A few ideas to get you started

Perhaps one of the easiest stories to start telling through photography is that of transformation. Examples could include a new building being built in your city, a botanical garden moving through the seasons, or your niece going from belly to baby and beyond. What’s great about long-term transformation is it tends to give you plenty of time for planning. Event photography takes the difficulty up a notch but can still be planned out in advance. Let’s say there’s a music festival or running race coming to town, converse with the organizers, get yourself acquainted with the venue, and familiarize yourself with the schedule. Then, on the day, snap away from setup through to the actual event right along to the aftermath. Third, and more difficult, is to capture a journey. This can include yourself as the subject moving through different environments, someone you’re traveling with, local people you meet along the way, or primarily focusing on various locations/landmarks—to name but a few ideas. This one is trickier because you don’t have time to plan in advance what shots you want, nor do you have the luxury of knowing when/where something interesting will happen. You have to be primed and ready every step of the way.

Recent Posts

• 3 Hidden Smartphone Features To Help You Earn
• How to Write a Blog Post
• How to Sell Stock Photos Online
• The Power of Processing in Lightroom
• 5 Tips for Travel Writing Success in Your Hometown

©2024 Great Escape Publishing. All Rights Reserved.

Pictures That Tell Stories: Photo Essay Examples

Like any other type of artist, a photographer’s job is to tell a story through their pictures. While some of the most creative among us can invoke emotion or convey a thought with one single photo, the rest of us will rely on a photo essay.

In the following article, we’ll go into detail about what a photo essay is and how to craft one while providing some detailed photo essay examples.

What is a Photo Essay? 

A photo essay is a series of photographs that, when assembled in a particular order, tell a unique and compelling story. While some photographers choose only to use pictures in their presentations, others will incorporate captions, comments, or even full paragraphs of text to provide more exposition for the scene they are unfolding.

A photo essay is a well-established part of photojournalism and have been used for decades to present a variety of information to the reader. Some of the most famous photo essayists include Ansel Adams , W. Eugene Smith, and James Nachtwey. Of course, there are thousands of photo essay examples out there from which you can draw inspiration.

Why Consider Creating a Photo Essay?

As the old saying goes, “a picture is worth 1000 words.” This adage is, for many photographers, reason enough to hold a photo essay in particularly high regard.

For others, a photo essay allow them to take pictures that are already interesting and construct intricate, emotionally-charged tales out of them. For all photographers, it is yet another skill they can master to become better at their craft.

As you might expect, the photo essay have had a long history of being associated with photojournalism. From the Great Depression to Civil Rights Marches and beyond, many compelling stories have been told through a combination of images and text, or photos alone. A photo essay often evokes an intense reaction, whether artistic in nature or designed to prove a socio-political point.

Below, we’ll list some famous photo essay samples to further illustrate the subject.

Become the photographer you were born to be.

Join Cole’s Classroom

Famous Photo Essays

“The Great Depression” by Dorothea Lange – Shot and arranged in the 1930s, this famous photo essay still serves as a stark reminder of The Great Depression and Dust Bowl America . Beautifully photographed, the black and white images offer a bleak insight to one of the country’s most difficult times.

“The Vietnam War” by Philip Jones Griffiths – Many artists consider the Griffiths’ photo essay works to be some of the most important records of the war in Vietnam. His photographs and great photo essays are particularly well-remembered for going against public opinion and showing the suffering of the “other side,” a novel concept when it came to war photography.

Various American Natural Sites by Ansel Adams – Adams bought the beauty of nature home to millions, photographing the American Southwest and places like Yosemite National Park in a way that made the photos seem huge, imposing, and beautiful.

“Everyday” by Noah Kalina – Is a series of photographs arranged into a video. This photo essay features daily photographs of the artist himself, who began taking capturing the images when he was 19 and continued to do so for six years.

“Signed, X” by Kate Ryan – This is a powerful photo essay put together to show the long-term effects of sexual violence and assault. This photo essay is special in that it remains ongoing, with more subjects being added every year.

Common Types of Photo Essays

While a photo essay do not have to conform to any specific format or design, there are two “umbrella terms” under which almost all genres of photo essays tend to fall. A photo essay is thematic and narrative. In the following section, we’ll give some details about the differences between the two types, and then cover some common genres used by many artists.

⬥ Thematic 

A thematic photo essay speak on a specific subject. For instance, numerous photo essays were put together in the 1930s to capture the ruin of The Great Depression. Though some of these presentations followed specific people or families, they mostly told the “story” of the entire event. There is much more freedom with a thematic photo essay, and you can utilize numerous locations and subjects. Text is less common with these types of presentations.

⬥ Narrative 

A narrative photo essay is much more specific than thematic essays, and they tend to tell a much more direct story. For instance, rather than show a number of scenes from a Great Depression Era town, the photographer might show the daily life of a person living in Dust Bowl America. There are few rules about how broad or narrow the scope needs to be, so photographers have endless creative freedom. These types of works frequently utilize text.

Common Photo Essay Genres

Walk a City – This photo essay is when you schedule a time to walk around a city, neighborhood, or natural site with the sole goal of taking photos. Usually thematic in nature, this type of photo essay allows you to capture a specific place, it’s energy, and its moods and then pass them along to others.

The Relationship Photo Essay – The interaction between families and loved ones if often a fascinating topic for a photo essay. This photo essay genre, in particular, gives photographers an excellent opportunity to capture complex emotions like love and abstract concepts like friendship. When paired with introspective text, the results can be quite stunning. 

The Timelapse Transformation Photo Essay – The goal of a transformation photo essay is to capture the way a subject changes over time. Some people take years or even decades putting together a transformation photo essay, with subjects ranging from people to buildings to trees to particular areas of a city.

Going Behind The Scenes Photo Essay – Many people are fascinated by what goes on behind the scenes of big events. Providing the photographer can get access; to an education photo essay can tell a very unique and compelling story to their viewers with this photo essay.

Photo Essay of a Special Event – There are always events and occasions going on that would make an interesting subject for a photo essay. Ideas for this photo essay include concerts, block parties, graduations, marches, and protests. Images from some of the latter were integral to the popularity of great photo essays.

The Daily Life Photo Essay – This type of photo essay often focus on a single subject and attempt to show “a day in the life” of that person or object through the photographs. This type of photo essay can be quite powerful depending on the subject matter and invoke many feelings in the people who view them.

Become the photographer of your dreams with Cole’s Classroom.

Start Free Trial

Photo Essay Ideas and Examples

One of the best ways to gain a better understanding of photo essays is to view some photo essay samples. If you take the time to study these executions in detail, you’ll see just how photo essays can make you a better photographer and offer you a better “voice” with which to speak to your audience.

Some of these photo essay ideas we’ve already touched on briefly, while others will be completely new to you. 

Cover a Protest or March  

Some of the best photo essay examples come from marches, protests, and other events associated with movements or socio-political statements. Such events allow you to take pictures of angry, happy, or otherwise empowered individuals in high-energy settings. The photo essay narrative can also be further enhanced by arriving early or staying long after the protest has ended to catch contrasting images. 

Photograph a Local Event  

Whether you know it or not, countless unique and interesting events are happening in and around your town this year. Such events provide photographers new opportunities to put together a compelling photo essay. From ethnic festivals to historical events to food and beverage celebrations, there are many different ways to capture and celebrate local life.

Visit an Abandoned Site or Building  

Old homes and historical sites are rich with detail and can sometimes appear dilapidated, overgrown by weeds, or broken down by time. These qualities make them a dynamic and exciting subject. Many great photo essay works of abandoned homes use a mix of far-away shots, close-ups, weird angles, and unique lighting. Such techniques help set a mood that the audience can feel through the photographic essay.

Chronicle a Pregnancy

Few photo essay topics could be more personal than telling the story of a pregnancy. Though this photo essay example can require some preparation and will take a lot of time, the results of a photographic essay like this are usually extremely emotionally-charged and touching. In some cases, photographers will continue the photo essay project as the child grows as well.

Photograph Unique Lifestyles  

People all over the world are embracing society’s changes in different ways. People live in vans or in “tiny houses,” living in the woods miles away from everyone else, and others are growing food on self-sustaining farms. Some of the best photo essay works have been born out of these new, inspiring movements.

Photograph Animals or Pets  

If you have a favorite animal (or one that you know very little about), you might want to arrange a way to see it up close and tell its story through images. You can take photos like this in a zoo or the animal’s natural habitat, depending on the type of animal you choose. Pets are another great topic for a photo essay and are among the most popular subjects for many photographers.

Show Body Positive Themes  

So much of modern photography is about showing the best looking, prettiest, or sexiest people at all times. Choosing a photo essay theme like body positivity, however, allows you to film a wide range of interesting-looking people from all walks of life.

Such a photo essay theme doesn’t just apply to women, as beauty can be found everywhere. As a photo essay photographer, it’s your job to find it!

Bring Social Issues to Life  

Some of the most impactful social photo essay examples are those where the photographer focuses on social issues. From discrimination to domestic violence to the injustices of the prison system, there are many ways that a creative photographer can highlight what’s wrong with the world. This type of photo essay can be incredibly powerful when paired with compelling subjects and some basic text.

Photograph Style and Fashion

If you live in or know of a particularly stylish locale or area, you can put together an excellent thematic photo essay by capturing impromptu shots of well-dressed people as they pass by. As with culture, style is easily identifiable and is as unifying as it is divisive. Great photo essay examples include people who’ve covered fashion sub-genres from all over the world, like urban hip hop or Japanese Visual Kei. 

Photograph Native Cultures and Traditions  

If you’ve ever opened up a copy of National Geographic, you’ve probably seen photo essay photos that fit this category. To many, the traditions, dress, religious ceremonies, and celebrations of native peoples and foreign cultures can be utterly captivating. For travel photographers, this photo essay is considered one of the best ways to tell a story with or without text.

Capture Seasonal Or Time Changes In A Landmark Photo Essay

Time-lapse photography is very compelling to most viewers. What they do in a few hours, however, others are doing over months, years, and even decades. If you know of an exciting landscape or scene, you can try to capture the same image in Winter, Spring, Summer, and Fall, and put that all together into one landmark photo essay.

Alternatively, you can photograph something being lost or ravaged by time or weather. The subject of your landmark photo essay can be as simple as the wall of an old building or as complex as an old house in the woods being taken over by nature. As always, there are countless transformation-based landmark photo essay works from which you can draw inspiration.

Photograph Humanitarian Efforts or Charity  

Humanitarian efforts by groups like Habitat for Humanity, the Red Cross, and Doctors Without Borders can invoke a powerful response through even the simplest of photos. While it can be hard to put yourself in a position to get the images, there are countless photo essay examples to serve as inspiration for your photo essay project.

How to Create a Photo Essay

There is no singular way to create a photo essay. As it is, ultimately, and artistic expression of the photographer, there is no right, wrong, good, or bad. However, like all stories, some tell them well and those who do not. Luckily, as with all things, practice does make perfect. Below, we’ve listed some basic steps outlining how to create a photo essay

Steps To Create A Photo Essay

Choose Your Topic – While some photo essayists will be able to “happen upon” a photo story and turn it into something compelling, most will want to choose their photo essay topics ahead of time. While the genres listed above should provide a great starting place, it’s essential to understand that photo essay topics can cover any event or occasion and any span of time

Do Some Research – The next step to creating a photo essay is to do some basic research. Examples could include learning the history of the area you’re shooting or the background of the person you photograph. If you’re photographing a new event, consider learning the story behind it. Doing so will give you ideas on what to look for when you’re shooting.  

Make a Storyboard – Storyboards are incredibly useful tools when you’re still in the process of deciding what photo story you want to tell. By laying out your ideas shot by shot, or even doing rough illustrations of what you’re trying to capture, you can prepare your photo story before you head out to take your photos.

This process is especially important if you have little to no control over your chosen subject. People who are participating in a march or protest, for instance, aren’t going to wait for you to get in position before offering up the perfect shot. You need to know what you’re looking for and be prepared to get it.

Get the Right Images – If you have a shot list or storyboard, you’ll be well-prepared to take on your photo essay. Make sure you give yourself enough time (where applicable) and take plenty of photos, so you have a lot from which to choose. It would also be a good idea to explore the area, show up early, and stay late. You never know when an idea might strike you.

Assemble Your Story – Once you develop or organize your photos on your computer, you need to choose the pictures that tell the most compelling photo story or stories. You might also find some great images that don’t fit your photo story These can still find a place in your portfolio, however, or perhaps a completely different photo essay you create later.

Depending on the type of photographer you are, you might choose to crop or digitally edit some of your photos to enhance the emotions they invoke. Doing so is completely at your discretion, but worth considering if you feel you can improve upon the naked image.

Ready to take your photography to the next level?

Join Cole’s Classroom today! »

Best Photo Essays Tips And Tricks

Before you approach the art of photo essaying for the first time, you might want to consider with these photo essay examples some techniques, tips, and tricks that can make your session more fun and your final results more interesting. Below, we’ve compiled a list of some of the best advice we could find on the subject of photo essays. 

⬥ Experiment All You Want 

You can, and should, plan your topic and your theme with as much attention to detail as possible. That said, some of the best photo essay examples come to us from photographers that got caught up in the moment and decided to experiment in different ways. Ideas for experimentation include the following: 

Angles – Citizen Kane is still revered today for the unique, dramatic angles used in the film. Though that was a motion picture and not photography, the same basic principles still apply. Don’t be afraid to photograph some different angles to see how they bring your subject to life in different ways.

Color – Some images have more gravitas in black in white or sepia tone. You can say the same for images that use color in an engaging, dynamic way. You always have room to experiment with color, both before and after the shoot.

Contrast – Dark and light, happy and sad, rich and poor – contrast is an instantly recognizable form of tension that you can easily include in your photo essay. In some cases, you can plan for dramatic contrasts. In other cases, you simply need to keep your eyes open.

Exposure Settings – You can play with light in terms of exposure as well, setting a number of different moods in the resulting photos. Some photographers even do random double exposures to create a photo essay that’s original.

Filters – There are endless post-production options available to photographers, particularly if they use digital cameras. Using different programs and apps, you can completely alter the look and feel of your image, changing it from warm to cool or altering dozens of different settings.

Want to never run out of natural & authentic poses? You need this ⬇️ 

Click here & get it today for a huge discount., ⬥ take more photos than you need .

If you’re using traditional film instead of a digital camera, you’re going to want to stock up. Getting the right shots for a photo essay usually involves taking hundreds of images that will end up in the rubbish bin. Taking extra pictures you won’t use is just the nature of the photography process. Luckily, there’s nothing better than coming home to realize that you managed to capture that one, perfect photograph. 

⬥ Set the Scene 

You’re not just telling a story to your audience – you’re writing it as well. If the scene you want to capture doesn’t have the look you want, don’t be afraid to move things around until it does. While this doesn’t often apply to photographing events that you have no control over, you shouldn’t be afraid to take a second to make an OK shot a great shot. 

⬥ Capture Now, Edit Later 

Editing, cropping, and digital effects can add a lot of drama and artistic flair to your photos. That said, you shouldn’t waste time on a shoot, thinking about how you can edit it later. Instead, make sure you’re capturing everything that you want and not missing out on any unique pictures. If you need to make changes later, you’ll have plenty of time! 

⬥ Make It Fun 

As photographers, we know that taking pictures is part art, part skill, and part performance. If you want to take the best photo essays, you need to loosen up and have fun. Again, you’ll want to plan for your topic as best as you can, but don’t be afraid to lose yourself in the experience. Once you let yourself relax, both the ideas and the opportunities will manifest.

⬥ It’s All in The Details 

When someone puts out a photographic essay for an audience, that work usually gets analyzed with great attention to detail. You need to apply this same level of scrutiny to the shots you choose to include in your photo essay. If something is out of place or (in the case of historical work) out of time, you can bet the audience will notice.

⬥ Consider Adding Text

While it isn’t necessary, a photographic essay can be more powerful by the addition of text. This is especially true of images with an interesting background story that can’t be conveyed through the image alone. If you don’t feel up to the task of writing content, consider partnering with another artist and allowing them tor bring your work to life.

Final Thoughts 

The world is waiting to tell us story after story. Through the best photo essays, we can capture the elements of those stories and create a photo essay that can invoke a variety of emotions in our audience.

No matter the type of cameras we choose, the techniques we embrace, or the topics we select, what really matters is that the photos say something about the people, objects, and events that make our world wonderful.

Dream of Being a Pro Photographer?

Join Cole’s Classroom today to make it a reality.

Similar Posts

9 Tips for Dipping Your Toes into the Wonderful World of Abstract Photography

Abstract photography is a wonderful way to express yourself by taking photos that appeal to you– allowing you to create your own style of art. To define abstract photography, remember that it is a non-objective and non-concrete type of photography that does not rely on traditional subjects. Like other forms of abstract art, it can…

What is VR Lens and Do You Need Vibration Reduction?

Ever wonder if you really need vibration reduction (VR) for your camera? We’re here to explain it all! Whether you are a Nikon or Canon photographer you are likely familiar with the terms Vibration Reduction (VR) or Image Stabilization (IS). You have likely seen when searching for camera lenses to add to your ever-growing wish…

Creative Night Portraits: How I Shot the “Moon Glow Halo”

Some of the most opportune moments in photography happens when you least expect it. For me, this happens a lot when I am hanging out with my friends.  There is this thing that happens that the light-bulb goes on and the magic of collaboration and creativity come together.  This is what happened to me recently…

The Ultimate Guide to Mastering Double Exposure Photography

Exposure is an important concept in photography. It refers to the amount of light that hits your camera sensor and determines how bright your photo will look. There are different ways of playing with exposure to make unique effects. Double exposure photography is an aesthetic technique you can achieve by exposing your sensor to light…

Get your colors straight with Kelvin White Balance

Learn how and why to use Kelvin white balance to get perfect color in your images! Have you ever taken a photo in a high school gym?  The colors are just…wonky.  Skin tones look sickly, white uniforms look green.  Or maybe you’ve shot in the shade only to find really blue-gray skin tones when you…

Getting in the Frame: How to Take a Self Portrait

As the one behind the camera, chances are, you aren’t in photos very often. But it can be so rewarding to actually be in the frame… to not just capture the memories, but to be in them, too. That is precisely why I decided to learn how to take a self portrait. I wanted to…

• Share full article

Advertisement

Supported by

Creating Photo Essays About Community: A Guide to Our Where We Are Contest

Step-by-step directions for depicting what’s memorable and meaningful about groups and the places where they gather.

By Katherine Schulten

It’s hard not to be inspired by the immersive 2023 photo-essay series Where We Are .

As you scroll through and are introduced to young female wrestlers in India , rappers in Spain , band kids in Ohio and Black debutantes in Detroit , you can’t help but think about the communities you have been a part of — or have noticed in your own neighborhood or school.

That’s why we hope you’ll participate in our contest , which invites teenagers to use these photo essays as mentor texts to document the local, offline communities that most interest them.

How do you go about that? The steps are outlined below.

How to Create Your Photo Essay

Step 1: read the where we are series closely..

• Step 2: Decide what local community will be the subject of your photo essay.
• Step 3: Take photos that show both the big picture and the small details.
• Step 4: Interview members of the community about why it is special.
• Step 5: Give your photo essay context via a short written introduction.
• Step 6: Write captions for your photos that give new information or add depth or color.
• Step 7: Edit all the pieces together and submit.

Immerse yourself in several of these photo essays, using our related activity sheet to help you start to notice and name some of the things that make this series special. You can do the same with our winner and runners-up from last year’s contest.

When you’re done, we’ll help you use those same strategies to document the community you have chosen.

Here are free links to the entire series:

1. The Magic of Your First Car 2. At This Mexican Restaurant, Everyone is Family 3. Where the Band Kids Are 4. In This Nigerian Market, Young Women Find a Place of Their Own 5. At Camp Naru, Nobody Is ‘an Outlier’ 6. For Black Debutantes in Detroit, Cotillion Is More Than a Ball 7. At This Wrestling Academy, Indian Girls Are ‘Set Free’ 8. In Seville, Spain, These Young Rappers Come Together to Turn ‘Tears Into Rhymes’ 9. For a Queer Community in Los Angeles, This Public Park Is a Lifeline 10. In Guatemala, a Collective of Young Artists Finds Family Through Film 11. On a Caribbean Island, Young People Find Freedom in ‘Bike Life’ 12. At This Texas Campus Ministry, ‘Inclusive Love’ Is the Mission 13. For Young Arab Americans in Michigan, the Hookah Lounge Feels like Home

We are having trouble retrieving the article content.

Please enable JavaScript in your browser settings.

Thank you for your patience while we verify access. If you are in Reader mode please exit and  log into  your Times account, or  subscribe  for all of The Times.

Thank you for your patience while we verify access.

Already a subscriber?  Log in .

Want all of The Times?  Subscribe .

Farmers have died waiting: Malacañang reviews DAR’s flip flop on conversion of irrigated farmland

Philippine Center for Investigative Journalism

Hinubog ng panata — a photo essay

Share this:.

• Click to share on Facebook (Opens in new window)
• Click to share on X (Opens in new window)

BY PAU VILLANUEVA

Indigenous peoples have long been considered guardians of global biodiversity, who have accumulated intimate knowledge of the ecosystems in which they live. Villanueva’s photo essay shows how development aggression not only threatens indigenous culture that is deeply rooted in land, but also the extinction of an entire heritage, in the context of the Aetas in Capas, Tarlac.

Nature and biodiversity are more than just sources of food, water, energy, and raw materials for the Aeta communities of Capas, Tarlac. Their cultural identity, well-being, and spiritual traditions are grounded on their regard for the living world. Among Philippine indigenous groups, the Aetas are known for their extensive knowledge of herbs and indigenous healing methods. 

Spirituality is a way for them to honor their worldview, which was adopted by their ancestors who had lived in the Luzon mountain ranges long before Spanish colonization. Aeta healers, locally called “mang-aanito,” are sought after. Considered custodians of ancestral knowledge and philosophies, these community elders are keen on preserving their indigenous ecologies. 

One of the local healers in Sitio Binyayan, Nida Cautibar, recalls how her calling began. “When I was sick with typhus, my Aeta neighbors took care of me and eventually taught me how to use herbal medicine,” says Nida. “Being entrusted with this knowledge, it has now become my responsibility to heal the sick without asking for compensation,” she adds. Aeta healers believe their mission is to share their healing experiences as a means of keeping society together rather than as a means of acquiring wealth. Healing, for them, is also a way to give back to the Aeta and the non-Aeta communities.

But the multi-billion New Clark City development project in Capas, Tarlac is threatening the indigenous ecology and continues its relentless path without free, prior and informed consent from the Aetas who live there. According to the website of the Bases Conversion and Development Authority (BCDA), the project’s implementing agency, New Clark City is designed to be “wrapped around magnificent views of the hills.” The change in landscape – from flora and fauna to roads and infrastructure – is rendering irreversible damage to the natural world that is the Aetas’ only source of information, passed on from one generation to another through oral tradition.

“We used to roam the forests freely but now, we are scared. We are restricted in our own lands,” says Rosette David, an Aeta healer who has been living in Sitio Bagingan for more than 28 years. “Nature is vanishing as roads are being paved.”

The world over, indigenous peoples have long been considered guardians of global biodiversity, as they have accumulated intimate knowledge of the ecosystems in which they live. Development aggression not only threatens indigenous culture that is deeply rooted in land, but also the extinction of an entire heritage.

A small native hut in Sitio Alli where an Aeta family lives is situated near one of the construction sites of New Clark City in Capas, Tarlac. The Aeta residents find it difficult to sleep whenever construction goes into the night.

An Aeta devotee of the Crusaders of the Divine Church of Christ in Sitio Kawayan kneels before the chapel’s altar to pray. Other religious orders and benevolent groups are recognized by Aeta communities in Capas, Tarlac. Even within these denominations, Aetas still practice spiritual beliefs instilled on them by their ancestors. 

Nida Cautidar, a local healer from Sitio Kalangitan, performs a diagnostic ritual by cracking a raw egg into a glass of water to be examined for any change in shape that might suggest the nature of one’s illness. Nida learned these healing practices from years of living in Capas, Tarlac, surrounded by Aeta communities.

An alternative diagnostic ritual performed by healers to identify maladies involves hovering a blank paper over a gas lamp. According to Nida Cautidar, the resulting burnt formations suggest that the sick person has unconsciously disturbed dwelling places of spirits.

Aeta resident Leah (name changed to protect her privacy) holds freshly picked hagonoy weeds while strolling along a flattened road in Sitio Alli, Capas, Tarlac. According to Leah, they used to roam freely in the area, which was covered with herbal plants and fruit-bearing trees. Security cameras have been installed to monitor intruders amid the construction of New Clark City.

Lily De Guzman, an Aeta healer from Sitio Gayangan, prays over medicinal plants to be used for her sick grandchild. As one of the senior Aeta healers from her community, Nanay Lily is revered for her spirituality and vast herbal knowledge.

Sambong leaves are pounded to extract juice, taken orally to cure stomach ache and diarrhea. The Aetas, who live in the mountains, have utmost respect for the living world. Their traditional medicine practices are deeply rooted in nature.

Lily De Guzman presses on hagonoy leaves mixed with salt onto her grandchild’s forehead after he shows flu symptoms. Lily and the Aeta community of Sitio Gayanon firmly believe that the hagonoy plant keeps them safe from the Covid-19 pandemic.

‘Anituhan’ is a kind of community healing ritual that is often performed by the healer along with family and relatives during a full moon. In Aeta culture, the ‘anito’ represent environmental spirits residing in the natural world. Aetas believe that their traditional dances and music make it possible for one to be in contact with caring spirits. ‘Pag-aanito’ is the purest and highest form of the ritual that they can perform to heal a person possessed by spirits. 

Oscar Capiz, an Aeta healer, chants as he performs the healing ritual of pag-aanito to his daughter Mary Grace (kneeling face down) and a grandchild. Oscar says he traveled for two hours to his daughter’s house in Sitio Flora after his personal spirit guide told him that his daughter was having a severe stomach ache. When medicinal plants don’t work, a healer is called to hold a ‘manganito,’ a séance, to ask the spirits for instructions to remove the cause of the illness.

Rosette David, an Aeta healer, walks back to her home with her children after gathering herbal plants. Medicinal herbal knowledge and spiritual culture are passed on to the next generation of Aetas through oral tradition.

An Aeta looks at a construction site that was once cultivated land in Sitio Alli, Capas, Tarlac. Aeta communities fear their natural cultural markers are being demolished with the construction of the New Clark City project.

This story is one of the twelve photo essays produced under the Capturing Human Rights fellowship program, a seminar and mentoring project

organized by the Philippine Center for Investigative Journalism and the Photojournalists’ Center of the Philippines. 

Check the other photo essays here.

Larry Monserate Piojo – “Terminal: The constant agony of commuting amid the pandemic”

Orange Omengan – “Filipinos face the mental toll of the Covid-19 pandemic”

Lauren Alimondo – “In loving memory”

Gerimara Manuel – “Pinagtatagpi-tagpi: Mother, daughter struggle between making a living and modular learning”

Pau Villanueva – “Hinubog ng panata: The vanishing spiritual traditions of Aetas of Capas, Tarlac”

Bernice Beltran – “Women’s ‘invisible work'”

Dada Grifon – “From the cause”

Bernadette Uy – “Enduring the current”

Mark Saludes – “Mission in peril”

EC Toledo – “From sea to shelf: The story before a can is sealed”

Ria Torrente – “HIV positive mother struggles through the Covid-19 pandemic”

Sharlene Festin – “Paradise lost”

PCIJ’s investigative reports

THE SHRINKING GODS OF PADRE FAURA | READ .

7 MILLION HECTARES OF PHILIPPINE LAND IS FORESTED – AND THAT’S BAD NEWS | READ   

FOLLOWING THE MONEY: PH MEDIA LESSONS FOR THE 2022 POLL | READ

DIGGING FOR PROFITS: WHO OWNS PH MINES? | READ

THE BULACAN TOWN WHERE CHICKENS ARE SLAUGHTERED AND THE RIVER IS DEAD | READ  

Unsupported browser

This site was designed for modern browsers and tested with Internet Explorer version 10 and later.

It may not look or work correctly on your browser.

• Photographing

The Comprehensive Guide to Shooting Photo Stories & Essays

Robert Capa, W. Eugene Smith, Henri Cartier Bresson, James Nachtwey. If you've heard of even one of these names, and even if you haven't, you've probably experienced photojournalism at it's finest. When you're dealing with a big issue and not just an event, a long form, multiple-image project is a great way to tell the story. In this tutorial, I'll take you through the steps to choosing and following through on a long-term documentary photo project, also known as photo story or essay.

Getting Started

The first thing logical step in starting a project is choosing your subject. The most important rule of long-term projects is to choose a subject that you are interested in. You cannot expect your audience to care about a topic that you yourself don't care about. So when you start your search, first choose a broad topic that you want to learn more about.

You also want it to be something that other people want/need to know about. Examples of this might be homelessness, a pandemic disease like HIV/AIDS or obesity, or something lighter like the Punk-Rock subculture or extreme athletes. The first three photos in this tutorial are from a project about a child with autism.

The Project Levels

The hardest thing for me when doing a project is maintaining focus. Therefore, I've developed a theory. For me there are four levels of projects. This is a system I use with myself and students to help narrow down topics and keep the subject of the project clearly defined.

Level One: A Broad Topic Project

Once you've decided on a topic, your first instinct might be to dive right in and cover the entirety of it. This usually ends in biting off more than you can chew. This isn't to say that a project covering something big like homelessness can't be achieved, but would take many years. And a large topic project like that is usually just made up of smaller parts and pieces. These smaller pieces are usually Level Two, Three and Four projects placed together.

Level Two: The Specific Topic Project

For one of my first projects, I was really interested in religion. So I wanted to do a project that touched on that. Religion is a huge topic that would take a two or three lifetimes to document in any good way. So I had to narrow it down a bit.

First I looked at what I had access to. I was in a relatively small town in the state of Kentucky in the U.S. So the main religion in the area was Christianity. The city had about 60,000 people living there, and at least 20 different Christian churches there. And they were all very different, so the topic of Christianity was still too broad.

So then I started to think about interesting topics within Christianity. Because I had access to the college organizations and there was a nearby Catholic elementary school, I decided to do a project on how young are indoctrinated and grow with their faith.

The photos you've been seeing here, are from that project. I wanted to “follow" children as the grew, but as I had a limited time, I photographed different children of all ages. I went to a couple different Christian schools, spend time with a youth group and followed the activities of national college organization called Campus Crusade for Christ.

I consider this project a photo essay. It covers a big topic using photos of many different people in many different places. The final presentation was around 20 photos.

Let me emphasize that this information won't be found in any textbooks. I've made up these terms. So if you talk to another photojournalist, don't say “I'm working on a Level Two project about Childhood Christianity," because they won't have a clue what you're talking about. Maybe one day, my theories about photojournalism will be that important and well-known, but not yet!

Level Three: A Location Project

The next level of project is another type that I believe should be avoided. It is the dreaded Location Project. These projects seem easy when you think about them. You just hang out in one place. If you choose an interested place, then things should meet interesting people and see interesting things.

Though I don't recommend it as a stand alone piece, this type of project can also be used to tell the story of a larger issue. So it could be worked into a Level One project or even as a small part of a level two project. If you're doing a piece of HIV/AIDS, doing a short piece on a unique clinic might work well.

The reason these projects rarely work is that they are extremely confining. While you may get some good photos that sum up what is happening at the location, you'll quickly run out of backgrounds. Also, mainly the same things occur over and over again at any given place, so photos can often times get a little redundant.

The photos you've been seeing in this section are from a Location Project I completed on an after school learning center. I learned my lesson. The few photos you see here are really about all that's needed to educate the viewer on what happens there. Not quiet enough variety to warrant a long-term, big project.

Level Four: A Personality Project

The final level is the Personality Project. This is a series of photos that attempts to tell the story of a specific person or very small group of people. I think this type of project is a great approach to many topics. It allows the audience to make an emotional connection with the individual. We like seeing inside other people's lives.

And like Level Two and Three projects, this type of project can be used to tell the story of a larger issue. For example, the photos you are seeing in this section are from a project I did on a single mother and daughter who has cerebral palsy. The goal of the project was to tell the story of raising a disabled child through the eyes of one family. The basic ideas extrapolate out to everyone in that situation.

I think of these projects as photo stories as opposed to photo essays. In these projects, you'll be spending a lot of time with the subjects. You'll follow them through their daily lives, and it can become a hard balancing act to not get too involved with your subject and at the same time allow them to trust you. But we'll dive deeper into that later.

The last thing about Personality Projects that's important to remember is that while you're trying to tell a larger story through the story of an individual, the planning stage is where that type of thinking needs to end. Once you've found a subject, concentrate on their unique story. And don't let your preconceived notions affect how you tell the story.

Levels Summary

So let's run through a quick example. Let's say for instance, that you are interested in Indian Religion. A Level One project would be just that. A project on the religions of India, in order to be successful, it could take many many years. And it could also be made up of many smaller projects.

A Level Two project on Indian Religions would be on a more focused topic like Jainism, a single faith within Indian, and possible narrowed even further to focus on Jains in the United States, like the photos you're seeing in this section. This type of project would involve photographing many different people in different locations to tell an overall and complete story.

A Level Three project centered on Jainism might be about a temple or meeting place. These types of projects should generally be avoided unless they are being used as a small part of a Level One project because of their limiting nature.

A Level Four project with this same theme would be about a single Jain person or family. The project would be centered around the personalities and personal stories of your subject.

Compassion vs. Bias

Now that you've determined what your broad approach will be to your project, you'll need to consider ethics. Photojournalism and documentary photography have rules of ethics. You don't pose photos (unless the image is obviously a portrait). You don't manipulate scenes or exploit your subjects. But there are also generalized ethical principles that apply to how you treat your subjects.

Caring For Your Subject

If you spend enough time with anyone, you will undoubtedly have some feelings toward them. You may discover you really like them or you may disagree with their lifestyle. Regardless of whether the feelings are good or bad, you're not there to judge. You're there to document.

You need to be concerned with how your work will affect their life. If you think the impact of work will harm them in some way, then you need to weigh that cost against the benefit of having the story be made public. Ask yourself who it will help? But mostly, be a human, be compassionate, let them know that you care whether they live or die.

Try to understand their situation. It will make your story much better. And if you make your intentions clear, your subjects will trust you and let you into their lives.

Remaining Neutral

Being compassionate does not mean slanting your story to make the subject appear to be something or someone they are not. It also means you should extremely careful about helping your subject by giving them anything.

By becoming a big part of their life, you are altering their story and becoming an acting force in what happens. The story is no longer just about them. I'm telling you to withhold food from a starving man, just remember consider the implications of intervening.

Image Variety

A large factor in making your photo essay or story interesting will be how much visual variety the images have. If all of your photos look the same, your piece will be boring. So use a wide array of lenses and angles. Make use of wide scene-setting shots to show the audience the environment.

Also don't forget about close-up detail photos that might add to the story. Another hint is compare the size of the subject's face in your images. If the faces are all the same size, you might want to consider using different lens, shooting at a different distance or cropping to have more variety.

The Flow of Images

The images in an essay or a story usually appear in an order. You'll want to determine what image appears first and which appears lasts. Sometimes the images might flow chronologically. But you can also make your images flow using juxtaposition so the images play off of each other.

Sometimes simply finding images with similar shapes can be enough to keep the story moving along. This process can be tricky, but making out small low-quality prints can help you to physically move things around and visualize the final look.

Captioning a photo is pretty standard. You want to answer the questions, who, what, where, when and why. Ideally they are one or two sentences. For your project, you'll want to make sure you aren't being redundant. If three photos in a row are from the same location, you don't need to answer the “where" question every time.

It's best to write the captions for your project in one document and read it separately from the photos. They should read like a story as well. Be careful to just restate what's going on in the photo. If someone is using a drill, don't say “Joe Smith uses a drill." Go deeper. You might say, “Joe Smith drills into an old piece of oak," or “Joe Smith's wife saved two dollars a week for year to purchase a drill for her husband." Make your captions apply to the story.

Presentation

There are many ways that photo stories and essay can be presented to the public. The internet offers many different formats of photo galleries and slideshow. So if you're publishing the project or your own site, browse the internet for free plug-ins and code.

If you'll be printing your project, I'm a big advocate of using online printing services due to their cost effectiveness. Basically, you'll want to be able to show your work to someone who is in a position to publish it, so make sure it's tidy and, if it's online, that it works on a variety or web browser and operating systems.

Getting Published

If your story is well photographed and covers and interesting topic, there are a variety of places that you can pitch your piece. Your local newspaper is a great place to start. If you live in the U.S. in a medium to large-sized city, don't forget about the AAN (Association of Alternative Newsweeklies). Most big cities in the U.S. have a weekly paper that is part of this network.

If you're looking for non-traditional media, there are two great websites that publish photo essays. The first is JPG: Magazine , which takes the best content that's submitted to its site and publishes a print magazine.

The second is Vewd , which has an interesting profit sharing model for its contributors.

Now that you've read this tutorial, you should be able to impress even the most shrewd editor - well, as long as your pictures are good enough. But that's what the rest of this site is for! So keep reading, and get started on that project.

W. Eugene Smith: Master of the Photo Essay

100 years since the birth of W. Eugene Smith, we take a look at the work of a remarkable talent who described his approach to photography as working “like a playwright”

W. Eugene Smith

W. Eugene Smith’s membership with Magnum may have been brief, spanning the years 1955-58, but his work left left a deep impression on many of Magnum’s photographers, as it has upon the practice of photojournalism generally. Smith is regarded by many as a genius of twentieth-century photojournalism, who perfected the art of the photo essay. The following extract from Magnum Stories ( Phaidon ), serves as a pit-stop tour through his most enduring and affecting works.

With “Spanish Village” (1951), “Nurse Midwife” (1951), and his essay on Albert Schweitzer (1954), “Country Doctor” is first of a series of postwar photo essays, produced by Smith as an employee of Life magazine, that are widely regarded as archetypes of the genre. The idea to examine the life of a typical country doctor, at the time of a national shortage of GPs, was the magazine’s, not Smith’s. Though it was preconceived and pre-scripted, with a suitable doctor cast for the role before Smith got involved, he was immediately attracted to the idea of its heroic central character. He left to shoot the story the day he first heard about it – and before it was formally assigned, lest his editors decide to allocate the job to a different photographer.

Country Doctor

He described elements of his approach in an interview for Editor and Publisher later the same year:

“I made very few pictures at first. I mainly tried to learn what made the doctor tick, what his personality was, how he worked and what the surroundings were… On any long story, you have to be compatible with your subject, as I was with him.

I bear in mind that I have to have an opener and closer. Then I make a mental picture of how to fill in between these two. Sometimes, at the end of the day, I’ll lie in bed and do a sketch of the pictures I already have. Then I’ll decide what pictures I need. In this way, I can see how the job is shaping up in the layout form.

When a good picture comes along, I shoot it. Later I may find a better variation of the same shot, so I shoot all over again.”

"When a good picture comes along, I shoot it. Later I may find a better variation of the same shot, so I shoot all over again."

- w. eugene smith.

Central to his method was his seeking to fade “into the wallpaper”. De Ceriani, the subject of the story and the one constant witness to his working approach, recalled in an interview with Jim Hughes, Smith’s biographer, that after a week Smith “became this community figure. He may not have known everybody, but everybody knew who he was. And you fell into this pattern: he was going to be around, and you just didn’t let it bother you. He would always be present. He would always be in the shadows. I would make the introduction and then go about my business as if he were just a doorknob.”

Smith set about what might have been a straightforward assignment with a demanding intensity. “I never made a move where Gene wasn’t sitting there,” Ceriani explained; “I’d go to the john and he’d be waiting outside the door, so it would seem. He insisted that I call when anything happened, regardless of whether it was day or night… I would look around and Gene would be lying on the floor; shooting up, or draped over a chair. You never knew where he was going to be. And you never knew quite how or when he got there. He would produce a ladder in the most unusual places.”

For a four-week shoot, Smith selected 200 photographs for consideration by Life , and while he clearly had some influence over the layout, he did not control it. It did not live up to his expectations; in the interview with Editor and Publisher, Smith stated that he was “depressed” thinking about just how far short it fell. It’s not clear how different it might have been had he done the layout himself. We know that the prints he made were rejected by Life ’s art director, on the grounds that they were too dark and would not reproduce well on the magazine’s pages. Smith’s vision was darker in other regards too. Photographs not featured in Life’ s layout, but reproduced or exhibited later, include a powerful series of 82-year-old Joe Jesmer being treated following a heart attack – an old man whose face terrifyingly reveals the apparent consciousness of his imminent death. Smith also chose, for his own exhibitions, troubling photographs of Thomas Mitchell prior to his leg amputation, as well as other images more baroque than those selected by Life . But the two brilliant images between which the layout hangs – his opener of the stoical doctor on his way to the surgery under a brooding sky and his closer, showing Ceriani slumped in weary reflection with coffee and cigarette – clearly reflect Smith’s won intentions for how the story should appear.

It is in the sophistication of its narrative structure that Smith’s innovation lies. In recorded conversations between Smith and photographer Bob Combs in the late 1960s, he elaborated on the ingredients of his approach (referring here to another story, “Nurse Midwife”):

“In the building of a story, I being with my own prejudices, mark them as prejudices, and start finding new thinking, the contradictions to my prejudices, What I am saying is that you cannot be objective until you try to be fair. You try to be honest and you try to be fair and maybe truth will come out.

Each night, I would mark the pictures that I took, or record my thoughts, on thousands of white cards I had. I would start roughing in a layout of what pictures I had, and note how they build and what was missing in relationships.

"In the building of a story, I being with my own prejudices, mark them as prejudices, and start finding new thinking, the contradictions to my prejudices, What I am saying is that you cannot be objective until you try to be fair."

I would list the picture to take, and other things to do. It began with a beginning, but it was a much tighter and more difficult problem at the end. I’d say, ‘Well, she has this relationship to that person. I haven’t shown it. How can I take a photograph that will show that? What is this situation to other situations?’

Here it becomes really like a playwright who must know what went on before the curtain went up, and have some idea of what will happen when the curtain goes down. And along the way, as he blocks in his characters, he must find and examine those missing relationships that five the validity of interpretation to the play.

I have personally always fought very hard against ever packaging a story so that all things seem to come to an end at the end of a story. I always want to leave it so that there is a tomorrow. I suggest what might happen tomorrow – at least to say all things are not resolved, that this is life, and it is continuing.”

Smith refers to working “like a playwright”. Elsewhere he compared his work to composing music, but perhaps it is the literary reference that is most relevant to “Country Doctor”. His doctor is the emblematic hero of a drama that unfolds through several episodes – literally, acts. His opening and closing tableaux have all the content of soliloquies: single moments loaded with psychological detail and environmental description that frame the play. Unlike the experience of a play in the theatre where we watch it once, from beginning to end – we read the magazine essay back and first, at the very least reviewing the images again once we have read through it. The details of the doctor’s actions lend weight to the opening and closing portraits, and vice versa, so that the depth of its characterization reveals itself across the images as a group. It would not work if it were not wholly believable as a record of a real man, and real events. As such, its strength and its place in the history of the genre lies in the manner in which it combines a record of reality within an effective dramatic structure; in short, as a human drama.

Smith’s essay-making technique was not something he developed independently of the media that published his pictures. It began with essays produced in the early 1940s for Parade , where photographers were encouraged to experiment with story structure (without the tight scripting Smith later encountered at Life magazine) and where stories often focused on an attractive central character achieving worthwhile goals against formidable odds. Although Smith is on record as being in constant struggle with Life over its scripts – as well as its layouts, the selection of photographs, and the darkness of his prints – it seems appropriate to view his achievement as the product of a dialogue with the needs and practices of the magazine. The battles were over the details of particular decisions rather than over the mission or purpose. In fact, Smith wholly identified with the Life formula, taking and refining it to a new level of sophistication.

After Smith left life in 1954 – after several prior resignations, his final departure was over the editorial slant given to his essay on Albert Schweitzer – he embarked on his ambitious Pittsburgh essay. Working for the first time outside the framework of a magazine, with only a small advance from a book publisher, and encouraged by Magnum’s reassurance that he would find a worthwhile return from serial sales of independently executed essays, he believed that he was positioned to produce his best work yet. He wrote to his brother that he Pittsburgh essay would “influence journalism from now on”, and described in an application for a Guggenheim Fellowship that he “would recreate as does the playwright, as does the good historian – I would evoke in the beholder an experience that is Pittsburgh.”

It did not really work. Becoming a landmark in the ambition of the photo essay, and including some of his strongest photographs, the Pittsburgh essay nevertheless failed to be the symphony in photographs for which Smith strove, After four years of work, it was finally published in the small-format Popular Photography Annual of 1959 , run as a sequence of “spread tapestries” – as he described his intended layout to the editor of Life . He titled the essay Labyrinthian Walk, indicating the story was less about the city than a portrait of himself locked in a life-or-death struggle with a mythical demon. Although he himself was responsible for the layout, he judged it a failure. The dream – or necessity – of Magnum failed also. He did only two minor assignments in the time he was a member, and he left completely broke, his family in poverty, with Magnum itself smarting from the investment it too had ploughed into the Pittsburgh project.

After the “Country Doctor” story was published, Smith declared that he was “still searching for the truth, for the answer to how to do a picture story”. Later, in 1951, he stated in a letter to Life editor Ed Thompson, “Journalism, idealism and photography are three elements that must be integrated into a whole before my work can be of complete satisfaction to me.” In 1974, 20 years after embarking on the Pittsburgh essay, Smith was vindicated with the triumphant artistic and journalistic success of “Minamata”, his story about the deformed victims of the pollution by the Chisso chemical plant in Japan. The story became a new paradigm for the possibilities of photojournalism, in part because of its unambiguous moral purpose.

Theory & Practice

Henri Cartier-Bresson: Principles of a Practice

Henri cartier-bresson, explore more.

Arts & Culture

Bitcoin Nation

Thomas dworzak.

Magnum On Set: Charlie Chaplin’s Limelight

The Battle of Saipan

W. Eugene Smith’s Warning to the World

In Pictures: 75 Years Since the Start of the Pacific War

Magnum photographers.

The Pacific War: 1942-1945

Past Square Print Sale

Conditions of the Heart: on Empathy and Connection in Photography

Home — Essay Samples — Life — Myself — Personal Beliefs

Essays About Personal Beliefs

Personal beliefs essay topcis.

Personal beliefs are the convictions and values that individuals hold as true and significant in their lives. These beliefs can be shaped by various factors, including cultural background, religious upbringing, personal experiences, and education. The theme of personal beliefs is vast and multifaceted, often touching upon morality, ethics, spirituality, and personal identity. Exploring personal beliefs in an essay allows for deep introspection and examination of how these beliefs influence behavior, decision-making, and interactions with others.

Choosing a Topic for a Personal Beliefs Essay

When selecting a topic for a personal beliefs essay, consider the following steps:

• Reflect on Your Own Beliefs: Start by reflecting on your own personal beliefs and values. What are the core convictions that shape your life? This reflection can provide a strong foundation for your essay.
• Consider Broader Themes: Think about broader themes related to personal beliefs, such as morality, spirituality, social justice, or cultural traditions. How do these themes intersect with your own beliefs?
• Choose the Type of Essay: Decide on the type of essay you wish to write. This could be analytical, narrative, descriptive, argumentative, or compare and contrast.
• Research and Relevance: Ensure that there is enough research material available on the chosen topic if you are writing an analytical or argumentative essay. The topic should also be relevant and engaging to your audience.
• Personal Connection: Select a topic that you have a personal connection with or a strong interest in.

Categories and Types of Media Analysis Essay Topics

• Analytical: Analyze the portrayal of gender roles in "The Handmaid's Tale" by Margaret Atwood.
• Narrative: Write a narrative about how a particular novel changed your perspective on a social issue.
• Comparative: Compare the representation of dystopian societies in "1984" by George Orwell and "Brave New World" by Aldous Huxley.
• Descriptive: Describe the impact of literary censorship on society.
• Argumentative: Argue the significance of diverse voices in contemporary literature.

Social Issues

• Analytical: Analyze the media's role in shaping public opinion on climate change.
• Narrative: Share a personal story about how media coverage of a social issue influenced your beliefs.
• Comparative: Compare the portrayal of social justice movements in different news outlets.
• Descriptive: Describe the impact of social media on political activism.
• Argumentative: Argue whether the media has a responsibility to promote social justice.
• Analytical: Analyze the influence of political advertisements on voter behavior.
• Narrative: Narrate an experience of how political media influenced your political views.
• Comparative: Compare the media coverage of two different political events.
• Descriptive: Describe the role of media in a democratic society.
• Argumentative: Argue the effects of media bias on elections.

Entertainment

• Analytical: Analyze the representation of mental health in contemporary television series.
• Narrative: Write a narrative about how a movie or TV show impacted your personal beliefs.
• Comparative: Compare the portrayal of heroism in Marvel and DC movies.
• Descriptive: Describe the evolution of diversity in Hollywood films.
• Argumentative: Argue the importance of representation in media.
• Analytical: Analyze the impact of social media algorithms on information consumption.
• Narrative: Narrate a personal story about how technology has influenced your beliefs.
• Comparative: Compare the media portrayal of technological advancements in different decades.
• Descriptive: Describe the role of media in the digital age.
• Argumentative: Argue the ethical implications of media technology on privacy.
• Analytical: Analyze the portrayal of health crises in the media.
• Narrative: Write a narrative about how media coverage of a health issue impacted your beliefs or actions.
• Comparative: Compare the media coverage of the COVID-19 pandemic with past health crises.
• Descriptive: Describe the role of media in promoting public health awareness.
• Argumentative: Argue the responsibility of the media in addressing misinformation about health.
• Analytical: Analyze the impact of media on consumer behavior.
• Narrative: Narrate a story about how media influenced your views on a particular brand or product.
• Comparative: Compare the portrayal of corporate responsibility in different media outlets.
• Descriptive: Describe the role of media in shaping business ethics.
• Argumentative: Argue the effects of advertising on consumer culture.

Choosing a topic for a personal beliefs essay involves deep reflection on your own values and convictions, and considering broader themes that intersect with these beliefs. By selecting a type of essay and ensuring there is ample research material available, you can create a compelling and insightful essay. Exploring media analysis topics allows you to critically examine how media influences various aspects of society, from literature and social issues to politics and business. By carefully selecting and researching your topic, you can provide a thorough analysis that highlights the profound impact of media on personal beliefs and societal norms.

Personal Belief Thesis Statement Examples

Here are a few examples of personal belief statements:

• I believe in the power of kindness and strive to make a positive impact on those around me through compassionate actions and words.
• I believe in continuous learning and personal growth, seeking out new experiences and knowledge to better myself and the world.
• I believe in the importance of family and friends, cherishing the relationships that provide support, love, and happiness in my life.
• I believe in equality and justice, advocating for fair treatment and opportunities for all individuals, regardless of their background or circumstances.
• I believe in the resilience of the human spirit, knowing that challenges and setbacks are opportunities for growth and strength.
• I believe in the necessity of environmental stewardship, committing to sustainable practices to protect our planet for future generations.
• I believe in the transformative power of creativity, using artistic expression to inspire, heal, and connect with others.

1000-word on The Importance of Following Instructions

The sociological study of religion, made-to-order essay as fast as you need it.

Each essay is customized to cater to your unique preferences

+ experts online

The Things I Value The Most

Nobody is born to be perfect, right choices: the bridge to success , the three most important mottos that i live my life by, let us write you an essay from scratch.

• 450+ experts on 30 subjects ready to help
• Custom essay delivered in as few as 3 hours

Hard Decisions as a Part of Our Lives

The power of personal strengths, the role of compassion in my life, complacency - the cancer of our society, get a personalized essay in under 3 hours.

Expert-written essays crafted with your exact needs in mind

Integrity and What It Means to Me

The impact of beliefs on decision-making regarding the reception of medical help, change is crucial to improve ourselves, what is excellence to me, love and what it means to me, analysis of my political ideology, how let our dreams come true, the fear of being judged in my life, money can't buy happiness and satisfaction, defining my identity and its components, the things i am grateful for in my life, my personal view on religion, the perspectives of my personal philosophy, the reasons why i am against death penalty, effects of defining god as the unknown, discussion of the question 'who am i', importance of college for me, my personal definition of integrity and morals, my favorite athlete: wrestler steve austin, the reasons why i'm proud to be canadian.

Personal beliefs are the principles or convictions that individuals hold to be true, guiding their behaviors, decisions, and perceptions of the world. These beliefs are often influenced by cultural, religious, familial, and personal experiences.

• Personal beliefs can significantly shape a person's identity and influence their life choices.
• Beliefs can change over time due to new experiences, education, and introspection.
• Cognitive dissonance occurs when an individual holds conflicting beliefs, leading to mental discomfort and a drive to reconcile the differences.
• Beliefs are not just confined to religious or spiritual domains but can encompass a wide range of topics including politics, health, and morality.
• The strength of a belief can affect how a person interprets new information and interacts with others who hold different beliefs.

Understanding personal beliefs is crucial as they influence behavior, shape identity, and affect interactions with others. Exploring this topic can lead to greater self-awareness and empathy towards different perspectives, fostering a more inclusive and understanding society. This understanding can also be a compelling subject for Personal_Beliefs ssay topics.

Relevant topics

• Self Assessment
• Self Reflection
• Personal Goals
• Personal Strengths
• About Myself
• Personal Experience

By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy . We’ll occasionally send you promo and account related email

No need to pay just yet!

Bibliography

We use cookies to personalyze your web-site experience. By continuing we’ll assume you board with our cookie policy .

• Instructions Followed To The Letter
• Deadlines Met At Every Stage
• Unique And Plagiarism Free

• Editor's Pick

In Photos: Dean Khurana’s 10-Year Tenure

In the email announcing his departure in June 2025 after more than a decade Harvard’s top administration, Rakesh Khurana wrote that serving as dean of the College “has been one of the greatest honors and joys of my life.”

While Khurana’s tenure was marked by backlash surrounding his efforts to combat final clubs and discipline pro-Palestine student protesters, the dean is also known by undergraduates for his frequent presence in dining halls and Harvard Yard, where he often stops students to take a selfie for his widely popular Instagram page.

Khurana, who is the longest-serving dean of Harvard College in more than a century, wrote in his email that what he will miss most “are the daily interactions I have been so privileged to have with our wonderful undergraduates.” In this photo essay, The Crimson looks back on some of the highlights of Khurana’s tenure.

Newly appointed College Dean Rakesh Khurana sits down at lunchtime to chat with freshmen in Annenberg Hall in October 2014. In a Crimson interview that year, Khurana said he spent three-fourths of his time talking to students.

Khurana speaks on behalf of protesters holding a silent demonstration during the Dec. 2014 Primal Scream , a biannual naked run around Harvard Yard. The protesters were attempting to hold a four-and-a-half minute period of silence before the run for Michael Brown of Ferguson, Mo. and Eric Garner of New York, two unarmed Black men who were killed by white police officers earlier that year. Khurana and other administrators were present, and Khurana attempted to quiet the students with a megaphone — at one point on the shoulders of a half-naked man.

Khurana joins students throwing paint powder as part of a 2015 Holi celebration. Holi is an Indian celebration of spring where participants douse each other with vibrant colors. Dharma, Harvard’s Hindu Student Association, hosts an annual Holi celebration.

As part of the 2015 Arts First festival in May, faculty members joined members of the Hasty Pudding Theatricals in a parody performance of Tchaikovsky’s “Swan Lake.” Above, Khurana, playing the Prince, prepares to kill the Sorcerer, played by professor Steven A. Pinker.

Anthony J. W. Kenny '20 and Sebastian A. Schwartz '20 carry Khurana on their shoulders through the stands of the Yale Bowl during the 2017 playing of The Game .

Khurana shares a laugh with President Joe Biden during Biden's speech at the 2017 Class Day Exercises.

“Me and the Dean in one place—it’s time to break the internet,” Biden cracked, alluding to his and Khurana’s online fame before pausing to snap a selfie with the dean.

Khurana is held up by two Cabot House students during early-morning Housing Day festivities in March 2018. Khurana and his wife Stephanie R. Khurana served as Cabot House faculty deans from 2010 to 2020.

Khurana wears a mask during a January 2022 interview with The Crimson. Faculty of Arts and Sciences Dean Hopi E. Hoekstra praised Khurana for his leadership throughout the Covid-19 pandemic following his announcement that he was stepping down .

During the 2022 Commencement Exercises, Khurana holds up a photo he took of students to ask permission to post it on his Instagram page. Khurana is known by undergraduates for frequently posting selfies with students on Instagram, which is known among the student body as the “Khuranagram.”

In November 2023, students from Harvard Hillel and Harvard Chabad assembled a roughly 200-foot Shabbat table running the length of Tercentenary Theatre as a tribute to the civilians, soldiers, and foreigners held captive by Hamas. Khurana joined gatherings at the table in the morning and afternoon, conversing with visitors and supporters, and helping students disassemble the table at sundown.

Throughout the 20-day pro-Palestine encampment in Harvard Yard during the spring semester, Khurana was a frequent visitor, leaving his office in University Hall to observe students at a distance. Above, Khurana watches protesters on the third day of the encampment as they chanted “Dean Khurana you can’t hide, you are funding genocide.”

Khurana listens to speakers at the 2024 Class Day in May. Several student speakers made references to the 13 seniors barred from graduating due to their participation in the pro-Palestine encampment. Khurana was deemed responsible by some students and faculty members for the decision, which was reversed in July when the College’s Administrative Board downgraded the suspensions and probation charges of several students, paving the way for them to be granted degrees by the Harvard Corporation, the University’s highest governing body

In his own Class Day speech, Khurana largely avoided referencing the sanctions, but described the present as “a pivotal moment in history” of determining “whether an institution devoted to the pursuit of truth, veritas, can remain free from internal or external coercion.”

“We have to find common ground, and we have to remain open to changing our minds,” he said.

Correction: August 30, 2024

A previous version of this article incorrectly stated that the Harvard Corporation reversed the decision to prevent 13 seniors from graduating as part of the Class of 2024 in May. In fact, the decision was reversed when the Harvard College Administrative Board downgraded the disciplinary charges against students.