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James (Review, Recap & Full Summary)

By percival everett.

Book review, full book summary and synopsis for James by Percival Everett, a retelling of Mark Twain's The Adventures of Huckleberry Finn from the perspective of Jim.

In Percival Everett's James , Jim becomes a runaway slave after he hears that he's going to be sold by his owner, Miss Watson, and separated from his family. He escapes to a nearby island, but he's very quickly joined by a local boy, Huckleberry "Huck" Finn, who has faked his death in hopes of getting away from his abusive father.

The chain of events sets Jim and Huck off on an adventure down the Mississippi River, resulting in a variety of colorful, dangerous and at time tragic encounters as they make their way down the river.

Meanwhile, Jim has his own goals of finding a way to free his wife and daughter. He also has to keep himself and Huck alive in the process, as well as to preserve his dignity and reclaim his identity.

(The Full Plot Summary is also available, below)

Full Plot Summary

Three-paragraph version: In Part I, Jim becomes a runaway slave after learning he's going to be sold and split up from his family, and he's joined by a boy, Huck, who has faked his death to get away from his abusive father. They travel down the Mississippi together encountering people like robbers and con-artists. Jim meets a group of indentured slaves and asks for a pencil, only to learn the man, Young George, who gives him the pencil stole it from his master, and he was later whipped and lynched because of it. Jim and Huck are split up when is nearly sold by the con-artists, handed over to work as a blacksmith, and then purchased by the leader of a minstrel group.

In Part II, through the minstrel group, Jim meets Norman, a white-passing former slave. The concoct a plan for Norman to sell Jim repeatedly and hopefully make money to buy their wives and Jim's daughter back. They try it once, but another slave that Jim brings to run away with him gets shot in the process. The eventually end up on a steamboat full of passengers that are fleeing the South because war with the North has broken out now that the southern states are seceding. Huck is on the boat, too. The boat capsizes and Jim has to choose whether to save Norman or Huck.

In Part III, Jim chooses to save Huck, and when Huck asks why afterwards, Jim tells Huck that he's his biological son. Jim and Huck's mother grew up together. Jim and Huck make their way back home, where Jim learns that his family has been sold. Jim stays a night at his old house and sees the overseer Hopkins rape a young slave, Katie. Jim then hides out on Jackson Island. As he waits, he kills Hopkins when Hopkins wanders drunk and alone onto the island and takes his pistol. When Huck is unable to find out where Jim's family is, Jim forces Judge Thatcher at gunpoint to tell him, and Thatcher says they're in Edina. Jim then forces Thatcher to row him part of the way to Edina, and walks the rest of the way to what turns out to be plantation of a slave breeder. Jim releases all the slaves, lights the cornfields on fire to cause a distraction, shoots the overseer and all the slaves flee. Jim and his family make it to a town in Iowa. The book ends with the local sheriff asking if any of them are the runaway slave "Jim", but Jim says that his name is "James".

In Hannibal, Missouri, Jim is a slave who belongs to Miss Watson , along with his daughter Sadie and wife Lizzie . Jim dumbs himself down and adjusts his speech patterns accordingly to keep the white people around him comfortable and teaches his daughter and the other black children to do the same. Huckleberry "Huck" Finn and Tom Sawyer are local boys who like to involve him in their games. Tom tend to be an instigator, whereas Huck considers Jim to be a friend and confidante.

When Jim hears that Miss Watson plans on separating him from his family and selling him to someone in New Orleans, Jim escapes to Jackson Island, nearby, to hide out. He hopes to come back for his family later. Then, when Huck's abusive father comes back into town, Huck fakes his death and escapes there, too. Jim knows he has to keep Huck alive or they'll assume he left because he killed Huck.

When it floods, Jim and Huck scavenge from a house floating by, though Jim tells Huck to leave when he sees a dead body. Jim doesn't tell Huck that the dead man was Huck's father. Jim then gets bit by a rattlesnake and has to slowly recover. He is worried about his family, so he sends Huck back to town dressed like a girl (to disguise his identity) to go check on them. When Huck returns, he thinks people are following him so he makes a fire on the other side of the island to draw them there. He also reports that there's a $300 bounty for Jim. Jim and Huck leave the island since people will come searching soon.

They continue down the river and come across some robbers on a wrecked steamboat. They end up stealing robbers' skiff, along with the loot inside, and continuing down in that until they're reunited with their canoe. In the robbers' loot, Jim finds some books, which he takes with him. One night, their boat is stolen, and they try riding on just the raft, but it gets destroyed from being jostled by the waves of larger boats. Jim swims to shore, but is separated from Huck.

Jim meets four black men who tell him they're in Illinois. They are "indentured servants" (essentially still slaves) at the plantations nearby. He asks them for a pencil, and one of them, Young George , steals one from his master to give to Jim. When Jim is ready to leave the area, he sees Young George being whipped for stealing the pencil. Sadly unable to stop it, Jim leaves and happens to be reunited again with Huck -- who has been having his own adventures involving an elopement between warring families nearby that ends with a gunfight. Huck has also found and repaired their raft in the meantime.

They keep traveling and manage to find a canoe. Huck wants to go exploring a creek for fun, but when he returns, there's two white men with him who are con-men that are fleeing town. They claim to be the Duke of Bridgewater and King Louis the Seventeenth . They soon get the idea to sell Jim for money. Huck and Jim manage to lose them in a small town when a mob of people realize they are liars and con-men, but the Duke and the King catch up to Huck and Jim later down the river.

They all go into town in order for the Duke and the King to sell Jim, and they take Jim to the blacksmiths to put a shackle on him while they sleep. However, the black blacksmith, Easter , takes off Jim's shackle when they leave, saying he'll put it back on in the morning so he can sleep without it. When the Duke and the King arrive the next morning and find Jim without his shackle, Duke whips Easter, causing Easter's owner, Mr. Wiley , to come down and get angry with them. Wiley demands Jim's services while Easter recovers, and the Duke and the King leave with just Huck.

Easter then teaches Jim about blacksmithing. He tells Jim that Wiley treats him well, but would still shoot Jim if he tried to run. Later, Wiley comes and demands they sing while they work. The singing attracts the attention of Daniel Decatur Emmett who leads a performing group of (white) minstrels, and he offers Wiley $200 to purchase Jim to sing for them, since they're recently lost their tenor. One of the minstrels is Norman , who privately reveals to Jim that he's a white-passing former slave.

Emmett tells Jim that he doesn't believe in slavery, and he treats Jim with some dignity. However, he also says that Jim would need to pay him back the $200 if he wanted to leave. He offers Jim $1 per performance. When Jim asks if that's what tenors are paid, Emmett responds that it's a good wage for a black tenor. At the minstrel show, the men dress up in blackface, while Jim is made up to look like a white man in blackface. However, one man from the audience suspects Jim actually is black. The man comes back that night with the same suspicions. Emmett chases him off, but then orders the minstrel group to pack their things and leave before the man can return again.

At the next place, Emmett tells Jim to stay back since it's a "rowdy" area where there are likely to kill Jim if they suspect the truth. When the others are performing, Jim flees.

In the woods, Norman finds Jim, saying that he couldn't stay with the minstrels any longer. Norman has been working in hopes of saving up money to buy his wife, who is still a slave. Jim and Norman hatch a plan for Norman to pose as a white man and sell Jim. Then, Jim can escape, and they can keep doing it until they have enough to buy back Jim's family and Norman's wife.

They go to a town called Blackbird Hole, and Norman sells Jim to the sawmill owner, Henderson , for $350. Henderson turns out to be a bully who whips Jim for no reason on the first day and rapes his female slave, Sammy. That night, Jim and Sammy make a run for it. They find Norman and the three flee. Henderson eventually catches up to them and shoots Sammy.

Jim and Norman make it away alive, steal a skiff and manage to board a riverboat. They hide out in the engine room, but the slave working the engine room, Brock, is crazy. The situation on the boat is also hectic because it's packed with people fleeing the south since there's a war going on. The southern states are leaving the Union. The minstrals are on the boat, as is Huck. Brock overheats the engine and soon the boats occupants are fleeing the boat. Jim ends up in the water with Norman and Huck struggling nearby, and he has to choose one to go to.

Jim chooses to save Huck. Norman sadly dies. When Huck asks why he saved him afterwards, Jim tells Huck that Huck is his biological son. Jim and Huck's mother grew up together. Huck asks what that makes him, and Jim says that he can be whatever he wants to be. But he doesn't think that running away with Jim is a good option because he's safe with Miss Watson. Jim also admits that the dead man in the house they found was Huck's "pap".

Jim and Huck make their way back home to Hannibal, Missouri, with Jim planning to take his family escape. However, Jim learns that his family has been sold. Jim stays a night at his old house and sees the overseer Hopkins rape a young slave, Katie . Jim then goes to hides out on Jackson Island while telling Huck to find out where his family was sent to. As he waits, Hopkins wanders drunk and alone onto the island. Thinking about Katie and the other slaves he raped as well as a young slave boy that Hopkins lynched for looking at a white woman, Jim chokes Hopkins to death and takes his pistol.

Soon, Huck reports back that Jim's family was sent to the Graham farm , but he doesn't know where it is. Jim then breaks into Judge Thatcher's house to look for details, but doesn't find any. Instead, he's interrupted by Thatcher himself. Jim pulls a gun on him and demands to know where his family is and tells him to draw it on a map. Thatcher says they're in Edina. Jim then forces Thatcher to row him part of the way there. He then ties Thatcher to a tree and continues on foot.

Jim eventually reaches Edina, where he's told that the Graham farm is a slave breeding plantation. At night, Jim releases the slaves, finds his family, sets the cornfields there on fire to create a distraction, shoots the overseer and they all flee north. Some are caught and some are killed, but Jim and his family make it to a town in Iowa. The book ends with the local sheriff asking if any of them are the runaway slave "Jim", but Jim says that his name is "James".

For more detail, see the full Chapter-by-Chapter Summary .

If this summary was useful to you, please consider supporting this site by leaving a tip ( $2 , $3 , or $5 ) or joining the Patreon !

Book Review

James is Percival Everett’s retelling of Mark Twain’s The Adventures of Huckleberry Finn , told from the perspective of Jim, the runaway slave that travels with Huck down the Mississippi in the novel.

Released last month (March 19) to resoundingly positive reviews, Everett’s newest offering re-centers the novel on Jim’s experience. In doing so, it highlights Jim’s resourcefulness and intelligence and his concerns about his freedom, safety and dignity, as well as underscoring Huck’s privilege and youthful curiosity. While the events towards the beginning more closely mirror those in the original, in the parts where it branches off or fills in missing pieces, James decisively separates itself from the work it’s based upon.

James captures much of the same sense of adventure as Huck Finn , but the shift in perspective is incisive, powerful, cutting and elucidating. The encounters Jim has are carefully selected — like the indentured slave Young George, a white-passing former slave Norman, or the minstrel singer Emmett who is against slavery but buys Jim and doesn’t consider him to be free. It’s a narrative brimming with satire, commentary, adventure, and exploration.

In an interview , Everett talks about his novel saying that “I hope that no one thinks that my novel is about slavery. There’s a difference between writing a story about people who happen to be slaves and writing a story about slavery.”

It’s a helpful quote to understand the content of this novel. Jim is born a slave, and it’s reflected in his condition and affects every aspect of how he has to act or adjust his behavior, but the types of things he contends with and the observations he makes extend beyond this being a story about slavery. And Jim is much more than a slave.

Jim’s journey is a varied and emotional one. There is tragedy, beauty and excitement in his trip down the Mississippi. By the time I finished it, describing it as a “retelling” of another book seemed to completely miss the point of this singular and poignantly written novel.

Read it or Skip it?

James is a book that packs a punch. Everett retains a lot of the sense of the adventure from Jim and Huck’s tale of traveling down the Mississippi while incorporating a lot of cutting commentary and very bold plot choices. This is a decidedly heavier novel, despite its quick pace and short length, but there’s an effortlessness to Everett’s writing that makes it a frictionless read.

It’s undoubtably a literary fiction title for when you’re in the mood for something serious and somewhat academic, but not unaccessible. I imagine this book will find itself in many classrooms to be read alongside or replacing the book it retells.

If you do find yourself in the mood for it, it’s a sharply written, powerful, emotional, fine read. I love when I read a book that I can recommend without reservations, and this is one of them.

See James on Amazon.

James Audiobook Review

Narrator : 7 hours 48 minutes Length : Dominic Hoffman

Dominic Hoffman is a fantastic narrator for this book.

Hear a sample of the James audiobook on Libro.fm.

Discussion Questions

• Why does Jim need to dumb himself down in front of the white people around him? In what ways does that keep him safe?
• How would you describe Jim and Huck’s relationship? How does race affect the way that Jim and Huck interact? How does their relationship change as the book progresses?
• How does code-switching play into the interactions that Jim has in this book?
• What did you think about characters like Mr. Wiley (the owner of Easter the blacksmith) and Emmett (from the minstral show)? Why do you think Everett includes these characters? What do you think Everett believes about the notion of a good, kind slave owner? What do you think of this idea?
• How does Norman’s experience as a black man differ from Jim’s? Why do you think he was bewildered at the idea of being shot at by Henderson?
• What do you think about the part where John Locke describes slavery as a state of war? What do you think of Jim’s question about whether someone has the right to fight back against their enemy if it is a state of war?
• What did you think of the philosophical discussions in the book, and what were the parts that stood out to you?
• Why does the pencil hold so much importance for Jim?
• How does Jim change over the course of the novel?
• What did you think of the ending of the book and why do think Everett chose to write the story this way? In the original, it turns out that Miss Watson actually frees Jim in her will. Why do you think the ending was changed?
• What were your favorite and least favorite aspects of the book?
• What is the importance of the shift from the name “Jim” to “James”?

Book Excerpt

Read the first pages of James

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When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light.

Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

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The 10 Best Book Reviews of 2020

Adam morgan picks parul sehgal on raven leilani, merve emre on lewis carroll, and more.

The pandemic and the birth of my second daughter prevented me from reading most of the books I wanted to in 2020. But I was able to read vicariously  through book critics, whose writing was a true source of comfort and escape for me this year. I’ve long told my students that criticism is literature—a genre of nonfiction that can and should be as insightful, experimental, and compelling as the art it grapples with—and the following critics have beautifully proven my point. The word “best” is always a misnomer, but these are my personal favorite book reviews of 2020.

Nate Marshall on Barack Obama’s A Promised Land ( Chicago Tribune )

A book review rarely leads to a segment on The 11th Hour with Brian Williams , but that’s what happened to Nate Marshall last month. I love how he combines a traditional review with a personal essay—a hybrid form that has become my favorite subgenre of criticism.

“The presidential memoir so often falls flat because it works against the strengths of the memoir form. Rather than take a slice of one’s life to lay bare and come to a revelation about the self or the world, the presidential memoir seeks to take the sum of a life to defend one’s actions. These sorts of memoirs are an attempt maybe not to rewrite history, but to situate history in the most rosy frame. It is by nature defensive and in this book, we see Obama’s primary defensive tool, his prodigious mind and proclivity toward over-considering every detail.”

Merve Emre on Lewis Carroll’s Alice’s Adventures in Wonderland ( The Point )

I’m a huge fan of writing about books that weren’t just published in the last 10 seconds. And speaking of that hybrid form above, Merve Emre is one of its finest practitioners. This piece made me laugh out loud and changed the way I think about Lewis Carroll.

“I lie awake at night and concentrate on Alice,  on why my children have fixated on this book at this particular moment. Part of it must be that I have told them it ‘takes place’ in Oxford, and now Oxford—or more specifically, the college whose grounds grow into our garden—marks the physical limits of their world. Now that we can no longer move about freely, no longer go to new places to see new things, we are trying to find ways to estrange the places and objects that are already familiar to us.”

Parul Sehgal on Raven Leilani’s Luster ( The New York Times Book Review )

Once again, Sehgal remains the best lede writer in the business. I challenge you to read the opening of any  Sehgal review and stop there.

“You may know of the hemline theory—the idea that skirt lengths fluctuate with the stock market, rising in boom times and growing longer in recessions. Perhaps publishing has a parallel; call it the blurb theory. The more strained our circumstances, the more manic the publicity machine, the more breathless and orotund the advance praise. Blurbers (and critics) speak with a reverent quiver of this moment, anointing every other book its guide, every second writer its essential voice.”

Constance Grady on Anne Brontë’s The Tenant of Wildfell Hall ( Vox )

Restoring the legacies of ill-forgotten books is one of our duties as critics. Grady’s take on “the least famous sister in a family of celebrated geniuses” makes a good case for Wildfell Hall’ s place alongside Wuthering Heights  and Jane Eyre  in the Romantic canon.

“[T]he heart of this book is a portrait of a woman surviving and flourishing after abuse, and in that, The Tenant of Wildfell Hall feels unnervingly modern. It is fresh, shocking, and wholly new today, 200 years after the birth of its author.”

Ismail Muhammad on Anna Wiener’s Uncanny Valley ( The Atlantic )

Muhammad is a philosophical critic, so it’s always fun to see him tackle a book with big ideas. Here, he makes an enlightened connection between Wiener’s Silicon Valley memoir and Michael Lewis’s 1989 Wall Street exposé, Liar’s Poker.

“Like Lewis, Wiener found ‘a way out of unhappiness’ by writing her own gimlet-eyed generational portrait that doubles as a cautionary tale of systemic dysfunction. But if her chronicle acquires anything like the must-read status that Lewis’s antic tale of a Princeton art-history major’s stint at Salomon Brothers did, it will be for a different reason. For all her caustic insight and droll portraiture, Wiener is on an earnest quest likely to resonate with a public that has been sleepwalking through tech’s gradual reshaping of society.”

Hermione Hoby on Mieko Kawakami’s Breasts and Eggs ( 4 Columns )

Hoby’s thousand-word review is a great example of a critic reading beyond the book to place it in context.

“When Mieko Kawakami’s Breasts and Eggs  was first published in 2008, the then-governor of Tokyo, the ultraconservative Shintaro Ishihara, deemed the novel ‘unpleasant and intolerable.’ I wonder what he objected to? Perhaps he wasn’t into a scene in which the narrator, a struggling writer called Natsuko, pushes a few fingers into her vagina in a spirit of dejected exploration: ‘I . . . tried being rough and being gentle. Nothing worked.’”

Taylor Moore on C Pam Zhang’s How Much Of These Hills Is Gold ( The A.V. Club )

Describing Zhang’s wildly imaginative debut novel is hard, but Moore manages to convey the book’s shape and texture in less than 800 words, along with some critical analysis.

“Despite some characteristics endemic to Wild West narratives (buzzards circling prey, saloons filled with seedy strangers), the world of How Much Of These Hills Is Gold feels wholly original, and Zhang imbues its wide expanse with magical realism. According to local lore, tigers lurk in the shadows, despite having died out ‘decades ago’ with the buffalo. There also exists a profound sense of loss for an exploited land, ‘stripped of its gold, its rivers, its buffalo, its Indians, its tigers, its jackals, its birds and its green and its living.’”

Grace Ebert on Paul Christman’s Midwest Futures ( Chicago Review of Books )

I love how Ebert brings her lived experience as a Midwesterner into this review of Christman’s essay collection. (Disclosure: I founded the Chicago Review of Books five years ago, but handed over the keys in July 2019.)

“I have a deep and genuine love for Wisconsin, for rural supper clubs that always offer a choice between chicken soup or an iceberg lettuce salad, and for driving back, country roads that seemingly are endless. This love, though, is conflicting. How can I sing along to Waylon Jennings, Tanya Tucker, and Merle Haggard knowing that my current political views are in complete opposition to the lyrics I croon with a twang in my voice?”

Michael Schaub on Bryan Washington’s Memorial ( NPR )

How do you review a book you fall in love with? It’s one of the most challenging assignments a critic can tackle. But Schaub is a pro; he falls in love with a few books every year.

“Washington is an enormously gifted author, and his writing—spare, unadorned, but beautiful—reads like the work of a writer who’s been working for decades, not one who has yet to turn 30. Just like Lot, Memorial  is a quietly stunning book, a masterpiece that asks us to reflect on what we owe to the people who enter our lives.”

Mesha Maren on Fernanda Melchor’s Hurricane Season ( Southern Review of Books )

Maren opens with an irresistible comparison between Melchor’s irreverent novel and medieval surrealist art. (Another Disclosure: I founded the Southern Review of Books in early 2020.)

“Have you ever wondered what internal monologue might accompany the characters in a Hieronymus Bosch painting? What are the couple copulating upside down in the middle of that pond thinking? Or the man with flowers sprouting from his ass? Or the poor fellow being killed by a fire-breathing creature which is itself impaled upon a knife? I would venture to guess that their voices would sound something like the writing of Mexican novelist Fernanda Melchor.”

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Book Review: Is the brilliant surgeon a 'Good Sociopath?' Chicago P.I. Annalisa Vega has her doubts

Professor Maura Delaney’s soon-to-be-published book, “The Good Sociopath,” has a brilliant neurosurgeon as her primary example of the phenomenon

Professor Maura Delaney’s book, “The Good Sociopath,” is about to hit the market with a neurosurgeon, Dr. Craig Canning, as her primary example. The publisher has even put his photograph on the cover.

Canning is arrogant and lacks genuine emotions (although he’s good at faking them), but his exceptional surgical skills have saved hundreds of lives. Canning doesn’t care one whit about his patients, but he glories in his reputation as one of the best in his profession

Then a young woman plunges to her death from a balcony in an apartment building where Canning also resides. Police rule it an accident, but Maura says she isn’t so sure. If Canning was responsible, Maura’s academic career will be in ruins, so she hires newly-minted private eye Annalisa Vega, a former Chicago PD detective, to recheck the police work. So begins “All The Way Gone,” Joanna Schaffhausen’s fourth novel featuring Annalisa.

Famous for tracking down a serial murderer dubbed the Lovelorn Killer, Annalisa is skeptical of the very idea of a good sociopath. Nevertheless, it’s a widely recognized phenomenon. Most sociopaths are not criminals. High functioning ones often possess qualities — including exceptional intelligence, charisma, charm and the ability to stay calm under pressure — that help them succeed in fields such as medicine, law, politics and business.

But when Vega meets Canning, she immediately gets a “bad vibe.”

Meanwhile, Vega’s newly-discovered teenage stepdaughter, Cassidy, the product of one of her husband’s extramarital affairs, needs help with her own problem. Cassidy’s girlfriend, Naomi, will die if she doesn’t get a kidney transplant, and so far no match has been found.

The best remaining chance would be her mother, who abandoned the family when Naomi was a toddler, but no one knows where she’s gone. As it turns out, she’s a psychopath, too, with no possibility that she’s one of the good ones.

Vega juggles the two cases with the skill readers of the series have come to expect of her. The dueling plot lines are also in Schaffhausen’s wheelhouse. She possesses a doctorate in psychology and has a long-standing interest in brain development.

The author’s prose is clear and tight, and she does a fine job of moving the story along at a swift and sometimes frantic pace, piling on twists that readers are unlikely to see coming.

Bruce DeSilva, winner of the Mystery Writers of America’s Edgar Award, is the author of the Mulligan crime novels including “The Dread Line.”

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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

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Book Reviews

J.p. morgan's personal librarian was a black woman. this is her story..

Karen Grigsby Bates

I have a confession: I am not a fan of the passing trope. From Nella Larsen's 1929 classic, Passing , to the original Imitation of Life (the 1934 movie starred the incomparable Fredi Washington as Peola, the little girl who wanted to be white) to Britt Bennett's 2020 novel The Vanishing Half , the notion of a Black person posing as white to escape her Blackness just felt ... tired.

"Deep down, all Black people want to be white." I heard that in a social psychology class, repeated as if it were a truism. It's not. At several points in childhood and as an adult, I've loved the notion of being rich, but being white? I cannot imagine it. I wouldn't be me.

And that, basically, is at the crux of The Personal Librarian , a new novel by Heather Terrell (writing as Marie Benedict) and Victoria Christopher Murray. Their heroine, Belle Da Costa Greene, was one of the most prominent career women of her time. As the personal librarian to financier J.P.Morgan, she pursued and curated a collection of rare books, manuscripts and art that became world-renowned.

Passing as white causes a family split

You Must Read This

'passing' across the color line in the jazz age.

'The Vanishing Half' Counts The Terrible Costs Of Bigotry And Secrecy

What the world didn't know was that Belle Da Costa Greene was Black. Or, in the parlance of the day, colored. Greene was born into a prominent family of pale Black Washingtonians in 1883. Her parents were intellectuals. Her father, Richard T. Greener, was the first Black graduate of Harvard. He was also an ardent race man, and spent his life pressing for racial equality. Greene's mother, Genevieve Fleet, determined that racial equality wasn't going to happen in her lifetime, and after the family's move to New York, she declared them white in the 1905 NY State Census. That subterfuge became the cause of a huge rift — her parents separated, and Belle's family subsequently lived as white.

Belle Marion Greener became Belle Da Costa Greene — the Da Costa name an allusion to a fabricated Portuguese grandmother, a convenient explanation for Belle's olive complexion. (Contemporary portraits show an attractive woman who many Black people would immediately recognize as kindred; apparently Gilded Age white folks were easier to fool.)

Belle meets J.P.

The family's entire fortunes — where they lived, their occupations, everything — were completely dependent on Belle's white identity, as her mother constantly reminded her. When she became friends with financier J. Pierpont Morgan's nephew when they both worked in the rare books library at Princeton, young Morgan suggested to his uncle that he consider Belle as his personal librarian. In an interview, something about the young woman's intelligence and humor appealed to Morgan: She was hired on the spot.

As the two began to work closely together, Morgan came to trust Belle's vision and expertise. He knew that under her astute eye his collection would be more than an assortment of rarities only one of the world's richest men could acquire. Belle could provide an important missing link: context. And indeed, the Morgan Library became known as a private collection of rare books, manuscripts and art that competed with esteemed public institutions such as the British Museum. As the literal face of the library, Belle became a power in her own right, courted by art dealers, embraced by the socially powerful, profiled as an elegant careerist at a time when working women were rare.

Paying a price for a new life

But as Benedict and Murray show, there was a terrible cost to maintaining that façade. Belle was cut off from her beloved extended family in DC: "Once Mama made the decision that we would live as white," she says. "We could not take the risk." And while she had many lovers (including famed art historian Bernard Berenson), she could marry none:

I've always known that, because of my heritage, a traditional relationship would not be possible for me ... because a marriage means children, and that is something I cannot hazard. Without the fairer skin of my siblings, I could never risk bearing a child whose skin color might reveal my deception.

Benedict, who is white, and Murray, who is African American, do a good job of depicting the tightrope Belle walked, and her internal conflict from both sides — wanting to adhere to her mother's wishes and move through the world as white even as she longed to show her father she was proud of her race. Like Belle and her employer, Benedict and Murray had almost instant chemistry, and as a result, the book's narrative is seamless. And despite my aversion to the passing trope, I became hooked.

Belle Da Costa Greene is not front and center of the Morgan Library's story now. But she will be much more visible when The Morgan celebrates its centennial as a public institution in 2024. Which is fitting, as it was she who persuaded Jack Morgan to donate his father's astonishing library to the city. It's a gift that honors J.P. Morgan, his descendants — and the personal librarian who was critical to the Morgan's success.

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Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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When We Had Wings Kindle Edition

From three bestselling authors comes an interwoven tale about a trio of World War II nurses stationed in the South Pacific who wage their own battle for freedom and survival.

The Philippines, 1941 . When U.S. Navy nurse Eleanor Lindstrom, U.S. Army nurse Penny Franklin, and Filipina nurse Lita Capel forge a friendship at the Army Navy Club in Manila, they believe they’re living a paradise assignment. All three are seeking a way to escape their pasts, but soon the beauty and promise of their surroundings give way to the heavy mantle of war.

Caught in the crosshairs of a fight between the U.S. military and the Imperial Japanese Army for control of the Philippine Islands, the nurses are forced to serve under combat conditions and, ultimately, endure captivity as the first female prisoners of the Second World War. As their resiliency is tested in the face of squalid living arrangements, food shortages, and the enemy's blatant disregard for the articles of the Geneva Convention, the women strive to keep their hope— and their fellow inmates—alive, though not without great cost.

In this sweeping story based on the true experiences of nurses dubbed "the Angels of Bataan," three women shift in and out of each other's lives through the darkest days of the war, buoyed by their unwavering friendship and distant dreams of liberation.

"A novel rich in historical detail that immerses readers in the dangers and deprivation WWII nurses suffered in the Pacific, wrapped up with a hopeful ending." -Booklist

• Print length 424 pages
• Language English
• Sticky notes On Kindle Scribe
• Publisher Harper Muse
• Publication date October 18, 2022
• File size 2745 KB
• Page Flip Enabled
• Word Wise Enabled
• Enhanced typesetting Enabled
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Editorial Reviews

About the author.

Kristina McMorris is a New York Times , USA TODAY , and Wall Street Journal bestselling author of two novellas and seven historical novels, including Sold on a Monday with over a million copies sold. The recipient of more than twenty national literary awards, she previously hosted weekly TV shows for Warner Bros. and an ABC affiliate, beginning at age nine with an Emmy Award-winning program, and owned a wedding-and-event-planning company until she far surpassed her limit of "Y.M.C.A." and chicken dances. She lives with her family in Oregon. Visit her online at kristinamcmorris.com; Instagram: @kristina.mcmorris; Twitter: @KrisMcmorris; and Facebook: @KristinaMcMorrisAuthor.

Ariel Lawhon is a critically acclaimed, New York Times bestselling author of historical fiction. Her books have been translated into numerous languages and have been Library Reads, One Book One County, Indie Next, Costco, Amazon Spotlight, and Book of the Month Club selections. She lives in Nashville, Tennessee, with her husband and four sons. Ariel splits her time between the grocery store and the baseball field. Visit her online at ariellawhon.com; Instagram: @ariel.lawhon; Twitter: @ArielLawhon; and Facebook: @ArielLawhonAuthor.

Susan Meissner is a USA TODAY bestselling author with more than three-quarters of a million books in print in eighteen languages. Her novels have been named to numerous "best of" lists, including Publishers Weekly , Booklist , Goodreads, and Real Simple magazine. A former newspaper editor, Susan attended Point Loma Nazarene University in San Diego and lives in the Pacific Northwest with her husband and their yellow Lab, Winston. When she's not writing, Susan loves long walks, good coffee, and reading bedtime stories to her grandchildren. Visit her online at susanmeissnerauthor.com; Instagram: @susanmeissnerauthor; Twitter: @SusanMeissner; Facebook: @susan.meissner; and Pinterest: @SusanMeissner.

Product details

• ASIN ‏ : ‎ B09X15P15B
• Publisher ‏ : ‎ Harper Muse (October 18, 2022)
• Publication date ‏ : ‎ October 18, 2022
• Language ‏ : ‎ English
• File size ‏ : ‎ 2745 KB
• Simultaneous device usage ‏ : ‎ Up to 5 simultaneous devices, per publisher limits
• Text-to-Speech ‏ : ‎ Enabled
• Screen Reader ‏ : ‎ Supported
• Enhanced typesetting ‏ : ‎ Enabled
• X-Ray ‏ : ‎ Not Enabled
• Word Wise ‏ : ‎ Enabled
• Sticky notes ‏ : ‎ On Kindle Scribe
• Print length ‏ : ‎ 424 pages
• Page numbers source ISBN ‏ : ‎ 1400240840
• #23 in 20th Century Historical Romance eBooks
• #40 in 20th Century Historical Romance (Books)
• #80 in Historical World War II Fiction

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About the authors

Susan meissner.

Susan Meissner is the USA Today bestselling author of historical fiction with more than three-quarters of a million books in print in eighteen languages. Her novels include The Nature of Fragile Things, starred review Publishers Weekly; The Last Year of the War, a Library Reads and Real Simple top pick; As Bright as Heaven, starred review from Library Journal; Secrets of a Charmed Life, a 2015 Goodreads Choice award finalist; and A Fall of Marigolds, named to Booklist’s Top Ten women’s fiction titles for 2014. She is also RITA finalist and Christy Award and Carol Award winner. A California native, she attended Point Loma Nazarene University and is also a writing workshop volunteer for Words Alive, a San Diego non-profit dedicated to helping at-risk youth foster a love for reading and writing.

Visit Susan at her website: https://susanmeissnerauthor.com/ and on Instagram at https://www.instagram.com/susanmeissnerauthor/ on Twitter at @SusanMeissner or on Facebook at www.facebook.com/susan.meissner

Kristina McMorris

KRISTINA MCMORRIS is a New York Times, Wall Street Journal, and USA Today bestselling author of two novellas and seven historical novels, including the million-copy bestseller SOLD ON A MONDAY. The recipient of more than twenty national literary awards, she previously hosted weekly TV shows for Warner Bros. and an ABC affiliate, beginning at age nine with an Emmy Award-winning program, and owned a wedding-and-event-planning company until she had far surpassed her limit of "Y.M.C.A." and chicken dances. Kristina lives near Portland, Oregon, where she somehow manages to be fully deficient of a green thumb and not own a single umbrella. For more, visit KristinaMcMorris.com

Ariel Lawhon

Ariel Lawhon is a critically acclaimed, New York Times and USA Today bestselling author of historical fiction. She is the author of THE WIFE THE MAID AND THE MISTRESS, FLIGHT OF DREAMS, I WAS ANASTASIA and CODE NAME HELENE. Her books have been translated into numerous languages and have been Good Morning America, Library Reads, Indie Next, One Book One County, Amazon Spotlight, Costco, and Book of the Month Club selections. She lives in the rolling hills outside Nashville, Tennessee, with her husband and four sons. She splits her time between the grocery store and the baseball field.

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Customers find the book heart wrenching, heartwarming, and beautifully developed. They describe the storyline as powerful, historical, and captivating. Readers also praise the writing style as well-written and fantastic.

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Customers find the storyline powerful, inspiring, and a great way to learn about history. They also say the book tells the true story of the compassion, heroics, and care these nurses gave. Readers praise the authors as amazing, saying the story moves along seamlessly with no evidence of single interruption. They describe the novel as well written, and say it depicts war that they had never considered from the nursing side.

"...The three authors are amazing as the story moves along seamlessly with no evidence of single author’s style but blending their styles together to..." Read more

"This is a well-written novel on a subject I didn't know anything about...." Read more

"...man the full range of emotions in a captivating tale that is historically accurate .Thank you for your wonderful writing." Read more

"...This historical novel tells the true story of the compassion , heroics and care these nurses gave soldiers and civilians, especially orphaned children..." Read more

Customers find the book fantastic, excellent, and well-developed. They also say it provides a full experience and is authentic.

"...Five stars for a well developed work about regular people who became daring and courageous under the worst circumstances." Read more

" This book was so authentic . I had to constantly remind myself that it was “fiction based on facts”...." Read more

" Excellent read ! Superb character development. Nurses during WWII, is unique subject matter. I don't believe we thought much about nurses as POWs...." Read more

"... Well done and—definitely!!—need more of these diverse collaborations. They just provide such a full experience...." Read more

Customers find the writing style well written, talented, and spot on. They also love the tone, surprises, and three main characters.

"...Thank you for your wonderful writing ." Read more

"...Well researched snd written by the authors !" Read more

" Very well written , I was not able to tell when the three authors switched places. The flow was was very smooth throughout...." Read more

Customers find the book heart wrenching, painful to read, and horrifying.

"...style but blending their styles together to create a page turning, heartbreaking , hopeful story...." Read more

"...It is a story of friendship, immense sadness and love . I recommend it highly." Read more

"This novel was heartbreaking and horrifying , especially because its true...." Read more

"... You truly feel their pain ,hopes and fears. I loved this book." Read more

Customers find the characters beautifully developed and blend nicely into other characters' lives.

"Excellent read! Superb character development . Nurses during WWII, is unique subject matter. I don't believe we thought much about nurses as POWs...." Read more

"I liked everything about this book. The characters so very brave and so vulnerable. The fortitude and faith of Eleanor, Penny and Lita ...." Read more

"...The characters were well developed and came alive to me." Read more

"...Loved the tone, the surprises, and the three main characters . She is reading it a second time as I write this...." Read more

Customers find the female protagonists in the book kind and brave.

"...The characters so very brave and so vulnerable. The fortitude and faith of Eleanor , Penny and Lita ...." Read more

"... What courage they had . While reading, I looked up information on the actual nurses and what it took for them to survive. What an inspiration." Read more

"...I’d never stopped to think about female POWs. Such kind, brave women !" Read more

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Nickelodeon Hotels & Resorts Riviera Maya - Gourmet All Inclusive by Karisma

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• Excellent 2,019
• Very Good 119
• Terrible 80
• All languages ( 2,327 )
• Spanish ( 1,886 )
• English ( 426 )
• Portuguese ( 6 )

" Come to the water park before 10am which is the time it gets open to the external people and finding a good spot can be difficult otherwise. "

" GO!!! It is wonderful! "

" Make reservations early at the Italian restaurant, Book the Character breakfast, the Spa is and Concierge, Eric. "

" Bring lots of bills to trip the shuttle driver that you are going to have to use over and over. Unless you want to walk over a mile "

" Get to the water park early to get a good area to sit. "

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NICKELODEON HOTELS & RESORTS RIVIERA MAYA - GOURMET ALL INCLUSIVE BY KARISMA - Updated 2024