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How to Write a Movie Review for College

Updated 26 Jul 2024

If you wish to know how to write a movie review, then you are on the right page. A movie review forms part of essays college students writes. While many cinema-loving students find it interesting, others don’t. A film review does not mean writing what happened in a film; instead, it involves doing a critical assessment of the same. Also, you can proof your paper instantly with the Edubirdie plagiarism tool .

What is a movie review? A movie review is a detailed analysis of a film or a documentary. It involves analysis, research, and reporting the writer’s views in a structured way. The writer assumes a position of educating readers whether they have watched the film or not. In fact, many people read movie reviews to decide whether they want to see a film or not.

A film review tests students' critical thinking and reporting skills. It also examines their dexterity in writing in a logical, concise, lucid, and creative manner. This post shall teach you to craft the best film review in your class without being redundant in writing , and you can find many interesting tips on how to write a movie review for college and movie reviews examples. Writing a movie review requires critical analysis and attention to detail, and if you need assistance, a literature review writing service can help you craft a comprehensive and insightful review.

How to Write a Movie Review Like a Professional Critic

Writing a movie review though challenging for some students can be quite easy. What you should know is that the format of presenting a review are the same which makes it an interesting task. Here we offer a step-by-step process of how to write a good film review or how to write an introduction for a movie review that any student can follow:

• Watch the movie: Before you can review any film, you must watch it. You cannot review a motion picture you have not watched. Therefore, for success watch the film at least twice. Note: do not watch it like you’re a regular moviegoer or movie enthusiast. Be focused and conscious through the film. Take notes if necessary.

You will need to take notes hence have a notebook and pen handy. Record all events and characters (major and minor). Try to be meticulous do not overlook anything.

• Research the movie: Watching the film should give you the overview and feel of the movie. With that, it should be easy and exciting to research the movie. The research augments what you have watched in the movie. In your research, you should find out who the filmmaker is, what prompted the making of the movie, the characterization, historical events the lead to the film, location, plot and so on.

If you are aware of the details behind the movie, the movie will be more understandable and engaging. Note also that if you do not understand the movie you cannot move to the next step which involves analysis. Try not to proceed to the next step unless you vividly understand the movie. If it entails watching it again until you fully get it, do it. The following should form part of your findings regarding the film:

• Title and year
• Names of the lead actors
• Name of the director
• Title of the book (if based on a book)
• Draft the review outline: Draft an outline with which you will write the review. The overview will help you organize your review concisely and logically. The outline is more like the skeletal frame on which the whole study will stand. A good draft will yield a perfect report, and the reverse is also true.

An outline enhances the quality of the film review, and it is essential you have your outline before you start writing. A sample outline looks like this:

1. Introduction

• Date released
• Background info

2. Summary of the story

3. Analysis of the plot elements

4. Creative elements

5. Opinions (add examples to back up your claims)

• Camera techniques
• Special effects and so on

6. Conclusion

• Analyze the movie: After fully understanding the movie, you can start its analysis. Critically evaluate the film from the beginning to the end, noting every detail. While analyzing, if you observed any confusing part, re-watch to grasp the idea portrayed there fully. After you fully understand it, then you are set to write the movie review. To write a decent analysis, you need to know how to write a film critique.
• Augment Your Review with Examples : While watching the movie, your observations should be supported with examples, i.e., mention scenes the event took place. If the plot is faulty, mention it but state examples to support that claim. You can also mention poorly developed characters evident in the movie and others. Everything you observed in the film must be noted.

Examples of notables include locations, faulty or beautiful dialogues, quotes that appeal to you, poorly made speeches, bloopers, editing errors and so on. Do take note that it is not enough to make general statements about how awesome or awful the movie is, you must support your claim with evidence in the film. That is why it is called a movie review and not opinion sampling interview about the movie.

• Comment on the originality of the movie: Finally mention the uniqueness of the film which you noticed in the one you’ve watched. But even if the movie happens to be a standard feature with conventional approaches, you can still mention this as well. A regular film is still a film.
• Write Your Review: With all the fact gathered above, you can now use the outline to write your film review. Make every part easy and enjoyable to read. Importantly, make the introduction engaging and captivating. You should go for a grand opening that will grab the attention of any reader. A good opening keeps the reader on the article.

Let us assume your introduction is watertight and engaging; any sloppy body will lose your reader. Hence, make the body informative and engaging. The review aims to reveal as much information as possible. Therefore, do your best to give all the details in the film to the reader. Engage your analytic mind.

Another essential part of the review is the closing or conclusion. Here you give your view about the movie with evidence revealed in the body. Connect the conclusion with the introduction creatively.

• Edit Your Final Draft: After writing your first version of the review, you can re-write the final one after editing. Also, you should check the final draft for spelling errors, grammar mistakes, and so on. Ensure sentences connects logically to each other and watch the format used. Make a final comparison of your work with the requirement by your professor or lecturer.

With the help of free word counter check the number of words required and cut them if more than needed but if not, add relevant information to make them up. Do not add irrelevant details for the sake of space. Ensure your final submitted draft is well edited, polished, plagiarism-free and presented in the recommended format or style.

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Tips to Follow While Writing a Movie Review

Since a movie review essay requires dedication and time investment, you might want to know the special tips to get you through the assignment seamlessly. Do recall that perfect conclusion of this assignment will add to your grades, hence the need to take it seriously. If you wish to know How to write a movie critique easily, then this section will tell you that.

The useful tips you should consider are as follows:

• Watch the film at least two times
• If you have seen it before, make sure you re-watch it for the assignment.
• Watch the movie not as a moviegoer but with an analytic mindset of a professional reviewer
• Pay attention to details
• Take notes as you watch
• Don’t be in a rush - take your time, but be aware of the deadline
• Do not write out of the contest of your coursework
• Follow the requirements of your professor
• Use an outline to organize your work
• Start working on the body of your film review first and the introduction next
• Write an engaging introduction and a powerful closing.
• Never forget to edit your work.

Read also: How to write an editorial Essay: Useful Tips for Those Who Want To Perfect Their Skill 

Elements of a Professional Movie Review

One similar thing about these reviews is that they all should contain the same elements regardless of the genre. The elements of a movie review provide the structure on which you will base the analysis. A proper movie review format comprises the following components:

• The Title: It’s not enough that the movie title appears on the headline, it must appear in the review too. Mention it in the text and feature it in the introductory paragraph; there is no harm in doing that.
• The Storyline (Plot): The motion picture review itself refers to the summary of the movie. Present it in a concise way for people who are yet to watch it. When you are beginning to write a movie review, never have the mindset that your professor or any would-be reader has watched the movie. Therefore, never leave important points or events out. Your job is to elucidate the movie clearly to the reader: mention the faults observed, and the filmmaker’s brilliant points or downers.
• Filmmaker: What is a movie analysis without the filmmaker? Your review must feature him or her. Therefore, dedicate a paragraph to him, write about the kind of personality he or she is. Reveal the filmmaker's political stance (if relevant), background, the controversial life of the person (if he is one), etc. You can also use the opportunity to talk about other movies the director has worked on before now, and then connect it with the one under review.
• Significance to your class: Relate the content of the film or documentary to your course topic. Check its importance for historical accuracy. If the film is for history class, discuss any over-dramatization noticed in the act. However, if the film was based on a book you have reviewed in one of your classes, mention the connection between the book and the movie: state variances, comparisons and other elements present in the book that are missing in the film.
• Creative elements: Creative elements make or mar films, that is why filmmakers go out of their ways to add them to their movies. It is your job to state how these elements work in the plot and the film in general. For instance, comment on the effectiveness of the sound effect in enriching the viewing experience of the movie? Talk about the lighting, costume, makeup, colors, camera, etc.
• Actors: The cast carry the movie; without them, there is no movie. Your review should reveal if they acted well or poorly. State if their acting was realistic or not. Do not fail to mention if they have the skills and charisma to portray the role they played. You can also state if they were the right actors to play the role they did. Furthermore, you can suggest actors who could have played certain roles better than those in the film.

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Common Movie Review Mistakes You Should Avoid

After your arduous work of submitting your film report, you might be shocked to learn that your hard work received a query. You may wish to know why, well it could be because you commit any of the following common mistakes:

• Focusing on the wrong thing: Do not shift your focus. You might want to connect the film with some historical events, however, do not give unnecessary analysis or details that are not relevant to the movie under review. For instance, avoid giving the history of motion picture unless the film is about the development of the industry. Try and be focused.
• Alienating yourself from the review: You are the one writing the review, therefore, do not insert yourself in it. The review already has your name and signature on it so adding the possessive pronoun "I" should be discarded. The mistake most student make is writing in the first person, e.g., “I like the movie a lot, I admired the lead character,” and so on. Since the review exposes your understanding, opinions, likes, and dislikes, then it is unnecessary to insert yourself in it.
• Not doing your research: As said earlier, watching the movie is one side of the coin, you need to check out other details. Researching the film is highly critical because it would expound to you all the nitty-gritty details, not in the motion picture.
• Lack of evidence: In writing about a motion picture, you must substantiate any opinion or claim. You need to state your reason for liking, disliking, etc. of the film.
• Avoid irrelevant discussion: Do not start explaining issues not related directly with the motion picture you are analyzing.
• Unstructured review: Never write a movie review without structure, it would reveal you as an unorganized student. Hence structure your review properly by first creating the outline and organize your work.
• Avoid Generalization and be Precise: Never generalize ideas when you write a movie review. Avoid general statements like “a fantastic movie,” “beautiful set,” “excellent acting,” and such like. Support any comment you make with evidence from the film.
• Review lacking substance and analysis: Avoid writing a motion picture review that does not have substance or analysis. A review is a piece of educational literature, therefore, add intelligent analysis to it.

Movie Review Example from Top Writer

Here are a few examples of movie review topics to steer you in the right direction:

• Avatar Movie Review
• Beautiful Woman Movie Review
• Black Panther and its Global Significance
• In Pursuit of Happiness: Lessons to Learn
• iRobot: The Depiction of AI in the Future
• Matrix Movie Review
• Roots and Its Implication on the Life of the Black Men
• The Good, the Bad, the Ugly Movie Review
• The Last Holiday Movie Review and the Lesson of Living Life Too Cautiously
• Titanic Movie Review

Quick & Reliable Writing Help

As you can see, a movie review essay is an interesting paper to write. Recall that the whole point of a movie review is to inform the reader about the film and the ideas behind it. Also, it reflects your unbiased and objective view about the film. Adopt all our tips, and you shall submit a professional-looking report.

However, if you don't care about movies or still have issues coming to terms with all we have explained above, then contact us for help. At EduBirdie, our movie and book review writing service  are poised to help with your assignment and guarantee a high-quality review at an affordable price. With us, you shall learn how to do a movie review that will wow any professor.

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How to Write a Movie Review

Writing a Film Review

Movies have become a cultural mainstay of our society. Not only are they art and entertainment, but they have also become a way for people to bond and make connections. Finding someone who has a similar taste in movies can create new friendships and start interesting conversations. That's why understanding how to analyze a movie and write movie reviews is such a useful skill. 

Do you need to know how to write a movie review for college? Or how to write a movie critique? Or maybe just how to do a movie review? In this article, you will learn how to write a movie review step by step, as well as get an in-depth guide into each section of a movie review.

What is a Movie Review?

A film review essay is more than just a plot summary followed by a recommendation. A movie review analyzes different elements of a movie and mixes personal opinion with objective analysis. The goal of the movie review is to tell the reader about the details of a movie while giving them enough information to decide for themselves whether it's worth watching or not. Of course, a good movie review also has to be interesting and engaging! 

How to Write a Good Movie Review

More than most other pieces of writing, there are a lot of steps to take before actually getting into writing a movie review. But don't worry though, most of these steps are pretty fun and if you follow them, you will know how to review movies. 

Watch the film! 

It goes without saying that you need to watch a movie before you write a review for it, so, before you do anything else, watch the movie at least once. Don't worry about trying to pick up specific details on your first watch, just enjoy the movie and get a general impression of whether you liked it or not and what you liked or disliked. Ideally, you should watch the movie at least two times. On your second and third viewings, pay attention to movie review criteria like cinematography, acting, dialogue, character development, deeper meanings, etc. Read some film review examples to get a sense of the things they talk about.

Pause the movie on your second and third viewings and take notes on things that stand out to you. Don't be afraid to take as many notes as you want, after all these notes are just for you.  You might not use all the notes you have taken, but they will help you compose the main part of your body paragraphs.

Express your opinions

Once you have watched the movie a few times and taken notes, make a list of the strongest opinions you have about the movie. If you think that the quality of acting was one of the best parts of the movie, use your notes to come up with specific examples. You should have between 3 and 5 key opinions that you will elaborate on when writing a film review along with examples to back up your claims.

Think about your audience

The language you use is going to change based on who you are writing the movie review for. If it is an assignment for school or university, then you may have to use more technical language.  If you're writing an article for a website or personal blog, then think about who the audience is and use language appropriate for them. Keep in mind that your audience also depends on the genre of the movie you are critiquing. A movie review for a serious period drama will have a different audience than a buddy cop comedy and therefore different language. Look at a movie review sample from different genres to get an idea of the type of language to use. 

Research the actors

Having big movie stars associated with a film is often one of the main selling points of a movie.  If an actor is critically acclaimed, it’s especially important to mention the awards they have won as this is often a sign of the overall quality of the movie. It's also possible that you didn't like the movie overall, but one of your favorite actors was in it so you enjoyed the movie and another fan might enjoy it too. 

Do background research

An easy way to make a movie review interesting is to search for interesting details about the making of the movie. It may be worth mentioning if it was shot in a particularly beautiful place or a unique location, or if the special effects were practical rather than CGI. Include interesting casting decisions or other actors that were considered for a particular role. Think about what information could be interesting to someone who might want to watch the movie and include those details. Go over some movie critique examples to get inspiration. 

Research the professionals

People can be fans not just of the actors, but of directors, writers, cinematographers, costume designers, and many other elements of filmmaking. Many directors are auteurs, which means they have a very particular visual style or storytelling method. How much time you spend on this section is dependent on your audience. If you're writing for social media or a blog for general people, then this might not be interesting to most. But if you're writing for film school or for a specific audience interested in filmmaking, then this section will need to be more elaborate. Look at a film review example written for different audiences to understand the differences. 

Draft an outline

Now that you've done all the required research, it's time to come up with a review outline. An outline is always useful when doing any piece of writing because it gives you a  chance to visualize the structure and plan how you want to incorporate information. This is the general film review format.

Introduction

• Brief summary of the film
• Discuss plot, tone, characters
• Discuss creative and technical elements
• Your opinions

Conclusion 

Come up with a catchy title.

Almost more than any other piece of writing, a movie review’s title needs to be engaging. A title like ”film review of (name of the movie) might be to the point, but isn't going to stand out. A good title should grab the reader's attention and make them want to read more. A few ways you can do this is by talking about a specific actor or director, or by using one of the main plot points of the movie. For example, “A Romantic Comedy for the Unromantic”,  or “Chris Pratt Plays Against Type in the Best Possible Way”. Look at the titles of some movie review examples for inspiration!

Write your review

It's finally time to get to the actual writing! The next part of this article talks in-depth about each section of a film review. 

People aren't going to take a review seriously if you have spelling mistakes or grammatical errors. If it's an assignment for school, then you’re going to lose marks because of mistakes like that. Make sure you reread your paper a few times and check for typos and other silly mistakes.  Read the paper out loud once or twice to get an idea of if it has a good flow. Don't be afraid to move sections around if you think it helps you build a stronger case.

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How to Write a Film Review

Do you want a ‘how to write a movie review’ template? Let's go over the specific parts of a film review and what to include in each one.

Your first sentence needs to capture the reader's attention. You can do this by stating an interesting fact about the movie, starting off by expressing your opinion of whether it's good or bad, mentioning some of the important actors, comparing it to other movies in the genre or to real-world events, whatever it is, make sure it's catchy!

Next, give background information about the movie. This includes things like the title, release date, studio, important cast members, director, budget, etc. Make sure to highlight any achievements of the movie, for example, if it was nominated for any awards. The same goes for the director as well as important members of the cast. This shouldn't just be a dry stating of facts, rather this should be a collection of interesting information about the background of the movie. 

Finally, end your introduction paragraph with your thesis. In the case of a film review, your thesis is essentially what you thought about the film. Without giving away too much, express your overall impression of the movie noting particular things that you thought stood out or were weak.

Summary of the story

The trick to writing the summary of the story is giving readers an idea of what to expect without giving away any important plot points or spoilers. The goal of this section isn't to explain the plot of the movie, It's to make sure that people have a basic understanding of the story so that the rest of the review can make sense. Describe the setting of the movie, which includes the main locations and time period. Introduce the main characters (including the name of the actor in parentheses after the name of their character). And go over the general storyline. 

Plot elements

This is when you start explaining what you thought about the movie. Start with an analysis of the plot itself. Did it have a rising action that builds suspense? Was the climax a good payoff? What were your overall impressions of the movie? How did it make you feel? What do you think the purpose of the movie was and did the director succeed in their goal? 

This is also the section where you get to talk about the different characters in the movie. Why did you enjoy certain characters? Were some characters better developed than others? Could some characters have benefited from more development? Was the villain particularly interesting? 

Think about the overall mood of the movie, did it change over time? How did the tones and symbols of the movie emphasize elements of the plot? Remember that any point you make in this section has to be backed up by examples. So if you say that there are several plot holes that make the movie complicated to understand, mention the specific scenes.

Creative elements

There are a lot of technical and creative elements in a movie that can stand out even if the overall plot and story weren’t the best. On the other hand, even a great story can be spoiled by bad dialogue or set design. These are some of the creative elements you should pay attention to especially when rewatching the movie and taking notes.

Dialogue : This can refer to the overall writing of the movie as well. If you can get your hands on a script then read it! When thinking about dialogue ask yourself, did the conversation between characters seem natural and flow easily? Or did it seem choppy and unnatural? 

Cinematography : Cinematography refers to the camera effects and the choices of how to film a certain scene. The lighting, the choice of camera angles, essentially the unique perspective of the story as told through the camera. 

Editing : Editing refers to the transition between different scenes as well as how well the movie flows together. This could include things like clever montages, longshots, different perspectives, etc.  

Costumes : Some movies, especially historical movies, fantasy films, and science fiction films, depend heavily on costume design. Costumes are an integral part of making a character stand out or making the world seem more real.

Set Design : Set design refers to the backgrounds of scenes. Some sets might be more elaborate whereas others can be minimalistic. Each choice has its pros and cons and effective set design creates proper ambiance, setting the tone and mood for a scene or the movie.

Music and Sound : Sometimes the movie has a great soundtrack or just incredible sound effects that help make it stand out.

Stunts : More important for action movies, but in general stunts and action sequences can be a major selling point for a film.

Special Effects : Most movies rely on some amount of special effects, and whether it be CGI, or practical, or a combination of the two, the quality is important.

Once you have analyzed multiple different elements of the story from its plot, characterization, and other technical and creative elements, you can state your opinions and provide evidence for them. Make sure you refer to specific scenes or specific situations when looking for substantiating evidence. Remember that the goal of a movie review is not to just state whether you liked or disliked a movie, it is to analyze it in an objective way, and give information so that somebody else can decide whether they want to watch the movie or not.

In the conclusion you express your main opinion of the movie along with the most important pieces of evidence. You can talk about the purpose of the movie and whether the director was successful in showing that purpose. End with a recommendation of whether the movie should be watched or not, along with suggestions of movies that are similar to it.

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Mistakes to avoid

You now know how to write a review on a movie but let's take a look at some mistakes that you should be careful to avoid.

Not focusing on the film

It's easy to start writing about things like the historical events the movie you loved is based on or the importance of the Marvel Cinematic Universe overall rather than focus on the movie itself.  While those elements can be interesting to include as background information, the point of a film review is to go over a particular movie so that is what you should spend the most time on.

Not providing evidence 

A common mistake people make when they write movie reviews is to state their opinions without any objective analysis. An easy way to overcome this mistake is to make sure that you provide evidence for any claims that you make.

Spoilers are an easy way to make sure that people will be upset with your movie review. It is common to accidentally give away too much, especially when writing the plot summary. Find the line between giving enough information so that people understand the general story and revealing important plot twists and turning points. Read some sample movie reviews for examples of how to avoid spoilers.

Using personal pronouns

Statements like “I did not like the special effects” or “I did not like the pacing of the movie” are clearly expressions of opinion. It is better to make statements like “the special effects in certain action scenes were cartoonish and took away from the realism of the film”. 

A movie review essay can be incredibly fun to write, especially if you have a strong opinion about the movie. But keep in mind that a movie review isn't just about your opinion, it has to include an objective analysis with claims backed up by evidence from specific scenes. It's difficult to have a movie review definition, but a great movie review is a blend between personal opinion and objective analysis. It informs the reader about the strengths and weaknesses of the movie while letting them make the decision whether they want to watch it or not. 

If you found your way to this article because you were looking for help on how to write a movie review for college, then you're in the perfect place. If you need any help, don't hesitate to reach out to the experts at Studyfy. At Studyfy, we offer a wide range of custom writing services, coursework writing services, and essay writer service . Our team of experienced writers is well-equipped to handle any writing task you may have, no matter the complexity or urgency. Just say, " write a paper for me ," and we will ensure that you receive a high-quality custom essay that meets all your requirements. Trust us to provide you with the best coursework writing services and custom essay writing that will help you achieve your academic goals.

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How to Write a Movie Review

Last Updated: August 11, 2024 Fact Checked

This article was co-authored by Marissa Levis . Marissa Levis is an English Teacher in the Morris County Vocational School District. She previously worked as an English director at a tutoring center that caters to students in elementary and middle school. She is an expert in creating a curriculum that helps students advance their skills in secondary-level English, focusing on MLA formatting, reading comprehension, writing skills, editing and proofreading, literary analysis, standardized test preparation, and journalism topics. Marissa received her Master of Arts in Teaching from Fairleigh Dickinson University. There are 14 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 5,646,412 times.

Whether a movie is a rotten tomato or a brilliant work of art, if people are watching it, it's worth critiquing. A decent movie review should entertain, persuade and inform, providing an original opinion without giving away too much of the plot. A great movie review can be a work of art in its own right. Read on to learn how to analyze a movie like a professional film critic, come up with an interesting thesis, and write a review as entertaining as your source material.

Sample Movie Reviews

Writing an Intro for a Movie Review

• Comparison to Relevant Event or Movie: "Every day, our leaders, politicians, and pundits call for "revenge"– against terrorist groups, against international rivals, against other political parties. But few of them understand the cold, destructive, and ultimately hollow thrill of revenge as well as the characters of Blue Ruin. "
• Review in a nutshell: "Despite a compelling lead performance by Tom Hanks and a great soundtrack, Forrest Gump never gets out of the shadow of its weak plot and questionable premise."
• Context or Background Information: " Boyhood might be the first movie made where knowing how it was produced–slowly, over 12 years, with the same actors–is just as crucial as the movie itself."

• Using stars, a score out of 10 or 100, or the simple thumbs-up and thumbs-down is a quick way to give your thoughts. You then write about why you chose that rating.
• Great Movie: ABC is the rare movie that succeeds on almost every level, where each character, scene, costume, and joke firing on all cylinders to make a film worth repeated viewings."
• Bad Movie: "It doesn't matter how much you enjoy kung-fu and karate films: with 47 Ronin, you're better off saving your money, your popcorn, and time."
• Okay Movie: "I loved the wildly uneven Interstellar far more than I should have, but that doesn't mean it is perfect. Ultimately, the utter awe and spectacle of space swept me through the admittedly heavy-handed plotting and dialogue."

• Great: "Michael B. Jordan and Octavia Spencer's chemistry would carry Fruitvale Station even if the script wasn't as good. The mid-movie prison scene in particular, where the camera never leaves their faces, shows how much they can convey with nothing but their eyelids, the flashing tension of neck muscles, and a barely cracking voice."
• Bad: " Jurassic World's biggest flaw, a complete lack of relatable female characters, is only further underscored by a laughably unrealistic shot of our heroine running away from a dinosaur – in heels."
• Okay: "At the end of the day, Snowpiercer can't decide what kind of movie it wants to be. The attention to detail in fight scenes, where every weapon, lightbulb, and slick patch of ground is accounted for, doesn't translate to an ending that seems powerful but ultimately says little of substance."

• Does the film reflect on a current event or contemporary issue? It could be the director's way of engaging in a bigger conversation. Look for ways to relate the content of the film to the "real" world.
• Does the film seem to have a message, or does it attempt to elicit a specific response or emotion from the audience? You could discuss whether or not it achieves its own goals.
• Does the film connect with you on a personal level? You could write a review stemming from your own feelings and weave in some personal stories to make it interesting for your readers.

Composing Your Review

• When you name characters in your plot summary, list the actors' names directly afterward in parenthesis.
• Find a place to mention the director's name and the full movie title.
• If you feel you must discuss information that might "spoil" things for readers, warn them first.

• Cinematography: " Her is a world drenched in color, using bright, soft reds and oranges alongside calming whites and grays that both build, and slowly strip away, the feelings of love between the protagonists. Every frame feels like a painting worth sitting in."
• Tone: "Despite the insane loneliness and high stakes of being stuck alone on Mars, The Martian's witty script keeps humor and excitement alive in every scene. Space may be dangerous and scary, but the joy of scientific discovery is intoxicating."
• Music and Sound: " No Country For Old Men's bold decision to skip music entirely pays off in spades. The eerie silence of the desert, punctuated by the brief spells of violent, up-close-and-personal sound effects of hunter and hunted, keeps you constantly on the edge of your seat."
• Acting: "While he's fantastic whenever he's on the move, using his cool stoicism to counteract the rampaging bus, Keanu Reeves can't quite match his costar in the quiet moments of Speed, which falter under his expressionless gaze."

• Keep your writing clear and easy to understand. Don't use too much technical filmmaking jargon, and make your language crisp and accessible.
• Present both the facts and your opinion. For example, you might state something such as, "The Baroque background music was a jarring contrast to the 20th century setting." This is a lot more informative then simply saying, "The music was a strange choice for the movie."

• Great: "In the end, even the characters of Blue Ruin know how pointless their feud is. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end.""
• Bad: "Much like the oft-mentioned "box of chocolates", Forest Gump has a couple of good little morsels. But most of the scenes, too sweet by half, should have been in the trash long before this movie was put out."
• Okay: "Without the novel, even revolutionary concept, Boyhood may not be a great movie. It might not even be "good.” But the power the film finds in the beauty of passing time and little, inconsequential moments – moments that could only be captured over 12 years of shooting – make Linklater's latest an essential film for anyone interested in the art of film."

Polishing Your Piece

• Ask yourself whether your review stayed true to your thesis. Did your conclusion tie back in with the initial ideas you proposed?
• Decide whether your review contains enough details about the movie. You may need to go back and add more description here and there to give readers a better sense of what the movie's about.
• Decide whether your review is interesting enough as a stand-alone piece of writing. Did you contribute something original to this discussion? What will readers gain from reading your review that they couldn't from simply watching the movie?

Studying Your Source Material

• The title of the film, and the year it came out.
• The director's name.
• The names of the lead actors.

• Make a note every time something sticks out to you, whether it's good or bad. This could be costuming, makeup, set design, music, etc. Think about how this detail relates to the rest of the movie and what it means in the context of your review.
• Take note of patterns you begin to notice as the movie unfolds.
• Use the pause button frequently so you make sure not to miss anything, and rewind as necessary.

• Direction: Consider the director and how he or she choose to portray/explain the events in the story. If the movie was slow, or didn't include things you thought were necessary, you can attribute this to the director. If you've seen other movies directed by the same person, compare them and determine which you like the most.
• Cinematography: What techniques were used to film the movie? What setting and background elements helped to create a certain tone?
• Writing: Evaluate the script, including dialogue and characterization. Did you feel like the plot was inventive and unpredictable or boring and weak? Did the characters' words seem credible to you?
• Editing: Was the movie choppy or did it flow smoothly from scene to scene? Did they incorporate a montage to help build the story? And was this obstructive to the narrative or did it help it? Did they use long cuts to help accentuate an actor's acting ability or many reaction shots to show a group's reaction to an event or dialogue? If visual effects were used were the plates well-chosen and were the composited effects part of a seamless experience? (Whether the effects looked realistic or not is not the jurisdiction of an editor, however, they do choose the footage to be sent off to the compositors, so this could still affect the film.)
• Costume design: Did the clothing choices fit the style of the movie? Did they contribute to the overall tone, rather than digressing from it?
• Set design: Consider how the setting of the film influenced its other elements. Did it add or subtract from the experience for you? If the movie was filmed in a real place, was this location well-chosen?
• Score or soundtrack: Did it work with the scenes? Was it over/under-used? Was it suspenseful? Amusing? Irritating? A soundtrack can make or break a movie, especially if the songs have a particular message or meaning to them.

Expert Q&A

• If you don't like the movie, don't be abusive and mean. If possible, avoid watching the movies that you would surely hate. Thanks Helpful 0 Not Helpful 0
• Understand that just because the movie isn't to your taste, that doesn't mean you should give it a bad review. A good reviewer helps people find movie's they will like. Since you don't have the same taste in movies as everyone else, you need to be able to tell people if they will enjoy the movie, even if you didn't. Thanks Helpful 0 Not Helpful 0
• Structure is very important; try categorizing the different parts of the film and commenting on each of those individually. Deciding how good each thing is will help you come to a more accurate conclusion. For example, things like acting, special effects, cinematography, think about how good each of those are. Thanks Helpful 0 Not Helpful 0

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Expert Interview

Thanks for reading our article! If you’d like to learn more about writing, check out our in-depth interview with Marissa Levis .

• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/terminology_and_starting_prompts.html
• ↑ https://www.spiritofbaraka.com/how-write-a-movie-review
• ↑ https://www.nyfa.edu/student-resources/9-tips-for-writing-a-film-review/
• ↑ https://en.oxforddictionaries.com/writing-help/top-tips-for-writing-a-review
• ↑ https://writingcenter.unc.edu/tips-and-tools/summary-using-it-wisely/
• ↑ https://twp.duke.edu/sites/twp.duke.edu/files/file-attachments/film-review-1.original.pdf
• ↑ https://www.dailywritingtips.com/7-tips-for-writing-a-film-review/
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/film_writing_sample_analysis.html
• ↑ https://learning.hccs.edu/faculty/onnyx.bei/dual-credit/movie-review-writing-guide
• ↑ https://writingcenter.unc.edu/tips-and-tools/conclusions/
• ↑ https://www.grammarly.com/blog/how-to-write-a-movie-review/
• ↑ https://gustavus.edu/writingcenter/handoutdocs/editing_proofreading.php
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/
• ↑ https://edusson.com/blog/how-to-write-movie-review

About This Article

To write a movie review, start with a compelling fact or opinion to hook your readers, like "Despite a great performance by Tom Hanks, Forrest Gump never overcomes its weak plot." Then, elaborate on your opinion of the movie right off the bat so readers know where you stand. Once your opinion is clear, provide examples from the movie that prove your point, like specific scenes, dialogue, songs, or camera shots. To learn how to study a film closely before you write a review, scroll down! Did this summary help you? Yes No

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How to Write a Movie Review and Where to Get Help

The first thing you do after watching a movie is to go online and write a comment about it. Comments about movies are usually posted on social media profiles or public pages, review sites, blogs, among other platforms. You can make the process easier with tools available online.

Writing a movie review is a common assignment that students have to do in high school and college. Even though it may seem simple, movie reviews require time and proper organization. It’s not just about writing what happens on the screen, the review goes deeper than that.

Movie Review Purpose

The main purpose of a movie review is to inform the reader about the film and its ideas. Seems simple, right? Reporting all events that happen and stating one’s opinion about them is a common mistake that many students make. While movie review allows writers to express their opinions about some film or documentary, there is also the need for the unbiased and objective approach. An ideal review combines both.

The review determines whether someone will want to see the movie. Even if the professor (or teacher) assigned a specific title and film to review, one should act like this is the perfect opportunity to introduce the cinematography work to their lecturer. Always assume they haven’t seen it before. As a result, it becomes easier to analyze events that happened on the screen.

Film review should be detailed enough to provide assistance in making an honest decision i.e. whether the reader wants to see it or if they’d like it. Why is this type of paper a common school assignment? Lecturers want to get more insight into a student’s critical thinking skills and the ability to report event (one or more of them) in a manner that others understand easily.

In addition, they want to assess the way you analyze plot and characters. After all, movie reviews also involve the analysis of events that happened in a documentary or “regular” film. Reviews test writing and vocabulary skills, adapting to different genres and events they portray, and your capacity to sum up some major work and report it in a cohesive, logical, and interesting manner.

While reviews entail more responsibility than initially thought, students find them fun and with this guide, you will too.

How to Write a Good Movie Review

You have to write a movie review for school and now what? Where to start, how to make it look more “academic”? Today, we have the opportunity to use numerous tools to make every part of our lives easier, and movie review writing isn’t the exception. Throughout this tutorial, you’ll learn how to compose a report about some film and what tools to use to simplify the process.

Step-by-Step Guide to How to Write a Movie Review

Beginnings are always the hardest. This is the point where you set the pace and determine how to approach this assignment in the most efficient manner. Here are some useful tips to kick-start the movie review writing process:

• Watch the movie or documentary twice and take notes of both major and minor events and characters. It’s a mistake to rely on the power of your memory only, there’s always something we overlook or forget
• Carry out a thorough research . Watching the movie isn’t enough, research is equally important. Look for details such as the name of filmmaker and his/her motivation to make that film or documentary work, locations, plot, characterization, historic events that served as an inspiration for the movie (if applicable). Basically, your research should serve to collect information that provides more depth to the review
• Analyze the movie after you watching it . Don’t start working on the review if you aren’t sure you understand the film. Evaluate the movie from beginning to an end. Re-watch it, if necessary, if you find some parts confusing. Only when you understand events that happened on the screen will you find it easier to create the review
• Draft an outline that you will follow to write the review in a concise and cohesive fashion
• Include examples for claims you make about the movie. If the plot has holes, then mention an example of a situation or scene when that was evident. Also, if the character(s) is poorly developed or bad casting affected the movie quality, name examples too. Provide examples when commenting dialogues, locations, plot, everything. If you want the reader to agree with you, it’s essential to back up your claims with evidence. You don’t want to make it seem like you’re praising or criticizing the movie without any reason whatsoever
• Consider and comment a movie’s originality and quality of scenes . Explain how the movie stands out or whether it just uses the same approach that worked for previous works in the industry

How to Organize Your Movie Review

Quality of your paper depends on the level of organization you implement. Never underestimate the importance of well-structured outline, regardless of the type of paper you have to write. Outlines help you focus on the subject and contribute to a logical flow.

In addition, getting things organized before you start writing is a great way to save time later on. Instead of trying to figure out what to include, you’ll have a well-structured plan to follow. It’s needless to mention you won’t be too stressed out. Here’s how to organize your movie review:

• Introduction (with title, release date, background information)
• Summary of the story
• Analysis of the plot elements (rising action, climax)
• Creative elements (dialogues, characters, use of colors, camera techniques, mood, tone, symbols, costumes or anything that contributes or takes away from the overall plot)
• Opinion (supported with examples and facts from the story)
• Conclusion (announcing whether the filmmaker was successful in his/her purpose, re-state your evidence, explain how the motion picture was helpful for providing a deeper understand of course topic)

Movie Review Elements

• The title of the film/documentary – just because your headline features the name of the movie or documentary it doesn’t mean should skip mentioning it in the text. Always name the feature you’ve watched in the introductory paragraph. This may seem like a stupid thing to point out, but it’s one of the most common mistakes that students make
• Summary – the whole point of the review is to summarize the documentary or movie for people who haven’t watched it yet. To make this as effective as possible, always assume that your professor hasn’t seen it either (as mentioned above). Why is this important? You won’t leave out some important details thinking he/she watched it already so they won’t bother. As a reviewer, your job is to explain what happened in the film and express whether the filmmaker failed or succeeded. Again, saying you liked or disliked it isn’t a viable comment. Your opinion has to be supported by specific reasons and examples from the feature itself
• Filmmaker – do a little research on the person who directed the piece. Is that person a controversial figure? Is he/she known for a political stance? Does the filmmaker have a significant background? Devote a paragraph or two to the person behind the movie and their other works in order to establish the significance of the film you are reviewing for the director’s career
• Significance to your class – How does the content of the documentary or film fit into your course topic? Is it important for historical accuracy? If you are watching the motion picture for history class, make note of over-dramatization. If the motion picture is based on the book you’ve analyzed in English class, you can mention similarities, differences, or some elements that film contains, but book doesn’t and so on
• Creative elements – filmmakers work hard to include creative elements into their motion pictures. How are these elements important to the plot and movie in general? For example, costumes can either enhance the movie or betray its intent. Colors can be vivid and lift the atmosphere or mood in the movie or they can be dull and make it seem depressing. Good sound effects enrich the viewing experience while bad ones only destroy everything. Moreover, camera movements and angles also add elements to the story. Take notes of symbols in the story, if any.
• Actors – let’s not forget the casting! Were the actors realistic? Did they portray the role of a specific character successfully? Did they have good acting skills? Do you believe that some particular actor was the right fit for the role?

Checklist / Outline for a Good Movie Review

• Introduction (title, topic, release date, background information)
• Accuracy of depiction
• Use of sources in the documentary
• Creative elements that enhance or tarnish the overall story (quality of script, visual design, performance, lighting, hair, and makeup, costume, set design, symbolism)
• Your opinion

Mistakes to Avoid

• Not focusing on the film – while connecting the plot to some specific historical event is a good idea (when applicable), strive to avoid writing about unnecessary details or introducing irrelevant information such as the history of cinematography or that particular genre, snacks, among other things
• Inserting yourself – you’re the one who’s writing the review. The paper reflects your understanding and opinion of the motion picture you’ve seen and there is no need to write in first person all the time: I noticed this, I saw that I liked this, I disliked that
• Failing to check facts about movie background and release date, director, casting etc.
• Giving out your opinion without mentioning any reason why you think that way
• Talking about irrelevancies
• Writing a review without a structure
• Writing generalities such as great acting, cool effects, a good movie, it was bad etc.
• Writing a review without substance or analysis of the feature

Finished papers

Customer reviews

Movie Review Examples

• The Hunger Games and the idea of dystopia
• Mean Girls review: does it exploit stereotypes about high schools or it helps to undermine them?
• The Martian review and its connection to Daniel Defoe’s Robinson Crusoe
• The Last Jedi review: all the reasons it’s far from the original saga
• Manchester by the sea and ideas of forgiveness and grief
• Forrest Gump review
• I am Sam review
• Runaway Bride review and its role in modern understanding of marriage

Movie Review Help

Like other types of writing, movie reviews require patience and time. Being a student isn’t the easiest task in the world and you don’t have enough time to dedicate to one assignment only while neglecting others. There’s no need to despair; you can use the internet to get much-needed assistance with this assignment. Here’s how:

By Markers Expectations / Rubrics

Clear Organization – as stated above, the clear organization is vital for a well-structured movie review. You can use the Edusson website as a guide through this process via numerous posts about writing, self-help resources, and Essay Examples that serves as an excellent platform to sharpen writing skills and compose your paper.

RobotDon Essay Checker  platform proves to be handy when you complete the writing process and want to make sure it’s unique, without fluff and wateriness, repetitive words and expressions.

Let’s not fort that you can hire an essay writer  who will write a perfect review for you.

Use of Sources – just because it’s movie review, it doesn’t mean you should avoid using sources to support your claims. Sources are particularly important for reviews of documentaries or when you’re trying to connect the review with some problem in society. Research requires more time than any other part of the process and you can easily hire a professional i.e. a helper who will do that for you

Opinion – a movie review is about the equilibrium of unbiased report and personal opinion. While it’s okay to say what you think about the movie, you also have to approach certain aspects in an objective manner to help the reader get a better understanding of the motion picture. Finding the balance between subjective and objective writing can be frustrating, which is why professional service comes handy. All you have to do is to provide title, information, your opinion and a pro writer takes it from there

Essay Writing Service – there is no need to be stressed out because you have a ton of work to do when professional writer service can write movie review easily. Services like Edusson are used by students who can’t keep up with constant demands in school or college, but they don’t want to jeopardize their grades. With over 1000 writers, Edusson is a perfect assignment writing service . You have the full control of the project through set deadlines, choosing the writer for this task etc.

Essay Editing Service – sometimes students don’t need help with the writing process, but they need someone to edit it. Don’t ask your friends and family members to do it for you, hire professionals. Improve your paper. Raise your grades! Editors and proofreaders from Edusson correct grammar, spelling, syntax, punctuation mistakes, check the style, formatting, organization and other aspects of your work to boost its quality. You can also use RobotDon to edit an essay on your own.

Movie Review FAQ

Do I have to write a movie review in a certain formatting style? Everything depends on the instructions your teacher gives you. It often happens that a movie review can be free of academic formatting. But don’t exclude the possibility that you will have to complete this paper in MLA or get task writing a paper in APA .

Can I copy an existing movie review? Well, of course, it is important to look at examples of other movie reviews to get to know the structure and ways of ideas expressing better. But if you copy a film review directly from the other source, your curator will detect plagiarism in it.

My major is not moviemaking. Why am I assigned to write a film report? Students are assigned movie report writing, first of all, to broaden their mind and evaluate the way they can analyze material and express their opinion. Don’t feel confused if on the Psychology class your professor asks you to review a movie. It is a common practice for students who are completing their degree in various fields of study.

Will you just give me someone else’s review?

No, not at all! Edusson stands out as the writing service with full transparency. All essays and other papers are written from scratch by professional writers with strong work ethic and desire to help their clients get better grades. The movie review you receive is 100% original, which you can check with RobotDon’s plagiarism checker.

Will you send my review to someone else?

The answer is – no. Not only are the clients in control of the process, but author’s rights are transferred to them the moment the review is done. Once the writing process is over, the review is yours and can never be sent to someone else.

What if I need more edits?

If you need edits or want some specific info to be added, our writers will be happy to make necessary revisions.

I need more help with movie review service, how can I contact you?

Our customer service is always available through 24/7 live chat feature.

Do you like movies? Who doesn’t? Movie and documentary reviews give you a unique opportunity to improve your writing skills by combining school assignment with someone you really like. Although it’s not that difficult to compose a review of a motion picture or some educational/informative feature, feel free to use all the available resources to get the most out of your assignment. Use the advantage of the internet to work on your review for major benefits such as:

Improve Your Paper

Practice makes everything better and the internet allows you to make it happen. For instance, Edusson acts as a perfect tutorial + professional writing service platform as it allows you to improve writing skills while getting assistance from professional writers and editors when necessary . The do-it-yourselfers benefit greatly from RobotDon, a cute little helper that analyzes the review and identifies mistakes you need to correct. The result of using these resources is a well-written movie review that meets or exceeds your lecturer’s expectations.

Raise Your GPA (Grade)

Using multiple resources and platforms to your advantage can only be a good thing for your GPA. When you’re a student, everything you do counts and contributes to GPA. It all comes down to learning how to make student life easier for you and one way to do that is to incorporate online tools into your assignments. Your professor will appreciate the effort and thanks to the improved writing skills, good grades are unavoidable.

Related posts:

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• How To Write A Philosophy Paper On Education: Full Guide
• Explaining Appeal to Ignorance Fallacy with Demonstrative Examples

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How to Write a Movie Review: 10 Essential Tips

As long as there have been films, there have been film critics. Starting with the early days of cinema, where reviews appeared in newspapers and magazines as brief, descriptive pieces, as filmmaking evolved as an art form, so did the role of the critic. James Agee, André Bazin, and Pauline Kael shaped the discourse around cinema, and today, famous film critics like the iconic Roger Ebert , The New York Times’s A.O. Scott , and The New York Times’s Manohla Dargis continue to leave an indelible mark on the world of cinema.

With the rise of the internet, film criticism now encompasses a wide range of voices and perspectives from around the globe. Sites like Letterboxd make it possible for anyone to write short-form reviews on film. Even stars like The Bear’s Ayo Edebiri have accounts and share opinions on the latest box-office hits.

How to Write a Movie Review

Today, contemporary YouTube and TikTok critics such as Red Letter Media , deepfocuslens , and DoMo Draper don’t just write film reviews, they shoot videos and skits. Through their creative formats, they offer refreshing and unique perspectives while building communities of diehard film and television enthusiasts. Whether you choose to write reviews for your own blog, other websites, or social media channels, by learning how to write a movie review, any aspiring filmmaker can start to watch films intentionally. 

@domodraperr Replying to @xsindeviltriggerx I’ll get right on that, Sir!🫡 #comments #movies #film #satire #fyp #mulan #disney ♬ I’ll Make a Man Out of You (feat. Black Gryph0n) – Cover – Samuel Kim

TikTok film critic “DoMo Draper” provides commentary on new and old films, often calling out racism, social injustice, misogyny, and prejudice.

While there’s no perfect approach to writing a review, there are best practices that every aspiring reviewer should consider.

Here are ten tips on writing a compelling piece.

1. Watch the film at least once.

For new reviewers, it’s impossible to capture everything after one viewing. Watching the film first, then watching to take notes, is an easy way to improve the quality of your final review. This will also make it easy to recall in-the-moment thoughts and reactions.

Take a review by Christian Blauvelt of Charlie Chaplin’s silent film The Circus , for example. Since the film does not have sound, properly critiquing the film requires close attention. Viewers have to pay attention to the various nuances in Chaplin’s performance, follow the story, and take in the cinematography. Regarding The Circus , Blauvelt writes, “The film lacks a conventional plot, but is rather a pearl necklace of strung-together episodes. ” The statement isn’t a criticism, but a keen observation likely gleaned from more than one viewing. 

So while every film reviewer has their own approach, many choose to watch a film more than once to deliver the best possible review. Image The Criterion Collection.

2. Express your opinions and support your criticism.

Professional reviewers do not shy away from sharing whether they thought a movie was good, bad, or indifferent. In a review for the film Mother!, reviewer Candice Frederick describes the film as “uncomfortable,” and “controversial,” helping viewers understand the tone of the movie. While Frederick seemed to enjoy the film, her honesty about how it would make audiences feel was vital in writing the review.

Be sure to back up these thoughts with specifics–a disappointing performance, beautiful cinematography, difficult material that leaves you thinking, and so on. Professional reviewers should express why and how they came to their criticism.

3. Consider your audience.

Are you writing for a fan site or a news outlet? Who will read your pieces, and what are their interests? Knowing who your readers are and where the review will be published can help you decide what elements of the movie to highlight. For example, take these two very different reviews for the film ‘Synecdoche, New York’.  

The first review was written by Alonso Duralde for The Today Show , and clocks in at around 500 words. The film focuses on the bullet points: characters, plot, and a concise review. The second review is over 3,000 words and published on the Critical Critics blog . This review goes into massive depth (and yes, includes spoilers) about the film, providing an incredible amount of analysis. The first review is tailored for the casual filmgoer, while the second is for cinephiles. Each review serves a different purpose.

It’s also a good idea to adjust your writing style to fit the target audience. For example, Alonso Duralde is a talented film reviewer and likely wrote the review to fit the tone of The Today Show site. Image via Director’s Library.

4. Talk about the acting.

When reviewing a film, it’s important to take space to discuss the performances. Does the film feature a seasoned actor in a new kind of role or a brilliant performance from a rising star? How was the acting? In a review by Brett Milam for the award-winning film Whiplash , he goes into rich detail about performances by both breakthrough actor Miles Teller and seasoned professional JK Simmons.

Regarding Teller, Milam writes, “This is a performance. This is art,” and about Simmons, “I found him fascinating to just look at.” Those are just small examples of the analysis he provides regarding their acting. As the film mostly focuses on the relationship between their two characters, Miles as the protagonist and JK as the antagonist, the review of the performances lends well to the plot of the film: student and teacher going head to head in an intense and determined showdown. 

Feedback about how well the actors handled the script, the dynamics in an ensemble, and so much more can help describe how the actors did in any given film.

5. Call out directors, cinematographers, and special effects.

Reviews that include highlights or missteps of directors, cinematographers, and costume designers can help provide support to your critiques. By providing specific examples of what worked, what surprised you, and what fell short of expectations, reviewers can write a well-thought-out review that goes beyond whether or not you liked it.

In a review for A Wrinkle in Time , Monique Jones artfully crafts a piece that diplomatically cites the missteps of the film. From analyzing the quality of the CGI to the camera techniques to inconsistencies in the rules of the fantasy universe, Jones fairly offers a critique that guides the filmmakers and crew on future endeavors. To write this type of review, it helps to have some knowledge of the filmmaking process so you can properly assess the screenwriting, cinematography, special effects, acting, and more. Image via Disney.

6. No spoilers!

The point of writing a movie review is to get people interested in seeing a movie. That’s why it’s absolutely best practice to not reveal spoilers in a film review. Film reviewer Robert Daniels approaches this creatively. In his review of Annihilation , he provides commentary on what would be considered spoilers. However, he places that part of the review at the bottom of the article under a bold header/image that warns the reader he’s about to spoil the film. For reviewers who want to dissect the entire film, this is a good way to both tease the film for anyone who hasn’t seen it and cater to people who want to know what the ending is.

Remember: the goal of any film review is to discuss the plot without revealing any twists or the ending of the film. 

7. Study the professionals.

As with all writing endeavors, the more you read, the better. However, with the modern landscape of film reviewing, which can go beyond writing and extend to content creation for social media platforms, there are a ton of reviewers to take notes from. First, determine what kind of reviewer you want to be, and what kind of medium you plan to deliver your reviews on. If you plan to post to Medium, for example, studying the reviewers already established on the site can be a great starting point.

Then, read film reviews for some of your favorite films. Determine which style of review you like and don’t like. Question why, and use your critical eye to consider why one reviewer has a hundred thousand followers and another only has two. If you’re looking to be featured on a website or a magazine, read the publications where you’d like your writing to appear as a template for your reviews, and don’t forget to read the submission guidelines. A few examples of film review professionals include Rotten Tomatoes , Roger Ebert , and Film Comment. 

8. Reread, rewrite, and edit.

While writing film critique is based on opinion, and follows the style of the reviewer, it’s still important to edit work. Writers should check for spelling, grammar, and readability. No matter how good a writer’s opinions are, they will not be taken seriously if the director’s name isn’t spelled correctly. Tools such as Grammarly and Hemingway Editor can be great for correcting and finding areas that need improvement. 

9. Find your voice.

The best reviewers have a distinct personality that comes across in their writing. Los Angeles Times film reviewer Carlos Aguilar wrote an impassioned piece about the film Beatriz at Dinner , going into a lot of detail about his experiences working in the film industry and his Mexican heritage. By sharing anecdotes about casual racism he’s experienced and connecting it to the film’s protagonist, and what she goes through, the review feels personal and relatable.

“If at a film festival – to which I’ve gotten access to because I’m a published writer – in a progressive city like Los Angeles, I must keep my guard up when people question my right to be there, then how are the voiceless supposed to feel safe, respected, or hopeful?” Aguilar writes. 

For new reviewers, developing this type of unique voice does not happen overnight, so take every opportunity to write as an opportunity to develop your style. Image via BBC.

10. Know your taste.

As a film reviewer, it can be helpful to identify your taste in film. By knowing specific preferences, strengths, and biases, reviewers can offer nuanced critiques that resonate with audiences and provide valuable guidance on which films they might enjoy. Additionally, it helps to maintain credibility and integrity as a reviewer by ensuring that assessments are authentic and reflective of personal cinematic sensibilities.

Try to explore various genres, directors, and themes to understand what resonates emotionally, intellectually, and aesthetically. Pay attention to the types of stories that engage you, which can help define your preferences.

Learn More About Filmmaking at NYFA

Film students with writing experience actually make great reviewers, as many of them are required to study a range of topics relating to film that can include cinematography, screenwriting, producing, and much more. Ready to build even more skills in filmmaking? Request more information about New York Film Academy’s filmmaking programs and workshops today!

How to Write a Movie Review With Our Template Based Example

Did you know that a lot of people around the world read reviews before watching a movie? Yes, it’s true. A Statista survey was taken out last September in the United States which shows that 12 percent of moviegoers watch reviews before watching a movie while about 2 percent do it rarely.

However, a good movie review is not just about to rate the movie but provides explicit information from different angles. Reviewers must understand how to write a movie review to write an effective one.

Table of Contents

What Is A Movie Review?

A movie review is when someone gives their thoughts on a film, pointing out what’s good and what’s not so good, and how it all comes together. 

They look at things like the story, the acting, how it’s directed, how it looks on camera, the dialogue, the themes, and if it’s entertaining. These reviews can help you decide if a movie is worth watching.

Why Students Have To Write A Movie Review?

Learning how to write a movie review is not just for film reviewers or movie critics. Many Students might have to write film reviews for several reasons, such as:

Academic Assignments

Writing a movie review can be part of student coursework. However, many top teaching universities indulge students in such writing to develop critical thinking, analytical, and writing skills among them. It helps them apply theoretical knowledge learned in classes to practical evaluation.

Extracurricular Activities

Writing reviews might be part of journalism, media studies, or film club activities, allowing students to express their opinions, share insights, and discuss films.

Developing Analytical Skills

Analyzing a movie requires students to dissect various aspects of filmmaking, enhancing their ability to assess and critique artistic works critically. Having such skills could help them write an analytical essay well when needed.

How To Write A Movie Review: Helpful Tips

Whether you are a student, movie critic or movie lover, you have to follow some steps to write a movie review in a clear and persuasive way. Whether you are a beginner or an expert writer, these tips will help you write a compelling review that shines out from others.

Choose A Movie To review

If you are going to review a movie, the first thing you need to do is pick a movie.  It is recommended to choose a movie as per your interest. This could be a crime-based sci-fi, a psychopath movie, or even an adventure movie.

Watch The Film Mindfully

To learn how to write a good movie review, you have to watch the movie with focus. Remember to pay close attention while watching and note down the essential elements like plot development, acting performance, cinematography, and other aspects.

Write Down Special Notes

Note down the key elements, moments, observations, and impressions on a notebook, so you can’t forget them. Later on, these notes will help you to start writing a film review.

Provide Context

Now it’s time to officially know how to start a movie review. Begin with writing an introduction for your film review. However, keep in mind that the introduction of movie analysis is different from other types of writing.

It will include the title of the movie, the director’s name, genre, and release date. After that a concise summary of the movies without revealing major spoilers.

Analyzing The Elements Of The Film

Now it’s time to analyze the key elements from the movie. Evaluate the director’s vision, screenplay, dialogues, and camera work. Furthermore, do your best to analyze the performances of the actors and assess whether the movie is well-edited or not.

To make a deeper connection, talk about the themes, messages conveyed, and overall impression about what works well and what doesn’t. By integrating these elements, you can better understand how to write a movie review.

Express Your Opinion

Well, opinion is the key to a successful movie analysis. A reader will more likely watch the movies when your personal opinion is in the review. Remember to express your thoughts and opinions clearly and persuasively.

By any chance, if you don’t have an idea about opinion writing, get help from opinion writing examples and add your opinion effectively in the movie analysis.

Watch Movie At Least 2 Times

Richard Linklater , a famous American movie director quoted that “It’s hard to see a film one time and really “get it,” and write fully and intelligently about it. That’s a review. That’s not film criticism.”

According to his statement it is clear that to understand how to write a movie review, you need to watch it at atleast 2 times to analyze every angle.

Movie Review Template

You must have noticed that writing a film review is far more different from other kinds of writing like essay writing, paper writing, or research writing. No need to puzzle, as we are here to help you out with a compelling, concise, and easy-to-attempt template for a movie review.

All outlines are clearly mentioned in the above movie review template. You just need to pick a movie and fill the template with relevant information.

Movie Review Examples

Providing examples is the best technique to clear your doubts related to how to write a movie review. In the below section, we have compiled two short and easy examples based on the above-given template to make your concept clearer. Let’s start with the example 1:

Movie Summary Example 1

Title of the Movie: Inception

Director: Christopher Nolan

Cast: Leonardo DiCaprio, Joseph Gordon-Levitt, Elliot Page, Tom Hardy, Cillian Murphy

Genre: Science Fiction, Thriller

Release Date: July 16, 2010

Plot Summary

“Inception” follows Dom Cobb (Leonardo DiCaprio), a skilled thief who steals secrets from within the subconscious during the dream state. He is offered a chance to have his criminal history erased in exchange for planting an idea into a target’s subconscious. This “inception” mission takes Cobb and his team through a series of complex dream worlds.

Analysis Of The Main Key Point

Direction: The direction of Christopher Nolan in this movie is just mind-blowing and masterful. The way he combines complex storytelling with groundbreaking visual effects is just exceptional. His ability to add multiple layers of dreams into a coherent narrative is respectable.

Script: There is a strong sense of character development and a gripping plot in the screenplay, which is intelligent and thought-provoking. Furthermore, the dialogues were very sharp and effective and contributed to the depth of the story.

Acting: Every cast of the movie delivers a strong performance. Leonardo DiCaprio brings emotional depth to Cobb’s troubled character. Besides this, Joseph Gordon-Levitt and Tom Hardy also stand out with their charismatic roles.

Cinematography: The cinematography by Wally Pfister is visually stunning, especially the dream sequences that defy the laws of physics. As a result of the smooth integration of visual effects, the film takes on a surreal quality.

Music and Sound: The sounds by Hans Zimmer enhance the suspense and complement the film’s tone perfectly.

Editing: The editing is tight and well-paced by professional editors to keep the viewer engaged through the film’s complex structure. The transitions between different dream levels are smooth and effective.

Themes and Messages

“Inception” studies the themes of reality, dreams, and the subconscious. It questions the nature of reality and the power of the mind, which leaves the audience entertaining.

Overall Impression

“Inception” is a brilliant and innovative film that combines a convincing narrative with mind-blowing visuals and strong performances. It challenges the audience intellectually and, at the same time, provides an exciting cinematic experience. Highly recommended for fans of sci-fi and psychological thrillers.

8.8 out of 10 or (⭐⭐⭐⭐✰)

Example of Movie Review Summary 2

Title of the Movie: Lady Bird

Director: Greta Gerwig

Cast: Saoirse Ronan, Laurie Metcalf, Timothée Chalamet, Lucas Hedges

Genre: Drama, Comedy

Release Date: November 3, 2017

Christine “Lady Bird” McPherson (Saoirse Ronan) is a senior in high school in Sacramento, California. The film shows her rough relationship with her mother (Laurie Metcalf), her desire to attend college on the East Coast, and her journey of self-discovery.

Direction: Greta Gerwig’s direction is sensitive and fine which catches the spirit of youth with authenticity and warmth. Her personal touch is noticeable throughout the film.

Script: The screenplay is very sharp and heartfelt throughout the film. Furthermore, the dialogue feels natural and genuine. The characters are well-rounded and relatable, making their experiences interlink with the audience.

Acting: Saoirse Ronan’s acting in the movie is as great as Lady Bird. She shows feelings of being both sensitive and brave. Laurie Metcalf plays the role of her mom who is both complicated and loving. Timothée Chalamet and Lucas Hedges play smaller roles but act well.

Cinematography: Sam Levy’s cinematography beautifully captures the suburban scenery of Sacramento. He uses close-up shots that focus on the characters, which helps to tell the story effectively.

Music and Sound: The soundtrack includes songs that match the right time-period. Also, an original score by Jon Brion matches the film’s nostalgic and emotional feel.

Editing: The editing by Nick Houy is completely smooth and in narrative flow. Undoubtedly, he effectively balanced the film’s comedic and dramatic elements.

“Lady Bird” movie clearly shows the themes of identity, family, and the transition from youth to adulthood. It highlights the complexities of mother-daughter relationships and the search for self-acceptance.

No doubt, “Lady Bird ” is a touching and beautiful movie for the upcoming ages. Greta Gerwig’s authentic storytelling tactics perfectly combined with outstanding performances. And for that reason, this movie left a heartfelt and relatable experience for the audience. Overall, It’s a must-watch for anyone who appreciates genuine and emotionally rich narratives.

7.4 out of 10 (⭐⭐⭐✰✰)

Common Mistakes To Avoid In Movie Review Writing

Writing an effective movie review demands a complete attention to detail and an exact approach. Here are common mistakes to avoid:

• A common mistake that most review writers make while reviewing is that they exploit the main spoiler in plot summary.
• Another mistake is writing a review without a clear organization or structure.
• Only focusing on personal preferences and neglecting a fair assessment.
• Ignoring elements like direction, cinematography, sound, and editing.
• The most major common is not considering who the review is for.
• A shift between formal and informal tones or inconsistent writing styles can make the reviewing experience bad.
• Make grammatical errors and typos to distract the reader from your review. To tackle this mistake, you can utilize free grammar and punctuation checker tools to make your review go smoothly.

When you avoid these mistakes, you will likely have an idea about how to write a good movie review in a more insightful, engaging, and professional way.

The Author’s Top Recommended Movies To Review

Now that you have learned every aspect of how to start a movie review, it’s time to write your first one. Below are some top movies that the author has recently watched and wants students, critics and movie lovers to write reviews about them. You can choose one according to your interests.

• Joker (2019): A psychopath, thriller and crime based movie
• under paris (2024): Horror, action mystery
• Unfrosted (2024): Comedy/ Drama
• After everything (2023): A romance/ thriller movie
• The Nest 2020: A thriller/ drama movie
• The Guilty (2021): Triller and chrome
• Uncharted (2022): Action + Adventure Movie
• Return to sender (2015): A psychological thriller and action movie
• Spaceman (2024): Sci-fi + adventurous
• The Green Mile (1999): Crime/Fantasy Movie

Before going to wind up, we recommend you to watch these movies and write a compelling movie review on your own. In case anything remains unresolved, feel free to contact our creative writing helper and let them help you in writing a movie review.

Final Thoughts

Overall to understand how to write a movie review all you need is a template for a movie review, some helpful tips and some movie review examples. 

Surprisingly, we cover all of these factors to help you write an effective review. Just follow the tips, and you’ll be able to turn your ideas and observations into reviews that people can’t put down.

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Introduction

Writing a movie review can be a fun and rewarding experience, allowing you to express your thoughts on the latest film in an engaging way. Whether you’re reviewing for your personal blog, social media, or a magazine publication, understanding the basics of writing a movie review is essential. This article will guide you through the process, providing you with tips and sample reviews to help you craft an effective and entertaining review.

Step 1: Watch the Movie

As obvious as it sounds, the first step in writing a review is to watch the movie. Make sure to watch it attentively and take notes during the screening process. Focus on details such as plotlines, characters, dialogues, and visuals to support your review later on.

Step 2: Research

Researching the production and background of the movie can provide useful context and additional information. This includes learning about the director’s past work, genre conventions, or any behind-the-scenes tidbits that could enhance your review.

Sample Review:

“In ‘Inception,’ director Christopher Nolan – best known for his work on ‘The Dark Knight’ trilogy – constructs a mind-bending universe that explores the possibilities of dreams within dreams.”

Step 3: Analyze

Break down different aspects of the movie, such as its plot, characters, acting, music score, cinematography, and visual effects. Analyzing each element will provide a comprehensive perspective on the film’s strengths and weaknesses.

“While ‘La La Land’ boasts stunning visuals and memorable musical numbers by Ryan Gosling and Emma Stone, its predictable storyline loses some momentum in the latter half.”

Step 4: Consider Your Audience

Your writing style may vary depending on who you’re writing for. Make sure to adjust your tone and focus based on what your readership might find interesting or entertaining.

“If you’re a die-hard Marvel fan, ‘Avengers: Endgame’ delivers a satisfying conclusion to the decade-long story arc. However, newcomers may struggle to keep up with the film’s numerous plotlines and characters.”

Step 5: Express Your Opinion

A good movie review should provide a balance of analysis and personal opinion. Be honest about your feelings towards the film and use your analysis to support your point of view.

“‘Get Out,’ directed by Jordan Peele, is an instant horror classic that combines social commentary with chillingly suspenseful storytelling. I highly recommend it for fans of thought-provoking thrillers.”

Step 6: Structure Your Review

Organize your review into clear sections, such as introduction, background research, plot summary (avoid spoilers), character analysis, technical aspects, and conclusion. This will make it easier for your readers to follow and digest your thoughts on the movie.

Step 7: Edit and Revise

Proofread your review for grammatical errors and inconsistencies in the flow of thought. Don’t be afraid to make changes to improve your review’s clarity and coherence.

Writing a movie review can be an enjoyable process, offering an opportunity to share your insights on a film while honing your critical thinking skills. Follow these steps and use the sample reviews provided as inspiration on how to craft an engaging and insightful movie review that both informs and entertains your audience.

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How to Write a Film Review: Preparation, Steps, Examples

• by Anastasiya Yakubovska
• 06.10.2022 10.05.2024
• How to write ...

How to write a film review (true, professional, and comprehensive) and not be limited to the phrase “What a great movie!”? In this article, you will find answers to the next questions:

• How long is a movie review? 
• How many paragraphs does a movie review have? 
• Features of the Film Review 
• Functions of the Movie Review 
• How to Write a Film Review: Preparation for Writing 
• 10 Questions You Need to Answer Before You Start Writing a Movie Review 
• How to Write and Structure a Film Review: Step by Step 

What Is a Film Review?

A film review is a critical judgment or discussion that informs about the release of a new film and contains its analysis, assessment, summary, as well as personal impressions and experiences after watching.

How long is a movie review?

On average, the length of a film review is about 1000 words.

How many paragraphs does a movie review have?

It is recommended that the film review should consist of 5-7 paragraphs.

Read also article “How to Write a Book Review: Step by Step and Examples”.

Features of the Film Review

A film review is a persuasive piece of writing, it has some features as:

• A less formal style of writing. 
• You need to write objectively about the film. 
• But, on the other hand, movie reviews contain personal thoughts and feelings. 
• The film review’s audience is wider and more diverse. 

Movie reviews can be written by two groups of reviewers: professional critics and ordinary consumers. Therefore, the text of the review will differ. In the first case, when the reviewer is a professional critic, he will describe the movie instead of evaluating it. While consumer critics mostly write from a personal perspective. 

What is the main purpose of a film review?

The main purpose of a film review is to inform readers about the film (what can expect from it) and to help them determine if they want to watch the movie. 

Functions of the Movie Review

The film review performs several functions at once: it informs, analyzes, persuades, and entertains. If you can include all of these points in your review, then you will have an excellent result in the end. 

How to Write a Film Review: Preparation for Writing

Writing a review is, of course, a creative process, but you should not forget about the analytical approach to creating a convincing and high-quality text. You must take the work responsibly, which we will do now.

To write a professional film review, you first need to complete the following preparation steps:

• Of course, the first step is to find a film, if it has not been previously chosen by the manager/client/boss. There will be more chances to write a good review if the film was liked by both – film critics and you personally.
• Watch the movie at least 2-3 times. After the first viewing, you will get a general impression of the picture, and try to fully immerse yourself in the atmosphere of the film. Pay attention to the details the next time you watch it: the sound, the actor’s play, the editing, the plot. 
• If you have difficulty understanding the events covered in the film (for example, historical), be sure to find additional information and research the topic.
• If after two viewings you still do not have a final assessment of the film in the form of a brief thesis, watch the film again. You can look at other works of the director who worked on this film, this will help you determine his characteristic style. Also, as an option, you can look at the game of actors in other films (for comparison).
• When watching a movie, take notes: key scenes, interesting plot twists, inconsistencies, details, and quotes. Then, based on them, you can build a review text, and a good quote can become an excellent epigraph.
• Find information about the filming: location, duration, season, details about the filming process, difficulties the production team faced, casting, etc. Such information will make the review more attractive to readers.
• If the film is nominated for awards and prizes, please include this information in your film review. For a potential viewer, such an assessment of the film will be a weighty argument in the direction of -> compulsory viewing.

10 Questions You Need to Answer Before You Start Writing a Movie Review

• Does the film split into multiple parts? A sequel, prequel, or one of the movie series? 
• What is the film genre (action, comedy, historical, drama, fantasy, Western, political, thriller, gangster, horror, tragicomedy, romance, sports, mystery, science fiction)? Is the movie based on real or fictional events?
• Did the screenplay writer create an exciting plot?
• Is the rhythm of the film slow and quiet, heavy and static, or chaotic and frantic?
• What is the film’s rating according to the MPAA? ( G – General Audiences. All ages admitted. PG – Parental Guidance Suggested. PG-13 – Parents Strongly Cautioned. R – Restricted. Under 17 requires an accompanying parent or adult guardian. NC-17 – Adults Only.) 
• Are there any films with a similar/same theme? Sometimes it is worth mentioning some of them in a review, as a comparison.
• How can you characterize the work of a cinematographer? How accurately are the most expressive compositional, lighting solutions, as well as camera angles, selected and embodied?
• Is the film entertaining or covers a serious themes?
• Was the casting successful? Did all the actors cope with their roles?
• Is the atmosphere of the film tense, mysterious, sinister, relaxed, or romantic?

The answers to all of the above questions will help you understand how to write a film review, and above all, create a draft version of your future review. But, of course, this is not enough for the final result.

How to Write and Structure a Film Review: Step by Step

Writing a film review is a long and complicated process. Therefore, it is better to break it down into stages and move step by step. This will help you not to get lost and not get confused in the details.

• The catchy introduction.

The introductory part of the review should contain important information about the film: title, director, release date, and genre. 

You can mention nominations and awards, as well as indicate the box office (if the numbers are impressive) and the cast. 

In addition to “technical” aspects and a simple presentation of the plot, it is necessary to express your impression of the film in the form of a thesis, for example, to tell:

• about the connection of the film’s central idea with current events and social problems;
• about the similarity of the film’s plot with a personal life situation, personal experience, and feelings;
• about the connection of technical elements (lighting, sound, editing) with the theme of the film.

2. Pass the verdict.

Do not torment the reader and express your opinion about the film in the first paragraphs of the review.

You should not leave all the most interesting “for later”. If you decide to give a final assessment of the film at the end of the review, what are the chances that the reader will read to this end?

3. Write a summary of the plot.

Choose 4-5 main events.

Avoid the film’s ending and spoilers. Keep the intrigue. If you want to spoil and share an unusual story development, warn the reader about this.

4. Bring the feelings.

In addition to presenting the plot of the film, you should add emotions to the text of the review and show what you felt while watching it.

5. Define the main purpose of the movie. 

Perhaps the film’s purpose is hidden in its plot. Or maybe the film does not pretend to solve global problems at all. Perhaps the film is entertaining, and this is its advantage – it is relaxed and simple.

Sometimes the main idea of a serious and deep film can be found in an interview with a film crew, a screenwriter, or a director.

6. Add some details of the filmmaking process. 

It is important to know the measure and not to overdo it with the terminology. Here’s what you can write about:

• Cinematography: visual mood, lighting elements, shot sizes and widths, camera angles, etc. 
• Sound. The main goal is to create the necessary atmosphere in the film. Sound in movies includes music, dialogue, sound effects, ambient noise, background noise, and soundtracks. 
• Editing is the creation of a finished motion picture from many shot scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors’ performances to effectively “re-imagine” and even rewrite the film to craft a cohesive whole.
• Mise-en-scène (from French – placement on the stage) is the mutual arrangement of the actors and their environment on the set, natural or pavilion. Mise-en-scene includes landscapes, visual effects, the psychological state of the characters, etc.

7. The deep meaning.

You may be able to spot specific symbolic items, repetitive moments, or key phrases that give depth to the film.

8. Give examples.

It is not enough to say “ an excellent game of actors ”. Explain what exactly caught your attention (appearance, facial expressions, costumes, or movements of the actor). 

9. A convincing conclusion.

Write about the moments in the film that made the biggest impression on you. Share a recommendation. To whom and why do you advise to watch this movie?

10. Reread the review text several times .

Edit, and correct mistakes that can spoil the impression even from a professionally written film review.

Examples of Film Reviews

To consolidate the received information, let’s move from theory to practice. Below are two examples of film reviews.

Apocalypse Now

Review by Roger Ebert

Francis Ford Coppola’s film “Apocalypse Now” was inspired by Heart of Darkness, a novel by Joseph Conrad about a European named Kurtz who penetrated to the farthest reaches of the Congo and established himself like a god. A boat sets out to find him, and on the journey the narrator gradually loses confidence in orderly civilization; he is oppressed by the great weight of the jungle all around him, a pitiless Darwinian testing ground in which each living thing tries every day not to be eaten.

What is found at the end of the journey is not Kurtz so much as what Kurtz found: that all of our days and ways are a fragile structure perched uneasily atop the hungry jaws of nature that will thoughtlessly devour us. A happy life is a daily reprieve from this knowledge.

A week ago I was in Calcutta, where I saw mile upon square mile of squatter camps in which hundreds of thousands live generation after generation in leaky huts of plastic, cardboard and scrap metal, in poverty so absolute it is impossible to see any hope of escape. I do not mean to equate the misery of those hopeless people with a movie; that would be indecent. But I was deeply shaken by what I saw, and realized how precious and precarious is a happy life. And in such a mood I watched “Apocalypse Now” and came to the scene where Col. Kurtz (Marlon Brando) tells Capt. Willard (Martin Sheen) about “the horror.”

Kurtz is a decorated hero, one of the best soldiers in the Army, who has created a jungle sanctuary upriver inside enemy territory, and rules Montagnard tribesmen as his private army. He tells Willard about a day when his Special Forces men inoculated the children of a village against polio: “This old man came running after us and he was crying, he couldn’t see. We went back there, and they had come and hacked off every inoculated arm. There they were in a pile, a pile of little arms. . . .”

What Kurtz learned is that the Viet Cong were willing to go to greater lengths to win: “Then I realized they were stronger than we. They have the strength, the strength to do that. If I had 10 divisions of those men, then our troubles here would be over very quickly. You have to have men who are moral and at the same time who are able to utilize their primordial instincts to kill without feeling, without passion, without judgment.” This is the “horror” that Kurtz has found, and it threatens to envelop Willard, too.

The whole movie is a journey toward Willard’s understanding of how Kurtz, one of the Army’s best soldiers, penetrated the reality of war to such a depth that he could not look any longer without madness and despair.

The film has one of the most haunting endings in cinema, a poetic evocation of what Kurtz has discovered, and what we hope not to discover for ourselves. The river journey creates enormous anticipation about Kurtz, and Brando fulfills it. When the film was released in 1979, his casting was criticized and his enormous paycheck of $1 million was much discussed, but it’s clear he was the correct choice, not only because of his stature as an icon, but because of his voice, which enters the film from darkness or half-light, repeating the words of T.S. Eliot’s despairing “The Hollow Men.” That voice sets the final tone of the film.

Film review: example

Diana biopic Spencer wobbles between the bold and the bad

By Nicholas Barber

You may feel that you’ve had enough of Princess Diana’s story on the big and small screens, what with Naomi Watts taking the role in Oliver Hirschbiegel’s awful Diana in 2013, and then Emma Corrin playing her in the most recent season of The Crown, with the mantel set to be passed in Elizabeth Debicki in the next run. But, to give it its due, Pablo Larraín’s Spencer marks the only time the People’s Princess has been shown delivering a lecture on Anne Boleyn to an old coat that she has just stolen off a scarecrow, and then having a chat with the ghost of Boleyn herself shortly afterwards. The Chilean director doesn’t go in for conventional biopics, as anyone who has seen Jackie (starring Natalie Portman) or Neruda will know. And here again he has gone for a surreal portrait of his iconic subject. The snag is that his experimental art house spirit keeps bumping up against the naffness and the familiarity of British films set in stately homes, so his psychodrama ends up being both ground-breaking and rib-tickling.

It’s set over three days in 1991, from Christmas Eve to Boxing Day, at Sandringham House in Norfolk. The rest of the Royal Family has arrived for their holiday in a fleet of chauffeur-driven cars, but Diana (Kristen Stewart) rocks up on her own in a Porsche convertible, having taken a detour to visit the aforementioned scarecrow: her dilapidated childhood home, from the days when she was Lady Diana Spencer, is a field or two away from Sandringham. Her late arrival concerns the sympathetic head chef (Sean Harris) and bothers the Scottish army veteran (Timothy Spall) who has the job of ensuring that everything goes the way the Queen wants it to. Her Majesty’s insufferable Christmas traditions include weighing all the guests when they arrive and when they leave to ensure that they’ve been sufficiently gluttonous. But Diana is in no mood for festive japes. Her Christmas present from Charles (Jack Farthing) – a necklace with pearls the size of golf balls – is identical to the one he has given his mistress. And the whisper in the servants’ quarters is that the Princess is “cracking up”. The filmmakers apparently agree.

Steering away from the same territory as The Crown, Larraín and Knight don’t fill the film with awkward meals and heated arguments (although there are one of each of those). Prince Charles does some grumbling, but the Queen has hardly any lines and Prince Philip has none: they are closer to menacing waxworks than people. For most of the time, Diana is either talking to her young sons, her trusted personal dresser (Sally Hawkins) or to herself. It’s interesting, this lack of dramatic conflict and discernible plot, but it can leave the film seeming as listless and purposeless as Larraín’s Diana herself. Her favourite occupation is to wander around the estate until she finds something that has an ominous symbolic connection to her, and then make an unconvincing speech about it. Ah, pheasants! So beautiful, yet bred to be killed!

Stewart is such inspired casting that she makes all this eccentric nonsense watchable. She’s been practising Diana’s signature moves for years – dipped head, hunched shoulders – and she certainly knows what it’s like to put up with intrusive tabloid photographers. She also looks suitably fabulous in the many outfits that Diana is required to wear over the long weekend. And unlike Watts’s performance in 2013, hers doesn’t seem distractingly like an impersonation. Mind you, she delivers all her lines in little bursts of hissing whispers, so if you don’t see it with English subtitles, as its first audiences did at the Venice Film Festival, you might not understand more than half of what she says.

The effect is a bit odd, but there are lots of odd things in the film, not least the tone and the pacing, which lurch around like someone who’s had too much after-dinner port. Between Jonny Greenwood’s squalling jazz soundtrack, the hallucinations, and the blush-making sexual confessions, Spencer is a folly that wobbles between the bold and the bad, the disturbingly gothic and the just plain silly. In some scenes, it’s heart-rending in its depiction of Diana’s self-harm and bulimia. In others, it’s almost as risible as the Diana biopic from 2013, and that’s saying something. I didn’t know any more about Diana afterwards than I did beforehand, but I can’t say I didn’t enjoy it. This is a film that echoes The Shining at the start and 2001: A Space Odyssey at the end. The Crown Christmas Special it ain’t.

Sources of information: 

• “The Film Analysis Handbook” by Thomas Caldwell. 
• https://payforwriting.com/writing/creating-review/how-to-write-movie-review
• www.mtsu.edu
• www.sciencedirect.com/science
• Image:   freepik.com
• Poster from the film Apocalypse Now

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How to write a movie review [Updated 2023]

Writing a movie review is a great way to practice critical analysis skills. In this post, we explore what a movie review is, how to start a film review, and steps for writing and revising it.

What is a movie review?

A movie review is a concise evaluation of a film’s content and formal elements (cinematography, sound, lighting, etc.). Also known as a film review, a movie review considers not just what a film means, but how it means. Essentially, when you write a film review, you are conducting a critical analysis or close reading of a movie.

How to write a movie review

To write a successful review about a movie, you need to evaluate a film’s content, as well as its form. In this section, we break down these two components.

A film’s content includes its plot (what it’s about), characters, and setting. You’ll need to determine the main plot points of the film and how the film’s story works overall.

Are there parts that don’t make sense? Are certain characters more important than others? What is the relationship between the movie’s plot and its setting? A discussion of a film’s content provides good context for an analysis of its form.

Form refers to all of the aesthetic and/or formal elements that make a story into a movie. You can break down form into several categories:

• Cinematography : This element comprises all aspects of the movie that derive from the way a camera moves and works. You’ll need to pay attention to elements like camera angles, distances between the camera and the subject, and types of shots (i.e. close-up, aerial, etc.).
• Lighting : Films use lighting in various ways to communicate certain effects. For instance, noir films tend to utilize chiaroscuro lighting (deep contrasts between light and dark) to express a sense of secrecy or foreboding.
• Sound : The way a film uses sound can vary considerably. Most movies have a soundtrack, sometimes with music composed specifically for the film. Some films play around with ambient sounds or use silence at key points to signify important moments. What is the relation of sound to the image in specific scenes or sequences? Do sounds link images? Does it ever become more important than the image?
• Editing : The movies we watch online or in theaters have been heavily edited in order to achieve a particular flow. When you are preparing to write a movie review, pay close attention to elements like the length of shots, transitions between scenes, or any other items that were finalized after filming.
• Costumes, Props, and Sets : Are the costumes and props believable in relation to the film’s content and setting? Are costumes particularly elaborate or understated?

The important thing to remember when you are analyzing the formal elements of a movie is that every image, sound, movement, and object has meaning and has been planned. Your review needs to take into consideration how these elements work together with the film’s storyline to create a whole experience.

Once you’ve considered both the content and form of the movie that you’re reviewing, you can begin to evaluate the film as a whole. Is it a successful movie? Would you recommend it? Why or why not?

Step-by-step review writing tips

1. watch the movie.

The first time that you watch the movie, look for overarching themes or patterns, and establish what the film is primarily about. Take note of the main characters, as well as the setting.

2. Watch the movie again and take notes

Next, watch the movie again and take notes as you are doing so, keeping in mind the formal aspects discussed above. Write down anything that seems significant.

3. Evaluate the film’s form and content

Using the categories described above, and any handouts or guides provided by your instructor, evaluate the film’s formal elements along with its content. Are there elements of the movie that strike you as unfamiliar or perplexing? Are there elements that are repeated to emphasize a point or perception?

4. Write your review

A good movie review will contain:

• an introductory paragraph that tells the reader what movie you’re reviewing
• a paragraph that summarizes the movie
• several body paragraphs that explore significant formal elements and how they relate to the content
• a concluding paragraph that discusses your overall reaction to the film and whether or not you would recommend it to others

5. Create citations

You’ll need cite the film and any secondary sources that you consulted while writing. Use BibGuru’s citation generator to instantly create accurate citations for movies, as well as articles, books, and websites.

You may also want to consult a guide on how to cite a film in MLA or another major citation style .

6. Revise and proofread

Once you’ve written your review, you should set aside some time to revise and proofread it before you turn it in.

Movie review checklist

You can use this checklist to ensure that you’ve considered all of the formal elements, as well as the content, of the film that you’re reviewing:

🔲 Cinematography (camera moves and types of shots)

🔲 Lighting (natural vs. artificial light, contrasts between light and dark)

🔲 Sound (soundtrack, sound vs. silence, loud vs. soft sounds)

🔲 Editing (length of shots, transitions between scenes)

🔲 Costumes, props, and sets (believable vs. staged)

🔲 Content (plot, characters, setting)

Frequently Asked Questions about how to write a review about a movie

A movie review should contain a brief summary of the film, several paragraphs of analysis that focus on form and content, and a concluding paragraph that sums up your reaction.

Before you write anything, you need to watch the film at least once. Take notes as you’re watching and pay attention to formal elements and patterns. Then, write your review. The final step is to revise your work before you turn it in.

The tone for a movie review should be critical, yet objective. The goal of most reviews is to persuade a reader to either see a film or not.

The best film reviews balance plot summary with critical analysis of significant formal elements. A reader should be able to decide if she wants to see the film after reading the review.

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Quick Guide on How to Write a Movie Review Essay

What Is a Movie Review

The internet has revolutionized the realm of film criticism. No matter a movie's level of quality, it is always worth analyzing. Despite the growing number of individuals attempting to write about movies, few are successful. Most people do not provide insightful analysis, instead simply state how much they liked or disliked the film.

A movie criticism, usually composed by a professional in film studies, takes a comprehensive look at the film from a historical, social, political, or theoretical standpoint. This is unlike the opinion or suggestion given in a movie review, which is shorter and more concise.

A remarkable aspect of a good film review is that it doesn't just rate the movie but provides explicit views that form the critique's basis. This form of writing, like crafting essays, research papers, and term papers, should be insightful and draw the reader in quickly. It's important to discuss the reputation of the lead actors and directors and to write about what you expected and if they were met. The reviewer must explain a story's development without recalling major plot points and endings. The review must be concise, engaging, and should involve metaphors, specific words, analogies, etc.

Movie Review Purpose

Most film reviews are intended to guide readers in deciding whether to view, rent, or purchase the film. They should provide the necessary information to aid readers in deciding without divulging any fundamental details, such as the storyline or any surprises. This paper is common in schools because the lecturer wants to evaluate the student's ability to think critically and report the event easily for others to understand.

Movie reviews typically present a brief summary of the film's storyline. They provide readers with an overview of the characters, relationships, and scenarios but do not convey the complete narrative. Perusing the review should be different from seeing the movie. Nonetheless, feel free to highlight the essential moments or pivotal points that make the film worthwhile viewing.

Our college essay writing service has put together some advice on composing a movie review essay like a real critic, so let's explore the article further!

How to Write a Movie Review: Movie Review Outline

The structure is key when it comes to the quality of your paper. Don't neglect the power of a good outline, no matter what paper you're writing. Outlines help you stay on track and make sure your paper flows well.

Taking the time to arrange your ideas before starting to write is an effective way to save time further down the line. With a well-structured plan already in place, you won't have to worry about other elements. This will also make the writing process less stressful. Here is a guide on how to organize your movie review outline:

How Do You Start a Movie Review Essay: Introduction

The introductory paragraph is the first obvious step in crafting a movie review essay outline. Here, you want to quickly captivate the reader. Deliver your viewpoint instantly and make it unambiguous. Don't leave the audience wondering whether you enjoyed the film. Tell them right off the bat so you have time to justify your assessment throughout the remainder of the process.

In the introduction movie review should also describe your thesis. Develop the main concept for your essay that you can support using your perceptions of the movie's various aspects. The reader should be able to tell from this statement if you thought the film was fantastic, awful, or simply alright. By including a thesis statement, you may move your analysis beyond the plot synopsis phase into the movie critique category, which is considered a separate creative process.

Crafting Your Essay Movie Review Analysis

According to our research paper service , film analysis is similar to building a case. You're attempting to influence the reader to follow your recommendation to watch or disregard the film. So, you must ensure your essay movie review will be convincing. Giving instances that demonstrate the validity of your personal opinion is the only method to do this. If you find any dialogue in the movie that you think best exemplifies whether the work is strong or not, utilize quotes. This also applies to all of the movie's artistic decisions. But, just because a movie's narrative isn't strong or engaging doesn't indicate the rest of the film is worthless. Carefully highlight how some factors might undermine the movie in your explanation.

The movie's plot is only one component and shouldn't dominate the overall piece. The following are the important aspects to include in your movie review structure:

Cinematography - Cinematography covers much more than simply camera angles. It includes how the picture is lit, how it moves, appears, and what lenses are used. Here you can try the following analysis: 'Warm, gentle colors are used throughout the film, combined with soothing whites and grays, to simultaneously create and gradually tear away the characters' romantic sentiments for one another. There is a painting-like quality to each image.'

Editing - The editing is arguably the absolute star of what creates a good movie review example. It affects both the duration and the flow of a movie. Without effective editing, there would be uncomfortable gaps between pictures and many errors.

Costuming - The clothing the characters wear is called a costume, but there are a number of things to consider while evaluating movie costumes. You should be able to decide if the outfits suit the characters and the movie's atmosphere.

Casting and Acting - Finding the ideal performers to bring characters to life is the goal of casting. This sometimes entails seeing performers portray both familiar personas and figures who are entirely at odds with who they are. Casting, therefore, involves more than just finding talented performers. You can assess the acting in the following way: 'Even though he excels while on the go, his stoic behaviorism causes him to fall short of his co-star during calm scenes where he keeps a blank look on his face.'

Once you have finished analyzing the acting, directing, cinematography, setting, etc., wrap up with concise, stimulating wording to sustain readers' attention. Don't forget to provide a few examples to support your statements about the film.

Concluding Your Essay Movie Review

Finalize your review by coming full circle. Close the review by returning to your introductory fact or thesis. Give your readers a refresher on the movie's most intriguing aspects. It's important to remember that before choosing a movie, viewers check reviews. Finish with a statement indicating whether it is worthwhile for them to view. Be specific about who this movie will be more fascinating to and why in your suggestions. Remember that your ending is your last shot at influencing your audience, so use it wisely.

No matter the kind of movie review you have to complete, our professional specialists are willing to help you. Directly forward your needs to our research paper service and get it done quickly.

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No matter what type of movie review you want, our qualified specialists are ready to assist you.

Short Movie Review Form

If you are currently working on a new or old movie review, reading our suggestions should be sufficient to help you earn an A. So what if you'll be writing many reviews in the future? In this situation, we advise you to develop a uniform movie review template, which will enable you to save time and complete your upcoming projects successfully.

So, how to write a movie review template, you may ask? Well, our essay helper prepared a simple yet great movie review template you may use as a foundation for your own writing if you need some help getting started:

Example Papers

Once you know how to review a movie and learn the most valuable tips to handle this assignment, it is time to look at some movie review examples to get you on the right track.

Check out the following pieces to see which of these movie review essay examples you might want to keep at hand when working on your own assignment:

Helpful Tips on Writing Movie Reviews

Here are some extra helpful tips to keep in mind when unsure how to write a movie review essay:

• Add Your Own Personal Feel to Your Movie Critique - You might not have much spare time for your pastime of reviewing. You won't be able to write a movie review, though, if you just wing it without reading what others have said. Make a note of the things that intrigued you, alarmed you, made you uncomfortable, or caused you to pause and consider something, and then use that list as the basis for your research.
• Develop a Distinctive Writing Style - Have an idol—it's good for you. You must be careful not to just paraphrase and duplicate what they say without adding your own original viewpoint. Instead, in order to stand out from the throng, you must discover your own voice. When writing movie reviews, you should also have a distinct writing style.
• Include Extensive Information -Mention the film's photographer, special effects designer, and director. Your review might be significantly impacted by this. Then you may list all the memorable movie moments that also stuck with you.
• Voice Your Views and Back Up Your Criticism - Give your own assessment of the film. Make sure you have evidence to support your criticisms. Use the movie's details that most shocked or humiliated you. Review genuine information rather than merely expressing your opinions without supporting details.

Final Thoughts

Composing a good movie review essay sample is easy if you follow this article's main steps and techniques. Furthermore, we strongly believe that this guide will assist you in achieving remarkable outcomes and ease your writing process. The staff at EssayPro is always available to provide a helping hand if you need a little additional push with movie review examples or even if it's simply coming up with a catchy essay title .

Order an essay and await excellent results! Contact our expert writers and ask them to ' write my essay for me ' – and they will ensure your academic success!

Do You Require a Skilled Professional Writer?

Our writers take extra measures to make sure that your essay is created precisely in accordance with your specifications.

FAQs on Writing an Essay Movie Review

Here are the most frequently asked questions on how to write a movie review. We provided extra details on movie analysis to simplify writing film reviews.

What are the 6 Important Things to Include in a Film Review?

How long should a movie review be, what are the 5 c's in film.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

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Movie Title Ideas: 3 Ways to Come Up With Cooler Titles.

The complete guide on how to make your screenplay title page stand out from the pack..

Movie title ideas: 3 ways to come up with the coolest titles ever. 

Movie title ideas matter. A lot.

While you’ve probably heard a lot about how the first page of your story is the most important when it comes to first impressions—it’s not. It’s actually the title.

When your script lands on the desk of someone important—like a manager, producer or exec— the very first impression they form of your script is from the title.

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Here are a few examples of bad screenplay titles.

• Too close to an existing movie title . Kill Phil, Naughty Santa, While You Were Napping

• Too complicated/strange . Puranas and Itihasas, Portmanteau Antlers, The Attenuation Dispersion Code

• Too simple . Hope, Mist, Conflict

Movie titles like these give the reader an immediate signal that you’re not sure what you’re doing—before they’ve even had a chance to read the first page of your script.

Great writers choose great movie titles. And needless to say, your script’s title needs to be pretty great. Not just good. Not just okay. But great .

How do you come up with great movie title ideas?

In this post we’re going to break down how to write a movie title for a screenplay into six main areas:

1. Coming up with a great movie title ideas by nailing the story’s essence

2.  Generating movie title ideas method #1: Characters

3.  Generating movie title ideas method #2: Locations

4.  Generating movie title ideas method #3: Situations or feelings

5.  How to find out if your screenplay title idea is any good

6.  Screenplay title page format best practices

So let’s dive on in.

Coming up with great movie title ideas by nailing the story’s essence. 

A good way into coming up with a great movie title is to consider what the core essence of your story is. What’s it really about? What’s the core conflict? What’s the overall emotion you want to convey in your script’s title?

For example, here are some famous movie titles that perfectly fit  the material:

•  Blade Runner

•  Citizen Kane

•  Eyes Wide Shut

•  The Good, the Bad and the Ugly

•  It’s a Wonderful Life

•  Pulp Fiction

•  Rear Window

•  Some Like It Hot

•  The Truman Show

In each of these cases, we get a sense of genre and of the movie’s sensibility because the movie title speaks to the core essence of what it’s about. The title signals what’s at the heart of the movie and what makes it stand out from the pack.

3 screenplay title templates. 

When trying to come up with a name for your screenplay, you want to make sure it similarly conveys the core essence of the story.

A good way to do this is to consider a potential screenplay title from three different angles:

• Character(s)

• Situations or feelings

Yes, some movies have great titles that don’t fall within these parameters— Eternal Sunshine of the Spotless Mind  for example—but we’ll discuss these later in the post.

For now, sticking to one of the three screenplay title templates above is a good starting point.

Let’s take a look at each one in more detail. (We’ll be focusing mainly on recent movies in order to give you an up-to-date idea of what makes a great movie title.)

Generating movie title ideas method #1: characters.

The first option is to simply name your script after the protagonist, antagonist or stakes character or some variation on who they are or what they’re about.

Here’s a list of some of the best movie titles using this formula.

1. Atomic Blonde . Lorraine is the protagonist—the subject of the title—but it also encapsulates her style, personality and forcefulness. Probably a better title than the actual movie.

2.  Baby Driver . This movie title encapsulates Baby’s name and occupation in a nice play on words.

3.  Black Panther . Hard to imagine this movie having any other previous working titles. This just sums it up to a tee.

4. Creed . Short and punchy—pun intended.

5. The Disaster Artist . Here’s an example of naming the movie after the antagonist rather than the protagonist. Tommy Wiseau is the heart and soul of this film, not Greg.

6. Guardians of the Galaxy . This movie title focuses on a team rather than just a single character and screams sci-fi, action and adventure. Just what the movie delivers.

7. The Hateful Eight . Another title about a group of characters and another great use of rhyme. This is extremely effective and is used in a lot of the best movie titles.

8. Neon Demon . Two words that perfectly encapsulate the cool, detached persona of the protagonist and the horror of the movie.

9. The Revenant . The easy option would have been to call this movie The Frontiersman , but who is Hugh Glass really? Here’s the dictionary definition of revenant: “One that returns after death or a long absence.” That’s how to elevate an ordinary movie title to a great one.

10. Ted . John’s the protagonist, sure, but the heart of this film lies in its antagonist—a talking teddy bear. That’s the hook and this title says it upfront.

Generating movie title ideas method #2: location.

An equally effective option is to name your screenplay after a prominent location in the story. These can be either general or specific as well as the real names of places or made-up titles given to places.

Here are some popular examples from recent movies.

1. 10 Cloverfield Lane . The title of the original spec script one which this film was based was The Cellar —again, focusing on the location, but without the allusion to the Cloverfield franchise.

2.  21 Jump Street . If you’re adapting a script from existing material, as in this case, the process of coming up with a cool movie title is often taken out of your hands. Nevertheless, this is a great example of an eye-catching use of story setting to give a sense of genre.

3.  Bridge of Spies . Rather than simply extract the name of the script’s main location, another good option is to zero in on a place where something significant happens—and give it a name.

4. Brooklyn . This title gets even more specific than Woody Allen’s Manhattan . It’s simple and does the job of evoking this part of the city as an extra character in the movie.

5. Dunkirk . Three perspectives of the Dunkirk evacuation told from the land, sea and air, all in one simple title.

6. Hacksaw Ridge . Another war movie title, this time one that zeroes in on the location of the core conflict in the movie: the 77th Infantry Division’s goal of securing Hacksaw Ridge.

7. La La Land . A more melodic, memorable and catchy way of describing the city that provides the setting for Mia and Sebastian’s romance and musical dreams.

8. Manchester by the Sea . A beautifully simple yet lyrical title that hints at the sadness of the movie’s main characters.

9.  The Place Beyond the Pines . This title is derived from the English meaning of the Native American word “Schenectady”—which roughly translates as “place beyond the pine plains.”

10. Room . A deliberately simple, one-word title that incorporates not only the location of the movie but its core conflict. Unusually, the title survived the adaptation from the book of the same name on its way to the big screen.

Generating movie title ideas method #3: situations or feelings. 

Finally, you may want to get to the core of your movie’s essence through the characters’ feelings or the situation they find themselves in. These type of movie titles offer much more scope in which to intrigue the reader.

Here are some examples. 

1. The Beguiled . Is “the beguiled” Corporal McBurney? Or Miss Martha and her daughters? Or all of them? The original movie was also called The Beguiled , but the novel on which it was based was named, A Painted Devil.

2. Darkest Hour . Not much room for intrigue here as the story is based on the true-life events surrounding Churchill’s refusal to make peace with Hitler before the start of World War 2. A fantastic summation of conflict, feeling and situation, nonetheless.

3. Don’t Breathe . Three teenagers break into a blind Gulf War veteran’s home intent on robbing him and inadvertently become his prey. What’s the perfect phrase that encapsulates their situation as they creep around the house trying not to make a sound? “Don’t breathe.”

4.   I Don’t Feel at Home in This World Anymore . The general advice when it comes to creating a great screenplay title is to keep it short. But here’s an example of how to break the rules to give a great sense of this quirky protagonist’s state of mind.

5. The Edge of Seventeen . This title expertly hints at the anxiety felt by the teenage protagonist, Nadine. She’s suicidal, and the use of the phrase “the edge” conjures up images of the edge of a cliff, or the edge of madness—while juxtaposing them with her age.

6.  Game Night . A classic trope for comedy movie titles is employed here: describing a single event or situation in two short words. These kinds of screenplay titles often write themselves as they’re based on high concepts: Date Night, Due Date, Knocked Up, and so on.

7.  Get Out . Much like Don’t Breathe , this title acts as a warning to the protagonist and is an intriguing call to read the script and find out just who wants to get out of what situation.

8.  It Comes at Night . The horror genre is unmistakably conjured up with this mysterious title—one that also lets the reader know the protagonist is going to be placed in a terrifying situation.

9. Trainwreck . A wonderful metaphor here for Amy’s life in general as she shuns commitment in favor of drinking too much and sleeping around well past her college days.

10. Wild . A short and clever movie title with a clear double-meaning which nods at both Cheryl’s past and her present as she treks through the wilderness on her way to redemption.

Great movie titles that break the mold. 

Of course, not every movie title neatly fits into one of these three boxes. You’re welcome to come up with whatever title you like and break the mold.

Here are some unusual and famous movie titles that manage to pull this off. 

•  Bring Me the Head of Alfredo Garcia

•  Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb

•  Eternal Sunshine of the Spotless Mind

•  Good Will Hunting

•  The Men Who Stare at Goats

•  One Flew Over the Cuckoo’s Nest

•  Requiem for a Dream

•  The Shape of Water

•  The Silence of the Lambs

• They Shoot Horses, Don’t They?

If you want to create a solid screenplay title, though, you can’t go far wrong by sticking with one of the three screenplay title templates outlined earlier—a location , the main characters(s)  or their  situation or feelings .

How to find out if your movie title ideas are any good. 

Bear in mind that if your screenplay gets bought and produced, the title may be changed down the road before it hits the big screen. However, this doesn’t mean you should just make do with any old script title that comes along.

Movie title ideas should be rigorously tested before deciding on a final one, and here’s an outline of how to do it.

Brainstorm screenplay title ideas. 

Come up with as many movie title ideas as possible. Try to write a list of at least ten for your screenplay

Edit the list down to your top three screenplay titles. Make sure you have a character-based, a location-based and a situation/feelings-based idea in there if possible.

Get Feedback on Your Movie Title Ideas

• Get feedback from people you know . Show the three titles to your writer friends, acquaintances, family members, etc. and get them to rank them in order of preference. Give them the logline too, so they know what it’s about

• Get feedback from people you don’t know . Repeat the exercise with strangers in order to get an impartial opinion on their favorite titles. Post the titles to websites like Stage32 and other screenwriting forums

• Ask professional readers . If you get script coverage on the completed screenplay, make a point of asking if the reader can give you a note on the title. We’d be happy to do this if you purchase one of our script coverage services .

This exercise will give you a solid idea of which movie script ideas are working and which aren’t. And from here it’s just a question of refining your titles and finally picking the very best one for your script.

A note on “working titles.”

Don’t send out your script to anywhere important like a manager, exec or producer with the caveat “working title.”

You need to own the screenplay title you pick, but adding “Working Title” in brackets gives the impression it’s a work in progress —like you haven’t yet formed a solid idea of what the story’s actually about.

Instead, take your time and make sure you come up with a rocking movie title first, and then send it out.

Screenplay title page format: best practices. 

Some people insist the script title should always be written in caps, or always underscored and so on. In actual fact, no one cares . It doesn’t matter whether you write the title in uppercase or lowercase, or whether you underscore it or not, or wrap it in quotation marks or not.

All that matters is that it’s centered 4.0 inches from the top of the page and, like the rest of the screenplay, is written in Courier 12-point .

Movie title punctuation. 

The whole meaning of a screenplay title can change with the stroke of a punctuation mark, so make sure it’s grammatically correct.

For example, take the imaginary screenplay title, Come Back Clarity . And let’s say in the script the antagonist is named Clarity, and the protagonist wants her back. This means the title needs a direct address comma in place to make it: Come Back, Clarity .

Without the comma, the phrase could also mean the protagonist is only seeking clarity. Or even a comeback and needs some clarity in order to achieve it.

Always make sure your movie title punctuation is correct . And always use direct address commas.

Formatting the name(s) on a script title page. 

Your name should be spaced four lines below the screenplay title. Again, don’t get too hung up on the finer details. You can write: “written by” or just “by” but this should be in lowercase.

If you co-wrote the script, simply add an ampersand (&) in-between your names. (Putting “and” instead indicates one of the writers was brought in to do a rewrite on the other’s work.)

If the script is based on someone else’s original material, simply write “based on the novel by” or “based on the stage play by,” four lines underneath your own name and in the same style.

Formatting contact details. 

Keep things simple by adding just your email address in the bottom left or right-hand corner of the title page. Some screenwriting software programs automatically populate the contact details in the bottom lefthand corner, while other professional writers and software add it to the bottom right. It really doesn’t matter too much.

You can also add your address and phone number if you wish. (Be aware that if you live in, say, Maryland, Montreal or Munich, but are pitching the script to companies based in Los Angeles, you’re immediately giving away your location, which could potentially prejudice them in some way.)

If you have an attorney, agent or manager, add their details here instead of your own.

Screenplay title page template. 

Your finished title page should look something like the one below:

Including copyright information on a spec script title page just looks paranoid . And dates and draft numbers could well elicit the response: “She’s been working on this thing since 2010?”

Stick to this script title page template and avoid adding artwork, photos, social media information, fancy fonts or any design at all in order to give your screenplay the best first impression possible.

3 Ways to come up with a cool screenplay title: conclusion. 

Take care when picking a screenplay title. As a screenwriter, you’re a connoisseur of words and so whatever title you pick should reflect this. It should give a taste of the conflict, genre and essence of the story the reader will find in the script.

It should also ideally display a sense of your way with words . Screenplay titles are generally bold, sharp, witty and (usually) short summations of the entire movie: The Girl on the Train, Gone Girl, Good Time , etc. These are the kind of movie titles you should aspire to create.

Also be sure to create a clean and perfectly formatted script title page . Don’t put readers off by including anything that doesn’t need to be on there. We hope this post has helped you in coming up with a screenplay title that serves the interests of the story and gives a great first impression.

In your opinion, what are some of the best movie titles out there? What makes them great? How do you come up with a rocking screenplay title? Let us know in the comments section below!

Liked this post? Read more on how to write a screenplay…

Create a Professional Screenplay Title Page in 3 Steps

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Film&Movie Review Examples and Samples

Reviewing films can seem fun, but it actually takes discipline to explain all the elements of a film and to express your opinion succinctly. Check out our film review samples to gain a better understanding of how to write one yourself.

How to Write a Movie Review: A Comprehensive Guide

Writing a movie review is an engaging process that combines film criticism, analysis, and personal opinion to create an informative and thought-provoking piece. A well-crafted review not only serves as a helpful guide for potential viewers but also deepens our understanding of the cinematic experience. In this article, we will explore the essentials of review writing, focusing on crucial elements such as plot summary, thesis, opinion, characters, cinematography, and more.

Start with a Plot Summary

Begin your movie review with a brief synopsis, offering an overview of the film’s storyline. This recap should be concise and engaging, giving readers a general idea of the movie’s premise without revealing too much. For a more structured approach, consider using an AI literature review generator to help you summarize key points efficiently. Remember that your summary sets the stage for the critique and analysis that follow.

Develop a Thesis

Your thesis is the central idea or argument that you will explore in your movie review. This main point should be clear and focused, serving as the backbone of your critique. Consider what themes or aspects of the film stood out to you, and build your thesis around these observations.

Express Your Opinion

A significant aspect of writing a movie review is sharing your personal viewpoint or perspective. Offer your judgment on the film’s strengths and weaknesses, providing specific examples from the movie to support your appraisal. Be honest and thoughtful in your assessment, considering both your own preferences and the film’s intended audience.

Analyze the Characters

Discuss the film’s characters, examining their roles, personas, and the actors’ performances. Consider how the cast contributes to the overall narrative and whether their portrayals are convincing and memorable. Analyze the characters’ development throughout the movie, as well as the relationships between them.

Examine the Cinematography

Cinematography plays a crucial role in a film’s visual style and storytelling. Delve into the camera work, lighting, photography, and framing, evaluating how these elements enhance or detract from the movie’s overall impact. Consider how the cinematography supports the film’s themes and emotions.

Conduct a Thorough Analysis

A comprehensive movie review requires a detailed examination of various aspects of the film. Study the director’s choices, the music and sound design, and the technical elements such as craftsmanship and artistry. This thorough scrutiny will help you provide a well-rounded critique that captures the essence of the movie.

Discuss the Director’s Role

The director is the creative force behind a film, responsible for shaping its vision and execution. Analyze the director’s choices, considering their impact on the film’s storytelling, pacing, and overall atmosphere. Reflect on the director’s previous work, if applicable, and how this film fits into their oeuvre.

Evaluate Music and Sound

Music and sound play an essential role in creating a film’s mood and atmosphere. Examine the soundtrack, score, and audio design, considering how these elements contribute to the movie’s overall experience. Discuss the effectiveness of the composition, melody, and soundscapes in enhancing the narrative.

Assess Technical Aspects 

Review the technical aspects of the film, such as the expertise and proficiency of the crew, the quality of the special effects, and the overall production value. Analyze how these elements contribute to the film’s success or shortcomings, and whether they support the movie’s themes and narrative.

Evaluate the Acting 

Analyze the actors’ performances, considering their delivery, expression, and interpretation of their roles. Discuss whether the acting feels authentic and engaging, and how it contributes to the film’s overall impact. Pay attention to standout performances or any instances where the acting may have detracted from the movie’s overall quality.

In summary, writing a movie review involves a careful balance of plot summary, thesis development, opinion sharing, and thorough analysis of various aspects of the film, including characters, cinematography, directorial choices, music and sound, and technical elements. By considering all these factors and incorporating the appropriate keyword density and LSI keywords organically throughout your review, you can create an engaging, informative, and well-rounded critique that will appeal to readers and enhance their appreciation for the film. Remember to be honest and thoughtful in your assessment, and most importantly, enjoy the process of delving into the world of cinema.

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The Best Movie Reviews We’ve Ever Written — IndieWire Critics Survey

David ehrlich.

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Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

While this survey typically asks smart critics to direct readers toward good movies, we hope that the reverse is also true, and that these posts help movies (good or bad) direct readers towards smart critics. 

In that spirit, we asked our panel of critics to reflect on their favorite piece of film criticism that they’ve ever written (and we encouraged them to put aside any sort of modesty when doing so).

Their responses provide rich and far-reaching insight into contemporary film criticism, and what those who practice it are hoping to achieve with their work.

Siddhant Adlakha (@SidizenKane), Freelance for The Village Voice and /Film

Let’s cut right to the chase. Christopher Nolan is probably my favourite working director, and going five thousand words deep on his career after “Dunkirk” was an itch I’d been waiting to scratch for nearly a decade. “The Dark Knight” was my dorm-room poster movie — I’m part of the generation that explored films through the IMDb Top 250 growing up — though as my cinematic horizons expanded and my understanding of storytelling grew, I didn’t leave Nolan’s work behind as I did the likes of “Scarface” and “The Boondock Saints.” What’s more, each new film by Nolan hits me like a tonne of bricks. I’m waiting, almost eagerly, for him to disappoint me. It hasn’t happened yet, and I needed to finally sit down and figure out why.

In “Convergence At ‘Dunkirk,’” by far the longest piece I’ve ever written, I’d like to think I unpacked a decade worth of my awe and admiration, for a filmmaker who uses the studio canvas to explore human beings through our relationship to time. Tarkovsky referred to cinema as “sculpting in time.” Time disorients. Time connects us. Time travels, at different speeds, depending on one’s relationship to it, whether in dreams or in war or in outer space, and time can be captured, explored and dissected on screen.

What’s more, Nolan’s films manipulate truth as much as time, as another force relative to human perception, determining our trajectories and interpersonal dynamics in fundamental ways. All this is something I think I knew, instinctively, as a teenage viewer, but putting words to these explorations, each from a different time yet connected intrinsically, is the written criticism that I most stand by. It felt like something that I was meant to write, as I interrogated my own evolving emotional responses to art as time went on.

Carlos Aguilar (@Carlos_Film), Freelance for Remezcla

At the 2017 Sundance premiere of Miguel Arteta’s “Beatriz at Dinner,” starring Salma Hayek, I found myself in shock at the reactions I heard from the mostly-white audience at the Eccles Theatre. I was watching a different movie, one that spoke to me as an immigrant, a Latino, and someone who’s felt out of place in spaces dominated by people who’ve never been asked, “Where are you really from?” That night I went back to the condo and wrote a mountain of thoughts and personal anecdotes that mirrored what I saw on screen.

This was a much different piece from what I had usually written up to that point: coverage on the Best Foreign Language Oscar race, pieces on animation, interviews with internationally acclaimed directors, and reviews out of festivals. Those are my intellectual passions, this; however, was an examination on the identity that I had to built as an outsider to navigate a society were people like me rarely get the jobs I want.

My editor at Remezcla, Vanessa Erazo, was aware of the piece from the onset and was immediately supportive, but it would take months for me to mull it over and rework it through multiple drafts until it was ready for publication in time for the film’s theatrical release. In the text, I compared my own encounters with casual racism and ignorance with those Hayek’s character faces throughout the fateful gathering at the center of the film. The reception surpassed all my expectations. The article was shared thousands of times, it was praised, it was criticized, and it truly confronted me with the power that my writing could have.

A few months later in September, when Trump rescinded DACA, I wrote a social media post on my experience as an undocumented person working in the film industry, and how difficult it is to share that struggle in a world were most people don’t understand what it means to live a life in the shadows. The post was picked up by The Wrap and republished in the form of an op-ed, which I hope put a new face on the issue for those who didn’t directly knew anyone affected by it before. Once again that piece on “Beatriz at Dinner” regained meaning as I found myself filled with uncertainty.

Ken Bakely (@kbake_99), Freelance for Film Pulse

Like many writers, I tend to subconsciously disown anything I’ve written more than a few months ago, so I read this question, in practice, as what’s my favorite thing I’ve written recently. On that front, I’d say that the review of “Phantom Thread” that I wrote over at my blog comes the closest to what I most desire to do as a critic. I try to think about a movie from every front: how the experience is the result of each aspect, in unique quantities and qualities, working together. It’s not just that the acting is compelling or the score is enveloping, it’s that each aspect is so tightly wound that it’s almost indistinguishable from within itself. A movie is not an algebra problem. You can’t just plug in a single value and have everything fall into place.

“Phantom Thread” is Paul Thomas Anderson’s dreamy cinematography. It is Jonny Greenwood’s impeccably seductive, baroque music. It is Vicky Krieps’s ability to perfectly shatter our preconceptions at every single turn as we realize that Alma is the movie’s actual main character. We often talk about how good films would be worse-off if some part of it were in any way different. In the case of “Phantom Thread,” you flat-out can’t imagine how it would even exist if these things were changed. When so many hot take thinkpieces try to explain away every ending or take a hammer to delicate illusions, it was a pleasure to try and understand how a movie like this one operates on all fronts to maintain an ongoing sense of mystique.

Christian Blauvelt (@Ctblauvelt), BBC Culture

I don’t know if it’s my best work, but a landmark in my life as a critic was surely a review of Chaplin’s “The Circus,” in time for the release of its restoration in 2010. I cherish this piece , written for Slant Magazine, for a number of reasons. For one, I felt deeply honored to shed more light on probably the least known and least respected of Chaplin’s major features, because it’s a film that demonstrates such technical virtuosity it dispels once and for all any notion that his work is uncinematic. (Yes, but what about the rest of his filmography you ask? My response is that any quibbles about the immobility of Chaplin’s camera suggest an ardent belief that the best directing equals the most directing.) For another, I was happy this review appeared in Slant Magazine, a publication that helped me cut my critical teeth and has done the same for a number of other critics who’ve gone on to write or edit elsewhere. That Slant is now struggling to endure in this financially ferocious landscape for criticism is a shame – the reviews I wrote for them around 2009-10 helped me refine my voice even that much more than my concurrent experience at Entertainment Weekly, where I had my day job. And finally, this particular review will always mean a lot to me because it’s the first one I wrote that I saw posted in its entirety on the bulletin board at Film Forum. For me, there was no surer sign that “I’d made it”.

Richard Brody (@tnyfrontrow), The New Yorker

No way would I dare to recommend any pieces of my own, but I don’t mind mentioning a part of my work that I do with special enthusiasm. Criticism, I think, is more than the three A’s (advocacy, analysis, assessment); it’s prophetic, seeing the future of the art from the movies that are on hand. Yet many of the most forward-looking, possibility-expanding new films are in danger of passing unnoticed (or even being largely dismissed) due to their departure from familiar modes or norms, and it’s one of my gravest (though also most joyful) responsibilities to pay attention to movies that may be generally overlooked despite (or because of) their exceptional qualities. (For that matter, I live in fear of missing a movie that needs such attention.)

But another aspect of that same enthusiasm is the discovery of the unrealized future of the past—of great movies made and seen (or hardly seen) in recent decades that weren’t properly discussed and justly acclaimed in their time.”. Since one of the critical weapons used against the best of the new is an ossified and nostalgic classicism, the reëvaluation of what’s canonical, the acknowledgment of unheralded masterworks—and of filmmakers whose careers have been cavalierly truncated by industry indifference—is indispensable to and inseparable from the thrilling recognition of the authentically new.

Deany Hendrick Cheng (@DeandrickLamar), Freelance for Barber’s Chair Digital

It’s a piece on two of my favorite films of 2017, “Lady Bird” and “Call Me By Your Name”, and about how their very different modes of storytelling speak to the different sorts of stories we tell ourselves. Objectively, I don’t know if this is my best work in terms of pure style and craft, but I do think it’s the most emblematic in terms of what I value in cinema. I think every film is, in some way, a treatise on how certain memories are remembered, and I think cinema matters partly because the best examples of it are prisms through which the human experience is refracted.

Above everything else, every movie has to begin with a good story, and the greatest stories are the ones that mirror not just life, but the ways in which life is distorted and restructured through the process of remembering. Every aspect of a film, from its screenplay on down, must add something to the film’s portrayal of remembering, and “Lady Bird” and “Call Me By Your Name” accomplish this organic unity of theme with such charm yet in such distinct ways, that they were the perfect counterpoints to each other, as well as the perfect stand-ins for cinema as a whole, for me.

Liam Conlon (@Flowtaro), Ms En Scene

My favorite piece of my own work is definitely  “The Shape of Water’s” Strickland as the “Ur-American.”  I’m proud of it because it required me to really take stock of all the things that Americans are taught from birth to take as given. That meant looking at our history of colonialism, imperialism, racism, anticommunism and really diving into how all Americans, whether they’re liberal or conservative, can internalize these things unless they take the time to self-examine. Just as “Pan’s Labyrinth’s” despotic Captain Vidal was a masterful representation of Francisco Franco’s fascism, Richard Strickland represents a distinctly American kind of fascism. Writers Guillermo del Toro and Vanessa Taylor took great care in Strickland’s creation, and my piece was my own way of self-examining to make sure I never become or abide by a person like Strickland ever again.

Robert Daniels (@812filmreviews), Freelance

This is tricky, but “Annihilation” is definitely my favorite piece of film criticism that I’ve written. My writing style is a combination of criticism and gifs, and sometimes the words are better than the gifs, and the gifs are better than the words. With “Annihilation,” I thought the balance was perfect . My favorite portion: “Lena is just an idea, part of an equation that’s been erased from a chalkboard and rewritten with a different solution. The shimmer is part of her, even down to the DNA” is up there as one of my best. It was also a struggle to write because that film had more wild theories than the Aliens in Roswell. Also, the amount of research I had to do, combining Plato’s Ideal Forms, Darwin, the Bible, and Nietzsche, was absurd. However, it did make it easier to find matching gifs. The result made for my most studious, yet lighthearted read.

Alonso Duralde (@ADuralde), The Wrap

I’m the worst judge of my own material; there’s almost nothing I’ve ever written that I don’t want to pick at and re-edit, no matter how much time has passed. But since, for me, the hardest part of film criticism is adequately praising a movie you truly love, then by default my best review would probably be of one of my favorite films of all time, Charlie Kaufman’s “Synecdoche, New York.”

David Ehrlich (@davidehrlich), IndieWire

I can’t summon the strength to re-read it, but I remember thinking that my piece on grief and “Personal Shopper” was emblematic of how I hope to thread individual perspective into arts criticism.

Shelley Farmer (@ShelleyBFarmer), Freelance for RogerEbert.com and Publicist at Film Forum

My favorite piece is a very recent one: For this year’s Women Writers Week on Roger Ebert, I wrote about “Phantom Thread”, “Jane Eyre,” and twisted power dynamics in hetero romance . I loved that it allowed me to dig deep into my personal fixations (19th century literature, gender, romance as power struggle), but – more importantly – it was exciting to be part of a series that highlighted the breadth of criticism by women writers.

Chris Feil (@chrisvfeil), Freelance for The Film Experience, This Had Oscar Buzz Podcast

My answer to this would be kind of a cheat, as my favorite work that I do is my weekly column about movie music called Soundtracking that I write over at The Film Experience. Soundtracks and needle drops have been a personal fascination, so the opportunity to explore the deeper meaning and context of a film’s song choices have been a real labor of love. Because of the demands and time constraints of what we do, it can be easy to spend our all of our energy on assignments and chasing freelance opportunities rather than devoting time to a pet project – but I’ve found indulging my own uncommon fascination to be invaluable in developing my point of view. And serve as a constant check-in with my passion. Pushed for a single entry that I would choose as the best, I would choose the piece I wrote on “Young Adult”‘s use of “The Concept” by Teenage Fanclub for how it posits a single song as the key to unlocking both character and narrative.

Candice Frederick (@ReelTalker), Freelance for Shondaland, Harper’s Bazaar

“ Mother ” written for Vice. It’s one of my favorites because it conveys how visceral my experience was watching the movie. It’s truly stifling, uncomfortable, and frantic–and that’s what my review explains in detail. I wanted to have a conversation with the reader about specific aspects of the film that support the thesis, so I did.

Luiz Gustavo (@luizgvt), Cronico de Cinema

Well, I recently wrote a piece for Gazeta do Povo, a major outlet at Paraná state in Brazil, about Guillermo del Toro’s “The Shape of Water” (it is not on their site, but they were kind enough to let me replicate on my own website ). I don’t know the extent of the powers of Google Translator from Portugese to english, so you have to rely on my own account: is a text in which I was able to articulate de cinematographic references in the work of Mr. Del Toro, as well his thematic obsessions, the genre bending and social critique. All of this topics were analyzed in a fluid prose. On top of that, it was really fun to write!

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300 Essential Movies To Watch Now

Welcome to our updated guide to the 300 Essential Movies To Watch Now, which features incredible must-watch movies from the 1920s to today! In our annual refresh, we’re sticking with the list’s original vision as a definitive source of movie guidance and education for all ages and stages, whether you’re a seasoned film buff or just starting out, while reflecting new trends and significant movies uncovered over the past year. We’re also just making sure we give you some really good movies to watch.

You may remember from years past that this guide was capped at 200 movies. By adding space for 100 more, we’re skipping the annual internal staff debate about what to add and what to take out while upholding the guide’s mission of a balanced, entertaining document. We’ve now expanded the silent era selections (like Pandora’s Box and Dracula ), inserted plenty of sparkling Golden Age Hollywood classics ( The Lady Eve , The Philadelphia Story , To Be Or Not To Be ), and got in more animation (from Pinocchio to Princess Mononoke ). We continued to survey the contemporary scene and their wide breadth of subjects, selecting the ones that will endure, from Portrait of a Lady on Fire and Call Me By Your Name , to Creed and The Hate U Give .

The list is sorted by alphabetically. Feel free to start tackling the list with whatever is the most interesting to you first…or just start at the top and work your way down. We think you’ll have fun either way. And best of all, every movie on the list is Certified Fresh!

Ready to take on the watching challenge? Click here and head to FandangoNOW where you can sort the list and buy or rent any of the movies! For now, enjoy this list of 300 Essential Movies to Watch Now. — Alex Vo

12 Angry Men (1957) 100%

2001: A Space Odyssey (1968) 92%

The 400 Blows (1959) 99%

The Adventures of Priscilla, Queen of the Desert (1994) 94%

The Adventures of Robin Hood (1938) 100%

Aguirre: The Wrath of God (1972) 96%

Airplane! (1980) 97%

Akira (1988) 91%

Alien (1979) 93%

Aliens (1986) 94%

All About Eve (1950) 99%

All About My Mother (1999) 98%

All the President's Men (1976) 94%

Almost Famous (2000) 91%

Amadeus (1984) 89%

Amélie (2001) 90%

Amour (2012) 93%

An American in Paris (1951) 95%

Annie Hall (1977) 97%

The Apartment (1960) 94%

Apocalypse Now (1979) 97%

Avengers: Endgame (2019) 94%

Back to the Future (1985) 93%

Badlands (1973) 97%

Beauty and the Beast (1991) 94%

Being John Malkovich (1999) 94%

Being There (1979) 95%

The Best Years of Our Lives (1946) 97%

Better Luck Tomorrow (2002) 81%

Bicycle Thieves (1948) 99%

The Big Lebowski (1998) 80%

The Big Sick (2017) 98%

Birdman or (The Unexpected Virtue of Ignorance) (2014) 91%

Black Hawk Down (2001) 77%

Black Orpheus (1959) 88%

Black Panther (2018) 96%

Blade Runner (1982) 89%

Blazing Saddles (1974) 89%

Boogie Nights (1997) 94%

Boys Don't Cry (1999) 90%

Boyz N the Hood (1991) 96%

The Breakfast Club (1985) 89%

Breathless (1959) 96%

Bridesmaids (2011) 90%

The Bridge on the River Kwai (1957) 96%

Bridget Jones's Diary (2001) 80%

Broadcast News (1987) 98%

Brokeback Mountain (2005) 88%

Butch Cassidy and the Sundance Kid (1969) 89%

Cabaret (1972) 92%

The Cabinet of Dr. Caligari (1919) 96%

Call Me by Your Name (2017) 94%

Carol (2015) 94%

Casablanca (1942) 99%

Casino Royale (2006) 94%

Children of Men (2006) 92%

Chinatown (1974) 98%

City of God (2002) 91%

Cinema Paradiso (1988) 91%

Citizen Kane (1941) 99%

City Lights (1931) 95%

Clerks (1994) 90%

A Clockwork Orange (1971) 86%

Clueless (1995) 81%

Coco (2017) 97%

Crazy Rich Asians (2018) 91%

Creed (2015) 95%

Crouching Tiger, Hidden Dragon (2000) 98%

The Dark Knight (2008) 94%

Dawn of the Dead (1978) 91%

The Day the Earth Stood Still (1951) 95%

Dazed and Confused (1993) 93%

Dead Poets Society (1989) 84%

Die Hard (1988) 94%

Do the Right Thing (1989) 92%

Doctor Zhivago (1965) 82%

Dog Day Afternoon (1975) 96%

Don't Look Now (1973) 93%

Double Indemnity (1944) 97%

Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (1964) 98%

Dracula (1931) 94%

Drive (2011) 93%

Drunken Master II (1994) 84%

Duck Soup (1933) 91%

E.T. the Extra-Terrestrial (1982) 99%

Easy Rider (1969) 84%

Edward Scissorhands (1990) 90%

Election (1999) 92%

The Elephant Man (1980) 92%

Enter the Dragon (1973) 88%

Eternal Sunshine of the Spotless Mind (2004) 92%

Evil Dead 2 (1987) 88%

The Exorcist (1973) 78%

The Farewell (2019) 97%

Fargo (1996) 95%

Fast Five (2011) 78%

Fast Times at Ridgemont High (1982) 78%

Fight Club (1999) 80%

Fish Tank (2009) 91%

Forbidden Planet (1956) 92%

Four Weddings and a Funeral (1994) 92%

Frankenstein (1931) 94%

The French Connection (1971) 96%

Frida (2002) 76%

Gallipoli (1981) 91%

Gandhi (1982) 89%

Gattaca (1997) 82%

The General (1926) 92%

Get Out (2017) 98%

Ghost in the Shell (1995) 95%

Ghostbusters (1984) 95%

Girls Trip (2017) 91%

The Godfather (1972) 97%

The Godfather, Part II (1974) 96%

Godzilla (1954) 94%

007: Goldfinger (1964) 99%

The Good, the Bad and the Ugly (1967) 97%

Goodfellas (1990) 95%

The Grand Budapest Hotel (2014) 92%

Grand Illusion (1937) 97%

The Grapes of Wrath (1940) 100%

Grease (1978) 66%

The Great Escape (1963) 94%

Groundhog Day (1993) 94%

Guardians of the Galaxy (2014) 92%

Hairspray (1988) 98%

Halloween (1978) 96%

A Hard Day's Night (1964) 98%

Harold and Maude (1971) 86%

Harry Potter and the Prisoner of Azkaban (2004) 90%

The Hate U Give (2018) 97%

Heat (1995) 83%

Heathers (1989) 95%

Hedwig and the Angry Inch (2001) 92%

Hero (2002) 94%

High Noon (1952) 95%

His Girl Friday (1940) 99%

The Hunt (2012) 92%

Ikiru (1952) 98%

In the Heat of the Night (1967) 96%

In the Mood for Love (2000) 92%

Inception (2010) 87%

Inglourious Basterds (2009) 89%

Inside Out (2015) 98%

The Iron Giant (1999) 96%

Iron Man (2008) 94%

It Happened One Night (1934) 98%

It's a Wonderful Life (1946) 94%

Jaws (1975) 97%

John Wick (2014) 86%

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Essential Criteria for Writing a Comprehensive Movie Review

Introduction:

Movie reviews are valuable tools for film enthusiasts, critics, and general audiences seeking guidance and insights into the quality, content, and overall experience of a film. A well-crafted movie review goes beyond a simple thumbs-up or thumbs-down verdict and provides a thoughtful analysis that helps readers form their opinions. This guide aims to outline the key criteria for writing a comprehensive movie review, enabling reviewers to effectively evaluate and communicate their impressions of a film.

Table of Contents

Plot and Storyline:

The plot and storyline form the foundation of a movie and significantly impact its overall quality. Consider the following criteria:

Originality: Assess the uniqueness and creativity of the plot, looking for fresh ideas, innovative storytelling techniques, or compelling narratives that set the film apart from others in its genre.

Structure: Evaluate the coherence and effectiveness of the story’s structure, including its pacing, narrative flow, and the overall development of plot points.

Engagement: Assess how engaging the storyline is, considering elements such as plot twists, character arcs, and thematic depth that capture and maintain the audience’s attention.

Plausibility: Consider the plausibility and consistency of the story within the film’s established world or context, evaluating whether the events and character actions are believable and logically sound.

Acting and Performances:

The performances of the actors play a crucial role in bringing the characters and story to life. Consider the following criteria:

Authenticity: Assess the actors’ ability to embody their characters convincingly, evaluating their portrayal of emotions, mannerisms, and their overall believability in the roles they portray.

Chemistry: Consider the chemistry and interaction among the cast members, evaluating whether their performances complement and enhance one another, contributing to the overall dynamics of the film.

Depth and Range: Evaluate the actors’ ability to showcase a range of emotions and effectively convey the complexities of their characters, providing depth and nuance to their performances.

Memorable Performances: Identify standout performances that leave a lasting impression, considering performances that are particularly outstanding or transformative.

Direction and Cinematography:

The direction and cinematography shape the visual and aesthetic aspects of a film. Consider the following criteria:

Visual Composition: Evaluate the overall visual appeal and composition of the film, considering factors such as framing, shot selection, use of color, lighting, and overall cinematography techniques employed.

Scene Transitions: Assess the effectiveness of scene transitions, evaluating how seamlessly the film moves between different locations, time periods, or narrative threads.

Visual Effects: Consider the use of visual effects and their integration into the film, evaluating whether they enhance the storytelling or become distracting or excessive.

Directorial Style: Evaluate the director’s unique vision and style, considering their ability to effectively convey the intended mood, atmosphere, or thematic elements through their direction.

Screenplay and Dialogue:

The screenplay and dialogue contribute to the film’s narrative and character development. Consider the following criteria:

Dialogue Quality: Evaluate the quality of the dialogue, considering its naturalness, depth, wit, and its ability to effectively convey character traits, motivations, or thematic elements.

Character Development: Assess how well the screenplay develops and fleshes out the characters, evaluating the depth and complexity of their personalities, their growth throughout the film, and their interactions with other characters.

Narrative Structure: Evaluate the effectiveness of the screenplay’s narrative structure, considering how well it introduces and resolves conflicts, builds tension, and creates compelling story arcs.

Writing Style: Consider the overall writing style of the screenplay, evaluating its ability to engage the audience, evoke emotions, or convey key messages or themes.

Technical Aspects:

Technical aspects encompass various elements such as editing, sound design, music, and production design. Consider the following criteria:

Editing: Evaluate the editing techniques used in the film, assessing the pacing, rhythm, and overall coherence of the storytelling. Look for seamless transitions, effective use of cuts, and the ability to maintain a cohesive narrative flow.

Sound Design: Assess the quality of sound design, including the use of sound effects, ambient sounds, and the overall balance between dialogue, music, and other audio elements. Consider how the sound design enhances the overall viewing experience.

Music and Score: Evaluate the effectiveness of the film’s music and score, considering how well they complement the narrative, evoke emotions, and enhance key scenes or moments. Assess the originality and impact of the film’s musical choices.

Production Design: Consider the production design, including set design, costumes, and overall visual aesthetics. Evaluate how well the production design supports the film’s narrative, setting, and tone, and whether it enhances the immersion and authenticity of the story.

Cinematic Elements:

Cinematic elements refer to the use of camera angles, framing, composition, and overall visual storytelling techniques. Consider the following criteria:

Cinematography: Evaluate the cinematography techniques employed, including camera angles, movements, and framing choices. Assess how effectively the visual elements contribute to the narrative, mood, and overall impact of the film.

Symbolism and Metaphors: Identify and analyze the use of symbolism or metaphors within the film, considering how they deepen the thematic exploration or provide additional layers of meaning to the story.

Visual Storytelling: Assess how well the film utilizes visual storytelling techniques to convey information, emotions, or thematic elements without relying solely on dialogue or exposition.

Genre-specific Considerations:

Different genres have specific elements and expectations that should be considered when reviewing a film. For example:

Comedy: Evaluate the film’s ability to deliver humor, considering the comedic timing, wit, and overall effectiveness of the jokes or comedic situations.

Drama: Assess the emotional impact of the film, evaluating how well it explores complex human emotions, relationships, and conflicts.

Action: Evaluate the quality and execution of action sequences, considering the choreography, special effects, and overall excitement generated by the action scenes.

Horror: Assess the film’s ability to create suspense, tension, and a sense of fear, evaluating the effectiveness of the scares, atmosphere, and overall horror elements.

Conclusion:

Writing a comprehensive movie review involves considering various criteria that contribute to the overall quality, impact, and experience of the film. By evaluating elements such as plot and storyline, acting and performances, direction and cinematography, screenplay and dialogue, technical aspects, cinematic elements, and genre-specific considerations, reviewers can provide valuable insights to readers, enabling them to make informed decisions about which movies to watch. Through careful analysis and thoughtful evaluation, movie reviews serve as a valuable resource for film enthusiasts, critics, and general audiences alike, fostering a deeper appreciation and understanding of the art of filmmaking.

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50 of the funniest, most searing movie reviews ever written

• Movie reviewers have had some pretty scathing takes on films throughout the years. 
• One reviewer referred to a film as like "Grease: The Next Generation" acted out by the food-court staff at SeaWorld.
• Another riffed "Some movies leave a bad taste in the mouth. This one causes full-on halitosis."

For many viewers, a movie can simply exist as something to fill a void of upwards of 90 minutes. Film critics, who spend their lives scribbling notes in dark theaters, ask for a little more.

" I have a colleague who describes his job as 'covering the national dream beat,' because if you pay attention to the movies they will tell you what people desire and fear in their deepest secrets," the late Roger Ebert wrote in 1992 . "At least, the good ones will. That's why we go, hoping to be touched in those secret places. Movies are hardly ever about what they seem to be about. Look at a movie that a lot of people love, and you will find something profound, no matter how silly the film may seem."

Sometimes the best thing to come out of a movie is a blistering review. INSIDER rounded up 50 of the funniest, most searing movie reviews ever written.

Critics said that heartbreak was preferable to watching "Valentine's Day."

"'Valentine's Day' is being marketed as a Date Movie. I think it's more of a First-Date Movie. If your date likes it, do not date that person again. And if you like it, there may not be a second date." —   Roger Ebert , Chicago Sun-Times.

Critics eviscerated "Twilight," but the movie still made more than $390 million at the box office.

"I've had mosquito bites that were more passionate than this undead, unrequited, and altogether unfun pseudo-romantic riff on 'Romeo and Juliet.'" — Marc Salov , The Austin Chronicle.  

"The Other Woman" wasn't a hit with critics.

"I know what you're thinking ... 'Enough beating around the bush. Just tell us whether you liked it.' Consider this, which I will say in terms this movie would understand, if you were on an airplane, 'The Other Woman'   might not be preferable to simply staring into your empty airsick bag, but it has enough nicely executed physical comedy that in the event you become ill, it is definitely preferable to staring into your occupied airsick bag." — Linda Holmes , NPR.

"The Emoji Movie" has an 8% fresh rating on Rotten Tomatoes.

"This is a movie about how words aren't cool, but you can still expect a girl to fall at your feet in response to mild wordplay. Please keep up. Or throw whatever device you’re reading this on into the ocean. Send me a postcard ... tell me what it’s like to be free." — Kaitlyn Tiffany and Lizzie Plaugic , The Verge.

Netflix is making a sequel to "Bright" despite the fact it was totally panned by critics.

"While I had the misfortune to see 'Bright' in a theater, most people will simply press 'play' out of curiosity on their Roku remote. I am willing to concede that this might elevate the experience a little ... the ability to take a quick trip to the kitchen or restroom after shouting 'no, don't pause it' to your partner on the couch will be liberating." — Jordan Hoffman , Vanity Fair.

"Battlefield Earth" was a box-office bust and a critical failure.

"'Battlefield Earth' saves its scariest moment for the end: a virtual guarantee that there will be a sequel." — Desson Howe , The Washington Post.

The basic plot of "Milk Money" perplexed critics.

Roger Ebert imagined what the conversation between studio executives would have looked like when they greenlit the movie:

"Studio Executive A: Kind of like 'Working Girl Turns a Trick?'

"Studio Executive B: Cuter than that. We start with three 12-year-old boys. They're going crazy because they've never seen a naked woman.

"Studio Executive A: Whatsamatter? They poor? Don't they have cable?"

Even fans of the HBO series prefer to pretend "Sex and the City 2" doesn't exist, according to critics.

"When viewed as a rom-com, 'Sex and the City 2' is terrible and crappy and a horrific inversion of everything the show once was. But when viewed as a science fiction film, 'SATC2' is subversive, stylish and chilling. Like The Island from 'Lost,' we may never know The City's true identity — Is it a VR computer program? A malevolent interdimensional god? Satan?" — Cyriaque Lamar , i09.

Making fun of "Gigli" became a national past-time.

"Even making a little game of it, and trying to pinpoint the exact moment when Ben Affleck and Jennifer Lopez fell in love, stops being fun after a while. Perhaps it's when he says, in an attempt to seduce her, 'I'm the bull, you're the cow.' Or when she beckons him into foreplay by lying back in bed and purring, 'Gobble, gobble' — which could forever change the way you view your Thanksgiving turkey." — Christy Lemire , The Associated Press.

"The Adventures of Pluto Nash" wasn't a hit with critics.

"It's good to know that, if we have to leave Earth someday, we won't have to go without our kitsch. Forensics experts will be digging through the rubble of this fiasco for a long time, trying to reconstruct the accident. How did so many lines fall flat? Why were the action scenes so corny and unconvincing? Who put the stink on this?" — Jack Mathews , New York Daily News.

"Superbabies: Baby Geniuses 2" has a 2% fresh rating on Rotten Tomatoes.

" At its best/worst, 'Superbabies' hallucinatory idiocy inspires open-mouthed horror at what happens when an ill-conceived premise leads to even more jaw-droppingly misguided execution." — Nathan Rabin , AV Club.

Critics thought "Gotti" was so bad it was almost criminal.

"I'd rather wake up next to a severed horse head than ever watch 'Gotti' again. The worst movie of the year so far, the long-awaited biopic about the Gambino crime boss' rise from made man to top dog took four directors, 44 producers and eight years to make. It shows. The finished product belongs in a cement bucket at the bottom of the river." — Johnny Oleksinski , New York Post.

Critics got personal with their contempt for "Jaws: The Revenge."

"In the just-released 'Jaws: The Revenge' the shark's main course is intended to be Roy Scheider's widow, Ellen Brody, a frumpy middle-aged woman played by boring actress Lorraine Gary, who happens to be married to the president of MCA Universal, which finances the 'Jaws' films and which explains her lead role. Let's put it this way: When you see and hear the nasal Lorraine Gary on screen you want the shark to eat her." — Gene Siskel , Chicago Tribune.

"One Missed Call" didn't warrant anyone's attention, according to critics.

"The kid in front of me spent most of the movie playing Tetris on his phone. I didn't care enough about the movie to ask him to stop, or to find a cooler game." — Wesley Morris , The Boston Globe.

The critical response to "Jack Frost" was icy.

"With emotions as sincere as the soap flake snow on its sets, 'Jack Frost' goes on to show how much fun it is to have a snowman as a loving, though dead, father … As one more Hollywood effort to look on the sunny side of fatality, 'Jack Frost' is so sugarcoated that it makes other recent efforts in this genre look blisteringly honest." — Janet Maslin , The New York Times.

"The Snowman" left critics cold.

"'The Snowman' is like if aliens studied humanity and tried to make their own movie in an attempt to communicate with us. This simulacrum contains all the requisite pieces of a movie, but humanity got lost in translation." — Barbara VanDenburgh , The Arizona Republic.

Critics saw "Batman & Robin" as more of a cash-grab than a movie.

" The people who made this movie — which, as always, is set up for a sequel — will be laughing all the way to the bank. But isn't there someone in that bank who can lock them all inside a safety-deposit vault and throw away the key?" — Peter Rainer , The Phoenix New Times.

"Cool World" was almost universally hated by critics.

"The plot of Michael Grais' and Mark Victor's screenplay is even more nonsensical than it needs to be, revolving around frequent unmotivated trips between parallel cartoon and live-action universes, and around the question of whether cartoon women will have sex with human men." — Janet Maslin , The New York Times.

"Titanic" won 11 Academy Awards, but critics thought it took its sweet time getting to the point.

"'Titanic' is a good, often stunning movie caught in a three-and-a-half hour drift. As we marvel at the physical spectacle of the Titanic's last few hours, we're left staggeringly untouched by the people facing their last moments. This movie should have blown us out of the water. Instead, we catch ourselves occasionally thinking the unpardonable thought: 'OK, sink already.'" — Desson Howe , The Washington Post.

"Howard The Duck" was a one-note movie that prompted critics to question for whom exactly the movie was made.

"The story has no center; the duck is not likable, and the costly, overwrought, laser-filled special effects that conclude the movie are less impressive than a sparkler on a birthday cake. George 'Star Wars' Lucas supervised the production of this film, and maybe it's time he went back to making low-budget films like his best picture, 'American Graffiti.'" — Gene Siskel , The Chicago Tribune.

"Catwoman" is considered by critics to be one of the worst superhero movies ever made.

"The film could have turned out worse, but only via the addition of a Tom Green cameo, or an accident in which the actors caught on fire." — Keith Phipps , The AV Club

Critics thought "Mac and Me" was a discount version of "ET: The Extraterrestrial."

"'Mac and Me,' which opened yesterday at the Guild and other theaters, has a final police shootout and a fiery explosion in which Eric is the victim. When a doctor announced that Eric was gone, a small boy behind me said, 'He ain't dead,' with all the calm assurance of an experienced moviegoer who knows perfectly well that if E.T. came back, so would Eric. Cloning is a dangerous thing." — Caryn James , The New York Times.

Only a sucker would bother watching "Sucker Punch" after reading reviews.

"In the end, though the metaphor of mental institution as battleground is an interesting one to explore, that is not the analysis at the heart of this movie. Nope, 'Sucker Punch' is a two-hour $82 million fetish film examining how hot sad schoolgirls look when holding weapons. Snyder should have just made a porn movie — it might have been better, and it definitely would have been cheaper and more honest." — Dodai Stewart , Jezebel.

"Movie 43" prompted devastating reviews.

"It's as if 'Movie 43' was itself a feature-length f--- you to Hollywood, a movie made simply to show how bad a movie a studio could be induced to make and actors could be persuaded to act in." — Richard Brody , The New Yorker.

The best thing critics could say about "Fifty Shades Freed" was that the trilogy was finally over.

"Universal has had some fun with its marketing campaign, using the tag-line, 'Don't miss the climax.' It's a shame, though, that the posters exhibit considerably more ingenuity than the film itself." — Brian Lowery , CNN.

"A Christmas Prince" falls squarely in the category of "so bad it's good."

"It's a Netflix original movie, but it feels like a violation of nature that it somehow isn't from Lifetime or the Hallmark Channel. Nathan Atkins is credited with the screenplay, but this film is such a perfect amalgam of established tropes that I am not entirely convinced that isn't a pseudonym to keep us from discovering that Netflix has created the artificial-intelligence technology to generate a script using auto-complete." — Dana Schwartz , Entertainment Weekly.

"A Christmas Prince: The Royal Wedding" seemed to revel in shoddiness.

"It plays like a piece of Prince Harry and Duchess Meghan fan fiction, written by a child who actually doesn't know who they are but has watched the 'Princess Diaries' films." — Carly Mallenbaum , USA Today.

Critics thought "Batman v Superman: Dawn of Justice" was far too depressing for a superhero movie.

"An even less charitable way to put it is that a clearly excited 7- or 8-year-old kid sitting in front of me busted out crying and had to be whisked out of the theater by his father within the first five minutes. Perhaps he was unnerved by the harsh, operatic violence of Bruce Wayne's parents getting murdered — the mom's pearls get tangled around the gun, somehow, which allows for some very tight and poignant slow motion — or maybe he was offended by the notion that a 2016 Batman movie felt it necessary to depict Bruce Wayne's parents getting murdered. Either way, this kid bounced." — Rob Harvilla , Deadspin.

Critics thought "Transformers: The Last Knight" was simply too incoherent to describe.

"I'll admit, I've been dreading the thought of trying to at all explain the plot of this movie — even in broad, simple terms. I honestly had anxiety dreams last night about this moment. It's like staring at a projected kaleidoscope for two and a half hours and then trying to tell someone about the plot." — Mike Ryan , Uproxx.

Many thought "The Brown Bunny" was tedious and only remembered for its inclusion of one explicit scene.

"It's not really a movie. I suppose it's what could be called a recorded behavior. It simply reproduces, with some crude fidelity, the hapless anguish of a grieving man as he copes with his loss. It has no characters, it has no conflict, it has nothing that could be called a plot. It offers no reason to watch it — that is, no reason within the picture." — Stephen Hunter , The Washington Post.

Critics were thoroughly disgusted by "The Human Centipede," but they were also bored by it.

"This is one of those movies where victims repeatedly have opportunities to escape but choose not to, guaranteeing still more grotesque degradation, full of gore, torture, and sexual humiliation — and contains not an iota of wit or intelligence to justify any of it." — Michael Ordoña , The Los Angeles Times.

"Avatar" is still the highest grossing movie of all time, but not everyone was a fan.

"' Avatar' isn't about actors or characters or even about story; it's about special effects, which is fine as far as it goes. But for a movie that stresses how important it is for us to stay connected with nature, to keep our ponytails plugged into the life force, 'Avatar' is peculiarly bloodless. It's a remote-control movie experience, a high-tech 'wish you were here' scribbled on a very expensive postcard. You don't have to be fully present to experience 'Avatar'; all you have to do is show up." — Stephanie Zacharek , Salon.

Critics thought "I Know Who Killed Me" was embarrassing for everyone involved.

"Pretentious and inane, 'I Know Who Killed Me' arouses unexpected sympathy for its embattled star. 'Should we populate the movie with competent, strong performances, or were we looking for stars?' asks the producer, Frank Mancuso Jr., in the film's production notes. Out of the mouths of producers." — Jeannette Catsoulis , The New York Times.

Critics thought there was nothing redeeming about "Sorority Boys."

"I'm curious about who would go to see this movie. Obviously moviegoers with a low opinion of their own taste. It's so obviously what it is that you would require a positive desire to throw away money in order to lose two hours of your life. 'Sorority Boys' will be the worst movie playing in any multiplex in America this weekend, and, yes, I realize 'Crossroads' is still out there." — Roger Ebert , The Chicago Sun-Times.

"Forrest Gump" won multiple Academy Awards, but it still prompted some biting reviews.

"With two decades of perspective on 'Forrest Gump's triumph, you get the sense that '90s audiences were relieved to see a film that said it was OK — even honorable — to ignore all the bad stuff about war. So, too, was the Motion Picture Academy, which 12 months after lauding 'Schindler's List'   decided, 'Screw it, let's give the awards to the movie that sells cookbooks.' — Amy Nicholson , LA Weekly.

Critics absolutely hated "Life Itself."

"'Life Itself' thinks you're stupid. Or, if not stupid, unable to understand how a movie should work. It's a movie made for people who can't be trusted to understand any storytelling unless it's not just spoon-fed but ladled on, piled high, and explained via montage and voiceover" — Kate Erbland , IndieWire.

"Ridiculous 6" felt intentionally offensive.

"There's the broad racism and misogyny of the piece. After the controversial walk-offs, Netflix claimed that this was 'satire.' It's not. There's nothing satirical about Sandler's bad Native American accent, which totally comes and goes, by the way, or Schneider's Hispanic caricature. Saying that this is satire is like the drunk guy at the bar telling you how many black friends he has after telling a racist joke. Don't fall for it." — Brian Tallerico , RogerEbert.com.

"The Village" felt like a waste of time to some.

" [M. Night Shyamalan] directs the material as if he'd written it (which he did), and not a single friend dared tell him the truth." — Mick LaSalle , SFGate.

The extreme level of product placement in "Crossroads" was an issue for critics.

"It turns out that 'Crossroads' is not a music video, not yet a movie, but more like an extended-play advertisement for the Product that is Britney." — Ann Hornaday, The Washington Post.

Critics thought "Grown Ups" was a lazy attempt at comedy.

"The movie is symptomatic of a social attitude that might be called the security of incompetence. There's something reassuring about a bad movie that doesn't ask you to think or feel or even pay attention ... we can all be happy D-minus students huddled together in communal self-disgust in a D-minus world." — Stephen Holden , The New York Times.

Critics thought "Grown Ups 2" was so bad that it made them appreciate the first movie.

"In 'Grown Ups 2,' which is set on the last day of school, our heroes are now all living in the same small town together, and everybody's pretty happy, so there's little to motivate the action. It makes the first movie look like 'The Maltese Falcon.'" — Bilge Ebiri , Vulture.

Some thought "Suburbicon" was too smug for its own good.

"You absolutely can fault [George Clooney] for wrongheadedness in making a movie that condemns racism, and specifically segregation in the postwar housing boom, albeit in the most broad, perfunctory, awareness-ribbon-wearing way while barely allowing its black characters to speak. 'Suburbicon' might be the biggest embarrassment to pious Hollywood liberalism since 'Crash' won best picture in 2006." — Chris Klimek , NPR.

"Mother!" may not have been enjoyable, but it certainly was memorable.

"I admired the camerawork, the wide-angle close-ups of flaring nostrils, and the pandemonium of the crowd scenes in the second half of the film when it goes haywire and insanity reign. It's an odd sensation to still remember moments of technical brilliance in a movie I never want to see again." — Rex Reed , The Observer.

Some thought "Freddy Got Fingered" was an embarrassment for everyone involved.

" This movie doesn't scrape the bottom of the barrel. This movie isn't the bottom of the barrel. This movie isn't below the bottom of the barrel. This movie doesn't deserve to be mentioned in the same sentence with barrels." — Roger Ebert , Chicago Sun-Times.

Critics thought there just wasn't anything funny about "Joe Dirt."

"Why do American audiences accept the stance that silly movies have to be terrible by definition? There's nothing enjoyable about 'Joe Dirt.' Absolutely nothing. Spade's generic nonperformance is the centerpiece of a very wobbly story, and he simply isn't enough of an actor to keep you interested." — Paul Tatara , CNN.

Critics thought "Fantastic Four" was the opposite of fantastic.

"My notebook usually remains near my lap, but at this movie, it made involuntary trips over my mouth to cover all of my gasping. The entire experience is shameful — for us, for the filmmakers, for whoever at the studio had the job of creating the ads, in which the cast appear to be starring in hostage posters." — Wesley Morris , Grantland.

"From Justin to Kelly" was embarrassingly amateur, according to critics.

"How bad is 'From Justin to Kelly?' Set in Miami during spring break, it's like 'Grease: The Next Generation' acted out by the food-court staff at SeaWorld." — Owen Gleiberman , Entertainment Weekly.

"National Lampoon's Gold Diggers" has a 0% fresh rating on Rotten Tomatoes.

"Just how repellent is 'National Lampoon's Gold Diggers?' So stupefyingly hideous that after watching it, you'll need to bathe in 10 gallons of disinfectant, get a full-body scrub and shampoo with vinegar to remove the scummy residue that remains. Some movies leave a bad taste in the mouth. This one causes full-on halitosis." — Jen Chaney , The Washington Post.

"Venom" was a tonally-uneven, muddled mess, according to most critics.

"For all of its cult potential, and my God, is this film rife with it, it is 'Venom's' insidious political intonations, which were entirely avoidable, that become the least palatable aspect of the film. And this is a movie where you see Tom Hardy eat out of a garbage can." — Sarah Tai-Black , The Globe and Mail.

"North" almost universally disliked by critics and prompted one of Roger Ebert's movie memorable reviews.

"' North' is one of the most unpleasant, contrived, artificial, cloying experiences I've had at the movies. To call it manipulative would be inaccurate; it has an ambition to manipulate, but fails … I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it." — Roger Ebert , Chicago Sun-Times.

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Borderlands review: Like good movies? Then avoid this brightly-colored disaster

“Eli Roth's Borderlands adaptation is a misfire of epic proportions.”

• Andrew Menzies' fun, eye-popping production design
• Cringeworthy, ham-fisted dialogue throughout
• Stiff performances from all of its cast members
• Roth's lifeless, stylistically flat direction

It was only a matter of time before a film like Borderlands came along. In recent years, Hollywood has become increasingly invested in the business of adapting popular video game properties into new, potentially lucrative films and TV shows. This trend has, somewhat surprisingly, produced a few genuinely fun and exciting adaptations, including HBO’s The Last of Us , Amazon’s Fallout , and even — to an extent — last year’s The Super Mario Bros. Movie . Those three titles, in particular, have done a lot to raise both critics and viewers’ confidence in the quality of the future projects that may come from Hollywood’s current video game craze, so it’s only fitting that Borderlands threatens to take all of that confidence away again.

The new movie from Thanksgiving director Eli Roth is a clunky, lumbering mass of lifeless filmmaking, ham-fisted writing, and — worst of all — unearned confidence. It is a 104-minute-long, self-satisfied smirk with no teeth, an unimaginative amalgamation of video game and sci-fi movie tropes that mistakes making fun of its many, groan-inducing clichés with actual ingenuity. There is nothing new or fresh to be found in Borderlands , except perhaps the discovery that there really are some movies too disastrously messy for even an actress of Cate Blanchett’s caliber to find her way through.

Despite being set in an alternate, presumably sprawling galaxy, Borderlands takes place largely on the fictional desert planet of Pandora. As Blanchett’s red-haired bounty hunter Lilith explains in the film’s stiff opening narration, Pandora was once ruled by a powerful alien race known as the Eridians, but the only trace of them that now remains on the planet is a prophecy that speaks of a future “daughter of Eridia” who will have the power to unlock an ancient, legendary Eridian vault. It’s believed that said vault could help bring prosperity back to Pandora, which is why it has become a subject of obsession not only for its native occupants but also off-planet vault hunters and megacorporation executives who dream of using its contents to expand their own, already immense reserves of power and wealth.

It is one of these executives, an arrogant tech CEO named Atlas (Edgar Ramírez), who seeks out Blanchett’s Lilith early in Borderlands . After interrupting her latest bounty mission, Atlas offers Lilith a life-changing amount of money in exchange for tracking down his daughter, Tina ( Barbie star Ariana Greenblatt), who went missing on Lilith’s home planet, Pandora, weeks ago. It doesn’t take Lilith long to do just that, but her mission is complicated by the presence of Roland ( Lift ‘s Kevin Hart), a former soldier who kidnapped Tina in the hopes that doing so would slow down Atlas long enough for him and his crew to find and open Pandora’s vault first. A couple of explosive misunderstandings and confrontations later, Lilith finds herself reluctantly tagging along with Roland, Tina, and the other two members of their team: a crazed masked enforcer named Krieg (Florian Munteanu) and Dr. Patricia Tannis ( Jamie Lee Curtis ), a vault-obsessed friend of Lilith’s late mother.

The turns that Borderlands takes from there are all predictable and gallingly easy to see coming after only a few minutes of watching the film. That matter isn’t helped by the fact that Borderlands features some of the worst dialogue of any movie released this year. Its screenplay, which was originally written by The Last of Us  showrunner Craig Mazin before he understandably had his name removed from it, now counts Roth and Joe Crombie (a rumored pseudonym of Mazin’s choosing) as its co-writers. Even those authorial credits seem incorrect, though, because Borderlands ultimately feels like a sad, taped-together assortment of studio notes, on-set ideas, and post-production “fixes” that doesn’t come close to anything resembling an actually satisfying Hollywood blockbuster.

The film has no sense of forward momentum or pace. It feels less like a legible adventure story and more like a 40-hour video game that has been cut down to a two-hour montage of just its cutscenes and quicktime events. Roth and editors Julian Clarke and Evan Henke speed up and slow down the film at a rate that is downright befuddling — skipping over major sections of character development and world-building while still trying to jam in set pieces and minor narrative detours that end up jutting out like ill-fitting puzzle pieces. At one point shortly after Lilith’s arrival on Pandora, Blanchett’s voice-over returns to explain how she ran into a group of thieves that she had to take care of on the planet before finally getting a move on… all while viewers watch her do exactly that in an action sequence that feels like it was chopped down from its original two-minute length to 10 seconds. Minutes later, Lilith remarks that she’s spent two weeks on Pandora and hasn’t had any luck finding Tina yet, but it feels before that line is delivered like only one day has passed.

The movie’s choppy, frustrating pace prevents Borderlands ‘ cast from doing anything of real worth or substance with any of their characters. Greenblatt and Blanchett both seem, at least, interested in exploring the contradictory shades of Lilith and Tina’s standoffish yet secretly warm-hearted personalities, but they’re not given the space to do that by Borderlands ‘ hackneyed writing. Blanchett’s turn, consequently, comes across as more of a sustained pose than a complete performance, while Greenblatt is left with little more to do than giggle and skip as she throws explosives at her and her friends’ various enemies. Unfortunately, none of the film’s other performers fare any better, with Hart failing once again despite his best efforts to pass as a convincing action hero. He isn’t aided in that department by Roth. The director’s one defining artistic trait — his signature, gleefully gruesome eye — is missing from Borderlands , which renders it just as stylistically flat as it is narratively dull.

With its desert, postapocalyptic landscape and neon-colored sets, Borderlands wears its sci-fi and fantasy inspirations openly on its sleeve. While the film may borrow major elements from disparate sources like Mad Max: Fury Road , Star Wars: Episode IV — A New Hope , Atlantis: The Lost Empire , and Deadpool , though, you’d be better off watching any of those movies instead. Borderlands is, quite simply, a travesty of epic proportions, a misfire that goes so profoundly haywire that seemingly every one of its limbs gets blasted off. All that’s left is its face, which remains frozen in the same smug smile in the desperate hope that it can convince you there’s more going on under its surface than there is. But there isn’t anything to be found beneath Borderlands ‘ colorful exterior — not an original idea or compelling artistic pursuit in sight, let alone a heartbeat.

Borderlands is now playing in theaters.

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Screen Rant

8 reasons reviews for the borderlands movie are so awful.

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Borderlands' Budget & Box Office Explained: How Much It Needs To Make

Borderlands: 15 easter eggs, video game references, & secret details, the borderlands movie cut its only video game actor cameo.

• Borderlands movie received negative reviews due to underdeveloped characters, lack of chemistry, and poor script and action sequences.
• The ensemble cast led by Cate Blanchett couldn't save the film, with critics noting the lack of character depth and believable relationships.
• Critics found Borderlands to be a wannabe Guardians of the Galaxy knockoff, with Cate Blanchett being the only bright spot in the film.

The Borderlands movie reviews are awful, and there are several reasons why critics' thoughts are so negative. With a director like Eli Roth and a Borderlands cast led by Cate Blanchett, Kevin Hart, Jamie Lee Curtis, Jack Black, and others, there was originally plenty of hope that the film could continue Hollywood's relatively strong streak of producing good video game movie adaptations. But as the marketing continued on and production issues arose, concerns about the overall quality started to mount. It didn't help that Lionsgate held back reviews until hours before audiences watched Borderlands in theaters .

The publishing of various reviews quickly proved why. Borderlands ' Rotten Tomatoes score debuted to 0% , but it has risen slightly thanks to a small amount of positive reviews. With a current Tomatometer of 6% based on 62 reviews, the Rotten Tomatoes rating is guaranteed to stay quite low. Judging a movie strictly on its aggregate score is not always fair, though reading through Borderlands ' reviews help paint a better picture. Unfortunately, it is still a mostly horrible response to the movie, with several major flaws repeatedly being called out among the positive and negative reviews.

The video-game-to-movie adaptation Borderlands is days away from its theatrical premiere, and this is what it needs to be a box office success.

8 Borderlands' Characters Are Underdeveloped

There are too many characters.

One of the biggest issues that repeatedly comes up in Borderlands reviews is how underdeveloped the characters are. The movie might have Cate Blanchett's Lilith and Ariana Greenblatt's Tiny Tina as the focus, but it is really an ensemble film that includes Roland (Kevin Hart), Krieg (Florian Munteanu), Dr. Tannis (Jamie Lee Curtis), and Claptrap (Jack Black) among the heroes, as well as Atlas (Édgar Ramírez) and Knoxx (Janina Gavankar) on the villain side. That's a lot of characters to juggle and develop fully, but the movie fails to do them justice before Borderlands ' ending .

David Rooney from The Hollywood Reporter repeatedly calls out this failure in his review. He notes that "the characters remain one-dimensional — not much more than cartoonish gamer avatars." While he notes Blanchett's solid effort to have fun as Lilith, the review also correctly calls out that "the role is thinly drawn, cut from a familiar template of tough, cynical, cool-headed female action figures." The poor characterization of Lilith continues across the board, with all the other characters lacking true substance.

Taylor Gates' review for Collider also notes how poorly conceived the characters are. She says Borderlands is "simply too cramped for any one character to get the time and development they need to be wholly compelling." The review goes on to note how Moxxi (Gina Gershon) and Knoxx are both not given much to do, that Roland is "woefully underdeveloped," and Tannis and Lilith's history is "grossly oversimplified and glossed over."

7 The Borderlands Team Doesn't Have A Believable Bond

There's no real relationships formed.

Bringing a group of unexpected characters together and having them become a great, unlikely team is something that many movies before and after Borderlands use. In the best cases, this works because the movies give the group time to develop chemistry and relationships, allowing audiences to believe that they are friends, if not like family. That is clearly something Borderlands wants to achieve by bringing its ragtag Vault Hunters together to save Pandora. The issue is that the movie never fully delivers on this idea.

Multiple reviews call out how Borderlands ' team dynamic does not work and their bond is not believable. William Bibbiani from The Wrap perfectly summarized the issue in his review. He wrote, "They crack wise, they fight each other, they fight faceless hordes and at the end, we’re supposed to think they care about each other, but heaven knows why. There must have been a lot of character development and bonding off-camera between scenes, because precious little found its way into the actual movie." Without audiences and critics buying into the team's care for each other, the narrative falls apart.

6 The Script For Borderlands Is Lacking

It is loaded with exposition.

Among the biggest complaints about Borderlands is the script. Originally written by The Last of Us ' Craig Mazin (before he reportedly asked to remove his name from the project) and rewritten by Eli Roth and Joe Crombie, the changes that came to the project throughout its development are ever present in the script. The movie is weighed down by lore, unfunny attempts at comedy, and much more.

Peter Howell's Borderlands review for Toronto Star takes great issue with the final script. Describing it as "moronic" and "the worst thing about Borderlands," his frustrations with the writing only become more clear. He wrote that the movie is "padded with exposition, including shrugged-off voice-overs from Blanchett" and that "The dialogue is so wooden it could be used for a bonfire." Similar sentiments can be found in other reviews too.

5 Borderlands' Action Is Not Exciting

It's not well shot.

The Borderlands video games are known for their action elements as players utilize the different abilities of each character in the first-person shooter. Whether its Lilith's Siren powers or Roland's sharpshooting or Tiny Tina's love of explosives, there was potential for some great sequences. In an era where action movie blockbusters are often the dominant form of entertainment in theaters, the bar for satisfaction and excitement is high, and most critics agree that Borderlands ' action fails to really do anything particularly memorable.

Bob Strauss' review for San Francisco Chronicle makes a good point about why the movie's action does not deliver. When it came to Roth's direction, the review says, he "directs way too much of the “Borderlands” fight sequences in too-tight shots, blunting the action’s impact. Maybe Roth thought this approach would evoke claustrophobic aspects of playing a combat game (it doesn’t)." Matt Donato's review for IGN levels a similar criticism, saying "He directs action sequences like he’s posing action figures."

The Borderlands film features plenty of visual references, sly easter eggs, and hidden recrations of elements and characters from the game series.

4 Borderlands' Attempts At Comedy Are Irritating

Claptrap is particularly troubling.

Most critics are also in agreement that Borderlands ' comedy is one of its weakest elements. This stems from a variety of issues, ranging from poor comedic timing to the rather juvenile jokes included at times. Everything from Lilith's sarcasm and self-deprecation, Tiny Tina's freakouts, and Roland's occasional one-liners mostly fall flat. Some of this could come down to the actos' performances in various scenes, but it also comes from the direction of Eli Roth.

The biggest annoyance when it comes to Borderlands ' comedy is Claptrap based on the reviews. Andrew Salazar's review for Discussing Film calls Claptrap "the most annoying aspect of the film" and that Roth often hurts any momentum Jack Black makes with his performance by forcing in "another lame joke." Giovanni Lago's review for Next Best Picture doubles down on this criticism by saying the pairing of Black and Claptrap "leads to such unamusing results that it’s frankly embarrassing."

3 The PG-13 Rating Hurts The Video Game Adaptation

Many Borderlands reviews also take issue with the film's PG-13 rating. This partially stems from it being a video game adaptation where the source material is rated M, the equivalent to an R-rating for a movie. Tim Grierson's review for Screen Daily says, "as Borderlands features little swearing or graphic violence, this supposedly irreverent, down-and-dirty action flick feels neutered." That's not exactly what players want to hear when it comes to the movie being an accurate representation of the games, but it's far from that in more ways than just the PG-13 rating.

Borderlands was supposed to have a cameo from an actor from the video game franchise, but the scenes appear to have been cut from the movie.

The criticisms of Borderlands ' PG-13 rating continue with other reviews, such as Alison Foreman's for IndieWire . She said, "The choice to push for a PG-13 rating here was a mistake, one that not only betrays the gleefully perverse and graphic games but makes the end product just a bit too mature for the kid-kids who might actually enjoy its shallow story." However, other reviews note that the switch from PG-13 to R would not have done much to help, with Jesse Hassenger's review for The Guardian saying "Blame the PG-13 if you must, but CG blood wouldn’t improve matters."

2 Borderlands Can't Escape Guardians Of The Galaxy's Shadow

It feels like a bad knockoff.

A common point made in most Borderlands reviews is how similar it is to Marvel Studios and James Gunn's Guardians of the Galaxy . Both movies follow a ragtag group of outcasts who must band together to save the galaxy set against a soundtrack with recognizable needle drops and bright, colorful visuals. Even though the Borderlands games predate the 2014 Marvel movie, the impact of it remained in critics' minds when it came to looking at the 2024 video game movie. And Borderlands stood no chance in that comparison.

Dan Jolin's review for Empire repeatedly compares Borderlands ' faults against Guardians of the Galaxy 's strengths. The review says the creatives "have neither Gunn’s wit nor his wisdom" leading to stale jokes, lacking emotion, and more. Peter Debruge's review for Variety called it "a generic Guardians of the Galaxy knockoff where the cantankerous ensemble has guns instead of superpowers." Kevin Maher's review for The Times similarly refers to Borderlands as "Guardians of the Galaxy without any self-deprecating wit." It was impossible to escape these comparisons, and the movie can't live up to them either.

1 Not Even Cate Blanchett Can Save Borderlands From Its Faults

She's the consensus bright spot.

If there is one good thing that the bad Borderlands reviews can agree on, its that Cate Blanchett is the brightest spot in an otherwise dismal movie. Practically every review, both positive and negative, sing her praises for committing to the part and bringing some level of fun at times. Tatiana Hullender's review for Screen Rant notes that "Blanchett knows exactly what movie she's in, and she seems to be having the time of her life fitting herself into the mold of a video game heroine."

This sentiment continues across a variety of other reviews. Collider says "she delivers the way we know she can" when given the right opportunities. The Wrap 's review says "Blanchett doesn’t have to resort to kitsch... strutting and kicking ass even when nothing else in the film can match her swagger." Of course, not everyone is a fan, with IGN saying Blanchett plays Lilith "with eye-rolling ambivalence that translates into a dry, disinterested performance." The criticisms against Blanchett's performance are few and far between, but even the praise only exemplifies how much else doesn't work for Borderlands .

Borderlands

Official title of third 'Avatar' film revealed at D23

The announcement was made at the Disney fan event Friday.

Disney revealed the official title for the third "Avatar" film at D23 on Friday in Anaheim, California.

The title of the highly anticipated film is "Avatar: Fire and Ash."

Director James Cameron and stars Sam Worthington and Zoe Saldaña were in attendance at D23 to celebrate the big reveal.

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Following the blockbuster success of the first two films in the franchise -- "Avatar" and "Avatar: The Way of Water" -- "Avatar: Fire and Ash" will continue to follow Jake Sully (Sam Worthington), Neytiri (Zoe Saldana) and their Na'vi family on the planet Pandora.

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The 2022 sequel, "Avatar: The Way of Water," earned more than $2 billion worldwide and won one Oscar.

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Disney is the parent company of ABC News and "Good Morning America."

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